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Responsibilities of the Music Executive
Chapter II Responsibilities of the Music Executive Frederick Miller, Dean Emeritus School of Music, DePaul University Administrative Organization in Academia In virtually all academic institutions, ultimate authority rests with a governing board, that is, trustees, regents, whatever. As a practical matter, much of the board’s authority is delegated to the president, who retains as much as he or she needs to do the job and passes along the rest to the next person in the institutional chain of command, typically the provost. That person, in turn, keeps what is needed for that office and gives the rest to the deans and department chairs in this downward flow of authority in academia. Whatever title the music executive may hold—dean, chair, and so on—the position will typically be thought of as “middle management.” Others in the academic hierarchy— president, provost, vice presidents—are seen as “upper management,” and as some cynics might view it, hardly anyone is lower than a dean. However accurate this may be, mid-level administrative positions in higher education possess an unmistakable fragility. It stems from the fact that while we may be tenured in our faculty positions, at some professorial rank, we are not tenured in our administrative positions. We are positioned in the hierarchy between faculty, many or most of whom are tenured in their roles, and the upper administration, who typically are less subject to periodic, formal review. We spend much of our time in adversarial relationships with one of these groups on behalf of the other. That is, we may be pressing the upper administration on behalf of some faculty need. -
Panelists Biographies
Public Workshop on Competition in Licensing Music Public Performance Rights July 28-29, 2020 Panelist Biographies July 28, 2020 Session 1: Remarks from Stakeholders on the Consent Decrees David Israelite, President and CEO, National Music Publishers’ Association (NMPA) David Mark Israelite is the President and Chief Executive Officer of the National Music Publishers’ Association. The National Music Publishers' Association (NMPA) is the premier trade association representing American music publishers and their songwriter partners. The NMPA's mandate is to protect and advance the interests of music publishers and their songwriter partners in matters relating to the domestic and global protection of music copyrights. From 2001 through 2005, Israelite served as Deputy Chief of Staff and Counselor to the Attorney General of the United States. In this capacity he served as the Attorney General’s personal advisor on all legal, strategic and public affairs issues. In March of 2004, the Attorney General appointed Israelite Chairman of the Department’s Task Force on Intellectual Property. Prior to joining the Department of Justice, he served as the Director of Political and Governmental Affairs for the Republican National Committee. In that role he was the senior advisor to the Chairman of the National Republican Party. From 1997 through 1998, he served as Missouri Senator Kit Bond’s Administrative Assistant, making him the youngest AA in the United States Senate. He also served as Campaign Manager for Senator Bond’s successful 1998 re-election campaign. From 1994 through 1997, Israelite practiced law in the Commercial Litigation Department at the firm of Bryan Cave, LLP in Kansas City, Missouri. -
Classical Music Consumption in Streaming Platforms, It Is Necessary to Present the Scenario and the Factors That Could Make This Study Relevant
Classical music and identity construction in the digital age A Consumer Culture Theory research Master Thesis by Mirabay Romero Martínez 121940 Management of Creative Business Processes Msc in Social Science Copenhagen Business School Date of submission, 14th May, 2020 Supervisor: Szilvia Gyimothy Mørup-Petersen Standard pages: 76, characters: 172.316 1 Acknowledgments I would like to thank the people that have somehow contributed to the development of this paper. First and foremost, I would like to thank my supervisor, Szilvia Gyimothy, for her guidance through each stage of the process. Her encouragement and interest on the topic have given me the necessary motivation to make this thesis process an engaging journey. I would like to thank also all the great interview participants, for their time, their valuable insights, and the interesting discussion about music. Last but not least, I would like to thank all my beloved ones, for moral support and patience during these months of work. Especially, I need to mention my great friend Silvia because this accomplishment would not have been possible without her, “compañera, we did it!”. 2 Abstract This research attempts to shed light on the consumption of classical music in the digital age. Several studies have shown concern about the limitations of algorithm-based streaming services regarding music niche genres compared with mainstream genres. The purpose of this study is to contribute to consumer culture research in the music industry and analyze the role of music streaming platforms as a marketplace resource for the construction of classical music enthusiasts’ identity. For that purpose, a qualitative research process has been carried out based on interviews with classical music enthusiasts as the primary data collection method. -
