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Stanislaw Brzozowski and the Migration of Ideas
Jens Herlth, Edward M. Świderski (eds.) Stanisław Brzozowski and the Migration of Ideas Lettre Jens Herlth, Edward M. Świderski (eds.) with assistance by Dorota Kozicka Stanisław Brzozowski and the Migration of Ideas Transnational Perspectives on the Intellectual Field in Twentieth-Century Poland and Beyond This volume is one of the outcomes of the research project »Standing in the Light of His Thought: Stanisław Brzozowski and Polish Intellectual Life in the 20th and 21st Centuries« funded by the Swiss National Science Foundation (project no. 146687). The publication of this book was made possible thanks to the generous support of the »Institut Littéraire Kultura«. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for com- mercial use, further permission is required and can be obtained by contacting [email protected] Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material. -
Late Poetry of Tadeusz Różewicz
Modes of Reading Texts, Objects, and Images: Late Poetry of Tadeusz Różewicz by Olga Ponichtera A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Slavic Languages and Literatures University of Toronto © Copyright by Olga Ponichtera 2015 Modes of Reading Texts, Objects, and Images: Late Poetry of Tadeusz Różewicz Olga Ponichtera Doctor of Philosophy Department of Slavic Languages and Literatures University of Toronto 2015 Abstract This dissertation explores the late oeuvre of Tadeusz Różewicz (1921-2014), a world- renowned Polish poet, dramatist, and prose writer. It focuses primarily on three poetic and multi-genre volumes published after the political turn of 1989, namely: Mother Departs (Matka Odchodzi) (1999), professor’s knife (nożyk profesora) (2001), and Buy a Pig in a Poke: work in progress (Kup kota w worku: work in progress) (2008). The abovementioned works are chosen as exemplars of the writer’s authorial strategies / modes of reading praxis, prescribed by Różewicz for his ideal audience. These strategies simultaneously reveal the poet himself as a reader (of his own texts and the works of other authors). This study defines an author’s late style as a response to the cognitive and aesthetic evaluation of one’s life’s work, artistic legacy, and metaphysical angst of mortality. Różewicz’s late works are characterized by a tension between recognition and reconciliation to closure, and difficulty with it and/or opposition to it. Authorial construction of lyrical subjectivity as a reader, and modes of textual construction are the central questions under analysis. This study examines both, Tadeusz Różewicz as a reader, and the authorial strategies/ modes he creates to guide the reading praxis of the authorial audience. -
Tadeusz Kantor. Widma / Spectres
Tadeusz Kantor. widma / Spectres Kraków, 2020 KATALOG / CATALOGUE WYSTAWA / EXHIBITION WYDAWCA / PUBLISHED BY: KURATORZY / CURATORS: © Ośrodek Dokumentacji Sztuki Tadeusza Kantora CRICOTEKA Małgorzata Paluch-Cybulska, Michał Kobiałka Centre for the Documentation of the Art of Tadeusz Kantor CRICOTEKA ul. Nadwiślańska 2–4, 30-527 Kraków KOORDYNACJA / COORDINATION: tel. +48 12 442 77 70 Kamil Kuitkowski, Izabela Zawadzka (współpraca) e-mail: [email protected] ARANŻACJA WYSTAWY I PROJEKT GRAFICZNY DRUKÓW / DESIGN: www.cricoteka.pl Zbigniew Prokop, Krzysztof Kućma – Creator s.c. Kraków 2020 ISBN 978-83-61213-30-7 PRACE BUDOWLANE / CONSTRUCTION WORK: Marcin Drzewiński – f.u.h. VIOMAR, Andrzej Lis, Gerard Piasecki, Roman Piotrowski – Geppetto s.c. REDAKTORKA PROWADZĄCA / MANAGING EDITOR: OŚWIETLENIE I MULTIMEDIA / LIGHTING AND MULTIMEDIA: Magdalena Link-Lenczowska Mariusz Gąsior, Mariusz Potępa, Wydział Intermediów ASP w Krakowie / Faculty of Intermedia, Academy of