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Shanghai opera
THE NATURE of VARIATION in TONE SANDHI PATTERNS of SHANGHAI and WUXI WU by Hanbo Yan Submitted to the Graduate Degree Program In
Global Chinese 2018; 4(2): 217–246
Performing Grief
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964
Prince Zi Dan (Hamlet) 王子复仇记 (哈姆雷特)
The Aesthetics of Chinese Classical Theatre
Ghost Opera, Reformed Drama and the Staging of a New China, 1949-1979
Shanghai Guide
Popular Culture in Mainland Chinese Education Wai-Chung Ho Department of Music, Hong Kong Baptist University, Hong Kong – China
[email protected]
STRONG ACTION PLEA to G20 LEADERS IMF Says Leading Economies Have Fallen Far Behind Their 2014 Goals to Boost Growth
DING Wei Patrick HO ZHU Fenghan YIM Shuiyuen QIAN Shijin Grace LANG the PEOPLE's REPUBLIC of CHINA DELEGATIONS MEETING
Research Note: the 2015 Contest of Baojuan Performers and Academic Conference in Zhoupu and Modernized “Scroll Recitation” in Pudong
INFORMATION to USERS This Manuscript Has Been Reproduced
A Case Study of Grand Theaters in Shanghai
Transnational Literary Collaboration in the Writings of Xiao Hong, Zhang Ailing, and Lao She
Connecting the Past and Present a Case Study of Xintiandi in Shanghai
President Dianne F. Harrison's Visit to China: Building Relationships & Collaboration with Partners in Shanghai, Suzhou
Wang Anyi's Migratory Mythology and Descriptive Historiography = Å'
Top View
Bibliographie : Autor Fabel, Ludwig Alexander
The China Institute Volume 1, Issue 1 March 1, 2010
Remastering a Maestro
A HISTORY of JAZZ in CHINA: from YELLOW MUSIC to a JAZZ REVIVAL in BEIJING a Thesis Submitted to the College of the Arts of Ke
One-Sided Version
Chapter Two / Early Scenes of Peking Opera in Hong Kong Mei Lanfang………………………………………………………………………………….15 2.1 the Quest for “National Drama” in the Late 1910S
Sinophone Intermediality in Jin Yucheng's Blossoms
I China's Proletarian Myth
Encyclopedia of Chinese Film
Free Download
Shanghai Modern: the Future in Microcosm?
“Artistic” Femininity Versus “Natural” Masculinity from China's
Hongming Lin Professor and Dean of the Art Management Department of Shanghai Conservatory of Music
A Performance-Based Study of Kunqu
2020 Year Book.Pdf
The Revival of Cross-Gender Performance in Jingju