Performing Authenticity in the Country Music Biopic
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Golden Rules (Bill Maher)
localLEGEND Golden Rules Bill Maher may be one of the nation’s most outspoken cultural critics, but a part of him is still that innocent boy from River Vale. BY PATTI VERBANAS HE RULES FOR LIFE, according to Bill Maher, are unshakable belief in something absurd, it’s amazing how convoluted really quite simple: Treat your fellow man as you wish their minds become, how they will work backward to justify it. We to be treated. Be humane to all species. And, most make the point in the movie: Whenever you confront people about importantly, follow your internal beliefs — not those the story of Jonah and the whale — a man lived in a whale for three thrust upon you by government, religion, or conventional days — they always say, “The Bible didn’t say it was a whale. The thinking. If you question things, you cannot go too far wrong. Bible said it was a big fish.” As if that makes a difference. TMaher, the acerbic yet affable host of HBO’s Real Time, author of New Rules: Polite Musings from a Timid Observer, and a self-described What do you want viewers to take away from this film? “apatheist” (“I don’t know what happens when I die, and I don’t I want them to have a good time. It’s a comedy. Beyond that, I would care”), recently released his first feature film, Religulous, a satirical hope that the people who came into the theater who are already look at the state of world religions. Here he gets real with New Jersey sympathetic to my point of view would realize that there’s millions Life about faith, his idyllic childhood in River Vale, and why the of people like that — who I would call “rationalists” — and they best “new rule” turns out to be an old one. -
Eagleville Drug Center
Eagleville Times Also serving Arrington, College Grove, Rockvale, Triune & Unionville Volume 5, Issue 20 - 50 cents October 16-31, 2007 Eagleville, Tennessee Eagleville 3rd Annual Craft & Bluegrass Festival By Glenda Dyer Hundreds of people attended the third annual craft and bluegrass festival at the Eagleville City Park Saturday. Some traveled from as far away as Chattanooga to hear such bands as the Rank Strangers, Hollow Creek and the Dillon Band perform. Many of the out- of-town guests said they were follow- ers of festivals where bluegrass music is played. The high-stepping Tennessee Country Cloggers also entertained the crowd. The Rank Strangers, which started off the music at 11 a.m., was the fi rst band to play at the new park. Among the activities at the festival was a games area laid out on one of the Continue on Page 4..............COUNCIL ball fi elds by the ROTC group from Eagleville High School. Besides playing artwork, jewelry, antiques, hand-made good categories also included pies, brown- Tennessee Country Cloggers an assortment of skills games, youngsters wooden toys, other crafts and more. ies, cookies and breads, this competition The baked goods entered for the could also crawl through a low to the One of the favorite competitions at was known as a “bake walk.” bake walk were also judged. Winning in the brownie and cookie category ground obstacle-type course and could the festival was a Halloween costume Among the bake walk winners were was Melissa Buchanan’s chess squares also propel themselves in a harness along contest, which included youngsters Rosa Binson, who took home a fudge pie with Whisener’s bread winning in the a cable stretched between the backstop dressed up as ballerinas, a bee, pirate, made by Phil Williams. -
The Runners of Shawnee Road
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2013 The Runners of Shawnee Road Melissa Remark University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Remark, Melissa, "The Runners of Shawnee Road" (2013). University of New Orleans Theses and Dissertations. 1761. https://scholarworks.uno.edu/td/1761 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Runners of Shawnee Road A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theater and Communication Arts Creative Writing by Melissa Remark B.A. Trent University, 2010 Diploma, Humber College, 2000 December, 2013 The Sheeny Man rides through the streets pulling his wagon of junk. Sometimes he is black, sometimes he is white, and sometimes he is French. -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Colby Alumnus Vol. 65, No. 2: Winter 1976
Colby College Digital Commons @ Colby Colby Alumnus Colby College Archives 1976 Colby Alumnus Vol. 65, No. 2: Winter 1976 Colby College Follow this and additional works at: https://digitalcommons.colby.edu/alumnus Part of the Higher Education Commons Recommended Citation Colby College, "Colby Alumnus Vol. 65, No. 2: Winter 1976" (1976). Colby Alumnus. 90. https://digitalcommons.colby.edu/alumnus/90 This Other is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Alumnus by an authorized administrator of Digital Commons @ Colby. The Colby Alumnus Volume 65, Number 2 Winter 1976 Published quarterly fall, winter, spring, summer by Colby College Editorial board Mark Shankland Earl H. Smith Design and production Donald E. Sanborn, Jr. Martha Freese Photography Mark Shankland Letters and inquiries should be sent to the editor, change of address notification to the alumni office Entered as second-class mail at Waterville, Maine Postmaster send form 3579 to The Colby Alumnus Colby College Waterville, Maine 04901 appraisal of the future of professions, or just in our President's Page personal arrangements for the security and well-being of ourselves and our families, we must take these changes into account and must assume that there will President Robert E. L. Strider gave the keynote address be continuing acceleration of change for all the span of to a conference of the Northeastern Industrial Devel years that most of us can foresee. opers Association recently in Portland. The conference I am surely not suggesting that this state of affairs is theme was "Survival Demands Sensitivity to Change." bad. -
