2.1 Cultural Heritage Tourism
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Culture and Sport
CULTURE AND SPORT Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, China Cultural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
Recovering Xiangshan Culture and the Joint Local Development
Asian Social Science; Vol. 10, No. 11; 2014 ISSN 1911-2017 E-ISSN 1911-2025 Published by Canadian Center of Science and Education Recovering Xiangshan Culture and the Joint Local Development Ruihui Han1 1 Humanities School, Jinan University, Zhuhai, Guangdong Province, China Correspondence: Ruihui Han, Humanities School, Jinan University, Zhuhai, Guangdong Province, China. E-mail: [email protected] Received: April 21, 2014 Accepted: May 5, 2014 Online Published: May 30, 2014 doi:10.5539/ass.v10n11p77 URL: http://dx.doi.org/10.5539/ass.v10n11p77 Abstract Xiangshan culture is a beautiful flower in Chinese modern history. The paper analyzes the origin, development, waning and influence of it. It is innovating and pioneering, and has the features of inclusiveness, mercantilism and its own historical heritage. Recovering Xiangshan culture has significant meaning for the local development of economy, society and culture. And that would also provide the positive driving force for the historic progress of all the China. Keywords: Xiangshan culture, Xiangshanese, modernization, social development, cultural development 1. Introduction The requirement of regional integration of Zhongshan, Zhuhai and Jiangmen often appeared in recent years. For example, the bill for combining Zhongshan, Zhuhai and Jiangmen as Zhujiang City was tabled by Guangdong Zhigong Party committee in January, 2014. The same bill was also tabled by the Macau member of CPPCC(Chinese People's Political Consultative Conference) in March, 2013. The city administration partition hinders the regional development of Xiangshan. Integration of the three cities can improve the cooperation with the destruction of administration partition. The bills are thought as a good idea but cannot be realized easily. -
ACMR Newsletter Association for Chinese Music Research 中國音樂研究會通訊
ACMR Newsletter http://acmr.info/ Association for Chinese Music Research 中國音樂研究會通訊 Volume 20, number 1 May 2014 MESSAGE FROM THE PRESIDENT Membership Dues Spring greetings meeting also appears in this issue if you to the ACMR were unable to join us. community! I hope you enjoy I encourage all of our members (old and this latest issue new) to take the time to read the tribute of the ACMR to one of our founding members, Rulan Newsletter; our Chao Pian, in commemoration of her newsletter team passing late last year. I look forward to has been work- celebrating her contributions to our com- ing hard to munity when we gather in Pittsburgh this compile infor- fall. Lei Ouyang mation that will Bryant be useful and Our two established prizes (Rulan Chao engaging to our Pian and Barbara Barnard Smith) continue members. As always, we encourage eve- to receive numerous submissions and I ryone to regularly submit updates on their will announce the 2014 winners this fall at research and scholarship. Please continue our annual meeting. As discussed at the to let our Newsletter Editors know of any 2013 meeting, a new student travel prize items you would like to see appear in our (Ruby Chao Yeh Student Travel Award), Inside this issue: newsletter. is under development. More news will be coming out shortly regarding this new I greatly enjoyed our gathering in Indianap- prize. olis for our 2013 annual meeting in con- Announcements, junction with the Society for Ethnomusi- Finally, the ACMR officers are finalizing 2 prize winners cology. It was a pleasure to meet old and the constitution and bylaws and will be new colleagues and provide the oppor- contacting you shortly for your input and People and places tunity for us to come together to discuss eventually to bring the documents to the 3-4 Recent work our shared research interests. -
