DOCSLIB.ORG

Countering MTV Influence in Indonesia and Malaysia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Countering MTV Influence in Indonesia and Malaysia Index A Amran Ibrahim, 208 Abdullah bin Haji Ahmad Anderson, Benedict, 54, Badawi, Datuk, 52–53, 67–68, 71, 131 119 Anggun, 36–37 ABIM (Angkatan Belia Islam Angkatan Belia Islam Malaysia), 96, 159, 170, Malaysia (ABIM), 96, 210, 233 159, 170, 210, 233 Abu Bakar Mohammad Antara news agency, 198 Yatim, 126, 127, 211 Anteve (ANTV), 78, 81, 170, Aceh, 67 171 Ahmad, Aijaz, 31–32 Anti-Pornography and Ahmed, Akbar, 25 Pornographic Acts Bill, AIM awards, 217, 224 83–84, 99–101, 178, Air Asia, 157 204, 205–6 Alatas, S.H., 230 Anuar, M.K., 45, 54 Ali bin Mohamed, 102 Anugerah Industri Muzik, Al Islam, 130 209, 212 Allahau (album), 126 Anwar Ibrahim, 26, 52, 96 Alleycats (group), 12 Appadurai, Arjun, 34, 241 “Al Qur’an Dan Koran” Appiah, Kwame, 33 (song), 107 Arifin, Arian, 154, 180 Alud, 220, 223, 224 Armando, Ade, 75, 82–83, Amelina, 12, 136, 157 178, 206 American Express, 1 Asia Pacific Song Festival Amidhan, 100 Award, 218 Amir, Nazar, 155 Asitha, Lenny, 143 AMI Sharp Awards, 218 asli music, 11, 135 08 Countering MTV.indd 265 4/20/12 8:39:53 AM 266 Index Association of Malay Music Blue (group), 6 Artists, 197 BMG, 114 ASTRO (cable company), Bodden, M., 17 170, 189n12 Bollywood film industry, 9, Au nom de la lune (album), 10, 42n6, 126, 188n2, 36 236 Australia, 218 Brakel, L.F., 65, 66 Awie, 126 Brooks, Tim, 2 Ayoub, Mahmoud, 18, 19 Brown, Frank, 5, 7, 8, 169, Azhari Ahmad, 208, 213 186 Azra, Azyumardi, 97, 106, Buddhism, 65, 67, 97, 106, 107, 204 235 Budhisantoso, S., 69–70 B Budianta, M., 70–71, 72–73 Bahasa Indonesia, 64, 68, 75, 86 C Bali, 14, 65, 98, 206, 225n3 Canada, 214 Bandung, 86, 151, 170 Carnatic music, 9–10 Banerjee, Indrajit, 40–41 Carter, Shawn “Jay-Z”, 8 bangsawan, 11, 135, 188n1 Cemburu Inul (VCD), 199, Barendregt, Bart, 77, 121 200 Barker, Chris, 27, 33, 35, Champagne, Jessica, 191, 127, 129, 236, 240 194, 208, 234 Batam, 86, 123, 153, 156, Chandra Muzaffar, 214–15 166, 203–4 Charles, Prince of Wales, 115 Belnis, Faye, 192, 234 Che Amran bin Idris, 109– Bhabha, Homi, 34, 39, 237 10, 112, 113, 115, 208, bhangra, 4, 142, 160 210, 213–14 Bhosle, Asha, 142, 188n4 China, 7, 10, 218 Bignell, Jonathan, 38, 238 Chinese music, 10, 11 Bintan, 166 Chou, Jay, 6 Bintang, 55, 170 Christianity, 66 Blackboard Music, 122, 198, “Cindai” (song), 220 201 Citibank, 7 08 Countering MTV.indd 266 4/20/12 8:39:53 AM Index 267 CNN, 6 MTV and, 4, 5, 79–80, COMEDY (television 182–83 channel), 2 origins and history, 14–16, Commonwealth Games 136 (Kuala Lumpur, 1998), in political campaigns, 202 13, 115–16, 209 as postmodern Complete Directory to entertainment, 239 Primetime Network and on the radio, 86–87, 88 Cable Shows, 2 Rhoma Irama and, 106–9, Congress of Young Java, 64 139–40, 148–51 Council on Pornography, youth perspectives on, 197 151–54, 159–61 cultural identity, 35–42, Dangdut Music Awards, 15 227–28 Dangdut Ngebor (VCD), 199 cultural imperialism, 26–29, “Dangdut Rock” (song), 150 127–32, 227–48 