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Culture and Sport
CULTURE AND SPORT Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, China Cultural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
ACMR Newsletter Association for Chinese Music Research 中國音樂研究會通訊
ACMR Newsletter http://acmr.info/ Association for Chinese Music Research 中國音樂研究會通訊 Volume 20, number 1 May 2014 MESSAGE FROM THE PRESIDENT Membership Dues Spring greetings meeting also appears in this issue if you to the ACMR were unable to join us. community! I hope you enjoy I encourage all of our members (old and this latest issue new) to take the time to read the tribute of the ACMR to one of our founding members, Rulan Newsletter; our Chao Pian, in commemoration of her newsletter team passing late last year. I look forward to has been work- celebrating her contributions to our com- ing hard to munity when we gather in Pittsburgh this compile infor- fall. Lei Ouyang mation that will Bryant be useful and Our two established prizes (Rulan Chao engaging to our Pian and Barbara Barnard Smith) continue members. As always, we encourage eve- to receive numerous submissions and I ryone to regularly submit updates on their will announce the 2014 winners this fall at research and scholarship. Please continue our annual meeting. As discussed at the to let our Newsletter Editors know of any 2013 meeting, a new student travel prize items you would like to see appear in our (Ruby Chao Yeh Student Travel Award), Inside this issue: newsletter. is under development. More news will be coming out shortly regarding this new I greatly enjoyed our gathering in Indianap- prize. olis for our 2013 annual meeting in con- Announcements, junction with the Society for Ethnomusi- Finally, the ACMR officers are finalizing 2 prize winners cology. It was a pleasure to meet old and the constitution and bylaws and will be new colleagues and provide the oppor- contacting you shortly for your input and People and places tunity for us to come together to discuss eventually to bring the documents to the 3-4 Recent work our shared research interests. -
Investigation and Analysis of Architectural Styles in the Historical Center of Macau
Research report Research Report and Culture, 43(4), pp. 657-667. 23(2), pp. 3-16. Received April 21, 2020; Accepted October 19, 2020 [4] Loewy, R. (2002) Never leave well enough alone. [16] Akrich, M. (1992) The de-scription of technical Baltimore, MD: Johns Hopkins University Press. objects, in W. Bijker & J. Law [Eds] Shaping [5] Edgerton, D. (1999) From innovation to use: Ten technology/building society: Studies in INVESTIGATION AND ANALYSIS OF ARCHITECTURAL eclectic theses on the historiography of technology. sociotechnical change. Cambridge, MA: MIT Press, History and Technology, 16, pp. 111-136. pp. 205-224. STYLES IN THE HISTORICAL CENTER OF MACAU [6] Williamson, B. (2009) The bicycle: considering [17] Norman, D. A. (2002) The design of everyday design in use, in H. Clark & D. Brody [Eds], Design things. New York : Basic Books. Yang Yang ZHANG*, Po Hsun WANG** studies: A reader. New York, NY: Berg, pp. 522-524. [18] Latour, B. (2005) Reassembling the social: An [7] Pinch, T. E., & Bijker, W. (1989) The social introduction to actor-network theory. Oxford: Oxford construction of facts and artifacts: Or how the University Press. * Graduate school of Urban Planning and Design, Faculty of Innovation and Design, City University of Macau, Macau ** Faculty of Innovation and Design, City University of Macau, Macau sociology of science and the sociology of technology [19] Conway, H. (Ed.) (1987) Design history: A student’s might benefit each other, in T.P. Bijker, W.T. Hughes, handbook. London, England: Routledge. & T.E. Pinch [Eds], The social construction of [20] Walker, J. (1989) Design history and the history of Abstract: The purpose of this study is to investigate and analyze the architectural styles of the Historical technological systems: New directions in the design. -
Cultural Aspects of Sustainability Challenges of Island-Like Territories: Case Study of Macau, China
Ecocycles 2016 Scientific journal of the European Ecocycles Society Ecocycles 1(2): 35-45 (2016) ISSN 2416-2140 DOI: 10.19040/ecocycles.v1i2.37 ARTICLE Cultural aspects of sustainability challenges of island-like territories: case study of Macau, China Ivan Zadori Faculty of Culture, Education and Regional Development, University of Pécs E-mail: [email protected] Abstract - Sustainability challenges and reactions are not new in the history of human communities but there is a substantial difference between the earlier periods and the present situation: in the earlier periods of human history sustainability depended on the geographic situation and natural resources, today the economic performance and competitiveness are determinative instead of the earlier factors. Economic, social and environmental situations that seem unsustainable could be manageable well if a given land or territory finds that market niche where it could operate successfully, could generate new diversification paths and could create products and services that are interesting and marketable for the outside world. This article is focusing on the sustainability challenges of Macau, China. The case study shows how this special, island-like territory tries to find balance between the economic, social and environmental processes, the management of the present cultural supply and the way that Macau creates new cultural products and services that could be competitive factors in the next years. Keywords - Macau, sustainability, resources, economy, environment, competitiveness -