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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Protection and Development of the Intangible Cultural Heritage of Lingnan Embroidery from the Perspective of Maritime Silk Road Shujun Zheng Fuzhou University of International Studies and Trade Fuzhou, China 350001 Abstract—In the 21st century, people of insight in the Now, it has been endowed with new era connotation by this society called for saving and protecting the dying Chaozhou new grand idea. Lingnan area, which is rich in intangible embroidery techniques, and Chaozhou embroidery was cultural heritage resources of Chaozhou embroidery, lacks included in the first national intangible cultural heritage list. long-term development strategy. Lingnan area related to the However, the protection of intangible cultural heritage has maritime silk route is rich in intangible cultural heritage different views in the academic circle, and specific protection resources, which has a long history. Therefore, it is important projects of intangible cultural heritage have their bases. to take this opportunity to set up the Lingnan clan Although fashionable embroidery is highly sought after in the embroidery "Hester" brand, and the Lingnan area Maritime market in recent years, it is difficult to conceal the Silk Road and pass down depth of resources, strengthen embarrassment of the industry development. The output of Lingnan area through cultural construction of intangible Chaozhou embroidery is extremely limited, and the quantity of remaining products is not large. The market still has a large cultural heritage protection, and promote the development demand for Chaozhou embroidery products which generally and growth of the third industry, such as embroidery. -
Message from the Librarian
New Series Vol. 6, No. 3 Mar 2007 The University of Hong Kong Libraries CARING, COLLABORATIVE, CREATIVE. YOUR PARTNER IN INTELLECTUAL EXCELLENCE. focus Message from the Librarian The Hong Kong University Libraries Wins Obscure Honour: Providing the most food for the world’s copy cataloguers! The Libraries recently received a sort of recognition that perhaps only a librarian could love: HKU Libraries submitted 75,912 original cataloguing records making it the largest contributor among the Online Computer Library Consortia (OCLC) libraries to the OCLC WorldCat database. This may sound like a type of visibility that the University could do without, but it relates to an important cost saving technique for libraries. To understand what this is all about I need to first introduce what is OCLC and what is copy cataloguing. OCLC started out in 1967 as a state-wide library consortium in Ohio: the Ohio College Library Center. One of its main programs was the sharing of cataloging records, e.g., when a participating library bought a new book and created a record for it in their catalogue, they would also enter that record in the OCLC computer database. Then, when another library bought the same book, instead of doing the cataloguing themselves they would check the database and copy the record or change or adapt the record them for use in their local OPAC– hence, copy-cataloging or adaptive cataloguing. Message from the Librarian But the utility of sharing such records soon spread beyond the not years, for other libraries to catalogue them first so we borders of Ohio and eventually the borders of the United can copy their records later. -
Ms Ng Wing-Mui DOCTOR of HUMANITIES Honoris Causa Citation
Ms Ng Wing-mui DOCTOR OF HUMANITIES honoris causa Citation Ms Ng Wing-mui, well known as “Mui E” (Auntie Mui), is a master singer in both Cantonese operatic song yuetkuk and Cantonese narrative singing naamyam. Mui E began singing these two genres in her teens. Having been a professional singer since she was seven, Mui E made a name when she was thirteen. Since the 1930s, she has made music with all of the celebrated artists of Cantonese music of the time. With eighty years of practice and performance experience, Mui E excels in the two genres of yuetkuk and naamyam and is now considered a grand master artist of shiniang qiang (style of the blind female singers). In her early years she learnt from gushi (blind male singers) Liu Jiu and shiniang Renxin and Yinjiao, capturing the essence of Cantonese naamyam singing. In addition to being a gifted singer, Mui E is also a very talented instrumental performer. She is especially skilled in two musical instruments, the long-neck plucked lute qinqin and the hammered dulcimer yangqin. In the late 1930s and early 1940s, the prominent Hong Kong Cantonese musician, Siu Tit- hung, composed the famous piece “Flowing Water and Moving Clouds”. Chan Luk-ping of Macau set this melody with lyrics and turned it into a well-known piece of Cantonese operatic song yuetkuk, “My Man Returns Late”. At thirteen, Mui E premiered the song and immediately gained a reputation in Hong Kong and Macau. Knowing of Mui E’s talent and fame, Siu went to Macau and played his musical instruments to Mui E’s singing. -
My Days with the Institute of Chinese Studies