How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2019 Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry Laura Kozel Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Kozel, Laura, "Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry" (2019). Law School Student Scholarship. 1019. https://scholarship.shu.edu/student_scholarship/1019 ABSTRACT Despite improvements in female visibility and a number of movements pushing for equality in recent years, gender imbalance continues to plague the world of entertainment. While strides have been made to achieve parity in the film industry, little progress has been made to achieve the same in music where the disproportionality of females is even worse. Females are chronically underrepresented across virtually all aspects of music, both on-stage and off-stage, whether it be as musicians or as executives, which subsequently effects the amount of nominations, as well as awards that females in music receive. The implementation of inclusion riders in Hollywood has demonstrably improved female representation in popular films, but until now inclusion riders have not been applied to the music industry. This paper explores the application of inclusion riders to the music industry in order to remedy a long-standing history of female exclusion, as well as increase visibility for the vast number of talented females in the music industry that deserve the same opportunities and recognition, but until now have remained invisible. -
Streaming Audio and Video
STREAMING AUDIO AND VIDEO Avpals AUDIO A REVOLUTION IN SOUND ■ How much does it cost ■ How much data does it use ■ Can I use it at two of my homes ■ Does it work in my vehicle ■ Can a friend use my account ■ What services are there available ■ Can I use it when overseas ■ What about all my CD’s (see notes handout) Spotify ■ The world’s number one streaming music service ■ 30 million tracks ■ Sort be artist, album, genre, podcasts and playlists ■ Save musically on your device – great for travelling ■ 20,000 new tracks added each day ■ Transportable across countries – same music everywhere ■ Costs ■ Visit Spotify.com Google Play Music ■ Made by the owners of youtube ■ More than 30,000,000 tracks – minus a few ■ Easy to access but no locally saved music ■ You need a google account ■ Upload your own music ■ Costs ■ Visit Google Play Music here Apple Music ■ Second service created after Spotify, launched in 2015 ■ Popular with Apple device owners ■ The usual 30,000,000 tracks ■ Soon to be linked with Apple streaming video ■ Can save all your music to iCloud if required ■ Free with some Optus internet bundles ■ Visit Apple music here Youtube Music ■ Music tracks and music videos ■ Offline Mixtape that automatically downloads a playlist of between 20 and 100 songs ■ Search finds tracks even if your spelling is awry ■ Downloadable music if no internet – good for gray nomads Other Services ■ Deezer – Ideal for those with children – Free with ads, six skips a month ■ Tidal – Highest fidelity, just as it comes off a CD – Expensive – Music videos x 130000 ■ Primephonic – Specially for classical music lovers INTERVAL VIDEO NETFLIX ■ Simple and easy to use. -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
October 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on What does a music producer do, anyway? By Ian Shepherd The term ‘music producer’ means different things to different The President’s Corner people. Some are musicians, some are engineers, some are remixers. So what does a music producer actually do ? Big thanks tonight to Kent Liu and Michael Morris for putting together such an impressive panel of producers. In very pragmatic terms, the producer is a ‘project manager’ for As a reminder, we are able to provide & present this type the recording, mixing and mastering process. of dinner meeting because of our corporate and individual She has an overall vision for the music, the sound and the goals memberships, so please go to theccc.org today and renew of the project, and brings a unique perspective to inspire, assist your membership – we appreciate your support (and the and sometimes provoke the artists. membership pays for itself if you attend our meetings on a regular basis). See you in November!! The producer should make the record more than the sum of its parts – you could almost say she is trying to create musical alchemy. Eric Palmquist Every producer brings different skills and a different approach, President, California Copyright Conference. and this can make what they do difficult to summarize. In this post I’ve identified seven distinct types of record producer to try and make this clearer. -
