Wilhelm Müller's Lyrical Song-Cycles
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Das Evangelium Und Ein Erfülltes Leben Leitfaden Für Den Schüler
DAS EVANGELIUM UND EIN ERFÜLLTES LEBEN LEITFADEN FÜR DEN SCHÜLER Religion 150 DAS EVANGELIUM UND EIN ERFÜLLTES LEBEN – LEITFADEN FÜR DEN SCHÜLER Religion 150 Erstellt vom Bildungswesen der Kirche (CES) Herausgeber: Kirche Jesu Christi der Heiligen der Letzten Tage Salt Lake City, Utah, USA Schicken Sie Anmerkungen und Verbesserungen, auch die von Druckfehlern, an: CES Curriculum, 50 E. North Temple Street, Floor 8, Salt Lake City, UT 84150-2722, USA. E-Mail: [email protected] © 2004 Intellectual Reserve, Inc. Alle Rechte vorbehalten. Printed in Germany. Genehmigung: Englisch 8/03, Übersetzung 8/03. Das Original trägt den Titel: The Gospel and the Productive Life Student Manual German INHALT Einführung in den Schülerleitfaden . IV Kapitel 1 Der Erlösungsplan für die Kinder des himmlischen Vaters . 1 Kapitel 2 Die Führung durch den Geist . 8 Kapitel 3 Zielsetzung und Zeiteinteilung . 18 Kapitel 4 Der kluge Umgang mit Geld . 25 Kapitel 5 Der Glaube an Jesus Christus gibt uns die Kraft, für uns und andere zu sorgen. 35 Kapitel 6 Für sich selbst, die Familie und andere sorgen. 42 Kapitel 7 Talente und Fähigkeiten erkennen und entwickeln . 48 Kapitel 8 Jeder von uns kann zum Aufbau des Reiches Gottes auf Erden beitragen . 55 Kapitel 9 Auf die Weise des Herrn unabhängig werden . 62 Kapitel 10 Trachtet nach Wissen durch Studium und Glauben . 70 Kapitel 11 Einen Ehepartner für die Ewigkeit wählen und selbst zu einem solchen werden . 78 Kapitel 12 Die Gesetze für körperliche Gesundheit befolgen . 86 Kapitel 13 „Dies alles wird dir Erfahrung bringen“. 94 Kapitel 14 Bündnisse einhalten . 102 Kapitel 15 Einander dienen . -
Kansas City Athenaeum Collection (SC160)
THE KANSAS CITY PUBLIC LIBRARY Kansas City Athenaeum Collection (SC160) Introduction Founded in 1894 through a collaboration of existing women’s clubs, the Kansas City Athenaeum is one of the oldest women’s organizations in the area. The Kansas City Athenaeum Collection contains minutes, yearbooks, scrapbooks, photographs, operational and financial records, clubhouse information and building plans, and ephemera documenting the history of the club. Descriptive Summary Creator: Kansas City Athenaeum Title: Kansas City Athenaeum Collection Dates: 1894-2012 Size: 124.25 linear feet, 230 boxes, 106 loose volumes, 1 map drawer Collection Number: SC160 Donor Information Gift, 2012, Kansas City Athenaeum. Citation Note Kansas City Athenaeum Collection (SC160), Missouri Valley Special Collections, Kansas City Public Library, Kansas City, Missouri. Administrative Information Additional Forms Available: Use copies are available for scrapbooks. Related Collections: Additional information concerning the Athenaeum may be found in SC7 Missouri Valley Historical Society Records, as well as the following Vertical Files: Clubs – Kansas City – Athenaeum; and Buildings – Athenaeum Club. Club yearbooks may be found under the call number MVSC 095.2 K16Y V.1895-1956. Other sources concerning the club, its members, and additional women’s organizations may be found by searching the Missouri Valley Special Collections local history collections and the main Library Catalog. Historical Sketch The Kansas City Athenaeum is one of the oldest women’s organizations in Kansas City. Established in the 1894, the initial goal of the Athenaeum was to combine the efforts of several existing women’s clubs into a single organization through which its members would more effectively promote and influence a variety of educational, civic, and philanthropic causes. -
Liminal Periods in the Udmurt Ritual Year
