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Piphat
The Khaen: Place, Power, Permission, and Performance
339 Chapter Six Three Royal Wats Through the Turmoil
Thai Music in Western Notation
Khaen Performance: an American Perspective on Traditional Pedagogical Practices
Piphat Mon in the Korat Way of Life: Creating Performing Arts Standards to Promote the Thai Music Profession
The Participatory We-Self: Ethnicity and Music In
THE THANG of the KHONG Tjong YAI and RANAT EK a Transcription
5. Performing Arts, Folk Plays, Musical Instruments and Folk Songs Mon Music Instruments Wong Phipapat Mon Is a Band Accompanied Mon People Who Migrated to Thailand
The Story of the Lost Thai Classical Music Ensemble
The Music and Cultures of Thailand by Nattapol Wisuttipat (Pup)
The Influence of Social Condition Towards the String Ensemble Development in Rattanakosin Era
The Evolution of Entertainment Culture in Thai Society
The First Mahasarakham University International Seminar on Music and the Performing Arts
The Myth of Equidistance in Thai Tuning
7451 Silk, Spirits and Song
Music Composition: Queen Chamdevi Suite*
Southeast Asian Music
142 Be Recognised As Dance Poses. They Are Depicted As Standing on Both Feet, Which Are Most Often Shown in Profile, Whereas
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Aspects of Improvisation in Thai Classical
A Contemporary Dance of Buddha Jaya Mangala Gatha Dr
Thai Classical Music Matching Using T-Distribution on Instantaneous Robust Algorithm for Pitch Tracking Framework
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Mahesak City Guardian Ceremony in Champasak
The Development of Asean Cultural Indices and Asean Cultural Measurement for Media
Poprasit 4119 Copy.Pdf
The Study of Knowledge About String I-San Folk Music