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The First Mahasarakham University International Seminar on Music and the Performing Arts

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The First Mahasarakham University International Seminar on Music and the Performing Arts Mahasarakham University International Seminar on Music and the Performing Arts A of the The First Mahasarakham University International Seminar on Music and the Performing Arts November 28 – December 1, 2018 10th Anniversary College of Music, Mahasarakham University With the joint cooperation of Kalasin College of Dramatic Arts Thailand 10th Anniversary, College of Music, Mahasarakham University, Thailand. B November 28 – December 1, 2018 Message from the Dean of College of Music, Mahasarakham University The Mahasarakham University College of Music was originally a division of the Faculty of Fine and Applied Arts that offered a Bachelor of Arts program in Musical Arts with separate degrees in Western Music, Thai Classical music and Folk Music. The College was officially established on September 28, 2007 under the name “College of Music” offering an undergraduate program in the musical arts as well as master’s and doctoral degree programs. During this 10th anniversary, the College is hosting several events including this international conference and music and dance workshop from participating countries in this conference. It is my hope that this anniversary cerebration will be useful for scholars from many countries and also students from the colleges and universities in Thailand. I wish to thank everyone who has offered their time and assistance in making these events successful. I also want to thank everyone for joining us to cerebrate, support and also enhance our academic knowledge to be shared to everyone. Thank you very much. Best regards, (Khomkrich Karin, Ph.D.) Dean, College of Music,Mahasarakham University with the joint cooperation of Kalasin College of Dramatic Arts Mahasarakham University International Seminar on Music and the Performing Arts C Message from the Director of Kalasin College of Dramatic Arts For the importance of the Tenth Anniversary of the College of Music, Masarakham University. the Kalasin College of Dramatic Arts, Bunditpatanasilpa Institute, feels highly honored to co-host this event This international conference-festival would allow teachers, students and researchers to present and publicize their academic papers in music and dance. The arts and cultures are important to our nation as these bring benefit to everyone from the participation of international countries as well as from our country, as a form of musical exchange and knowledge. I believe that this event will be a good direction to develop the direction of education, the arts and cultures, and foster co-operation in the future especially, for both our institutes’ students. I am confident that this international conference-festival will achieve its objectives with the dedication of everyone. At the same time, I wish that our many friends from every country will have a pleasant stay in Thailand. (Jamrern Kaewpengkro, Ph.D.) Director of Kalasin College of Dramatic Arts 10th Anniversary, College of Music, Mahasarakham University, Thailand. D November 28 – December 1, 2018 Welcoming Address Good Morning. Ladies, Gentlemen, Scholars and Artists from China, India, Indonesia, Kalasin College of Dramatic Arts, and all Conference Participants. It is indeed a great pleasure for me, as one of the host, to welcome all of you to the Mahasarakham University International Conference on Music and Performing Arts to commemorate the Tenth Anniversary of the Foundation of Mahasarakham University College of Music. In the globalized era, our world becomes smaller, and the powerful technologies affect all lives and nature; therefore all of us need co- operation, working together as closely as possible. It is our great opportunity for us today to be here to participate our international conference on music and performing arts. Music and all branches of arts, including performing arts, are necessary for our lives; food are good for bodies, arts are good for our souls. With food and arts human can have a sound mind and sound body. I am confident that this international conferene provides an excellent opportunity to share many different discussions. Today we will learn and share our knowledge and experiences on our music and performing arts, as well as fostering our friendship among individuals and among our countries. Please share and enjoy yourselves in this memorable international conference. I would like to extend my heartiest welcoming to our distinguished guests and paper presenters from mnay parts of the world. I do hope this conference would be successful for everyone. Thank you. November 28, 2018 Asst. Prof. Dr. Jarernchai Chonpairot Specialist: College of Music, Mahasarakham University, Thailand with the joint cooperation