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Ping opera
Intangible Heritage in Performing Arts in Taiwan
Kunqu Opera in the Last Hundred Years in China
Proquest Dissertations
Huangmei Opera in Anqing City,Anhui Province,China Meng
Rise and Fall: Audience Participation and Market Economy in Traditional
JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary
The Development Strategy of County Characteristic Culture Industry in Hebei Province Based on SWOT Analysis
Ghost Opera, Reformed Drama and the Staging of a New China, 1949-1979
Jianpu Notacija
Listening to Chinese Music
Maoist Laughter
ABSTRACTS International Council for Traditional Music 37Th World Conference Fuzhou & Quanzhou, China 4–11 January 2004
Leisure, Lifestyle, and Youth Subcultures in China, 1949– 1987
Huizhou's Roots in Trade Still Echo Today
Maoist Laughter
The Integration of Chinese Opera Traditions Into New Musical Compositions
Marjorie Chan's C5474. Chinese Opera (Autumn Semester 2014)
View with the Composer Discussing Her Musical Background, Education, Relationship with Ju Percussion
Top View
The Development and Aesthetic Pursuit of Opera Films in This Century (2000-2015) Xiufeng Yang* National Academy of Chinese Theatre Arts, Beijing 100073, China
King Lear in Chinese Opera
Download Article (PDF)
Chinese Opera: the Actor's Craft
The Popular Religion of Female Employees in Cantonese Opera by Tuen Wai Mary Yeung M.A. the University of Lancaster 1993 a THESI
Inheritance and Innovation in the Process of Artistic Creation in Major Kunqu Productions in the People‘S Republic of China, 2001-2015
Annual Report 1999/2000
Heritage and Integration- a Study of Hong Kong Cantonese Opera Films
The Status Quo and Prospect of Music Education Based on Musical Diversity in Mainland China
Listening to the State: Radio and the Technopolitics of Sound in Mao's
From Beijing Opera to Yangbanxi