Daratista, Inul, 190–208 Anti-Pornography Bill and, D 101, 204, 206 dakwah movement, 95–97, cultural identity and, 131 37–38, 187–88, 234 dangdut. See also Daratista, dance style, 142, 144, 192, Inul 194 Anti-Pornography Bill and, radio stations and, 156 101 Rhoma Irama and, 16, Bollywood influence, 136, 192, 197, 198–99, 142, 236 204 class associations, 56, 73, “Dari Tuhan” (song), 126 152–57, 158–59, 183, Demi Masa (album), 212 185, 230 Desker, Lesley, 79, 172, 182 clubs and bars, 162–68 Dewa, 155, 189n8 hybridity, 165, 168–69 Digoda Dangdut (television in Indonesia vs. Malaysia, programme), 80, 108, 161–62 183, 184–85, 202, 230, modernization, 12, 140–41 236 08 Countering MTV.indd 267 4/20/12 8:39:53 AM 268 Index dikir barat, 10 Gerke, Solvay, 84–85 Disco Dangdut (VCD), 144 Germany, 224 Disco Joget Dangdut (VCD), Ghouse, 137–38 144 Giddens, Anthony, 48 Donnan, Hastings, 25 globalization, 24–26, 32, Dua Warna, 77 40–41, 100, 138–39, Dyanthi, Kris, 201 232–38 Global TV, 79, 170 E “God is Light” (song), 212 Edinburgh Music Festival, Goh, B.L., 46, 52, 59 115, 209 Golkar, 150, 189n7 Embong, A.R., 237 Goyang Inul (VCD), 199 EMI, 114 goyang ngebor, 101, 192, English language, 85–86 234 Evans, Gareth, 222 goyang pinggul, 192, 234, 242 F Guerin, B., 194–95 Fakharia Lokman, 105–6, Gujarat, 65 112 Gulali (album), 142 Farihin Abdul Fattah, 211 Farish A. Noor, 50–51, 97 H al Faruqi, Lois Ibsen, 18–20 Habibie, B.J., 88 Fernandez, Tony, 157 Hadith, 19, 23, 43n11, 101, Fernando, Sunetra, 9 106 France, 214 Hailai Club, 201 Frederick, W.H., 146, 149 Hall, Stuart, 33–34, 130–31, Frith, Simon, 36 233 HardRock FM, 154 G Haryanto, Ignatius, 81, 100 Gallegos, Aaron, 4–5 Haz, Hamzah, 82, 99 gamelan, 9, 14, 42n7 Heck, Paul L., 102–3 Gani, A.K., 147 Herman, E.S., 25 Gema Alam (album), 212 Hidayat, Herdi, 80, 108, Genting Highlands, 158 183–84, 185, 202–3 08 Countering MTV.indd 268 4/20/12 8:39:54 AM Index 269 hijab, 96, 130 83–84, 99–101, 178, Hijjaz (group), 113, 114, 119, 204, 205–6 213 Islam in, 65–66, 83, 89–90, Hill, David, 140, 141, 168, 97–101, 106, 235 193 musical traditions, 13–17 Hindi pop music, 10. See national identity, 61–90 also Bollywood film 1997-98 economic crisis, industry 70–71, 81 Hinduism, 65, 67, 97, 106, Indonesian Broadcasting 235 Commission (KPI), 75, Hodge, Bob, 29 81, 178, 179, 206 Hong Kong, 10, 11 Indonesian Democratic Party hua yue tuan, 10 of Struggle (PDI-P), 206 Huntington, Samuel P., 248n1 Indonesian Ulema Council hybridity (MUI), 100, 132n3, cultural identity and, 196–97 38–39, 245–46 Indostar TV, 181, 203 of dangdut, irama International Qur’an Reading Malaysia and nasyid, Competitions, 111 186–88, 228 International Song and Music defined, 30 Festival, 218 globalization and, 32 Irama, Rhoma in Malay-Muslim culture, collaboration with Latha 130 Mangeskar, 142 postcolonial theory and, on global music influences, 34–35, 237 235 Inul Daratista and, 16, I 192, 197, 198–99, Iglesias, Enrique, 6 204 IKIM Radio, 114 Islamic message, 106–9 IMS Prima, 207 nasyid and, 108–9, 123 India, 7, 8, 35 popularization of dangdut, Indonesia 15, 139–40, 