2017 No. 4 Interview with Professor Cheng Hwei Shing My Days with the Institute of Chinese Studies Date: 9 November 2017 Location: Room 124, the Institute of Chinese Studies (ICS) Interviewee: Professor Cheng Hwei Shing, Senior Research Fellow (honorary), Research Centre for Contemporary Chinese Culture, ICS Interviewer: Professor Lai Chi Tim, Associate Director of the Institute of Chinese Studies Recorded by: Pei Fanhui, MPhil in Translation, CUHK Professor Cheng Hwei Shing was born in Hong Kong in September 1949. He graduated from the Department of History at Nanjing University in 1982, and was then assigned to work at the Second Historical Archives of China in Nanjing. He was promoted as the Associate Director of the Archive Processing and Cataloguing Department in January 1985. In December 1988, he came to Hong Kong and reside there hereafter. He obtained an MPhil degree from the University of Hong Kong and a PhD degree from the Chinese University of Hong Kong. He had been working with the Institute of Chinese Studies in the Chinese University of Hong Kong since 1990 and retired in September 2013. Professor Cheng is now a Senior Research Fellow (honorary) of Institute of Chinese Studies and Adjunct Professor at the Department of History in the Chinese University of Hong Kong. Professor Cheng has long been working on the collecting, editing and publishing of archives for the Republic of China Period. His study focuses on the history of the Republic of China, especially on the financial and economic policies, national capital and bureaucratic capital under the Nationalist Government in the 1930s and 40s, as well as its sino-foreign economic relationships. -
Culture and Sport
CULTURE AND SPORT Culture and Sport Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, Chinese Culture and Natural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts. -
Research on the Innovative Application Methods of Lingnan Traditional Elements in Architectural Design
MATEC Web of Conferences 228, 05009 (2018) https://doi.org/10.1051/matecconf/201822805009 CAS 2018 Research on the Innovative Application Methods of Lingnan Traditional Elements in Architectural Design Feifeng Zhong Guangzhou Nanyang Polytechnic Abstract. The focus of this study is how to break through the traditional practices, and deeply explore the innovative application methods of Lingnan traditional elements into architectural design, so that Lingnan traditional elements can be subtly integrated into modern architectural design. It is hoped that this will be of certain practical guiding significance for the architects in applying Lingnan traditional elements in architectural design. Keywords: Lingnan traditional elements; Architectural design; Innovation; Application methods. 1 Introduction culture and other factors, some elements of the traditional element in the plane or elevation modeling are directly The Lingnan architecture has occupied an extremely transplanted into the architectural design and carry out important position in the Lingnan area. It is unique in certain transformation by combining with the design traditional Chinese architecture and has rich cultural intent [1]. We can properly transplant Lingnan traditional connotations and values. However, a large part of works figures, plants, animals, patterns with traditional of Lingnan traditional elements applied in architectural metaphorical and symbolic meanings, symbols with design is too monotonous, symbolic, conceptualized, and traditional religious ornamentation, geometric symbols even over-decorated, artificial, and formulaic. There are and other images, as well as some forms of characters and rare substantive studies and cases that are innovative and scenery in popular historical legends, myths, idioms or groundbreaking in integrating Lingnan traditional legends. The existing technology and design techniques elements into modern architectural design. -
Cantonese As a World Language from Pearl River and Beyond
Volume 10 Issue 2 (2021) Cantonese as a World Language From Pearl River and Beyond Jiaqing Zeng1 and Asif Agha2 1St. Paul’s School, Concord, NH, USA 2University of Pennsylvania, Philadelphia, PA, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1435 ABSTRACT In this paper, I will be comparing different registers of Cantonese from all around the world, mainly focusing on the Pearl River Delta region after the 1800s. Yet my larger purpose is to draw attention to how these different registers relate to the cultural values and social lives of the people living in those places. Max Weinreich, a pioneer sociolinguist and Yiddish scholar once said, “a language is a dialect with an army and a navy (Fishman).” Cantonese is no exception, and the state of