AADO LINTROP Estonian Folklore Archives, Tartu Liminal Periods in the Udmurt Ritual Year In our cultural space we usually imagine our lifetime as a journey. Wayfarer or pilgrim is common metaphor for us as travellers on the road of life. We have several stages or parts on our way and many mental milestones and turns for marking and separating them. Actually we can say that linear time of human life is also structured by the cyclic rhythms of year and day. These contain for us periods of different significance. Holy periods There are interim periods during a person’s lifetime as well as during the calendar year, which are characterised by a state of indefiniteness or being without borders due to lack of everyday boundaries. The times are open to both good and evil and are close to the supernatural. Mental boundaries and landmarks are part of our system of orientation. Without them, space would be homogeneous; there would be no difference between familiar and unfamiliar, good and evil, sacred and profane places. It is the same with time. The expressions good times, hard times, crazy times, fast times, holiday time, everyday time, childhood, youth, manhood etc. contain obvious judgements and defining of limits. Transitions from one time, one period of life, one status to another are kind of crossroads or fork in the road in time. As we well know from the mythologies of different peoples, crossroads are liminal places in space where homeless or restless spirits gather and miscellaneous magic will be done (Puhvel 1989). If liminality causes ordinary orientation to be unable to function, then usual behaviour will also turn out to be ineffective or unsuitable. -
Museum Guide
MUSEUM GUIDE EN WELCOME TO MUSEUM DE SCHAT VAN SIMPEL- VELD. You are in the former mother house of the Sisters of the Poor Child Jesus. This congre- gation was founded in Aachen in 1844 by Clara Fey. As you walk through the museum, you will follow the footsteps of Clara Fey and the work of the Sisters of the Poor Child Jesus. INTRODUCTION 4 A. HOUSE LORETO 9 B. EMBROIDERY 13 C. WAX SCULPTURES 21 D. TREASURY 26 E. CLARA FEY 34 3 INTRODUCTION Clara Fey was born on April 11 1815 in the Bendelstraße. She was the fourth of five children born into the Fey family. Her father was a weaver by profession. Born in Eupen, he moved to Aachen later in life. When Clara was only 5 years old, her father died of a stroke. Her mother, Katharina Fey, took care of the full upbringing of her five children. She sent her two sons, Josef and Andre- as, to a Latin school in Düren. Her daughters, Constantia, Clara and Netta, also received a good education. From 1827 Clara and Netta went to the so-called Höhere Töch- terschule St. Leonhard. This secondary education was es- pecially for girls. Here they, like their fellow students, were strongly influenced by the poet Luise Hensel, who worked there as a teacher. She sparked continued religious en- thusiasm among her students, as well as a willingness to be active in charitable works. Of her 34 students, 19 would enter a convent. Three of them even founded their own congregation. Outside of school, the Fey brothers and sisters also grew up in a Catholic environment. -
Unit 7 Romantic Era Notes.Pdf
The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music. -
Test Your Faerie Knowledge
Spiderwick Tes t Your Activity Sheet Faerie Knowledge It wasn’t all that long ago that faeries were regarded as the substance of the imagination. Boggarts, Elves, Dragons, Ogres . mankind scoffed at the idea that such fantastical beings could exist at all, much less inhabit the world around us. Of course, that was before Simon & Schuster published Arthur Spiderwick’s Field Guide to the Fantastical World Around You. Now, we all know that faeries truly do exist. They’re out there, occasionally helping an unwary human, but more often causing mischief and playing tricks. How much do you know about the Invisible World? Have you studied up on your faerie facts? Put your faerie knowledge to the test and see how well you do in the following activities.When you’re finished, total up your score and see how much you really know. SCORING: 1-10 POINTS: Keep studying. In the meantime, you should probably steer clear of faeries of any kind. 11-20 POINTS: Pretty good! You might be able to trick a pixie, but you couldn’t fool a phooka. 21-30 POINTS: Wow, You’re almost ready to tangle with a troll! 31-39 POINTS: Impressive! You seem to know a lot about the faerie world —perhaps you’re a changeling... 40 POINTS: Arthur Spiderwick? Is that you? MY SCORE: REPRODUCIBLE SHEET Page 1 of 4 ILLUSTRATIONS © 2003, 2004, 2005 BY TONY DITERLIZZI Spiderwick Tes t Your Activity Sheet Faerie Knowledge part 1 At any moment, you could stumble across a fantastical creature of the faerie world. -