148–51, anti-pornography bill, 240–41 08 Countering MTV.indd 269 4/20/12 8:39:54 AM 270 Index irama Malaysia Java, 14, 65, 99, 153, 166, features and development, 242 58, 137, 187, 221, Jay-Z, 8 232, 236–37, 239, jihad, 93, 101–4 241 joget, 11 government support for, Juara Bintang Hiburan 55, 138 Minggu Ini, 217 Siti Nurhaliza and, 13, Junoon (group), 22–23 57–58, 138, 218 Jurriens, Edwin, 76 vs. dangdut, 162 Iranian revolution, 49, 97 K Ishadi, S.K., 80 Kaiser Family Foundation, 8 Islam Kalimantan, 67 in Indonesia, 65–66, 83, Kaplan, E.A., 36, 228 89–90, 97–101, 235 karaoke, 115, 143, 163 in Malaysia, 46, 48, Kartomi, M.J., 145 49–54, 59–60, 119 Kasido, Mugiono, 99 music in, 17–23, 104–9, Kazakhstan, 218 177 KDI (Kontest Dangdut Idol), Islam, Izatul, 121 15 Islam, Yusuf, 23, 115, 209, Keating, Ronan, 6 212 Kelantan, 10, 51, 113, 177 Italy, 224 keroncong music, 14, 146–47 Iwa-K, 17 Khairy Jamaluddin, 59–60 Iwan, 157 Khan, Nusrat Fateh Ali, 22, 104 J Khondker, H.H., 243 Jabatan Kemajaan, 113 “Kocok-Kocok” (music jaipongan, 16–17, 198 video), 205 Jakarta, 145, 151, 154, Komisi Penyiaran Indonesia 164–65, 170, 201, 202 (KPI), 75, 81, 178, 179, Jamal Abdillah, 138 206 Japan, 224 Kondangin, 181 08 Countering MTV.indd 270 4/20/12 8:39:54 AM Index 271 Konsert Fenomena Dangdut Malaysia Inul Daratista (VCD), formation of national 207 identity, 44–61, 94–97 Kontes Dangdut Indonesia Islam in, 46, 48, 49–54, (KDI), 181, 185, 202 59–60, 95–97 Kota Bharu, 113, 177 musical traditions, 9–13, Kraidy, Marwaan M., 38–39, 135–39 238 Malaysian Book of Records, Kuala Lipis, 216 209, 218 Kuala Lumpur, 13, 115–16, Malik, Dedy, 204–5 163 Manan, A., 48–49 Mangeskar, Latha, 142, L 188n4, 226n13 Lacey, 28–29 Maris, Inke, 207 Laras Gong gamelan Martin, Ricky, 4 orchestra, 9 Matusky, Patricia, 111 Latin American music, 4 Mau Dong (VCD), 199, Lee, Coco, 7 200–201, 205, 225n2 Lewisohn, Leonard, 21 McChesney, Robert W., 25 Lockard, C.A., 145, 150 McDonalds, 145 Lokananta, 73 Medan, 147, 170 London, 214, 218 Mega Dangdut, 166–67 London Symphony Melaka Sultanate, 9 Orchestra, 218, 223 Men’s Review (magazine), Lovejoy, M., 239 164 Luvaas, B., 88 Mihardja, Emyth, 168 Millah, Faiz Tajul, 191, 193, M 208, 234 Mahathir bin Mohamad, 44, Misra, Vijay, 29–30 45–46, 52 Moerdiono, 141 Mahmood, Kazi, 195 Mohamad Raimi, 170, Malay Dilemma, The, 45 210–11, 233 Malay pop music, 11, 12–13 Momin, A.R., 35 08 Countering MTV.indd 271 4/20/12 8:39:54 AM 272 Index Moore, Mandy, 6 Muhammadiyah, 83, 92n20, Mountain of Light, 23, 115, 100 212 MUI (Indonesian Ulema Mowlana, Hamid, 59 Council), 100, 132n3, MTV (Music Television) 196–97 as cultural expression, 228 Mumbai, 8 cultural identity and, Munis, 122 35–38, 169, 180 Murdoch, Rupert, 81 establishment, 1–2 Muzik TV, 55, 170 global reach, 2–3 influence on local music N scene, 177–81 al-Nabulusi, Abd al-Ghani, 22 launch in Indonesia, 170, Nahdlatul Ulama (NU), 83, 171–72, 232 92n20, 100, 197 launch in Malaysia, 170, Najib Abdul Razak, 53–54 171, 232 Nalanda, 65 political and social Napoleoni, Loretta, 101 messages, 7–8 Nasir, M., 136–37 youth perspectives on, nasyid.
