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Music executive

  • Responsibilities of the Music Executive

    Responsibilities of the Music Executive

  • Panelists Biographies

    Panelists Biographies

  • How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry

    How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry

  • Digital

    Digital

  • NYME 2017 Attendee List.Xlsx

    NYME 2017 Attendee List.Xlsx

  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On

    NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On

  • Countrybreakout Radio Chart on March 19

    Countrybreakout Radio Chart on March 19

  • Recording Academy Announces Harvey Mason Jr., Tammy Hurt, Terry Hemmings, and Christine Albert As Newly Elected National Officer

    Recording Academy Announces Harvey Mason Jr., Tammy Hurt, Terry Hemmings, and Christine Albert As Newly Elected National Officer

  • Ozymandias: Kings Without a Kingdom Kevin Kshitiz Bhatia

    Ozymandias: Kings Without a Kingdom Kevin Kshitiz Bhatia

  • Songwriter Music Executive Contact

    Songwriter Music Executive Contact

  • Feminism: When the Label 'White' Gets Attached in Pop Music Industry

    Feminism: When the Label 'White' Gets Attached in Pop Music Industry

  • Antonio “La” Reid

    Antonio “La” Reid

  • Build a Pop Star!!!!!

    Build a Pop Star!!!!!

  • The Evolution of the Music Industry in the Post-Internet

    The Evolution of the Music Industry in the Post-Internet

  • Copyright for Blockheads: an Empirical Study of Market Incentive and Intrinsic Motivation

    Copyright for Blockheads: an Empirical Study of Market Incentive and Intrinsic Motivation

  • Proceedings, the 72Nd Annual Meeting, 1996

    Proceedings, the 72Nd Annual Meeting, 1996

  • The Placement of Pop Songs in Film As Promotion: the PRINCE of Egypt—A Mini-Case Study

    The Placement of Pop Songs in Film As Promotion: the PRINCE of Egypt—A Mini-Case Study

  • Emily Abbott '19 Executive Development Assistant, Sony

    Emily Abbott '19 Executive Development Assistant, Sony

Top View
  • Liner Notes, No. 17
  • Unconscionability in Recording Industry Contracts Phillip W
  • Warner Music Group Senior VP New Business & Ventures Alex Kamins
  • Business Update Meeting: Entertainment
  • Music Publishing 101 – What It Is and How to Start Your Own Company
  • DIRTY LITTLE SECRETS of the RECORD BUSINESS
  • The Relationship Between the Songwriter and the Publisher
  • Expanding the Recording Artist's Brand Into Non-Music Arenas
  • Great Women of Gospel Music and the Transmission of Tradition
  • THE MUSIC INDUSTRY and the INTERNET: the Effects of Online Social Networking Sites on Record Labels and Aspiring Artists
  • Keeping It Real: a Historical Look at Reality TV
  • Performing Authenticity in the Country Music Biopic
  • May 2018 Newsletter
  • Alejandro Aranda Recording Contract
  • One Direction Save You Tonight
  • Strategic Business Proposal 1 of 17
  • Inclusion in the Music Business: Gender & Race/Ethnicity Across Executives, Artists, & Talent Teams
  • Course Catalog


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