Fine Arts in Kraków PROJEKT GRAFICZNY / GRAPHIC DESIGN: Zbigniew Prokop – Creator s.c. KONSERWACJA / CONSERVATION: ICOS KONCEPCJA / CONCEPTION: Małgorzata Paluch-Cybulska, Michał Kobiałka WSPÓŁPRACA / COOPERATION: Marzena Boniecka, Olga Curzydło, Justyna Droń, Monika Gniadek, REDAKCJA NAUKOWA / CONSULTING EDITOR: Magdalena Goszczyńska, Ewa Kaczmarczyk, Michał Lelek, Edyta Leszczyńska, Joanna Targoń Magdalena Link-Lenczowska, Aldona Mikulska, Aleksandra Mitura, Łukasz Mzyk, REDAKCJA / EDITING: Marcin Nowak, Agnieszka Oprządek, Marcin Pańtak, Barbara Pasterak, Magdalena Petryna -
O Włoskiej Sztuce Futurystycznej Author
Title: Czas przyszły niedokonany : o włoskiej sztuce futurystycznej Author: Tadeusz Miczka Citation style: Miczka Tadeusz. (1988). Czas przyszły niedokonany : o włoskiej sztuce futurystycznej. Katowice : Wydawnictwo Uniwersytetu Śląskiego O WŁOSKIEJ SZTUCE FUTURYSTYCZNEJ Czas przyszły niedokonany O włoskiej sztuce futurystycznej PRACE NAUKOWE UNIWERSYTETU ŚLĄSKIEGO W KATOWICACH NR 984 Tadeusz Miczka Czas przyszły niedokonany O włoskiej sztuce futurystycznej Uniwersytet Śląski Katowice 1988 Redaktor serii: Kultura i Sztuka ELEONORA UDALSKA Recenzent JOZEF HEINSTEIN Spis treści Wprowadzenie Futurystyczne dialogi z czasem................................................. 7 Część pierwsza „Choroba na nowoczesność” — klucz do ideologii nowego wie- ku ....................................................................................................31 ROZDZIAŁ 1 Okolice przełomu . ........................................................................................ 31 ROZDZIAŁ 2 Wymiary futurystycznego dynamizmu.......................................................................38 ROZDZIAŁ 3 Perspektywy symultaniczności................................................................................... 56 Część druga Pasja i literatura................................................................................ 65 ROZDZIAŁ 1 Język (nie)okiełznany................................................................................................65 ROZDZIAŁ 2 Słowa na wolności......................................................................................................75 -
Studia Ucrainica Varsoviensia 2017/5
issn: 2299-7237 studia ucrainica varsoviensia 5 uniwersytet warszawski katedra ukrainistyki STUDIA UCRAINICA VARSOVIENSIA 5 RADA NAUKOWA Prof. dr hab. Stefania Andrusiw (Katolicki Uniwersytet Lubelski) Dr Renata Botwina (Uniwersytet Warszawski) Prof. dr hab. Lidia Hnatiuk (Uniwersytet im. T. Szewczenki w Kijowie) Prof. dr hab. Pawło Hrycenko (Narodowa Akademia Nauk w Kijowie) Dr Katarzyna Jakubowska-Krawczyk (Uniwersytet Warszawski) Dr Anna Kizińska (Uniwersytet Warszawski) Dr hab. Iryna Kononenko (Uniwersytet Warszawski) Prof. dr hab. Witalij Kononenko (Uniwersytet Przykarpacki w Iwano-Frankiwsku) Prof. dr hab. Halina Maciuk (Uniwersytet im. I. Franki we Lwowie) Prof. dr hab. Wołodymyr Melnyk (Uniwersytet im. I. Franki we Lwowie) Dr Paulina Olechowska (Uniwersytet Warszawski) Prof. dr hab. Switłana Medwid’-Pachomowa (Uniwersytet Użhorodzki) Dr Switłana Romaniuk (Uniwersytet Warszawski) Prof. dr hab. Marian Skab (Uniwersytet Warszawski, Czerniowiecki Narodowy Uniwersytet im. J. Fed’kowycza) Prof. dr hab. Wiktor Szulhacz (Narodowa Akademia Nauk w Kijowie) Prof. dr hab. Wanda Szulowska (Polska Akademia Nauk, Warszawa) Prof. Roman Wasyłyk (Lwowska Narodowa Akademia Sztuki) Prof. dr hab. Ewa Wolnicz-Pawłowska (Uniwersytet Warszawski) UNIWERSYTET WARSZAWSKI KATEDRA UKRAINISTYKI STUDIA UCRAINICA VARSOVIENSIA 5 logo WUW.indd 1 5/12/2014 12:54:19 PM Warszawa 2017 Redaktor naczelny – dr hab. Irena Mytnik Sekretarze redakcji – dr Katarzyna Jakubowska-Krawczyk, mgr Magdalena Jeż Adres redakcji – Katedra Ukrainistyki, ul. Szturmowa 4, 02–678 Warszawa, Uniwersytet Warszawski, tel./fax (22) 55 34 252, e-mail: [email protected], www.ukraina.uw.edu.pl Publikację opiniowali do druku: dr Oksana Baraniwska, dr Adriana Czuczwara, dr Sebastian Delura, dr Łesia Duda, prof. dr Iryna Dudko, prof. dr hab. Witalij Kononenko, prof. dr hab. -
