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Surtitles
The Pomegranate Cycle
Vocality and Listening in Three Operas by Luciano Berio
Francesco Cavalli One Man. Two Women. Three Times the Trouble
Accessible Opera: Overcoming Linguistic and Sensorial Barriers
NEWSLETTER Editor: Francis Knights
Puccini's Gianni Schicchi
Cultural Confrontations at Lithuania's National Drama Theatre &L
Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)
The Career of South African Soprano Nellie Du Toit, Born 1929
If I Translate Word for Word…” SSUE I by Nina Gettler
A Fall to Feast On!
Fundraising and Publicity for Operas in Seventeenth-Century Venice Sandy Thorburn
Reinventing the Concert Experience: Investigating the Effect of Staging on the Performance of Choral Music
Intendant Roland Geyer General Sponsor
WAGNER NEWS Wagner News Is Published by the TORONTOWAGNER SOCIETY
Fall 2016 NEWSLETTER : BULLETIN Automne 2016
O&C Club Text on Contemporary Productions
Fascism, Democracy and Difficult Futures
Top View
Democratizing Opera in America, 1895 to the Present
Opera Program 7-13 RBF Program 4-16 2
Surtitles and Translation Towards an Integrative View of Theater Translation
From Page to Screen: Audiovisual Translation In
Alfred Jarry
Four Recent Productions of Dido and Aeneas
What Is Opera? a Guide to the Art of Opera for New Audiences
Cheek by Jowl Ubu Roi by Alfred Jarry
This Style Guide
Salome2011/12 Season Manitoba Opera Gratefully Acknowledges Our Salome Education and Outreach Partners
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2017 Opera Insider (Pdf)
The Use of Supertitles by American Opera Companies
The Barber of Seville Partners
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Louis XIV of France 1638-1715
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Opera for Beginners 1 Guidebook
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
Alice Through the Opera Glass Education Resource
Regarding Rape: Representations of Sexual Violence on the Twenty-First-Century Operatic Stage
Singer's Guide to Karol Szymanowski's Opera King
Surtitles an Other Hybrid on a Hybrid Stage
LITTLE SWEEP Education Guide
The Theatre of Drottningholm
Festival Black Box Lisl Wirth
Operabouffe.Org Ensemblescholastica.Ca 450-667-2040
Emergent Media and Opera Circulation in Twentieth-Century North America
© in This Web Service Cambridge University
Surtitling and the Audience: a Love-Hate Relationship Antonia Mele Scorcia, Centre of Italian Language and Culture, Bilbao
2016 Opera Insider Central City Opera
Constraints on Opera Surtitling: Hindrance Or Help? Anna Rędzioch-Korkuz
Theatre & Internationalization Conference Program 2019
The Source Text of Opera Surtitles Riitta Virkkunen
LSI: Royal Opera House