10. Some Remarks on the New Edition of the Works of Wilhelm Müller1
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MICROCOSM: Portrait of a European City by Norman Davies (Pp
communicated his desire to the Bishop, in inimitable fashion: MICROCOSM: Portrait of a European City by Norman Davies (pp. 224-266) The Holy Ghost and I are agreed that Prelate Schaffgotsch should be coadjutor of [Bresslau] and that those of your canons who resist him shall be regarded as persons who have surrendered to the Court in Vienna and to the Devil, and, having resisted the Holy Prussia annexed Silesia in the early phase of the Enlightenment. Europe was Ghost, deserve the highest degree of damnation. turning its back on the religious bigotry of the preceding period and was entering the so-called 'Age of Reason'. What is more, Prussia was one of the The Bishop replied in kind: more tolerant of the German states. It did not permit the same degree of religious liberty that had been practised in neighbouring Poland until the late The great understanding between the Holy Ghost and Your Majesty is news to me; I was seventeenth century, but equally it did not profess the same sort of religious unaware that the acquaintance had been made. I hope that He will send the Pope and the partisanship that surrounded the Habsburgs. The Hohenzollerns of Berlin had canons the inspiration appropriate to our wishes. welcomed Huguenot refugees from France and had found a modus vivendi between Lutherans and Calvinists. In this case, the King was unsuccessful. A compromise solution had to be Yet religious life in Prussian Silesia would not lack controversy. The found whereby the papal nuncio in Warsaw was charged with Silesian affairs. annexation of a predominantly Catholic province by a predominantly But, in 1747, the King tried again and Schaffgotsch, aged only thirty-one, was Protestant kingdom was to bring special problems. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
University of California, San Diego
UNIVERSITY OF CALIFORNIA, SAN DIEGO THE SCIENCE OF THE STARS IN DANZIG FROM RHETICUS TO HEVELIUS A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History (Science Studies) by Derek Jensen Committee in charge: Professor Robert S. Westman, Chair Professor Luce Giard Professor John Marino Professor Naomi Oreskes Professor Donald Rutherford 2006 The dissertation of Derek Jensen is approved, and it is acceptable in quality and form for publication on microfilm: _________________________________________ _________________________________________ _________________________________________ _________________________________________ _________________________________________ Chair University of California, San Diego 2006 iii FOR SARA iv TABLE OF CONTENTS Signature Page........................................................................................................... iii Dedication ................................................................................................................. iv Table of Contents ...................................................................................................... v List of Figures ........................................................................................................... vi Acknowledgments..................................................................................................... vii Vita, Publications and Fields of Study...................................................................... x A Note on Dating -
Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries
Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries Kelly M. Kistner A dissertation submitted in partial fulfillment for the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Gary G. Hamilton, Chair Steven Pfaff Katherine Stovel Program Authorized to Offer Degree: Sociology ©Copyright 2014 Kelly M. Kistner University of Washington Abstract Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries Kelly Kistner Chair of the Supervisory Committee: Professor Gary G. Hamilton Sociology Between 1838 and 1857 language scholars throughout Europe were inspired to create a new kind of dictionary. Deemed historical dictionaries, their projects took an unprecedented leap in style and scale from earlier forms of lexicography. These lexicographers each sought to compile historical inventories of their national languages and were inspired by the new scientific approach of comparative philology. For them, this science promised a means to illuminate general processes of social change and variation, as well as the linguistic foundations for cultural and national unity. This study examines two such projects: The German Dictionary, Deutsches Worterbuch, of the Grimm Brothers, and what became the Oxford English Dictionary. Both works utilized collaborative models of large-scale, long-term production, yet the content of the dictionaries would differ in remarkable ways. The German dictionary would be characterized by its lack of definitions of meaning, its eclectic treatment of entries, rich analytical prose, and self- referential discourse; whereas the English dictionary would feature succinct, standardized, and impersonal entries. Using primary source materials, this research investigates why the dictionaries came to differ. -
Painting by Joseph Anton Koch Returns to the Städel
AiA news-service Painting by Joseph Anton Koch returns to the Städel Joseph Anton Koch (1768–1839), Landscape with the Prophet Balaam and his donkey, ca. 1832. Oil on canvas, 74 x 102 cm. Photo: Städel Museum. FRANKFURT.- The painting Landscape with the Prophet Balaam and his donkey (ca. 1832) by the artist Joseph Anton Koch (1768–1839) is returning to the Städel Museum. The work from the museum’s collection was considered lost in 1945 and was recently rediscovered in a private collection. Thanks to the generous gesture of returning the work from private ownership, it is now once again on view in the Städel. For its presentation within the collection of nineteenth century art, the painting was carefully restored and newly framed by the museum. It is thus once again part of the Städel’s extensive collection of works by Joseph Anton Koch. A total of three paintings, thirteen drawings and forty-nine prints provide profound insight into the oeuvre of the artist, whose impact on German art in the nineteenth century cannot be overestimated. “We are indebted to the former owner for the extraordinary gesture and generosity in returning the painting to the Städel Museum. Since the founding of the Städel in 1815, this work has been one of the early, impressive acquisitions of contemporary art. With the return of the work, it will once again be possible to show the full spectrum of Joseph Anton Koch’s oeuvre in the museum”, says Philipp Demandt, Director of the Städel Museum. “Joseph Anton Koch was one of the outstanding landscape painters of the early nineteenth century. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