15 Teatr Robotów
3-4 ( 117-118) 2014 a Androidy, roboty, teatr mechaniczny The Androids, Robots and Mechanical theatre 2|7 Androidy – nauka, ideologia, folklor | Androids – Science, Ideology, Folklore Henryk Jurkowski 11|15 Teatr robotów | Robot Theatre Z Markiem Perkowskim rozmawia Lucyna Kozień | Marek Perkowski talks with Lucyna Kozień 19|23 Szopkowa inicjacja | A Crèche Initiation Marek Karpiński 27|29 Maszyny do opowiadania historii | Machines for Telling Stories A Z Pawłem Kolanowskim rozmawia Karol Suszczyński | Paweł Kolanowski talks with Karol Suszczyński a Festiwale Festivals 32|37 Lalki w Banialuce | Puppets at the Banialuka Halina Waszkiel 42|45 Folia, jabłko i papier | Foil, Apple and Paper Maria Schejbal 48|51 Cztery sztuki teatru | The Four Arts of Theatre Karolina Obszyńska 54|56 Od Don Kichota po Rycerza bez Konia | From Don Quixote to the Knight without Zoran Djeric 58|61 Okiem sąsiada | As Seen by a Neighbour Marek Waszkiel 64|68 Sztuka, po co? | Art, What’s the Purpose? Katarzyna Grajewska a Światowy Kongres ASSITEJ The ASSITEJ World Congress 71|76 Widzenie widza | Facing the Audience Zuzanna Talar a Recenzje Reviews 80|82 Tę historię każdy zna... | Everyone Knows This Story… Agata Drwięga 84|86 Senne majaki w laboratorium | Dream Visions in a Laboratory Monika Żmijewska 88|90 Gdzie ręce węża? | Where Are the Snake’s Hands? Janusz Legoń 92|95 Czarna wdowa w białym dworku | Black Widow in a White Manor House Łukasz Drewniak 98|100 Pory życia | Times of Life Tadeusz Kornaś a Teatr dla najmłodszych Theatre for the Youngest 103|107 Teatr najnajowy? | Theatre for Early Years? Justyna Czarnota a Wydawnictwa Publications 111|113 Spotkanie na szczycie | A Summit Meeting Liliana Bardijewska a Do dyskusji For debate 115|118 Pozostaną lalkarze | The Puppeteers Will Remaing Grzegorz Kwieciński 2 – nauka, ideologia, folklor a E ostęp cywilizacyjny jest ogromny. -
Beyond Philology
BEYOND PHILOLOGY AN INTERNATIONAL JOURNAL OF LINGUISTICS, LITERARY STUDIES AND ENGLISH LANGUAGE TEACHING 15/4 EPISTEMOLOGY IN LITERATURE AND THEATRE Edited by Monika Szuba WYDAWNICTWO UNIWERSYTETU GDAŃSKIEGO GDAŃSK 2018 EDITOR-IN-CHIEF Danuta Stanulewicz SECTION EDITORS Olga Sokołowska (Linguistics) Ludmiła Gruszewska-Blaim (Literary Studies, Culture) Wojciech Kubiński (Translation) Magdalena Wawrzyniak-Śliwska (Language Acquisition, Academic Teaching, Education) Jadwiga Węgrodzka (Reviews, Reports, Interviews) ASSISTANT EDITORS Maria Fengler Marcin Fortuna Michał Golubiewski Ewelina Gutowska-Kozielska Karolina Janczukowicz Joanna Redzimska Małgorzata Smentek PROOFREADERS Martin Blaszk Sarah Flamminio Jean Ward Tadeusz Z. Wolański The Editors and Proofreaders are all affiliated with the Institute of English and American Studies, University of Gdańsk, Poland. COVER DESIGN Andrzej Taranek ISSN 1732-1220 eISSN 2451-1498 © Copyright by Uniwersytet Gdański Wydawnictwo Uniwersytetu Gdańskiego Contact address Institute of English and American Studies University of Gdańsk ul. Wita Stwosza 51 80-308 Gdańsk Poland Phone: (+48) 58 523 30 49, (+48) 58 523 30 50 Email: [email protected] ASSOCIATE EDITORIAL BOARD Marta Bogdanowicz (University of Gdańsk, Poland) Joanna Burzyńska-Sylwestrzak (Uczelnia Lingwistyczno-Techniczna, Świecie, Poland) Ewa Dąbrowska (Northumbria University, Newcastle, U.K.) Desmond Graham (University of Newcastle, U.K.) Zoltán Kövecses (Eötvös Loránd University, Budapest, Hungary) Ronald W. Langacker (University of California -
