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Culture and Sport
CULTURE AND SPORT Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, China Cultural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
Korean Dance and Pansori in D.C.: Interactions with Others, the Body, and Collective Memory at a Korean Performing Arts Studio
ABSTRACT Title of Document: KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO Lauren Rebecca Ash-Morgan, M.A., 2009 Directed By: Professor Robert C. Provine School of Music This thesis is the result of seventeen months’ field work as a dance and pansori student at the Washington Korean Dance Company studio. It examines the studio experience, focusing on three levels of interaction. First, I describe participants’ interactions with each other, which create a strong studio community and a women’s “Korean space” at the intersection of culturally hybrid lives. Second, I examine interactions with the physical challenges presented by these arts and explain the satisfaction that these challenges can generate using Csikszentmihalyi’s theory of “optimal experience” or “flow.” Third, I examine interactions with discourse on the meanings and histories of these arts. I suggest that participants can find deeper significance in performing these arts as a result of this discourse, forming intellectual and emotional bonds to imagined people of the past and present. Finally, I explain how all these levels of interaction can foster in the participant an increasingly rich and complex identity. KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO By Lauren Rebecca Ash-Morgan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2009 Advisory Committee: Dr. Robert C. Provine, Chair Dr. -
GEG Supports the Chinese Children's Theatre Play “Three Monks”
GEG Supports the Chinese Children’s Theatre Play “Three Monks” January 21, 2021 – Galaxy Entertainment Group (“GEG”) actively supports and encourages young people to join arts and cultural activities with aims of enriching the city’s arts and culture offerings. Recently, GEG supported the Macao Association of Chinese Culture and Arts Development in organizing the “Three Monks” performance at the Broadway Theatre of Broadway Macau™ by being the venue and technical support sponsor. The premiere was attended by guests of honor including Mr. Wan Sucheng, Director of Department of Publicity and Culture of Liaison Office of the Central People's Government in the Macau SAR; Ms. Li Yijun, Deputy Director- General of Department of Consular Affairs of Office of the Commissioner of the Ministry of Foreign Affairs of the PRC in the Macau SAR; Ms. Mok Ian Ian, Director of the Cultural Affairs Bureau of the Macau SAR; Mr. Wong Ka Ki, Head of Department of Education of the Education and Youth Affairs Bureau; Mr. Philip Cheng, Director of GEG; Mr. Zhou You, Rector of the Macao Conservatory; Mr. Wong Ka Lon, Chairman of the Macao Association of Chinese Culture and Arts Development; and Mr. Ernan Mao, Director of “Three Monks”. To nurture the arts and cultural appreciation in local youths, GEG held a sharing session after the premiere, during which, Ms. Feng Li, President of the China National Theatre for Children, shared her experience with attending guests and students. The “Three Monks” was performed by the China National Theatre for Children (“CNTC”) and being the premiere performance in Macau, GEG invited students from the Macao Conservatory and the Drama Society of the University of Macau, and troupes that have previously performed at the Broadway Theatre, to watch the show. -
Playing Janggu (Korean Drum)
2011 EPIK Episode 1 Playing Janggu (Korean drum) Written by: Jennifer Arzadon Cheongju Technical High School The most impressive moment that has happened to me at my school would have to be when I accidentally joined the samul nori teacher’s group. I was invited to be a spectator at a samul nori practice session during lunchtime. The moment I entered their practice room, a janggu was placed in front of me and I was shown how to beat the drum-like instrument. Samul nori is the Korean traditional percussion music. The word samul means "four objects" and nori means "play" which is performed with four traditional Korean musical instruments: kkwaenggwari (a small gong), jing (a larger gong), janggu (an hourglass-shaped drum), and buk (a barrel drum similar to the bass drum). The traditional Korean instruments are called pungmul. Every Monday during lunchtime is our regular practices. Our leader kindly gave me my own gungchae and yeolchae so I can practice playing janggu on my own. One month later, we were told that the samul nori team was to perform for the official opening of the school’s new building. The week before the performance, we met and practiced every day during lunch along with the students who were going to perform with us. The day finally came for our first performance and I was pretty nervous. We got dressed in the traditional samul nori outfits and practiced one last time before heading out. The performance went great. We performed in front and all around the building to bless, to ensure good fortune and of course to celebrate. -
Culture and Sport
CULTURE AND SPORT Culture and Sport Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, Chinese Culture and Natural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
The Saxophone in China: Historical Performance and Development
THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China. -
Asean-Korea Festival 2014
