Modern Languages and Literatures Faculty Works Modern Languages and Literatures Winter 2013 Concealing God: How Argentine Women Political Prisoners Performed a Collective Identity Alicia Partnoy Loyola Marymount University,
[email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/modernlang_fac Part of the Modern Languages Commons Recommended Citation Partnoy, Alicia. "Concealing God: How Argentine Women Political Prisoners Performed a Collective Identity." Biography 36.1 (2013): 211-241. http://dx.doi.org/10.1353/bio.2013.0006 This Article is brought to you for free and open access by the Modern Languages and Literatures at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Modern Languages and Literatures Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact
[email protected]. CONCEALING GOD: HOW ARGENTINE WOMEN POLITICAL PRISONERS PERFORMED A COLLECTIVE IDENTITY IN CONVERSATION WITH GRACIELA, CARMEN, AND LILIANA ORTIZ, MIRTA CLARA, MARÍA DEL CARMEN OVALLE, BLANCA BECHER, ESTELA CERE- SETO, SILVIA HORENS, MARÍA DEL CARMEN SILLATO, ALICIA KOZAMEH, VIVIANA BEGUÁN, IRENE MARTÍNEZ, ELENA SEVILLA, MARTHA RAMOS, SILVIA ONTIVERO, PATRICIA TRABA, ISABEL ECKERL, MABEL FERNÁNDEZ, AND OTHER FORMER POLITICAL PRISONERS. ALICIA PARTNOY Reading prison writings must in turn demand the corresponding activist counterapproach to that of passivity, aesthetic gratifi cation, and the plea- sures of consumption. —Barbara Harlow Primero soy penitenciario, segundo Capellan, tercero soy sacerdote. [I am fi rst and foremost a penitentiary offi cer, second, I am a chaplain, and third, a priest.] —Hugo Bellavigna Nosotras queremos contar cómo sobrevivimos con alegría y en conjunto.