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ERRS PRICE DESCRIPTORS the Tmergence.Of the Junior College In
DOCUMENT RESUME ED 116.741 Ja 760 060 AUTHOR Cowley, W. H. TITLE The tmergence.of the Junior College in the EvolutiOn of American Education: A Memorandum for the Fund for / Advancement of Education. SPOTS AGENCY Ford Foundation, New York, N.Y. PUB DATE 10 Sep 55 NOTE 61p. ERRS PRICE MF-$0.76 HC-$3.32 Plus Postage DESCRIPTORS Change Agents; *Colleges; *Educational History; *Junior Colleges; Post Secondary Education; Professional Education; *Secondary-Schools; *Universities ABSTRACT In an/effort to elucidate the forces behind the emergence of the Ametican junior college, this document reviews the evolution of the structure of American education from 1874 to 1921. The historical review begins with 1874 because the decision made that year in the Kdlamazoo Case confirmed the right of communities to high schools by taxation. It ends with 1921 because two pisurrtt tal events occurred in that year: first, the organization of the American Association of Junior Colleges, and second, the establishtent of the first unitari.two..year junior college, namely, ,Modesto Junior College in Modesto, California. It reviews the historical development of secondary schools, liberal arts colleges, professional schools, universities, and junior colleges in that time period. The author/concludes that the junior college of today is an historical accident. A bibliography is appended. (DC) , *******************************************************t************ * Documents acquired by 'ERIC include many'-informal unpublished * * materials not available,from other sources. ERIC makes every effort*. * to obtain the bestopyNc available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * *via the ERIC Document Reproduction Servi9e (EDRS). -
Just As the Priests Have Their Wives”: Priests and Concubines in England, 1375-1549
“JUST AS THE PRIESTS HAVE THEIR WIVES”: PRIESTS AND CONCUBINES IN ENGLAND, 1375-1549 Janelle Werner A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by: Advisor: Professor Judith M. Bennett Reader: Professor Stanley Chojnacki Reader: Professor Barbara J. Harris Reader: Cynthia B. Herrup Reader: Brett Whalen © 2009 Janelle Werner ALL RIGHTS RESERVED ii ABSTRACT JANELLE WERNER: “Just As the Priests Have Their Wives”: Priests and Concubines in England, 1375-1549 (Under the direction of Judith M. Bennett) This project – the first in-depth analysis of clerical concubinage in medieval England – examines cultural perceptions of clerical sexual misbehavior as well as the lived experiences of priests, concubines, and their children. Although much has been written on the imposition of priestly celibacy during the Gregorian Reform and on its rejection during the Reformation, the history of clerical concubinage between these two watersheds has remained largely unstudied. My analysis is based primarily on archival records from Hereford, a diocese in the West Midlands that incorporated both English- and Welsh-speaking parishes and combines the quantitative analysis of documentary evidence with a close reading of pastoral and popular literature. Drawing on an episcopal visitation from 1397, the act books of the consistory court, and bishops’ registers, I argue that clerical concubinage occurred as frequently in England as elsewhere in late medieval Europe and that priests and their concubines were, to some extent, socially and culturally accepted in late medieval England. -
Catalogue of the Earl Marshal's Papers at Arundel
CONTENTS CONTENTS v FOREWORD by Sir Anthony Wagner, K.C.V.O., Garter King of Arms vii PREFACE ix LIST OF REFERENCES xi NUMERICAL KEY xiii COURT OF CHIVALRY Dated Cases 1 Undated Cases 26 Extracts from, or copies of, records relating to the Court; miscellaneous records concerning the Court or its officers 40 EARL MARSHAL Office and Jurisdiction 41 Precedence 48 Deputies 50 Dispute between Thomas, 8th Duke of Norfolk and Henry, Earl of Berkshire, 1719-1725/6 52 Secretaries and Clerks 54 COLLEGE OF ARMS General Administration 55 Commissions, appointments, promotions, suspensions, and deaths of Officers of Arms; applications for appointments as Officers of Arms; lists of Officers; miscellanea relating to Officers of Arms 62 Office of Garter King of Arms 69 Officers of Arms Extraordinary 74 Behaviour of Officers of Arms 75 Insignia and dress 81 Fees 83 Irregularities contrary to the rules of honour and arms 88 ACCESSIONS AND CORONATIONS Coronation of King James II 90 Coronation of King George III 90 Coronation of King George IV 90 Coronation of Queen Victoria 90 Coronation of King Edward VII and Queen Alexandra 90 Accession and Coronation of King George V and Queen Mary 96 Royal Accession and Coronation Oaths 97 Court of Claims 99 FUNERALS General 102 King George II 102 Augusta, Dowager Princess of Wales 102 King George III 102 King William IV 102 William Ewart Gladstone 103 Queen Victoria 103 King Edward VII 104 CEREMONIAL Precedence 106 Court Ceremonial; regulations; appointments; foreign titles and decorations 107 Opening of Parliament -