Artistic Turns
ARTISTIC1 TURNS AIQ2015tyt.indd 1 15-12-10 10:52 2 3 4 ART INQUIRY Recherches sur les arts Volume XVII (XXVI) Artistic Turns Łódzkie Towarzystwo Naukowe Societas Scientiarum Lodziensis 90-505 Łódź, ul. M. Skłodowskiej-Curie 11, tel. (+48 42) 665 54 59 fax (+48 42) 665 54 64 Sales office (+48 42) 665 54 48, http://sklep.ltn.lodz.pl, www.ltn.lodz.pl, e-mail: [email protected] Editorial board of ŁTN: Krystyna Czyżewska, Edward Karasiński, Wanda M. Krajewska (Editor-in-Chief), Henryk C. Piekarski, Jan Szymczak Editorial board: Roy Ascott, Sean Cubitt, Bohdan Dziemidok, Erkki Huhtamo, Ryszard Hunger, Krystyna Juszyńska, Małgorzata Leyko, Robert C. Morgan, Wanda Nowakowska (chair) Ewelina Nurczyńska-Fidelska, Krystyna Wilkoszewska, Anna Zeidler-Janiszewska Editor-in-Chief: Grzegorz Sztabiński Editors: Andrzej Bartczak, Ryszard W. Kluszczyński, Krzysztof Stefański Editors of the volume: Grzegorz Sztabiński, Paulina Sztabińska Language Editors: Alina Kwiatkowska, Andrew Tomlinson Editorial Associate: Paulina Sztabińska Reviewer: Lechosław Lameński Cover: Grzegorz Laszuk Graphic design: Tomasz Budziarek Edited with the financial support of the Ministry of Science and Higher Education. Indexed by CEEOL, EBSCOhost, ProQuest, CEJSH, ERIH Plus, Index Copernicus and Ministry of Science and Higher Education. Full- text articles are available online at www.ceeol.com and www.ibuk.pl. Copyright by Łódzkie Towarzystwo Naukowe, Łódź 2015 ISSN 1641-9278 Print: 2K Łódź Sp. z o.o., ul. Płocka 53/45, www.2k.com.pl, [email protected] The journal is originally a printed publication Wersja drukowana stanowi pierwotną wersję czasopisma Circulation: 200 egz. 5 CONTENTS Introduction ............................................................................................................... 7 ROMAN KUBICKI The existential contexts of the so-called turns in the humanities ........................ -
Wojciech Gilewicz: Cuboids, E22, Rockayay
Wojciech Gilewicz Cuboids E22 Rockaway Wojciech Gilewicz Cuboids E22 Rockaway Galeria Foksal, Warszawa 2015 able as an art space – a nondescript loading dock Table of content / Spis treści Introduction on East 22nd Street in Manhattan. At the same time David A. Goldfarb he paints a series of canvasses assembled into blocks that mimic the form of the loading area, and he Introduction David A. Goldfarb 3 fi lms his parallel painting in his atelier and on the Wojciech Gilewicz is an artist based in Warsaw street. His mother, Danuta Gilewicz, wonders what Painting Th e Expanded Field Sara Reisman 5 with a foot in New York and a penchant for travel he is up to and why he is repainting the same can- throughout Europea and East Asia. His work – tak- vasses solid colors over and over again during a peri- E22 Todd Shalom 12 ing the forms of painting, installation, performance, od of three years. His painting of the actual building interventions in public space, and video – focuses seems to be of no consequence. He looks like he Disappearing Act: Two New Videos not so much on production of objects, as on the could be the building’s superintendent, painting the process of production and consumption of art. It loading zone many times before he is confronted by Wojciech Gilewicz Ela Bittencourt 16 highlights the fi ne line between the day job and the by the landlord, who doesn’t seem to know what to art world. It asks what makes an object “art” when it make of the action. -
1Jonathas De Andrade, •2Isabelle Andriessen