Countrybreakout Radio Chart on March 19
March 19, 2021 The MusicRow Weekly Friday, March 19, 2021 Coming Soon: The 56th Academy of SIGN UP HERE (FREE!) Country Music Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 56th annual ACM Awards Warner Chappell Music / Amped Entertainment Sign KK Johnson Jim Catino To Exit Sony Music Nashville NSAI Promotes Jennifer Turnbow To COO Jimmie Allen Renews With The 56th Academy of Country Music Awards are less than a month away. Endurance Music Group Honoring the biggest names and emerging talent in country music, the 56th ACM Awards will broadcast live from three iconic country music Samantha Borenstein venues: the Grand Ole Opry House, Nashville’s historic Ryman Auditorium Launches Management Firm and The Bluebird Cafe on Sunday, April 18 (8:00-11:00 PM, live ET/ delayed PT) on the CBS Television Network. Ross Copperman Signs With Photo Finish Records Voting for the 56th ACM Awards opened on March 17, and closes Wednesday, March 24. Tigirlily Signs With Monument Maren Morris and Chris Stapleton lead the nominations with six each. Records Stapleton, Luke Bryan, Eric Church, Luke Combs, and Thomas Rhett Miranda Lambert, Dan + are nominated for the top honor, Entertainer of the Year. Shay, John Prine Among Grammy Winners Reigning Entertainer of the Year Rhett has four nominations, including his second nomination for Entertainer of the Year. DISClaimer Singles Reviews Combs and Stapleton are both nominees for Entertainer of the Year. A win And much more… for either artist in that category will also clinch the coveted Triple Crown Award, which consists of an Entertainer of the Year win, plus wins in an act's respective New Artist (male, female, or duo or group) and Artist (male, female, duo or group) categories. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC. -
Federal Register/Vol. 84, No. 24/Tuesday, February 5, 2019/Proposed Rules
Federal Register / Vol. 84, No. 24 / Tuesday, February 5, 2019 / Proposed Rules 1661 Insurance Corporation Improvement Act Dated at Washington, DC, on December 18, statutory deadlines set forth in the of 1991, 12 U.S.C. 1828(o), prescribes 2018. Music Modernization Act, no further standards for real estate lending to be By order of the Board of Directors. extensions of time will be granted in used by FDIC-supervised institutions in Federal Deposit Insurance Corporation. this rulemaking. adopting internal real estate lending Valerie Best, ADDRESSES: For reasons of government policies. For purposes of this subpart, Assistant Executive Secretary. efficiency, the Copyright Office is using the term ‘‘FDIC-supervised institution’’ [FR Doc. 2018–28084 Filed 2–4–19; 8:45 am] the regulations.gov system for the means any insured depository BILLING CODE 6714–01–P submission and posting of public institution for which the Federal comments in this proceeding. All Deposit Insurance Corporation is the comments are therefore to be submitted appropriate Federal banking agency LIBRARY OF CONGRESS electronically through regulations.gov. pursuant to section 3(q) of the Federal Specific instructions for submitting Deposit Insurance Act, 12 U.S.C. Copyright Office comments are available on the 1813(q). Copyright Office’s website at https:// ■ 3. Amend § 365.2 by revising 37 CFR Part 201 www.copyright.gov/rulemaking/ paragraphs (a), (b)(1)(iii), (2)(iii) and pre1972-soundrecordings- (iv), and (c) to read as follows: [Docket No. 2018–8] noncommercial/. If electronic submission of comments is not feasible Noncommercial Use of Pre-1972 Sound § 365.2 Real estate lending standards. -
Recording Academy Announces Harvey Mason Jr., Tammy Hurt, Terry Hemmings, and Christine Albert As Newly Elected National Officer