Autobiography of Andrew Dickson White</H1>
Autobiography of Andrew Dickson White Autobiography of Andrew Dickson White Scanned by Charles Keller with OmniPage Professional OCR software Autobiography of Andrew Dickson White Volume II Scanned by Charles Keller with OmniPage Professional OCR software donated by Caere Corporation, 1-800-535-7226. Contact Mike Lough AUTOBIOGRAPHY OF ANDREW DICKSON WHITE WITH PORTRAITS VOLUME I page 1 / 895 NEW YORK THE CENTURY CO. 1905 Copyright, 1904, 1905, by THE CENTURY CO. ---- Published March, 1905 THE DE VINNE PRESS TO MY OLD STUDENTS THIS RECORD OF MY LIFE IS INSCRIBED WITH MOST KINDLY RECOLLECTIONS AND BEST WISHES TABLE OF CONTENTS PART I--ENVIRONMENT AND EDUCATION CHAPTER I. BOYHOOD IN CENTRAL NEW YORK--1832-1850 The ``Military Tract'' of New York. A settlement on the headwaters of the Susquehanna. Arrival of my grandfathers and page 2 / 895 grandmothers. Growth of the new settlement. First recollections of it. General character of my environment. My father and mother. Cortland Academy. Its twofold effect upon me. First schooling. Methods in primary studies. Physical education. Removal to Syracuse. The Syracuse Academy. Joseph Allen and Professor Root; their influence; moral side of the education thus obtained. General education outside the school. Removal to a ``classical school''; a catastrophe. James W. Hoyt and his influence. My early love for classical studies. Discovery of Scott's novels. ``The Gallery of British Artists.'' Effect of sundry conventions, public meetings, and lectures. Am sent to Geneva College; treatment of faculty by students. A ``Second Adventist'' meeting; Howell and Clark; my first meeting with Judge Folger. Philosophy of student dissipation at that place and time. -
Athenaeum Fragments 18 Ideas 94 Index 111
This content downloaded from 165.123.34.86 on Fri, 05 Jun 2020 21:35:30 UTC All use subject to https://about.jstor.org/terms Philosophical Fragments Friedrich Schlegel Translated by Peter Firchow Foreword by Rodolphe Gasche University of Minnesota Press Minneapolis London This content downloaded from 165.123.34.86 on Fri, 05 Jun 2020 21:35:30 UTC All use subject to https://about.jstor.org/terms Copyright © 1991 by the Regents of the University of Minnesota Philosophical Fragments originally appeared in Friedrich Schlegel's Lucinde and the Fragments. Copyright © 1971 by the University of Minnesota. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minnesota, MN 55401-2520 http://www.upress.umn.edu Printed in the United States of America on acid-free paper Third printing 1998 Library of Congress Cataloging-in-Publication Data Schlegel, Friedrich von, 1772-1829. [Aphorisms. English] Philosophical fragments / Friedrich Schlegel ; translated by Peter Firchow : foreword by Rodolphe Gasche. p. cm. Includes bibliographical references and index. ISBN 0-8166-1901-8 1. Philosophy—Quotations, maxims, etc. I. Title. B3086.S53A6413 1991 193—dc20 90-19957 A CIP catalog record for this book is available from the British Library The University of Minnesota is an equal-opportunity -
A. W. Schlegel and the Nineteenth-Century Damnatio of Euripides Ernst Behler
BEHLER, ERNST, A. W. Schlegel and the Nineteenth-Century "Damnatio" of Euripides , Greek, Roman and Byzantine Studies, 27:4 (1986:Winter) p.335 A. W. Schlegel and the Nineteenth-Century Damnatio of Euripides Ernst Behler N HIS 1802-04 Berlin lectures on aesthetics, August Wilhelm Schle I gel claimed that his younger brother Friedrich (in his essay On the Study of Greek Poetry U795]), had been the first in the modern age to discern the "immeasurable gulf" separating Euripides from Aeschylus and Sophocles, thereby reviving an attitude the Greeks themselves had assumed towards the poet. The elder Schlegel noted that certain contemporaries of Euripides felt the "deep decline" both in his tragic art and in the music of the time: Aristophanes, with his unrelenting satire, had been assigned by God as Euripides' "eternal scourge"; 1 Plato, in reproaching the poets for fostering the passionate state of mind through excessive emotionalism, actually pointed to Euripides (SK I 40). Schlegel believed that his younger brother's observation of the profound difference between Euripides and the two other Greek tragedians was an important intuition that required detailed critical and comparative analysis for sufficient development (SK II 359). By appropriating this task as his own, August Wilhelm Schlegel inaugurated a phenomenon that we may describe as the nineteenth-century damnatio of Euripides. The condemnation of Euripides by these early German romantics was no extravagant and isolated moment in their critical activity: it constituted a central event in the progressive formation of a new literary theory. Their pronouncements must be seen in the context of a larger movement, towards the end of the eighteenth century, that transformed the critical scene in Europe: the fall of the classicist doctrine and the rise of the new literary theory of romanticism. -