January – February 2018 Concert Diary
JAN/ FEB 2017/18 SEASON www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person Stalls C – M Highest price 7 days a week: 10am – 8.30pm. Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. Balcony A – D 2nd highest price No advance booking in the half hour prior to Stalls BB, CC, Q – S 3rd highest price a concert. Stalls AA, T – V 4th highest price Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
2020 - 2021 Season Digital Concert Hall
2020 - 2021 SEASON DIGITAL CONCERT HALL Schubert TABLE OF CONTENTS SCHUBERT I. Die schöne Müllerin II. Nacht Bonus Concert III. Winterreise IV. Liebe V. Schwanengesang NEW VOICES FESTIVAL: Past/Present/Future I. II. III. TICKETING INFORMATION Schubert FOR ITS 11TH SEASON, Brooklyn Art Song Society celebrates the legacy of the first and greatest composer of Lieder. Six programs of over 100 songs show the brilliance, emotional breadth, and profound beauty of Schubert’s musical voice. TICKETS & DETAILS » AVAILABLE FOR STREAMING SATURDAY, OCTOBER 10TH, 2020 | 7:30 PM Schubert One Die schöne Müllerin This groundbreaking story-in-song is a touching meditation on young love and heartbreak – a landmark in the history of Lieder. Franz Schubert: Die schöne Müllerin D. 795 TICKETS & DETAILS » Tyler Duncan, baritone; Erika Switzer, piano AVAILABLE FOR STREAMING SATURDAY, NOVEMBER 14TH, 2020 | 7:30 PM Schubert Two Nacht For Schubert, Night was at once a place of terror and wonder, of passion and repose, and the inspiration for some of his greatest songs. Franz Schubert: Selected songs including Wilkommen und Abschied, Daniel McGrew, Joseph Tancredi, tenor; Die Sterne, and Der Erikönig Mario Diaz-Moresco, Jorell Williams, baritone; Spencer Myer, Michael Brofman, piano TICKETS & DETAILS » AVAILABLE FOR STREAMING SATURDAY, DECEMBER 12TH, 2020 | 7:30 PM Schubert Bonus Concert This program includes some of Schubert's greatest hits not featured on the mainstage series. Tickets are pay what you will. Franz Schubert: Selected songs including Ave Maria, Die Forelle, and Auf dem Wasser du singen Sarah Craft Nelson, mezzo soprano; Nils Neubert, tenor; TICKETS & DETAILS » Nana Shi, piano AVAILABLE FOR STREAMING SATURDAY, JANUARY 16TH, 2021 | 7:30 PM Schubert Three Winterreise Schubert's magnum opus is a profound statement on loneliness and human suffering. -
Mark Padmore, Tenor Kristian Bezuidenhout, Fortepiano
10-14 Schubert.qxp_GP 10/2/15 11:58 AM Page 1 Wednesday, Thursday, and Saturday Evenings, October 14, 15, and 17, 2015 The Schubert Cycles Mark Padmore , Tenor Kristian Bezuidenhout , Fortepiano Page 43 The Lovely Mill Maiden Wednesday Evening, October 14, at 7:30 Page 47 Swan Song Thursday Evening, October 15, at 7:30 Page 51 Winter Journey Saturday Evening, October 17, at 7:30 These performances are also part of the Great Performers Art of the Song series. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Fortepiano by R.J. Regier, Freeport, Maine Please make certain all your electronic Alice Tully Hall, Starr Theater devices are switched off. Adrienne Arsht Stage WhiteLightFestival.org 39 10-14 Schubert.qxp_GP 10/2/15 11:58 AM Page 2 BNY Mellon is Lead Supporter of Great Performers. Upcoming White Light Festival Events: Support for Great Performers is provided by Tuesday and Wednesday Evenings, October 20–21, Rita E. and Gustave M. Hauser, The Florence Gould at 7:30 in James Memorial Chapel, Union Foundation, Audrey Love Charitable Foundation, Theological Seminary Great Performers Circle, Chairman’s Council, and Heretical Angels (U.S. premiere) Friends of Lincoln Center. Dialogos and Kantaduri Post-performance discussion on October 20 with Public support is provided by the New York State Katarina Livljani c and Ara Guzelimian Council on the Arts. ´ Sunday Afternoon, November 1, at 5:00 Endowment support for Symphonic Masters is in Alice Tully Hall provided by the Leon Levy Fund. Prayer Christine Brewer , Soprano Endowment support is also provided by UBS. -