PRASAT BAYON Angkor Thom, Angkor, Siem Reap Province Kingdom of Cambodia PROGRAM SIEM REAP PRASAT BAYON MARCH 19 (WED), 2014 18:30-20:30 CAMBODIAN PERFORMANCE SARANG-GA Cambodia Traditional Performance Traditional Song & Dance BUCHAE-CHUM JINDO BUK-CHUM Traditional Dance Traditional Dance SONGS OF ARIRANG KOREAN DRAMA OST Traditional Folk Music Music From ‘City Hunter’ & ‘King of Baking, Kim Tak Goo’ YEOKDONG NONGAK-MU Choreographed Dance Traditional Dance JANGGU-CHUM Traditional Dance ASEAN-KOREA FESTIVAL 2014 CAMBODIA PRASAT BAYON, SIEM REAP 18:30-20:30 MARCH 19 WWW.ASEANKOREA.ORG blog.aseankorea.org 8F, Sejong-daero 124 www.facebook.com/ASEANROKcentre Jung-gu, Seoul www.twitter.com/ASEANROKcentre EMBASSY OF THE REPUBLIC OF KOREA CO-ORGANIZED BY MINISTRY OF TOURISM SUPPORTED BY Republic of Korea, 100-750 www.youtube.com/user/ASEANROKcentre IN THE KINGDOM OF CAMBODIA ASEAN-KOREA FESTIVAL 2014 IN CAMBODIA PERFORMANCES ABOUT ASEAN-KOREAN FESTIVAL 2014 BUCHAE-CHUM | TRADITIONAL DANCE JANGGU-CHUM | TRADITIONAL DANCE SONGS OF ARIRANG ASEAN-Korea Festival 2014 is co-organized by the ASEAN-Korea Centre and The simple yet graceful movement of Jukseon Janggu-chum is a rhythmic piece, where A compilation of different versions of Arirang such as, the Ministry of Tourism in the Kingdom of Cambodia and supported by (traditional fan made out of bamboo shoot) and female dancers play various beats with Gein Arirang, Jungsun Arirang, Gu Arirang, Bonjo Arirang, Gangwondo the Embassy of the Republic of Korea in the Kingdom of Cambodia. This cultural Hanji (traditional Korean paper handmade from the Janggu (traditional Korean drum) Arirang, Haeju Arirang and Miryang Arirang will be performed in event is part of an effort to celebrate the 25th Anniversary of Dialogue Partnership mulberry trees) is like seeing a fully bloomed slung over their waist while tiptoeing Sori (Korean word referring to the traditional way of singing). -
• School Support & School Ethos
• School Motto • School Mission • Management & Organization • Highlights of Learning and Teaching • School Development Plan and Major Concerns • School Support & School Ethos • Performance of Students in 2015 • Financial Report I. School Motto ‘Thou art the Light of the World.’ 爾乃世之光( ) (Matthew 5:14) We hope our students can become ‘True Light of the World’—the future light-bearers and seed-sowers of the Christian faith. II. School Mission In pursuit of the Christian ideal of love and equality, True Light provides whole-person Christian education for women in the spirit of the school motto, ‘Thou art the light of the world’. It is our tradition to promote among our students creativity, innovation, altruism and the pursuit of excellence. At the same time, we embrace the belief ‘education is life’. Through participation in diverse school activities, our students achieve balanced development in various domains, namely moral, intellectual, physical, aesthetic, social and spiritual aspects. The following qualities are what our students strive to attain through the education we provide: . To be physically fit . To be able to endure and persevere in times of challenges and setbacks . To be humble, courteous, honest and law-abiding persons . To be dedicated, eager to learn, prudent, critical in thinking and steadfast in taking action . To be talented in all aspects . To be always ready to work for the betterment of the environment . To be equipped with professional knowledge and skills . To be keenly aware of the needs and realities of their time . To be able to co-operate with others proactively for the benefit of society . To be just and unprejudiced, and willing to sacrifice and serve . -
A Comparative Study of Selected Secondary School Preservice Music Teacher Education Programs in the Republic of Korea And
A COMPARATIVE STUDY OF SELECTED SECONDARY SCHOOL PRESERVICE MUSIC TEACHER EDUCATION PROGRAMS IN THE REPUBLIC OF KOREA AND THE UNITED STATES by Bo Yeon Kim A dissertation submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Doctor of Philosophy School of Music The University of Utah December 2015 Copyright © Bo Yeon Kim 2015 All Rights Reserved The University of Utah Graduate School STATEMENT OF DISSERTATION APPROVAL The dissertation of Bo Yeon Kim has been approved by the following supervisory committee members: Mark Ely , Chair 03/13/2015 Date Approved Joelle Lien , Member 03/13/2015 Date Approved Rachel Nardo , Member 03/13/2105 Date Approved Hasse Borup , Member 03/13/2015 Date Approved Michael Gardner , Member 03/13/2015 Date Approved and by Miguel Chuaqui , Chair/Dean of the Department/College/School of Music and by David B. Kieda, Dean of The Graduate School. ABSTRACT In this study, I investigated and compared secondary school preservice music teacher education programs in the Republic of Korea and in the United States of America. The purpose of this study was to identify similarities and differences between secondary school preservice music teacher education programs from Korea and the United States to facilitate understanding of teacher education programs. I analyzed in detail the admission requirements, curricula, and teaching practica of selected universities in both countries. Specifically, four Korean universities and three U.S. universities were selected for analysis. The Korean universities were Chonnam National University [CNU], Kongju National University [KNU], Korea National University of Education [KNUE], and Konkuk University [KU]. -
Extra 2650 – Oh Britannia!