Load more

Recommended publications
  • Timeline for the Eleventh Conference on Applied
    TIMELINE FOR THE ELEVENTH CONFERENCE ON APPLIED LINGUISTICS November 27 - 28, 2018 Banana Inn Hotel in Bandung DAY 1 RUANG/ROOM- WAKTU/TIME NAME/NAMA JUDUL/TITLE INSTITUSI/INSTITUTION GEDUNG/BUILDING 07.30 - 08.30 Registration Ballroom 08.30 - 09.00 Opening Ballroom PLENARY SESSION 1 09.00 - 09.40 Assoc. Prof. David Mallows Learning to Teach English University College London, Ballroom 09.40 - 10.00 Q & A United Kingdom 10.00 - 10.15 Coffee Break Plaza of B'Leaf Café PARALLEL SESSION 1 Students' Problems in Writing Recount: Delving Through the Lens of SFL Universitas Pendidikan Adriani Yulia Purwaningrum and MALL Approach Indonesia An Error Analysis of Cohesive Devices in Senior High School Students' Natalia Anggrarini, Mulyono, University of Wiralodra Ballroom Writing Recount Text Ramli , Endry Boeriswati, The Effect of Teaching Methods on Students' Skill in Writing Essay Universitas Negeri jakarta Emzir Self-regulated Strategy Development Approach: A Solution for Students' Indonesia University of Satrio Aji Pramono Problem in Exposition Writing Education The Influence Of Collaborative Writing Strategy In Students' Writing Yuniar Duda, Katrina Hapili Universitas Negeri Gorontalo Recount Text Mangosteen 10.15-11.15 The Effect Of Dialogue Journal on Indonesian EFL Learners' Writing Universitas Negeri Semarang Ida Yulianawati Performance & Universitas Wiralodra Widhiyanto Textual Engagement in Undergraduate students' texts Universitas Negeri Semarang Lidwina Ardiasih, Emzir, Constructivism-based Online Learning for Writing Skill: Learners'
    [Show full text]
  • Gentarasa 2016 Showcases the Significance of Malay Culture Through Traditional Performances and Poetry in Celebration of Hari Raya Aidilfitri
    PEOPLE’S ASSOCIATION 9, King George’s Avenue Singapore 208581 Tel: (65) 6340 5430/5454/432/231 Fax: (65) 6348 5977 Website: www.pa.gov.sg 27 July 2016 GENTARASA 2016 SHOWCASES THE SIGNIFICANCE OF MALAY CULTURE THROUGH TRADITIONAL PERFORMANCES AND POETRY IN CELEBRATION OF HARI RAYA AIDILFITRI 18 Gentarasa performers who have excelled in both academic and cultural pursuits to receive Gentarasa Study Grant 2016 at Gala Show In conjunction with Hari Raya celebrations, Gentarasa 2016 will showcase the Malay community’s heritage, culture and customs through this cultural performance which will feature performers from all walks of life. The cast, comprising 85% local talents from the Community Centres/Clubs (CCs), includes a total of 150 artistes, both Malay and non-Malay performers coming together to promote understanding and appreciation of the Malay culture. This is one of the biggest cast participation in Gentarasa since 2002. William See is one of the 5 non-Malay performers who is very excited in performing dance on stage and will continue to support such programmes in the future. The youngest cast, Md Hasif Afiq Bin Md Ridwan, aged 6, will be involved in the martial arts performance. Md Hasif Afiq is from the Bukit Batok East CC Silat Interest Group and is his first Gentarasa performance. 2 The 100-minute flagship cultural concert by People’s Association (PA) Malay Activity Executive Committees Council (MESRA), entitled “Genggaman Jati, Menyulam Masa – Weaving Self through Time” – will perform to an anticipated 2,500 audience at the Kallang Theatre on Saturday, 30 July 2016 at 2.00pm (Matinee) and at 8.00pm (Gala Show).
    [Show full text]
  • Analisis Yuridis Investasi “Bodong” Dalam Perjanjian Investor Emas Dengan Cv.Raihan Jewellery Di Surabaya
    ANALISIS YURIDIS INVESTASI “BODONG” DALAM PERJANJIAN INVESTOR EMAS DENGAN CV.RAIHAN JEWELLERY DI SURABAYA PENULISAN HUKUM Oleh: MOCHAMMAD IRFAN SYAIFUDDIN 09400031 UNIVERSITAS MUHAMMADYAH MALANG FAKULTAS HUKUM 2014 i ANALISIS YURIDIS INVESTASI “BODONG” DALAM PERJANJIAN INVESTOR EMAS DENGAN CV.RAIHAN JEWELLERY DI SURABAYA PENULISAN HUKUM Disusun dan diajukan untuk memenuhi salah satu syarat memperoleh gelar kesarjanaan dalam bidang Ilmu Hukum Oleh: MOCHAMMAD IRFAN SYAIFUDDIN 09400031 UNIVERSITAS MUHAMMADYAH MALANG FAKULTAS HUKUM 2014 i ii iii iv PERSEMBAHAN Bismillahirrohmaanirrohiim... Segala puji dan syukur kupersembahkan bagi Allah SWT, dengan rahman rahim yang menghampar melebihi luasnya angkasa raya. Dzat yang menganugerahkan kedamaian bagi jiwa-jiwa yang senantiasa merindu akan ke- Maha Besar-annya. Lantunan sholawat beriring salam penggugah hati dan jiwa, menjadi persembahan penuh kerinduan pada sang revolusioner Islam, pembangun peradaban manusia yang beradab Habibana wanabiyana Muhammad SAW... Tetes peluh yang membasahi asa, ketakutan yang memberatkan langkah, tangis keputusasaan yang sulit dibendung, dan kekecewaan yang pernah menghiasi hari-hari kini menjadi tangisan penuh kesyukuran dan kebahagiaan yang tumpah dalam sujud panjang. Alhamdulillah Maha Besar Allah SWT, sembah sujud sedalam qalbu hamba haturkan atas karunia dan rizki yang melimpah, kebutuhan yang tercukupi, dan kehidupan yang layak. Rasa syukur juga penulis tujukan terhadap orang-orang yang selalu memberi doa dan motivasi yang tidak semuanya dapat penulis torehkan disini diantaranya: Ayahku tercinta Edi Santoso, Ibundaku tersayang Siti Asnah. Terima kasih kepada kedua orang tua ku yang sudah memberikan dukungan dan motivasi yang tak mungkin bisa aku balas. Kasih sayang serta pengorbanan kalian, merupakan sumber kekuatan ketika kemalasan dan kebosanan datang menghampiri ku. Kalian tidak mau menuntut apa-apa dari ku, yang kalian inginkan adalah membuat aku menjadi sukses dan menjadi anak yang shaleh.