Godowsky6 30/06/2003 11:53 Page 8
225187 bk Godowsky6 30/06/2003 11:53 Page 8 Claudius zugeschriebenen Gedichts. Litanei, Robert Braun gewidmet, nach der DDD In Wohin?, dessen Widmungsträger Sergej Vertonung eines Gedichts von Johann Georg Jacobi, ist Rachmaninow ist, bearbeitet Godowsky das zweite Lied ein Gebet für den Seelenfrieden der Verstorbenen. Das Leopold 8.225187 der Schönen Müllerin, in dem der junge Müllersbursche Originallied und die Transkription sind von einer den Bach hört, dessen sanftes Rauschen, in der Stimmung inneren Friedens durchzogen. Klavierfassung eingefangen, ihn aufzufordern scheint, Godowskys Schubert-Transkriptionen enden mit GODOWSKY seine Reise fortzusetzen, doch wohin? einem Konzertarrangement der Ballettmusik zu Die junge Nonne, David Saperton gewidmet, Rosamunde aus dem Jahr 1923 und der Bearbeitung des basiert auf der Vertonung eines Gedichts von Jacob dritten Moment musical op. 94 von 1922. Schubert Transcriptions Nicolaus Craigher. Die junge Nonne kontrastiert den in der Natur brausenden Sturm mit dem Frieden und Keith Anderson Wohin? • Wiegenlied • Die Forelle • Das Wandern • Passacaglia ewigen Lohn des religiösen Lebens. Deutsche Fassung: Bernd Delfs Konstantin Scherbakov, Piano 8.225187 8 225187 bk Godowsky6 30/06/2003 11:53 Page 2 Leopold Godowsky (1870-1938) für 44 Variationen in der traditionellen barocken Form, Godowsky jede Strophe des Original-Lieds. Piano Music Volume 6: Schubert Transcriptions zu denen u.a. auch eine gelungene Anspielung auf den Das Wandern ist das erste Lied des Zyklus Die Erlkönig zählt. Die Variationen, in denen das Thema in schöne Müllerin, in dem der junge Müllersbursche seine The great Polish-American pianist Leopold Godowsky of Saint-Saëns, Godowsky transcribed for piano his unterschiedlichen Gestalten und Registern zurückkehrt, Wanderung beginnt. -
“Müde Bin Ich, Geh' Zur Ruh”: the Story of a Children's Prayer
REFLECTION “Müde bin ich, geh’ zur Ruh”: The Story of a Children’s Prayer Margaret Loewen Reimer The children’s prayer, Müde bin ich, geh’ zur Ruh, is dear to the heart of many Mennonites who grew up in German-speaking homes. A recent request for an English translation sent me on a quest to discover what was available. The translations I found were unsatisfactory, and so I resumed work on my own translation, which I had begun years ago. Meanwhile, I decided to trace the origins of this classic little prayer. The search uncovered a surprisingly rich story. Müde bin ich first appeared in a songbook for nursery school children compiled by Theodor Fliedner in Kaiserswerth, Germany in 1842.1 That is why the tune is sometimes identified as “Kaiserswerth” or “Fliedner.” It is likely that the melody is based on a popular folk tune, as are many familiar hymns. The words were written by Luise Hensel (1798-1876), a widely-read religious poet and hymn writer, and a woman who led a remarkable life.2 Hensel’s father was a Lutheran pastor in Brandenburg. Her brother, well- known painter Wilhelm Hensel, was married to Fanny Mendelssohn, sister of Felix. After the death of her father in 1809, Luise moved to Berlin with her mother. Here she captured the attention of several remarkable men. Romantic poet Clemens Brentano acknowledged her influence on his poetry and apparently shared with composer Ludwig Berger an unrequited love for Luise. Another poet, Wilhelm Müller, was also attracted to her. Today, Müller is remembered for his Waldhornisten poems, which Franz Schubert set to music in his song cycles Die schöne Müllerin and Winterreise.