Ms Ng Wing-Mui DOCTOR of HUMANITIES Honoris Causa Citation
Ms Ng Wing-mui DOCTOR OF HUMANITIES honoris causa Citation Ms Ng Wing-mui, well known as “Mui E” (Auntie Mui), is a master singer in both Cantonese operatic song yuetkuk and Cantonese narrative singing naamyam. Mui E began singing these two genres in her teens. Having been a professional singer since she was seven, Mui E made a name when she was thirteen. Since the 1930s, she has made music with all of the celebrated artists of Cantonese music of the time. With eighty years of practice and performance experience, Mui E excels in the two genres of yuetkuk and naamyam and is now considered a grand master artist of shiniang qiang (style of the blind female singers). In her early years she learnt from gushi (blind male singers) Liu Jiu and shiniang Renxin and Yinjiao, capturing the essence of Cantonese naamyam singing. In addition to being a gifted singer, Mui E is also a very talented instrumental performer. She is especially skilled in two musical instruments, the long-neck plucked lute qinqin and the hammered dulcimer yangqin. In the late 1930s and early 1940s, the prominent Hong Kong Cantonese musician, Siu Tit- hung, composed the famous piece “Flowing Water and Moving Clouds”. Chan Luk-ping of Macau set this melody with lyrics and turned it into a well-known piece of Cantonese operatic song yuetkuk, “My Man Returns Late”. At thirteen, Mui E premiered the song and immediately gained a reputation in Hong Kong and Macau. Knowing of Mui E’s talent and fame, Siu went to Macau and played his musical instruments to Mui E’s singing. -
GEG Supports the Chinese Children's Theatre Play “Three Monks”
GEG Supports the Chinese Children’s Theatre Play “Three Monks” January 21, 2021 – Galaxy Entertainment Group (“GEG”) actively supports and encourages young people to join arts and cultural activities with aims of enriching the city’s arts and culture offerings. Recently, GEG supported the Macao Association of Chinese Culture and Arts Development in organizing the “Three Monks” performance at the Broadway Theatre of Broadway Macau™ by being the venue and technical support sponsor. The premiere was attended by guests of honor including Mr. Wan Sucheng, Director of Department of Publicity and Culture of Liaison Office of the Central People's Government in the Macau SAR; Ms. Li Yijun, Deputy Director- General of Department of Consular Affairs of Office of the Commissioner of the Ministry of Foreign Affairs of the PRC in the Macau SAR; Ms. Mok Ian Ian, Director of the Cultural Affairs Bureau of the Macau SAR; Mr. Wong Ka Ki, Head of Department of Education of the Education and Youth Affairs Bureau; Mr. Philip Cheng, Director of GEG; Mr. Zhou You, Rector of the Macao Conservatory; Mr. Wong Ka Lon, Chairman of the Macao Association of Chinese Culture and Arts Development; and Mr. Ernan Mao, Director of “Three Monks”. To nurture the arts and cultural appreciation in local youths, GEG held a sharing session after the premiere, during which, Ms. Feng Li, President of the China National Theatre for Children, shared her experience with attending guests and students. The “Three Monks” was performed by the China National Theatre for Children (“CNTC”) and being the premiere performance in Macau, GEG invited students from the Macao Conservatory and the Drama Society of the University of Macau, and troupes that have previously performed at the Broadway Theatre, to watch the show. -
Tourism Experience and Construction of Personalized Smart Tourism Program Under Tourist Psychology
ORIGINAL RESEARCH published: 22 July 2021 doi: 10.3389/fpsyg.2021.691183 Tourism Experience and Construction of Personalized Smart Tourism Program Under Tourist Psychology Feiya Lan 1, Qijun Huang 2, Lijin Zeng 3, Xiuming Guan 4, Dan Xing 5 and Ziyan Cheng 1* 1 Faculty of International Tourism and Management, City University of Macau, Macao, China, 2 Faculty of Law, Hebei University, Baoding, China, 3 School of Public Economics and Administration, Shanghai University of Finance and Economics, Shanghai, China, 4 School of Business, Macau University of Science and Technology, Macao, China, 5 Department of Environmental Art and Design, China Academy of Art, Hangzhou, China The present work aims to boost tourism development in China, grasp the psychology of tourists at any time, and provide personalized tourist services. The research object is the tourism industry in Macau. In particular, tourists’ experiences are comprehensively analyzed in terms of dining, living, traveling, sightseeing, shopping, and entertaining as per their psychological changes using approaches including big data analysis, literature analysis, and field investigation. In this case, a model of tourism experience formation Edited by: path is summarized, and a smart travel solution is proposed based on psychological Mehmet Efe Biresselioglu, experience. In the end, specific and feasible suggestions are put forward for the Macau Izmir University of Economics, Turkey tourism industry. Results demonstrate that the psychology-based smart travel solution Reviewed by: exerts a significant impact on tourists’ tourism experience. Specifically, the weight of Linchuan Yang, Southwest Jiaotong University, China secular tourism experience is 0.523, the weight of aesthetic tourism experience is Liubov Skavronskaya, 0.356, and the weight of stimulating tourism experience is 0.121. -