    [Show full text]
  • Golden Girl with the Golden Voice (NST 20/04/2001)
    20/04/2001 Golden girl with the golden voice Errol de Cruz IT WAS a typical family suite at the Quality Hotel, Jalan Raja Laut, KL. Food trays idled outside the door awaiting collection, and just as we were ushered in, a bellboy arrived, carrying two more trays of sundaes, fruit juice, iced coffee and chocolate. Inside, the TV set was on. "Siti's having her hair done," said her brother, manager and former recording artiste, Aiyee. That was nice. No fussing about. No preliminaries about what the interview was to be about. Ten minutes later, the star walked in, dressed casually, looking radiant without make-up, long hair flowing free. The daughter of Tarudin, a policeman, and singer Siti Salmah, Nurhaliza, now 22, was just another student, five years ago, when she won RTM's Bintang Hiburan Minggu in 1995. Since then, the awards have just poured in, and she can't recollect exactly how many at the interview. After the contest came a recording deal with Suria Records and she hit the top with her first single, Mawar Ku, a P. Ramlee composition, originally recorded by Ramlee's Panca Sitara, led by Aziz Jaafar. For her debut, Nurhaliza recorded the song with boy band 2 By 2, and took off like a rocket, winning two awards at Singapore's Popular Music Awards in 1996 (Most Popular New Artiste, Most Popular Song) and followed her success with three more awards at our Juara Lagu '96 (Best Performance, Ballad and Song of the Year) for Jerat Percintaan. Her run was nothing short of phenomenal as more awards fell into place for Jerat Percintaan at the Anugerah Industri Muzik, the year after.
    [Show full text]
  • Malay Gamelan: Approaches of Music Learning Through Community Music
    International Journal of Academic Research in Business and Social Sciences 2017, Vol. 7, No. 11 ISSN: 2222-6990 Malay Gamelan: Approaches of music learning through Community Music Wong Huey Yi @ Colleen Wong Department of Music and Music Education, Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris, Malaysia. Christine Augustine Department of Music and Music Education, Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris, Malaysia. DOI: 10.6007/IJARBSS/v7-i11/3562 URL: http://dx.doi.org/10.6007/IJARBSS/v7-i11/3562 Abstract This paper looked into the role of Rhythm in Bronze (RiB), a local music group in Malaysia, in community music work practices that uses Malay gamelan as the medium. The research delved into the different aspects of the approaches used to enhance music learning through community music; particularly the activities used and how they relate to Vygotsky’s theory of socialization in learning. Community music gathers people from different backgrounds. Experiences and knowledge shared helps the community through the development in terms of personal growth, self- esteem and self-confidence. These terms are just some of the aspects that community music promotes, apart from music making. Along the process of community music, creativity and expression are important in music making, as this will further develop creative thinking skills among musicians. Qualitative approaches such as observation, interview, and group’s past work were used in this research to gather information and data on how music has been taught to children through community music. Social interaction has certainly shown a big role in developing children thinking and perceptions through the activities implemented.
