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Philipp Veit
Painting by Joseph Anton Koch Returns to the Städel
German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's the Hall of Stars
Romantic Irony in the String Quartets of Felix Mendelssohn Bartholdy and Robert Schumann Robin Wildstein Garvin
Heinrich Von Treitschke “The Jews Are Our Misfortune”
Friedrich Overbeck's 'Portrait'
Direct PDF Link for Archiving
Architekturvorstellung
Romantic Dialogue in the Letters and Works of Rahel Levin Varnhagen, Bettina Brentano Von Arnim, and Karoline Von Günderrode
10. Some Remarks on the New Edition of the Works of Wilhelm Müller1
Henry Philip Tappan (Apr
Musical History and Self-Consciousness in Mendelssohn's Octet
Headshots Summer 2019
Verzeichnis Der Briefe
Naming Conventions and the Perception of Selfhood: a Cross-Cultural Reflection on Women’S Surnames in the Anglosphere Vs
Project Aneurin
16-18 November 2018 Centro Studi Oper a Omni a Luigi Boccher Ini International Conference
BEREISHITH Hebrew Book of Genesis Torah Portion Vol.1
The Analyst of Manners, Money and Masks. August Lewald in the Vormärz
Top View
Arthur Danto and the End of Art
Bibliography
Overbeck's Italia Und Germania. Image Portfolio
Storia Della Critica D'arte Docente Gian Piero Nuccio
One Inch Margins
FRIEDRICH OVERBECK: PLAYING the Rf3le of the MONK-ARTIST
Painting-The-Sacred.Pdf
Dante's Commedia and the Poetics of Early German Romanticism
What Is a Philistine? : Music in the Nineteenth Century
Unwilling Moderns } on the Nazarene Artists of the Early Nineteenth Century
Introduction
Introduction to Nineteenth Century Art : Artists and the Challenge of Modernity / Michelle Facos
Drastic Description, the French Revolution, and Modern Identity
THE MENDELSSOHNS in JÄGERSTRASSE a TOUR of the EXHIBITION the Mendelssohns in Jägerstraße
One Inch Margins
Dante in the Nineteenth Century
Cambridge Companions Online
Bibliography