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Salsa music
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
University of Florida Thesis Or Dissertation Formatting
Cuban Music Teaching Unit
Redalyc.Música: Spanish Caribbean Music in New York City
Cubaneo in Latin Piano: a Parametric Approach to Gesture, Texture, and Motivic Variation Orlando Enrique Fiol University of Pennsylvania,
[email protected]
Gershwin, Copland, Lecuoña, Chávez, and Revueltas
Bc Salsa: Identity,Musicianshipand Performance in Vancouver’Safro-Latinorchestras
Redalyc.Salsa Music As Expressive Liberation
Music Genre/Form Terms in LCGFT Derivative Works
Redalyc."Somos Cubanos!"
Creating Salsa, Claiming Salsa: Identity, Location, and Authenticity in Global Popular Music
Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Brian Martinez
Tracing the Origins of Salsa Music
Pop in Spanish in the U.S.: a Space to Articulate the Latino Identity
“Salsa” Is a Project Revolving Around the Latin Dance and Music Style Of
Latin American Music in Musical Theatre
The Dynamics of Salsiology in Comtemporary Germany
LATINIDAD and BLACK IDENTITY in the REGGAETÓN of DON OMAR Centro Journal, Vol
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An Analysis of Six Original Latin Jazz Compositions and Arrangements Ruben Caban Florida International University
Culture Box of Colombia
Music of Cuba 1 Music of Cuba
The Musical Contexts World Music Guide To
Charting Rhythmic Energy in Nuyorican Salsa Music
Beyond Salsa Piano the Cuban Timba Piano Revolution
Exploring Latin Rhythms
Handout 1: Select Latin American Genres
Cubaneo in Latin Piano: a Parametric Approach to Gesture, Texture, and Motivic Variation
Jazz and Puerto Rican Traditional Music, a New Generation of Musical Exploration
Dance Music Salsa (Aos 3 Dance Music)
Formatted Finaldraftuse
Redalyc.Salsa Dance: Latino/ a History in Motion
The Cuban Creators of Latin Jazz
The Clave Lesson
Latin Dance Rhythm Patterns
Relocating and Personalising Salsa in Slovenia: to Dance Is to Communicate
Puerto Rican Environment, Reggaeton, and Boricuaness
The Musicality of Salsa Dancers: an Ethnographic Study
Cuban and Puerto Rican Music Connections from the 1920S-1970S
The Latin Rhythms of “Despacito”
Negotiating Salsa Through Global Matrices
Beat Counting System Empowered by Mobile Devices to Assist Salsa
Colombian Folk Music in an International Context
CR Info Sheet 29 Jan 09A.Pptx
The Conjunto Piano in 1940S Cuba: an Analysis of the Emergence of a Distinctive Piano Role and Style
“Oye Como Va”: Three Generations in the Life of a Classic Latino/American Dance Tune
Salsa CRASH Course for Beginners with FUN Cuban-Style Salsa 4 Weeks Every Wednesdays in February 2013
Latino Music 1 Chapter 11 Tito Puente Biographical Notes 2 Early Life Born in the Barrio of Spanish Harlem in 1923 to Puerto Rican Immigrants
Building Pan-Latino Unity in the United States Through Music: an Exploration of Common- Alities Between Salsa and Reggaeton Kim Kattari