RECORDING ACADEMY™ ANNOUNCES HARVEY MASON JR., TAMMY HURT, TERRY HEMMINGS, AND CHRISTINE ALBERT AS NEWLY ELECTED NATIONAL OFFICERS SANTA MONICA, CALIF. (JUNE 6, 2019) — The Recording Academy™ announced today its newly elected National Officers of the Board of Trustees, voted upon at the organization's annual spring Board of Trustees meeting in May. Record producer Harvey Mason Jr. has been elected as the Chair of the Board of Trustees, and managing partner of Placement Music Tammy Hurt will serve as Vice Chair. Veteran music executive Terry Hemmings was re-elected Secretary/Treasurer and recording artist and founder/CEO of Swan Songs Christine Albert assumes the position of Chair Emeritus. All officer appointments were effective on June 1, 2019. "Following the outcome of our annual spring Board of Trustees meeting, it's clear the Recording Academy's governance continues to demonstrate its commitment to keeping the Academy a relevant and responsive organization," said Neil Portnow, President/CEO of the Recording Academy. "We are thrilled with the diversity and depth of music industry experience embodied by our new slate of National Officers. These esteemed and talented individuals will continue to carry out the mission of this organization which works on behalf of all music creators and professionals year-round." ABOUT THE NATIONAL OFFICERS Harvey Mason Jr. has penned and produced songs for both industry legends and today's biggest superstars. Everyone from Whitney Houston to Beyoncé, Elton John to Justin Timberlake, Aretha Franklin to Ariana Grande, Britney Spears to Camila Cabello, Luther Vandross to Justin Bieber, and Michael Jackson to Chris Brown have called on Mason to deliver uniquely musical, yet radio-friendly hit records. -
Ozymandias: Kings Without a Kingdom Kevin Kshitiz Bhatia
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 5-1-2014 Ozymandias: Kings Without a Kingdom Kevin Kshitiz Bhatia Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Recommended Citation Bhatia, Kevin Kshitiz, "Ozymandias: Kings Without a Kingdom" (2014). Law School Student Scholarship. 441. https://scholarship.shu.edu/student_scholarship/441 Ozymandias: Kings without a Kingdom Ozymandias is an English sonnet written by poet Percy Shelly in 1818. The sonnet reads: “I met a traveller from an antique land who said: Two vast and trunkless legs of stone stand in the desert. Near them, on the sand, half sunk, a shattered visage lies, whose frown, and wrinkled lip, and sneer of cold command, tell that its sculptor well those passions read which yet survive, stamped on these lifeless things, the hand that mocked them and the heart that fed: And on the pedestal these words appear: ’My name is Ozymandias, king of kings: Look on my works, ye mighty, and despair!’ Nothing beside remains. Round the decay of that colossal wreck, boundless and bare the lone and level sands stretch far away.”75 There are several conflicting accounts regarding Shelly’s inspiration for the sonnet, but the most widely accepted story tells that Percy Shelly was inspired by the arrival in Britain of a statute of the Egyptian pharaoh Ramesses II. Observing the irony of a pharaoh’s statute, which was created to glorify the omnipotence of the ruler, being carried into port as a mere collectible in a museum, Shelly wrote the sonnet to summarize a particular irony that presents itself repeatedly throughout history. -
Songwriter Music Executive Contact
Multi-Award Winning Songwriter, Producer, Publisher, NSAI Board Member,and Music Jeff Cohen Industry Executive based in Nashville and New York City Songwriter Cuts Crazy For This Girl - Evan and Jaron (Top 3 Billboard Hit) Postcard From Paris - The Band Perry (Top 5 Billboard Hit) Holy Water - Big and Rich (Top 15 Billboard Hit, #1 Video CMT and GAC) Giddy On Up - Laura Bell Bundy (Top 20 Billboard Hit, #1 Video CMT and GAC) I Turn To You - Richie McDonald (Lonestar) (Top 5 Billboard Hit) Endless Road - Worry Dolls (Song of The Year Nominee, UK Americana Awards) Songs also recorded by Sugarland, Josh Groban, Macy Gray, Sandi Patty, Spin Doctors, Nick Lachey, Mandy Moore, Marc Broussard, Jasmine Murray and many more… International Cuts The Shires, Nikhil D’Souza, Ilse Delange, Cho Yong-Pil, Teitur, Hanne Sorvaag, Doc Walker, Luz Casal, Tina Dico, Hush and more… Movies Sisterhood of the Traveling Pants, My Super Ex-Girlfriend, Stuart Little 2, Aquamarine, Princess Diaries, Grandma's Boy and more… TV Jack And Jill (WB - Theme) The Exes - (Nickelodeon - Theme) Paw Patrol - (Nickelodeon - Theme) I Married A Princess - (Lifetime - Theme) Dawson's Creek, One Tree Hill, Party Of Five, Desperate Housewives, The Simpsons, Saturday Night Live, The Apprentice, Ed, Couples Therapy, and many more… Co-Writers Kara DioGuardi Kelsea Ballerini Delta Goodrum Sacha Skarbek Kimberly Perry James Slater Mike Elizondo John Rich JT Harding Jamie Scott Big Kenny Mitch Allan Liz Rose Bob DiPiero Ross Copperman Lori McKenna Rodney Clawson Jamie Hartman Kristian Bush Tom Douglas Sara Evans Jennifer Nettles Matraca Berg Paul Overstreet and many more… Music Executive BMI - Senior Director, New York Office Warner/Chappell Music - Director, New York Office Signed And Worked With Artists Such As: Jeff Buckley Joan Osborne Kara DioGuardi Spin Doctors Blues Traveler Ben Folds Lisa Loeb Ani DiFranco Uncle Tupelo/Wilco Contact Jeff Cohen: [email protected] soundcloud.com/panchoslament.