The New York City Draft Riots of 1863
University of Kentucky UKnowledge United States History History 1974 The Armies of the Streets: The New York City Draft Riots of 1863 Adrian Cook Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Cook, Adrian, "The Armies of the Streets: The New York City Draft Riots of 1863" (1974). United States History. 56. https://uknowledge.uky.edu/upk_united_states_history/56 THE ARMIES OF THE STREETS This page intentionally left blank THE ARMIES OF THE STREETS TheNew York City Draft Riots of 1863 ADRIAN COOK THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5182-3 Library of Congress Catalog Card Number: 73-80463 Copyright© 1974 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 To My Mother This page intentionally left blank Contents Acknowledgments ix -
Purgatoire Saint Patrice, Short Metrical Chronicle, Fouke Le Fitz Waryn, and King Horn
ROMANCES COPIED BY THE LUDLOW SCRIBE: PURGATOIRE SAINT PATRICE, SHORT METRICAL CHRONICLE, FOUKE LE FITZ WARYN, AND KING HORN A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Catherine A. Rock May 2008 Dissertation written by Catherine A. Rock B. A., University of Akron, 1981 B. A., University of Akron, 1982 B. M., University of Akron, 1982 M. I. B. S., University of South Carolina, 1988 M. A. Kent State University, 1991 M. A. Kent State University, 1998 Ph. D., Kent State University, 2008 Approved by ___________________________________, Chair, Doctoral Dissertation Committee Susanna Fein ___________________________________, Members, Doctoral Dissertation Committee Don-John Dugas ___________________________________ Kristen Figg ___________________________________ David Raybin ___________________________________ Isolde Thyret Accepted by ___________________________________, Chair, Department of English Ronald J. Corthell ___________________________________, Dean, College of Arts and Sciences Jerry Feezel ii TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………viii Chapter I. Introduction .................................................................................................. 1 Significance of the Topic…………………………………………………..2 Survey of the State of the Field……………………………………………5 Manuscript Studies: 13th-14th C. England………………………...5 Scribal Studies: 13th-14th C. England……………………………13 The Ludlow Scribe of Harley 2253……………………………...19 British Library -
Painting by Joseph Anton Koch Returns to the Städel
AiA news-service Painting by Joseph Anton Koch returns to the Städel Joseph Anton Koch (1768–1839), Landscape with the Prophet Balaam and his donkey, ca. 1832. Oil on canvas, 74 x 102 cm. Photo: Städel Museum. FRANKFURT.- The painting Landscape with the Prophet Balaam and his donkey (ca. 1832) by the artist Joseph Anton Koch (1768–1839) is returning to the Städel Museum. The work from the museum’s collection was considered lost in 1945 and was recently rediscovered in a private collection. Thanks to the generous gesture of returning the work from private ownership, it is now once again on view in the Städel. For its presentation within the collection of nineteenth century art, the painting was carefully restored and newly framed by the museum. It is thus once again part of the Städel’s extensive collection of works by Joseph Anton Koch. A total of three paintings, thirteen drawings and forty-nine prints provide profound insight into the oeuvre of the artist, whose impact on German art in the nineteenth century cannot be overestimated. “We are indebted to the former owner for the extraordinary gesture and generosity in returning the painting to the Städel Museum. Since the founding of the Städel in 1815, this work has been one of the early, impressive acquisitions of contemporary art. With the return of the work, it will once again be possible to show the full spectrum of Joseph Anton Koch’s oeuvre in the museum”, says Philipp Demandt, Director of the Städel Museum. “Joseph Anton Koch was one of the outstanding landscape painters of the early nineteenth century. -
Tstog of Or 6Ttr4* Anor of Ratigan