    [Show full text]
  • Term-List-For-Ch4-Asian-Theatre-2
    Asian Theatre: India, China, Korea, Japan, Indonesia, & Cambodia Cultural Periods and Events Theatrical Developments Persons Aryan migration & caste system Natya-Shastra (rasas & the Bharata Muni & Abhinavagupta Vedic & Gandhara Periods spectator’s liberation) Shūdraka & Kalidasa Hinduism & Sanskrit texts Islamic invasions actor-manager (sudtradhara) Buddhism (promising what?) shamanic rituals jester (vidushaka) Hellenistic influence court entertainments with string-puller (sudtradhara) Classical Period & Ashoka Jester Ming sheng, dan, jing, & chou (meanings) Theravada & Mahayana wrestling & Baixi men & women who played across gender Gupta golden age impersonations, dances, & women who led troupes Medieval Period acrobatics, sword tricks Guan Hanqing Muslim invasions small plays of song and dance Tang Xianzu Chola Dynasty Pear Garden & adjutant Li Yu Early Modern Period plays Kan’ami & Zeami Mughal Empire red light districts with shite & shite-tsure (across gender), waki, Colonial Period with British East southern dramas & waki-tsure, & kyogen India Company variety show musicals chorus of 8 men, musicians, & onstage British Raj with one star singing per stagehand (kuroko) Dramatic Performances Act act Okuni Contemporary Period complex, poetic dramas onnagata Shang, Zhou, Qin, Han, Jin, kun operas with plaintive Chikamatsu Northern & Southern, Sui, Tang, music & flowing Danjuro I Song, Yuan, Ming, & Qing melodies/dancing chanter, 3 puppeteers per puppet, & Dynasties Beijing Opera (jingju) as shamisen player nationalist & communist rulers
    [Show full text]
  • Intangible Cultural Heritage in Singapore
    Intangible Cultural Heritage in Singapore Living Heritage in a Multicultural Urban Environment Intangible Cultural Heritage in Singapore Living Heritage in a Multicultural Urban COVER IMAGES COURTESY OF NATIONAL HERITAGE BOARD AND YAHOO Environment Singapore shares many similar cultural practices On 22 February 2018, with countries around the region, a result of the arrival of early migrants from countries that include Singapore ratified the China, India, Indonesia and Malaysia. In turn, these early settlers brought along their cultural practices, UNESCO 2003 Convention and adapted them across generations into the ICH practices found in Singapore today. for the Safeguarding of the Over the years, Singapore has developed into a Intangible Cultural Heritage modern and multicultural urban city that is home to over 5.7 million people of different ethnicities and religions, all living and working in close proximity to (ICH) of Humanity. In doing so, one another. This multicultural urban environment has in turn encouraged ICH practices in Singapore to Singapore commits itself to the constantly evolve, often with the influences from the safeguarding and promotion of traditions, practices, and skills of other communities. This booklet will showcase the different multicultural its ICH for future generations. elements that make up Singapore’s diverse range of ICH, along with the innovative ways that members of the community have taken to ensure that ICH in Singapore is safeguarded for future generations. A selection of BOARD common breakfast food items that UNSPLASH include toasted OF HERITAGE bread, coffee and half-boiled eggs. COURTESY NATIONAL OF IMAGE COURTESY IMAGE A re-enactment of the social practices and rituals of a Peranakan wedding.
    [Show full text]
  • Universitas Muhammadiyah Palembang Fakultas Ekonomi Dan Bisnis 2021
    PENGARUH MOTIVASI KERJA DAN LINGKUNGAN KERJA TERHADAP KINERJA KARYAWAN PT. ANEKA BUMI PRATAMA PALEMBANG SKRIPSI Nama : Novan Riyadi NIM : 212016082 UNIVERSITAS MUHAMMADIYAH PALEMBANG FAKULTAS EKONOMI DAN BISNIS 2021 PENGARUH MOTIVASI KERJA DAN LINGKUNGAN KERJA TERHADAP KINERJA KKARYAWAN PT. ANEKA BUMI PRATAMA PALEMBANG Diajukan untuk menyusun Skripsi Pada Program Strata Satu Fakultas Ekonomi dan Bisnis Universitas Muhammadiyah Palembang Nama : Novan Riyadi NIM : 212016082 UNIVERSITAS MUHAMMADIYAH PALEMBANG FAKULTAS EKONOMI DAN BISNIS 2021 ii PERNYATAAN BEBAS PLAGIAT Saya yang bertanda tangan dibawah ini: Nama : Novan Riyadi Nim : 212016082 Konsentrasi : Sumber Daya Manusia Judul penelitian : Pengaruh Motivasi Kerja dan Lingkungan Kerja Terhadap Kinerja Karyawan PT. Aneka Bumi Pratama Palembang. Dengan ini saya menyatakan: 1. Karya tulis ini adalah asli dan belum pernah diajukan untuk mendapatkan gelar akademik sarjana strata 1 baik di universitas Muhammadiyah Palembang maupun di perguruan tinggi lain. 2. Karya tulis ini adalah murni gagasan, rumusan dan penelitian saya tanpa bantuan pihak lain kecuali arahan pembimbing. 3. Dalam karya tulis ini terdapat karya atau pendapat yang telah ditulis atau dipublikasikan orang lain kecuali sacara tertulis dengan jelas dicantumkan sebagai acuan dalam naskah dengan disebutkan nama pengarang dan dicantumkan dalam daftar pustaka. 4. Pernyataan ini saya buat dengan sesungguhnya dan apabila dikemudian hari terdapat penyimpangan dan ketidak benaran dalam pernyataan ini, maka saya bersedia menerima sanksi akademik berupa pencabutan gelar yang diperoleh karena karya ini serta sanksi lainnya sesuai dengan norma yang berlaku di perguruan tinggi ini. Palembang, januari 2021 Novan Riyadi iii iv MOTTO & PERSEMBAHAN MOTTO Sukses adalah wujud kesempurnaan hidup. PERSEMBAHAN 1. Kepada Kedua Orang Tua saya (Bapak Sabarudin dan Ibu Okta Rini) yang saya cintai yang sudah membesarkan, mendidik dan mendoakan saya setiap saat.