this language has been dependent upon four factors: the geographic distribution of the Cantonese- speaking population, the economic development of Cantonese-speaking regions, official status, and international sig- nificance. Introduction Cantonese is one of the Chinese dialects and the mother tongue for the Guangfu people of Han Chinese, who were originally from China’s Lingnan region. The language has a complete set of nine tones, retaining many features of Middle Ancient Chinese since the area seldom suffered from wars and was unaffected by the nomadic minorities in northern China. It has a complete series of characters that can be expressed independently from other Chinese lan- guages, and it is the only Chinese language that has been studied in foreign universities in addition to Mandarin. It originated from Canton (Guangzhou) because of the important role that Canton had played in China’s important pol- itics, economy, and culture since ancient times, and it still has official status in Hong Kong and Macau today. -
Technological & Digital Revolution
September/October 2016 Volume 183 Technological & Digital Revolution Interview with a Chief 4 Re-industrialising Hong Kong through innovation Albert Wong, CEO, Hong Kong Science & Technology Park Towards Hyper-Connectivity 15 FinTech and RegTech are changing our world 20 The magazine for members of the Dutch Chamber of Commerce in Hong Kong Contents Unit 2402B, 24th Floor 3 Chairman’s Note Great Eagle Centre 23 Harbour Road 4 Interview with a Chief Wan Chai Re-industrialising Hong Kong Hong Kong through innovation E-mail: [email protected] Albert Wong, CEO, Website: www.dutchchamber.hk HK Science & Technology Park Skype: Dutchchamberhk 6 News & Views Editorial Committee Maaike van Meer (Chair) 16 Tax Focus Caroline Schikker Tax incentives for innovation Maarten Swemmer in the Netherlands Monique Detilleul Lisanne de Bie 18 China Focus Technology and Innovation – Editor The legal profession in the Digital Age Donna Mah 19 Lead Story FinTech and RegTech are changing our world Desktop Publisher Jean Michel Caille 23 Passing the pen General Manager 24 Go Green Jacqueline Baud Next Step for Green Environment: Measure your CO2 Reduction! Cover Design Sarie Moolenburgh, SARIE MGH Photography 25 Lifestyle Advertisers 29 Passport to Hong Kong ABN AMRO BANK N.V. Hong Kong Spirits FINANCIAL CONSULTANTS DE BOER (FVB) ING BANK N.V., HONG KONG BRANCH 30 Events KLM ROYAL DUTCH AIRLINES PHILIPS ELECTRONICS HONG KONG LIMITED 33 Members' Corner RABOBANK HONG KONG ROYALE INTERNATIONAL 34 Enquiries and Information TANNER DE WITT TURKISH AIRLINES 36 DutchCham Information z This magazine is distributed free of charge to all members and relations of the Dutch Chamber of Commerce in Hong Kong. -
The Language Features and Cultural Implication of Cantonese Opera Librettos
Frontiers in Art Research ISSN 2618-1568 Vol. 3, Issue 2: 20-29, DOI: 10.25236/FAR.2021.030205 The Language Features and Cultural Implication of Cantonese Opera Librettos Jieling Xu College of Humanities and education, Foshan University, Foshan, 528000, China Abstract: Cantonese Opera is a traditional drama popular in Guangfu area. Its script librettos have beautiful language and profound cultural connotation. The beauty of script language is mainly reflected in the rich and colorful vocabularies, which mainly includes nine categories: emotional words, image words, written words, dialect words, reduplicative words, disyllabic words, reduplicative words, archaic words and idioms. The rich and colorful words embody the harmonious unity of “elegance and vulgarity”, “depth and shallowness”, “emotion and scenery”, “movement and stillness” and “truth and beauty”, with distinctive regional cultural characteristics and rich classical cultural connotation. In order to better inherit and develop Cantonese opera, on the one hand, it is necessary to study its language characteristics based on the script librettos; on the other hand, it is necessary to pay attention to the close relationship between language and culture, and fully tap the traditional artistic essence and cultural connotation behind the language. Keywords: Cantonese Opera, Libretto, Language, Culture 1. Introduction Cantonese Opera is a local traditional drama which is widely popular in Guangfu area. It was listed as a national intangible cultural heritage in May 2006 and declared as “World Intangible Cultural Heritage”by Guangdong, Hong Kong and Macao in October 2009. As a folk art in Lingnan area, Cantonese Opera is a combination of literature, language, music, dance and other artistic elements.