Przewodnik | Exhibition Guide WIEK PÓŁCIENIA Sztuka w czasach planetarnej zmiany WIOSNA 2020 THE PENUMBRAL AGE. Art in the Time of Planetary Change SPRING 2020 •1Jonathas de Andrade, •2Isabelle Andriessen, •3Rasheed Araeen, •4Robert Barry, •5Kasper Bosmans, •6 Boyle Family, •7Agnieszka 9 788364 177651 Brzeżańska, •8Dora Budor, •9Vija Celmins, •10Center for Land Use Interpretation, •11Alice Creischer, •12Czekalska + Golec, •13 Betsy Damon, •14 Tacita Dean, •15 Thierry De Cordier, •16Agnes Denes, •17Ines Doujak, •18Jimmie Durham, •19Jerzy Fedorowicz, •20Hamish Fulton, •21Futurefarmers, •22 Cyprien Gaillard, •23Simryn Gill, •24 Wanda Gołkowska, •25Guerrilla Girls, •26Małgorzata Gurowska, •27Anna & Lawrence Halprin, •28Mitsutoshi Hanaga, •29 Suzanne Husky, •30Ice Stupa Project, •31INTERPRT, •32Anja Kanngieser, •33 Karrabing Film Collective, •34Beom Kim, •35Frans Krajcberg, •36 Susanne Kriemann, •37Stefan Krygier, •38Katalin Ladik, •39Nicolás Lamas, •40John Latham, •41Richard Long, •42Antje Majewski, •43Nicholas Mangan, •44Krzysztof Maniak, •45Qavavau Manumie, •46Robert Morris, •47Shana Moulton & Nick Hallett, •48 Teresa Murak, •49Peter Nadin & Natsuko Uchino & Aimée Toledano, •50Bruce Nauman, •51Nishiko,•52Isamu Noguchi, •53OHO, •54Dennis Oppenheim, •55Prabhakar Pachpute & Rupali Patil, •56Maria Pinińska-Bereś, •57Agnieszka Polska, •58Joanna Rajkowska, •59Jerzy Rosołowicz, •60Oscar Santillán, •61Gerry Schum, •62Bonnie Ora Sherk, •63Anna Siekierska, •64Rudolf Sikora, •65Magdalena Starska, •66Irv Teibel, •67Akira Tsuboi, •68Maria Waśko, Ryszard Waśko, •69Lawrence Weiner, •70Magdalena Więcek, •71Andrea Zittel wiekpolcienia.artmuseum.pl THE PENUMBRAL AGE. Art in the Time of Planetary Change THE PENUMBRAL AGE. Art in the Time of Planetary Change Aby In order to żyć w świecie, który nie have lived in a month where ociepla się z miesiąca na mie- the world was not warming month siąc, trzeba było urodzić się w roku by month, you need to have been born 1985 lub wcześniej. -
Tadeusz Różewicz and Modern Identity in Poland Since the Second World War
Tadeusz Różewicz and Modern Identity in Poland since the Second World War Wojciech Browarny TADEUSZ RóżeWICZ AND MODERN IDENTITY IN POLAND SINCE THE SECOND WORLD WAR Wojciech Browarny The publication of this book was financed by Narodowy Program Rozwoju Humanistyki (grant no. 3aH 15 0058 83) obtained from the Ministry of Science and Higher Education (Republic of Poland) Original Title: Tadeusz Różewicz i nowoczesna tożsamość Copyright for the Polish edition by Wojciech Browarny and Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, Kraków 2013 Review (Polish version): Piotr Śliwiński Copyright for the English edition: we are using Creative Commons public licenses NonCommercial 4.0 International Public License Project Editor: Bartosz Ryż Translated by: Piotr Zazula Proofreading by: Matthew Bastock Typesetting: Studio Grafpa, www.grafpa.pl Wrocław 2019 ISBN PDF 978-83-63270-17-9 Projekt Nauka. Fundacja na rzecz promocji nauki polskiej [email protected] www.projekt-nauka.com To My Parents TABLE OF CONTENTS List of Abbreviations ................................. 7 Tadeusz Różewicz’s Narratives and Modern Identity (an Introduction) .................................... 9 Narrating Identity .................................. 12 Tadeusz Różewicz and Modernity ...................... 21 Różewicz’s Narratives ................................ 29 The Model and Aims of Description . 38 1. The adventures of an ideologist . 51 The “Clerk” and the “New Intellectual” . 52 Between Romanticism and Modern Consciousness . 60 Heroic Fictions ................................... -
II. Tadeusz Peiper: Biographical and Intellectual Contexts 30
University of Alberta The Interrupted Narrative. Tadeusz Peiper and His Vision of Literature (1918-1939) by Piotr Grella-Mozejko © A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature Edmonton, Alberta Fall 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-46324-6 Our file Notre reference ISBN: 978-0-494-46324-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.