The Sexual Politics of Meat by Carol J. Adams
THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women . -
The Pleasures of Verisimilitude in Biographical Fiction Films
As if Alive before Us: The Pleasures of Verisimilitude in Biographical Fiction Films Anneli Lehtisalo (University of Tampere) Introduction The biopic, or biographical fiction film, is characterised by the real or historical per- son as a protagonist (Custen 5; Taylor 22; Bingham, Whose Lives 8). Despite the acknowledged potential for artistic freedom in fiction film, this generic feature— the reference to the real world—informs the genre. Film-makers, reviewers and film scholars repeatedly ask, how truthful or verisimilar a portrayal, an actor or a performance is or how well a biographical film depicts a historical story. Tradition- ally, film-makers have defined “the degree of truth” of a film at its opening (Custen 51). A title card or a voice-over might assert that the film follows known facts. The declaration can serve as a disclaimer, where the audience is informed that a film is only inspired by real events or the story is only partly factual. Thus, it is possible to specify a biopic as fictional. In any case, some definition is expected. Contempo- rary newspaper criticism commonly estimates the truthfulness and verisimilitude of a film. If a film portrays a famous or respected public figure, the authenticity of the depiction will almost inevitable be debated. In addition, the truthfulness and verisimilitude of biopics are constantly discussed in scholarly criticism. George F. Custen, in his seminal book Bio/Pics: How Hollywood Constructed Public His- tory, devotes a whole chapter to the discussion of the relationship between a real person and a protagonist in a film (110–47). His aim is to illustrate how certain cir- cumstances of the film industry shaped the biopics of the studio era. -
Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames Permalink https://escholarship.org/uc/item/5pg3z8fg Author Chien, Irene Y. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Greg Niemeyer Professor Abigail De Kosnik Spring 2015 Abstract Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien Doctor of Philosophy in Film and Media Designated Emphasis in New Media University of California, Berkeley Professor Linda Williams, Chair Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing games both emerge from Asia, and they both foreground the body. They strip down bodily movement into elemental actions like stepping, kicking, leaping, and tapping, and make these the form and content of the game. I argue that fighting and dancing games point to a key dynamic in videogame play: the programming of the body into the algorithmic logic of the game, a logic that increasingly organizes the informatic structure of everyday work and leisure in a globally interconnected information economy. -
Annual Report, FY 2013
ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2013 ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS for the fiscal year ending September 30, 2013 Library of Congress Washington, D.C. 2014 CONTENTS Letter from the Librarian of Congress ......................... 5 Organizational Reports ............................................... 47 Organization Chart ............................................... 48 Library of Congress Officers ........................................ 6 Congressional Research Service ............................ 50 Library of Congress Committees ................................. 7 U.S. Copyright Office ............................................ 52 Office of the Librarian .......................................... 54 Facts at a Glance ......................................................... 10 Law Library ........................................................... 56 Library Services .................................................... 58 Mission Statement. ...................................................... 11 Office of Strategic Initiatives ................................. 60 Serving the Congress................................................... 12 Office of Support Operations ............................... 62 Legislative Support ................................................ 13 Office of the Inspector General ............................ 63 Copyright Matters ................................................. 14 Copyright Royalty Board ..................................... -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.