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Ni Yide
On the Research Status of the Storm Society
Research and Education in the Contemporary Context of Art History from the Vision to the Art
The Storm Society Primary Sources in Translation from Shanghai Modern
Biography of Ding Yanyong Mayching Kao Former Chair Professor, Department of Fine Arts the Chinese University of Hong Kong
Modern Art 109
UC San Diego Electronic Theses and Dissertations
Inventing Chinese Modernism: the Art and Design of Pang Xunqin
2003 V02 04 Shen K P033.Pdf
UC San Diego Electronic Theses and Dissertations
Cultural Flows in the Digital and Beyond: the Potency of a Symbol in Mainland China
A Conversation Between Chinese Artists and Mexican Painter David Alfaro Siqueiros Feng Xiangsheng
Chapter Seven the Beiping Years
Appendix the Dao of Ink and Dharma Objects—On Jizi's Paintings
Major Trends in the Development of Contemporary Chinese Art
The Colonial Style of Taiwanese Painter Chen Cheng-Po (1895-1947)
Qiu Di and Mordern Chinese Arts
East / West Dichotomy: Is There a Middle Way? Zheng Shengtian
Chinese Women Artists in the National and Global Art Worlds, 1900S - 1970S
Top View
Chinese Writers and Artists Travel to Paris, 1920S–1940S
Wright Ku 0099M 11899 DATA
The Role of Japan in Modern Chinese Art Edited by Joshua A
Download Article
Lin Biography.Pdf
October 2000, Vol. 15 FEATURE ARTICLES the National Academy of Chinese Fine Art
The Construction of Cultural Interactivity of Jue Lan Club's Artistic Concept
一個現代的展示櫥窗: 1930 年代上海的《時代畫報》 (Modern Miscellany)
Pang Xunqin (1906-1985) – a Chinese Avant- Garde’S Metamorphosis, 1925-1946, and Questions of “Authenticity”
Introduction
Sheng Project: a Flâneur’S Archive
Modern Art in Africa, Asia, and Latin America
1 4.2 Pan Yuliang (Also Romanized in French As Pan Yu-Lin)