AP FILE PHOTO Macau Daily Times | Edition 2650 | 23 Sep 2016 OhNo, BritanniaBritannia! Not everybody is singing the same tune in post- Brexit UK; talk of whether to revive royal yacht Britannia is on the table, while Paul and Ringo, British national symbols of even larger magnitude, are coming back together with doc on beatlemania X3 Movies: The Magnificent Seven Books: Home by Harlan Coben Music: Braver Than We Are by Meat Loaf Wine: The Buyer’s Caveat Food & beverage: Negative online reviews are double-edge sword for businesses X2 PÁTIO DA ILUSÃO illusion DRIVE IN Lindsey Bahr, AP Film Writer HE AGNIFICENT EVEN ‘T M S ’ AP PHOTO RIDES AGAIN, WITH MORE GUNS eciding to remake “The to save a terrorized town, even return to her small farming Magnificent Seven” with if he does up the shoot-em-up town of Rose Creek to save Da fresh batch of movie stars is action (and body count). Ber- them from the terror of gree- certainly no sin. John Sturges’ nstein’s score is given a few dy industrialist Bartholomew 1960 tome, itself a remake nods throughout the film, but Bogue, played with delicious, of Akira Kurosawa’s classic saved in full for the final cre- over-the-top menace by Peter “Seven Samurai,” is a fun dits. Thus, it’s left to the actors Sarsgaard. confection of star power and to carry us through the over Bogue is running a mining charismatic bravado, sure, two-hour running time. operation nearby and wants but held in such high esteem You could do worse than put- their land, too. -
Chinese Folk Dance Dramajinggang Jinggang Premieres in Macau At
Chinese Folk Dance Drama Jinggang Jinggang Premieres in Macau at MGM Theater Passing On Chinese Heritage to Foster Patriotism To celebrate the 70th anniversary of the founding of the People's Republic of China and the 20th anniversary of the Macau SAR, MGM presents the Chinese folk dance drama Jinggang Jinggang with Henry Fok Foundation, Beijing Dance Academy (BDA) and Macau Dancers Association, enrapturing the Macau public for the very first time on September 20 and 21 at MGM Theater, MGM COTAI. With the support of the Liaison Office of the Central People’s Government in the Macao SAR, Education and Youth Affairs Bureau, Cultural Affairs Bureau and other supporting units, this state-class performance aims to strengthen the sense of patriotism and national pride of Macau locals. Being such a great opportunity to learn about the national development, MGM has invited its team members to the theater and experience this fascinating performance. Offstage, the state-class dancers from the Youth Dance Company of BDA are invited to meet with the local schools and dancing community to host their first dancing workshop in Macau, nurturing and encouraging the young dancers with their substantial experience in Chinese folk dance. The opening ceremony of Jinggang Jinggang kicks off on September 20 right before the performance, and is officiated by guests of honors, including Ms. Winnie Fok Wai Fun, Wife of Chief Executive of the Macau SAR; Dr. Alexis Tam, Secretary for Social Affairs and Culture; Mr. Xue Xiaofeng, Deputy-Director of Liaison Office of the Central People's Government in the Macao SAR; Ms. -
Korean Drumming and Creative Music Virtual Performance Program Here
Korean Drumming & Creative Music A Virtual Performance Wednesday, May 5, 2021 World Music Hall, Wesleyan University Program Beginning and advanced students of the Korean Drumming Ensemble & Creative Music, directed by Adjunct Assistant Professor of Music Jin Hi Kim, play pieces derived from tradition in addition to new ideas, performed on the two-headed drums 장구(janggu), barrel drums 북(buk), hand gong 꽹과리(kwenggari), and a suspended gong 징(jing). The group plays a variety of mesmerizing janggo rhythmic patterns, which swing through innumerable repetitive cycles and get dramatically and vigorously developed. The ensemble also creates new work discovering new possible sounds and imaginative explorations on those instruments. The ensemble has spent the past semester learning about the instruments, practices, and cultural implications that galvanize to shape the music and culture of Korean drumming. Throughout the course, students were asked to consider not only the music’s sound, but also it's physical forms. They learned to explore the historical context associated with each instrument. For example, the two-headed janggu drum symbolizes yin and yang, which is reflected in the characteristics of sound and energy. Students focus on their individual drumming as a meditative practice, but they also learn to work collaboratively as a united and respectful group. They have cultivated calm and confident energy for three months. In the end they integrate their focused mind, physical body energy and breathing through a stream of repetitive rhythmic cycles. They are mesmerized by the repetition. Students have expressed that they learned joy, meditation, relaxation, creativity, social community, and the satisfaction of being one voice through a team effort.