My Days with the Institute of Chinese Studies
2017 No. 4 Interview with Professor Cheng Hwei Shing My Days with the Institute of Chinese Studies Date: 9 November 2017 Location: Room 124, the Institute of Chinese Studies (ICS) Interviewee: Professor Cheng Hwei Shing, Senior Research Fellow (honorary), Research Centre for Contemporary Chinese Culture, ICS Interviewer: Professor Lai Chi Tim, Associate Director of the Institute of Chinese Studies Recorded by: Pei Fanhui, MPhil in Translation, CUHK Professor Cheng Hwei Shing was born in Hong Kong in September 1949. He graduated from the Department of History at Nanjing University in 1982, and was then assigned to work at the Second Historical Archives of China in Nanjing. He was promoted as the Associate Director of the Archive Processing and Cataloguing Department in January 1985. In December 1988, he came to Hong Kong and reside there hereafter. He obtained an MPhil degree from the University of Hong Kong and a PhD degree from the Chinese University of Hong Kong. He had been working with the Institute of Chinese Studies in the Chinese University of Hong Kong since 1990 and retired in September 2013. Professor Cheng is now a Senior Research Fellow (honorary) of Institute of Chinese Studies and Adjunct Professor at the Department of History in the Chinese University of Hong Kong. Professor Cheng has long been working on the collecting, editing and publishing of archives for the Republic of China Period. His study focuses on the history of the Republic of China, especially on the financial and economic policies, national capital and bureaucratic capital under the Nationalist Government in the 1930s and 40s, as well as its sino-foreign economic relationships. -
Culture and Sport
CULTURE AND SPORT Culture and Sport Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, Chinese Culture and Natural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
The Saxophone in China: Historical Performance and Development
THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China. -
Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011)
Bell Yung’s CV 1 Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011) Home Address 504 N. Neville St., Pittsburgh, PA 15213 Tel: (412) 681-1643 Office Address Room 206, Music Building University of Pittsburgh, Pittsburgh, PA 15260 Tel: (412) 624-4061; Fax: (412) 624-4186 e-mail: [email protected] Education Ph.D. in Music, Harvard University, 1976 Ph.D. in Physics, Massachusetts Institute of Technology, 1970 B.Sc. in Engineering Physics, University of California, Berkeley, 1964 Piano performance with Kyriana Siloti, 1967-69 Piano pedagogy at Boston University Summer School at Tanglewood, 1967 Performance studies of various instruments in the Javanese gamelan ensemble, particularly on gender barung (metal xylophone) with Pak Djokowaluya, Yogyakarta, summer 1983. Performance studies of various Chinese instruments; in particular qin (seven-string zither) with Masters Tsar Teh-yun of Hong Kong, from 1978 on, and Yao Bingyan of Shanghai, summer of 1980, 81, 82. Academic Employment University of Pittsburgh Professor of Music, 1994 (On leave 1996-98, and on leave half time 98-02) Associate Professor of Music, 1987 Assistant Professor of Music, 1981 University of Hong Kong Kwan Fong Chair in Chinese Music, University of Hong Kong, 1998.2 – 2002.7. Reader in Music, University of Hong Kong, 1996.8-1998.2 (From February 1998 to 2002, I held joint appointments at the University of Pittsburgh and the University of Hong Kong, teaching one term a year at each institution.) University of California at Davis, Visiting Associate -
Programme Booklet
Contents Forewords & Messages 1. Welcoming Messages p.4 2. About APSMER (Asia-Pacific Symposium for Music Education Research) p9 3. Organizing Committee of APSMER2019 p10 4. About MPI’s Music Program p11 5. About ISME World Conference 2020 p12 6. MPI Campus Map p13 Program 7. Rundown p14 8. Detail Program p16 9. Keynote Speech p23 10. ISME Open Session p26 11. Program of Welcome Concert p27 12. Performing Groups p29 Acknowledgements 13. Students Volunteers p35 14. Supporting Partners p36 Astracts p40 ] 3 [ Speech at the Opening Ceremony of the 12th Asia-Pacific Symposium for Music Education Research Prof. Im Sio Kei President of Macao Polytechnic Institute 2019.07.16 Distinguished guests, Ladies and Gentlemen, On behalf of the Macao Polytechnic Institute, I would like to welcome you to the “12th Asia-Pacific Symposium for Music Education Research”! On the occasion of the 20th anniversary of Macao’s returning to the motherland, we are honoured to organise this international event in the music education industry. Culture and education have always been one of the key directions of Macao well supported by the Government. Art education is a key foundation for cultural development. Music, as an important measure of art education, plays a considerable role in developing students’ personality, culture, and sentiment. Deeply aware of the importance of music education, Macao Polytechnic Institute, as the only higher education institution in Macao that simultaneously offers music, design and visual arts, has always been committed to educating music professional artists and music educators who serve Macao. On the basis of the review of the UK Quality Assurance Agency for Higher Education, the Bachelor of Arts in Music programme has also been accredited by the Higher Education Evaluation and Accreditation Council of Taiwan.