    [Show full text]
  • Factors Affecting Automatic Genre Classification: an Investigation Incorporating Non-Western Musical Forms
    FACTORS AFFECTING AUTOMATIC GENRE CLASSIFICATION: AN INVESTIGATION INCORPORATING NON-WESTERN MUSICAL FORMS Noris Mohd Norowi, Shyamala Doraisamy, Rahmita Wirza Faculty of Computer Science and Information Technology University Putra Malaysia 43400, Selangor, MALAYSIA {noris,shyamala,rahmita}@fsktm.upm.edu.my characteristics is therefore highly sought. ABSTRACT Musical genre is used universally as a common metadata for describing musical content. Genre The number of studies investigating automated genre hierarchies are widely used to structure the large classification is growing following the increasing amounts of collections of music available on the Web. Musical digital audio data available. The underlying techniques to perform automated genre classification in general include genres are labels created and used by humans for feature extraction and classification. In this study, MARSYAS categorizing and describing the vast universe of music was used to extract audio features and the suite of tools [1]. Humans possess the ability to recognize and analyze available in WEKA was used for the classification. This study sound immediately based on instrumentation, the investigates the factors affecting automated genre rhythm and general tone. Furthermore, humans are able classification. As for the dataset, most studies in this area work to draw connections to other songs that have a similar with western genres and traditional Malay music is sound and feel. These commonalities make it possible incorporated in this study. Eight genres were introduced; Dikir for humans to classify music into different genres. Barat, Etnik Sabah, Inang, Joget, Keroncong, Tumbuk An automatic genre classification is a system that Kalang, Wayang Kulit, and Zapin. A total of 417 tracks from various Audio Compact Discs were collected and used as the allows structuring and organization of the huge number dataset.
    [Show full text]
  • Menonton Indonesia Di Remang Kabut Euforia Reformasi
    BEDAH BUKU MENONTON INDONESIA DI REMANG KABUT EUFORIA REFORMASI (Watching Indonesia in the Dim Mists of Reform Euphoria: a Book Review of ‗Popular Culture in Indonesia, Fluid Identities in Post-Authoritarian Politics‘) Bambang Sukma Wijaya Program Studi Ilmu Komunikasi Universitas Bakrie Jl. HR Rasuna Said Kav. C-22, Kuningan, Jakarta 12920 e-mail: [email protected] DOI: 10.13140/2.1.1405.6489 Judul buku Budaya Populer di Indonesia: Mencairnya Identitas Pasca-Orde Baru (Judul Asli: Popular Culture in Indonesia, Fluid Identities in Post-Authoritarian Politics) Penulis Ariel Heryanto (ed.) Penerjemah Eka S. Saputra Penerbit Jalasutra, Yogyakarta Cetakan ke-1 2012 Halaman viii+320 hal ISBN 9786028252812 142 JURNAL DESAIN ISSN: 2339-0107 Abstract If in the New Order era, the political dynamics in the production and consumption of pop cultures was caught in the polarity between those for, and those against, the status quo centred at the official ideology of (that 'recognized' by) the governmental regime which was a combination of Javanism, secularism, militarism, paternalism, developmentalism and indigenism, then in the post-New Order or the Reform era, feud of the identity politics intertwined in between: (a) local sentiment and national authority; (b) syncretic Javanism and new Islam piety; (c) patriarchy and the women’s movement; (d) lower and upper-class cultural tastes; and (e) digital divide and empowerment. This paper examines interesting articles on the development of pop cultures in the post-New Order Indonesia were compiled and edited by Ariel Heryanto in his book entitled "Popular Culture in Indonesia, Fluid Identities in Post-Authoritarian Politics". Not only examining them through reframing the phenomenon and the study of popular cultures in the post-New Order Indonesia to be more contextual, here I also tried to analyze and criticize each important articles in order to open a wider horizon in viewing the phenomenon exists and serve as a reference for subsequent researchers.