The Awareness of Time and Eternity in the German Lyrics of Andreas
THE AWARENESS 01 TIME AND ETEINITY IT THE GERMkN LYRICS OF ANDREAS CRYPHIUS by Edith Katherine Evenhuis B.A. Honours, submittea in fulfilment of the requirements for the degree of Doctor of Philosophy, University of Tasmania, NovPmber 1975. T MKS ^ Record Copy STATEMENT I, the undersigned, herewith declare that the following thesis contains no material which has been accepted for the award of any other degree or diploma in any university, and that, to the best of my knowledge and belief, the thesis contains no copy or paraphrase of material previously published or written by another person, except when due reference is made in the text of the thesis. PC• v. 44111444- 5 TABLE OF COT:TENTS: INTRODUCTION. Page 1. CHAPTER I. The life and Background of Andreas Gryphius. Page 3. CHAPTER II. The Awareness of Time and Eternity in Gryphius' Works. Page 15. CHAPTER III. The Awareness of Transience. Page 29. CHAPTER IV. The Awareness of Human Transience. Page CHAPTER V. The Transience of Human Values. Page 14. CHAPTER VI. The Concept of Human Life. Page 1;9. CHAPTER VII. The Uonquest of Time. Page 167. CHAPTER VIII. The Awareness of Time and Eternity as refle:tted in Structure and Imagery. Page 1814.. CHAPTER IX. The Awareness of Time and Eternity reflected In Gryph's Uf3e of Allegory and Emblem. Page 229. CONCLUSION. Page 24..S. Selective Bibliography in Alphabetical Order. Page 2!!.9. Bibliography of Primarv Sources. Page 260„ THE AWARENESS OF TIME AND ETERNITY IN THE GERMAN LYRICS OF ANDREAS GRYPHIUS Abstract of Thesis submitted by Edith Katherine Evenhuis B.A. -
01 Köhler Schmidt Final
Köhler and Schmidt, The enigmatic ground InterDisciplines 2 (2015) The enigmatic ground On the genesis of law out of emotion in the writings of Savigny and Uhland Sigrid G. Köhler and Florian Schmidt, translated by Charlton Payne The historical ground Emotion and law are not irreconcilable opposites. To be sure, according to a dominant »cultural script« of Western discourse since the eighteenth century, they are supposed to be incompatible (Maroney 2011, 657–64). There are many reasons for the dominance of this cultural script. Among them is the one-sided privileging of the Enlightenment as an age of rea- son, a privileging which forgets that the eighteenth century was also the age of emotion. Another would be the claim that law is universally valid and binding, which in the logic of the eighteenth century could only be based upon reason. A more precise look at contemporary as well as historical debates, however, shows that there indeed has been an at once enduring and sophisticated scholarly discussion about the function and relevance of emotion in law. The debate about law and emotion con- ducted in the USA but also in Germany since the 1980s has put the question of emotion once again back in the focus of investigations in legal studies and has spurred an interdisciplinary openness of the law to- wards research on emotion.1 In accordance with current transdisciplinary emotions research, emotions are now conceived as complex processes 1 For a representative volume on the debate in the US, see Bandes (1999), for the debate in the 1980s in Germany, see Lampe (1985). -
Complete Document
ABSTRACT Title of Thesis: ROBERT SCHUMANN’S KERNER-LIEDERREIHE, OP. 35: ITS COMPOSITIONAL GENESIS AND THE QUESTION OF ORGANIC UNITY Jane Ellen Harrison, Master of Arts, 2006 Thesis Directed by: Professor Barbara Haggh-Huglo Department of Musicology Robert Schumann’s Zwölf Gedichte von Justinus Kerner , Op. 35 has received little scholarly attention, perhaps because it does not seem to be musically or poetically unified. Part 1 of this study is an examination of the biography and work of the poet of the texts, Justinus Kerner. In Part 2, a possible compositional genesis of the work is posited, based on study of unpublished autograph material, letters, Schumann’s Tagebücher, and relevant historical context . Other scholars have established that financial need influenced Robert Schumann’s “Year of Song.” The Kerner-Liederreihe, composed during this year, seems to have been especially motivated by financial worries, because Schumann created it in response to the request of a local publisher. The published order of the twelve songs, which several other scholars have failed to explain convincingly, is here shown to result from the composer’s compositional process and marketing issues raised by the publisher. ROBERT SCHUMANN’S KERNER-LIEDERREIHE, OP. 35: ITS COMPOSITIONAL GENESIS AND THE QUESTION OF ORGANIC UNITY By Jane Ellen Harrison Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2006 Advisory Committee: Professor Barbara Haggh-Huglo, Chair Professor Peter Beicken Professor Richard King ACKNOWLEDGEMENTS My foremost gratitude goes to my advisor, Dr. -
9. Gundolf's Romanticism
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation. -
German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's the Hall of Stars
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2012-04-17 German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's The Hall of Stars Allison Slingting Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Slingting, Allison, "German Nationalism and the Allegorical Female in Karl Friedrich Schinkel's The Hall of Stars" (2012). Theses and Dissertations. 3170. https://scholarsarchive.byu.edu/etd/3170 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. German Nationalism and the Allegorical Female in Karl Friedrich Schinkel’s The Hall of Stars Allison Sligting Mays A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Heather Belnap Jensen, Chair Robert B. McFarland Martha Moffitt Peacock Department of Visual Arts Brigham Young University August 2012 Copyright © 2012 Allison Sligting Mays All Rights Reserved ii ABSTRACT German Nationalism and the Allegorical Female in Karl Friedrich Schinkel’s The Hall of Stars Allison Sligting Mays Department of Visual Arts, BYU Master of Arts In this thesis I consider Karl Friedrich Schinkel’s The Hall of Stars in the Palace of the Queen of the Night (1813), a set design of Die Zauberflöte (The Magic Flute), in relation to female audiences during a time of Germanic nationalism.