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Serbian pop
Turbofolk Or Pop-Folk, One of the Main Pillars of ‘Eastern Otherness’ (Chapter 4), and Neglects To
Music As a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia1 Catherine Baker
Popular Music and Narratives of Identity in Croatia Since 1991
Refiguring the Rebetika As Literature
Popular Music and Political Change in Post- Tuñman Croatia Dr Catherine
The Role of Music in the Conflict- Tool of Reconciliation Or a Deadly Weapon (Case Study of War in Former Yugoslavia)
Hailing the Serbian “People”
Music, Media and Culture One Generation After Yugoslavia: Do We Still Need ‘Nostalgia’?
Exploring Balkanology in South African Popular Culture
Marginality—A Key Concept to Understanding the Resurgence of Rebetiko in Turkey
REFLECTIONS of a NATION Antigone on the Modern Greek Stage
“Love for the Rich, Porn for the People”? Popular Music in The
Sparks Fly at Serbian Christmas Page 4 Top New Year's Eve Revels Pages
Symposium Booklet.Pdf
The Highs and Lows of Ethno-Cultural Diversity: Young People's Experiences of Chalga Culture in Bulgaria
South East Europe Jim Samson Published Online: 13 January 2015
What Female Pop-Folk Celebrity in South-East Europe Tells Postsocialist Feminist Media Studies About Global Formations of Race
Pozicioniranje Turbofolka V Sodobni Hrvaški Popularni Kulturi
Top View
Turbo-Folk Music and Cultural Representations of National Identity In
A Discussion with Dragana Mirković Event Analysis
Thesis MK Revised May 1 2019
Chalga to the Max! Musical Speech and Speech About Music on the Road Between Bulgaria and Modern Europe
Slavi Trifonov and the Commodification of Nationalism
British–Serbian Pop Culture/Rock Music Encounters
“Paint Me Black and Gold and Put Me in a Frame”: Turbofolk and Balkanist Discourse in (Post) Yugoslav Cultural Space
Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest ABSTRACT This P
When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity
A Dismissal Too Far in Serbian Arts and Culture
Nationalism and the Agency of Musical Performers in Serbia in the 1990S: a Discussion with Dragana Mirković Event Analysis
E Thnopolitics Article
Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest Catherine Baker
Revival of Bulgarian Folk Music During Socialism and the Post-Socialist Transition: Music and Cultural Identity