    [Show full text]
  • Book of Abstracts Edition 2016 09 10
    Panels & Abstracts 16-18 SEPTEMBER 2016 SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON ASEASUK Conference 2016 Disclaimer: Panel and abstract details are current as of 9 September 2016. While every effort has been made to ensure the completeness of this information and to verify details provided, ASEASUK, SOAS, and the organisers of this conference accept no responsibility for incorrect or incomplete information. Additional updated versions of this book of abstracts will be made until mid-August 2016 at which time a final hard copy will be printed for distribution at the conference. Organizing Committee Professor Michael W. Charney (SOAS), Committee Chair Professor Ashley Thompson (SOAS) Professor Matthew Cohen (Royal Holloway) Professor Carol Tan (SOAS) Dr. Ben Murtagh (SOAS) Dr. Angela Chiu (SOAS) Ms. Jane Savory (SOAS) SOAS Conference Office Support Mr. Thomas Abbs Ms. Yasmin Jayesimi Acknowledgments The Organizing Committee would like to thank the following people for special assistance in planning this conference: Dr. Tilman Frasch (Manchester Metropolitan University), Dr. Laura Noszlopy (Royal Holloway), Dr. Carmencita Palermo (University of Naples “L'Orientale”), Dr. Nick Gray (SOAS), Dr. Atsuko Naono (Wellcome Unit for the History of Medicine, University of Oxford), Dr. Li Yi (SOAS), Dr. Thomas Richard Bruce, and the many others who lent assistance in various ways. © 2016 ASEASUK and the SOAS, the University of London 1 Contents PANEL 1 The Political Economy of Inclusion: Current Reform Challenges in Indonesia 3
    [Show full text]
  • RAIHAN ADAM 201621524-2019 .Pdf
    CITA RASA KULINER KABUPATEN PAMEKASAN, KEPULAUAN MADURA TUGAS AKHIR Diajukan untuk memenuhi salah satu syarat dalam menempuh studi pada Program Diploma III Oleh: RAIHAN ADAM Nomor Induk: 201621524 JURUSAN HOSPITALITI PROGRAM STUDI MANAJEMEN TATA BOGA SEKOLAH TINGGI PARIWISATA BANDUNG 2019 KATA PENGANTAR Puji syukur penulis ucapkan ke hadirat Tuhan Yang Maha Esa karena oleh berkat dan rahmat-Nya penulis dapat menyelesaikan Tugas Akhir Food Presentation ini, dengan judul “CITA RASA KULINER KABUPATEN PAMEKASAN, KEPULAUAN MADURA”. Maksud dan tujuan dari penulisan tugas akhir ini adalah untuk memenuhi salah satu syarat akademis dalam menyelesaikan program pendidikan Diploma III jurusan Hospitality, program studi Manajemen Tata Boga di Sekolah Tinggi Pariwisata Bandung. Penulis menyadari bahwa dalam proses pembuatan Tugas Akhir ini, penulis banyak mendapatkan dukungan secara langsung maupun tidak langsung dari berbagai pihak. Oleh karena itu ijinkan penulis untuk mengucapkan terima kasih kepada : 1. Bapak Faisal, MM.Par., CHE. Selaku Ketua Sekolah Tinggi Pariwisata Bandung. 2. Bapak Andar Danova L. Goeltom, S.Sos., M.Sc, selaku Kepala Bagian Administrasi Akademik dan Kemahasiswaan Sekolah Tinggi Pariwisata NHI Bandung. 3. Bapak Edison Sitompul, S.Sos, MM., selaku Ketua Jurusan Hospitaliti Sekolah Tinggi Pariwisata NHI Bandung. 4. Ibu Ayu Nurwitasari, S.AP., MM.Par, selaku Ketua Program Studi Manajemen Tata Boga Sekolah Tinggi Pariwisata Bandung 5. Bapak Christian Helmy Rumayar, S.Sos., MM.Par selaku Dosen Pembimbing I atas dukungan, bimbingan, dan arahan yang diberikan kepada Penulis. i 6. Bapak Irfansyah, SE., MM selaku Dosen Pembimbing II yang telah memberikan bimbingan dan petunjuk-petunjuk dalam penulisan Tugas Akhir ini. 7. Kedua orang tua dan kakak penulis yang telah membantu penulis dalam menyusun makalah Tugas Akhir maupun produk yang akan di presentasikan.
    [Show full text]