of Kalasin College of Dramatic Arts Mahasarakham University International Seminar on Music and the Performing Arts E Editorial Board 1. Asst. Prof. Jarernchai Chonpairot, Ph.D., Thailand 2. Assoc. Prof. Wiboon Trakulhun, D.A., Thailand 3. Asst. Prof. Khomkrich Karin, Ph.D., Thailand 4. Assoc. Prof. Piyapun Santhaweesuk, Ph.D., Thailand 5. Jina Rajkumari, Ph.D., India 6. Joe Peters, Ph.D., Singapore 7. Lu Xiaoqin, Ph.D., China 8. Yang Shengxing, Ph.D., China 9. Arsenio Nicolas, Ph.D., The Philippines 10. Yong-Shik Lee, Ph.D., Korea 11. Jittapim Yamprai, Ph.D., USA 12. Randy Raine-Reusch, Ph.D., Canada 13. Hung Pai Chen, Ph.D., Taiwan 14. Somchit Saysoucanh, Ph.D., Laos 15. Awirut Thotham, Ph.D., Thailand Staff 1. Asst. Prof. Sayam Chuangprakhon, Ph.D. 2. Asst. Prof. Suradit Phaksuchon, Ph.D. 3. Asst. Prof. Narongruch Woramitmaitree 4. Assoc. Prof. Phipat Sornyai 5. Asst. Prof. Yotsaphan Phanthasri 6. Asst. Prof. Weerayut Seekhunlio 7. Asst. Prof. Warakorn Siyo 8. Asst. Prof. Akhapong Phulaiyao 9. Asst. Prof. Chaloempol Lohamart 10. Pitsanu Boonsrianan, Ph.D. 10th Anniversary, College of Music, Mahasarakham University, Thailand. F November 28 – December 1, 2018 11. Thanaporn Pengsri, Ph.D. 12. Awirut Thotham, Ph.D. 13. Natthaphong Pratumchan 14. Chumdech Dechphimol 15. Arthid Khamhongsaa 16. Watchara Homhuan 17. Chatarcha Phalilaphasitkul 18. Rakbuncha Phimprachan 19. Ratthanaporn Sarasri 20. Sanchai Duangbung 21. Suthasinee Teeraphan 22. Kittikhun Chanket 23. Watcharanon Sangmuanna 24. Sitthipong Yodnon 25. Satawat malaisri 26. Surangrat Nuangchaiyot 27. Sasi Kulprapha 28. Ratri Sopho 29. Areeya Boonmak 30. Chutikan Tepdu 31. Chalita Chawna 32. Khannaphat Wannasin 33. Tharatip Kopholrat 34. Thanakornphat Thaochali 35. Yothin Songleknork with the joint cooperation of Kalasin College of Dramatic Arts Mahasarakham University International Seminar on Music and the Performing Arts G Table of Content Page Klon Lam poetic texts for Lam singing: Classification and Formal Structure......... 1 Jarernchai Chonpairot Historical traces of performing arts in Indonesia (Prehistoric to Islamic period)… 33 Een Herdiani “Wayang Kreatif” Performance of Teater Koma and Its Audience........................... 39 Arthur S Nalan The music of Aria ritual Siem Reap province Kingdom of Cambodia………………….. 51 Jidpipat Taewiriyakun, Khomkrich Karin A comparative study of foreign music rehearsal between Chinese and Thai students…………………………………………………………………………………………………………… 65 Du Hao Criteria for Developing Soraphan Chanting Competition In Northeastern Thailand……………………………………………………………………………………………………………………. 69 Awirut Thotham Innovation for Wind Symphony to national excellence: Case study Ratwinit Bangkaeo Wind Symphony……………………………………………………………………………………… 77 Tawanchai Suanmonta, Narongrush Woramitmaitree ANGKLUNG: The Indonesian Second Strategy in Cultural Diplomacy………………….. 91 Ismet Ruchimat, M.Hum The creative Thai Dance performance: “Songthara Chetthanuchachai”............... 101 Jarucha Chantasiro The Patterns of “Glong Yao” Band Performances in Mahasarakham Province….. 117 Khomkrich Karin Intangible Cultural Heritage System and Shaman Ritual Music in Korea……………. 127 Yong-Shik Le 10th Anniversary, College of Music, Mahasarakham University, Thailand. H November 28 – December 1, 2018 Page The Form and Structure Of The Main Repertoire on Gamelan Monggang Cigugur, Kuningan…………………………………………………………………………………………………….. 137 Mustika Iman Zakaria.S TayLun NungSi：The Categories of Folksong and Ethnic Boundaries Among China-Vietnam Border………………………………………………………………………………… 159 Lu Xiaoqin The Application of the Pitch Pipe Training in Vocal Music Teaching…………………… 165 Chang Yanxi Performance Form of GuangXi WenChang of GuangXi Province…………………………. 171 Jiang Baolong A study of the Art from CaiDiao Traditional Opera in GuiLin of Guangxi Province of China…………………………………………………………………………………………………….. 181 Liao Shasha Comparing the Erhu Music of Liu Tianhua and A Bing………………………………………….. 191 Liu Meng Analysis of Erhu Digital Teaching…………………………………………………………………….………. 205 Zhang Chao with the joint cooperation of Kalasin College of Dramatic Arts Mahasarakham University International Seminar on Music and the Performing Arts 1 KLON LAM POETIC TEXTS FOR LAM SINGING: Classification and Formal Structure Jarernchai Chonpairot Abstract To become a famous molam singer, he/she has to have many supportive elements---good personality, good voice, good acting, good memory, good instant problem solving, good khaen accompaniment, and good klon lam or poetic texts. However, among these supportive elements, a good klon lam is the most effective and lasting impression in the minds and the memories of the audience. In this paper the author will discuss and analyze klon lam repertoire that had /have impressed the minds of the audience in the old days as well as in the present days, then classify them into proper catagories
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