Thank you for buying from Flatcapsandbonnets.com Click here to revisit THE • tstog of Or 6ttr4* anor of ratigan IN THE COUNTY OF LANCASTER. BY THE HONOURABLE AND REVEREND GEORGE T. 0. BRIDGEMAN, Rotor of Wigan, Honorary Canon of Liverpool, and Chaplain in Ordinary to the Queen. (AUTHOR OF "A HISTORY OF THE PRINCES OF SOUTH WALES," ETC.) PART II. PRINTEDwww.flatcapsandbonnets.com FOR THE CH 1.71'HAM SOCIETY. 1889. Thank you for buying from Flatcapsandbonnets.com Click here to revisit 'tam of die cpurcl) ant) manor of Etligatt. PART II. OHN BRIDGEMAN was admitted to the rectory of Wigan on the 21st of January, 1615-16. JHe was the eldest son of Mr. Thomas Bridgeman of Greenway, otherwise called Spyre Park, near Exeter, in the county of Devon, and grandson of Mr. Edward Bridgeman, sheriff of the city and county of Exeter for the year 1562-3.1 John Bridgeman was born at Exeter, in Cookrow Street, and christened at the church of St. Petrok's in that city, in the paro- chial register of which is the following entry : " the seconde of November, A.D. 1597, John Bridgman, the son of Thomas Bridgman, was baptized." '1 Bishop John Bridgeman is rightly described by Sir Peter Leycester as the son of Mr. Thomas Bridgeman of Greenway, though Ormerod, in his History of Cheshire, who takes Leycester's Historical Antiquities as the groundwork for his History, erro- neously calls him the son of Edward Bridgeman, and Ormerod's mistake has been repeated by his later editor (Helsby's ed. -
German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's the Hall of Stars
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2012-04-17 German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's The Hall of Stars Allison Slingting Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Slingting, Allison, "German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's The Hall of Stars" (2012). Theses and Dissertations. 3170. https://scholarsarchive.byu.edu/etd/3170 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. German Nationalism and the Allegorical Female in Karl Friedrich Schinkel’s The Hall of Stars Allison Sligting Mays A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Heather Belnap Jensen, Chair Robert B. McFarland Martha Moffitt Peacock Department of Visual Arts Brigham Young University August 2012 Copyright © 2012 Allison Sligting Mays All Rights Reserved ii ABSTRACT German Nationalism and the Allegorical Female in Karl Friedrich Schinkel’s The Hall of Stars Allison Sligting Mays Department of Visual Arts, BYU Master of Arts In this thesis I consider Karl Friedrich Schinkel’s The Hall of Stars in the Palace of the Queen of the Night (1813), a set design of Die Zauberflöte (The Magic Flute), in relation to female audiences during a time of Germanic nationalism. -
De Sade. Männlichkeit Und Sexuelle Erniedrigung
Gert Hekma De Sade. Männlichkeit und sexuelle Erniedrigung Die Entstehung neuer Männlichkeitsideale im 18. Jahrhundert wird von der Histo riographie recht unterschiedlich datiert und erklärt. Randolph Trumbach glaubt den Ursprung des heterosexuellen Mannes im England der 1730er Jahre gefunden zu haben und meint, dass dieser Mann bewies, kein molly (kein Homosexueller in der zeitgenössischen Terminologie) zu sein, indem er zu Huren ging. 1 Ungefähr zur selben Zeit habe europaweit der Kampf gegen die Masturbation eingesetzt und da mit ein Diskurs, der sowohl die Sexualisierung der männlichen Kultur bewirkte als auch an die männliche Keuschheit appellierte, womit das Sexuelle zum Kern eines neuen Erziehungssystems avancierte.2 Nach Thomas Laqueur entsteht die Ge schlechterdichotomie, durch die sich Männer zum überlegenen Geschlecht erklär• ten, erst gegen Ende des Vernunftzeitalters.3 Abigail Solomon-Godeau untersuchte die markanten Veränderungen in der Repräsentation des Männlichen, insbesondere die Verschiebung vom femininen und libidinösen zum tapferen und keuschen Mann. Dieser Wandel lasse sich auch an den veränderten Bekleidungsgewohnheiten ablesen. Der neue Mann drückte seine Tugenden durch eine nüchterne Kleidung aus und sah herrschaftliche Pracht und Zurschaustellung nicht mehr als männliche Privilegien, sondern als weibliche Attribute.4 Die Ideale der Französischen Revolu tion führten zur Trennung von öffentlich und privat, wobei das politische Feld den Männern zugesprochen wurde und auch die Kontrolle über Frauen und Kinder im privaten ,Reich, umfasste. George L. Mosse hat darauf hingewiesen, dass Johann Joachim Winckelmanns Studien über die klassische griechische Kunst genauso zur Entwicklung des neuen Ideals einer muskulösen Männlichkeit beigetragen haben wie die Befreiungskriege gegen die napoleonische Armee.5 Die neuen maskulinen Ideale waren recht zwiespältig.