2017 Music Business Attendee List As of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017

Total Page:16

File Type:pdf, Size:1020Kb

2017 Music Business Attendee List As of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7Digital Amazon (cont’d) James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply Assoc. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr. Marketing & Acquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. Marc Bartlett Alex Luke Sr. VP, Sales & Marketing Dir., Global Content Programming Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart Account Exec. Assoc. Label Relations Mgr. Ken Glaser Rob Morse VP, Sales Operations Mgr. Thuy Ngo Lisa Nicholas-Ritscher VP, Marketing DIRECT2U Content Editor, Media & Movies Bruce Ogilvie Aly Proctor Chairman Music Vendor Mgr. Laura Provenzano Ryan Redington Sr. VP, Purchasing & Marketing Dir., US Digital Music Jeff Walker Jeff Reguilon CEO Mgr., Content Programming Elizabeth Reynolds Amazon Brand Specialist, Music Natasha Bishop Jack Rutledge Music Sales Mgr. Sr. Mgr., Catalog & Selection Nathan Brackett Andrew Sexton Sr. Editorial Mgr. Label Relations Mgr. Jill Chapman Adam Steiner Digital Media Operations Mgr. Sr. Content Producer Cindy Charles David Stuart Head of Business Development Assoc. Label Relations Mgr. Anthony Coorey Mary Tastet Partner Marketing Mgr. Sr. Content Program Mgr. Rosie de la Mare Laura Tulli Sr. Content Program Mgr. Music Marketing Mgr. 1 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Elan Wang Brian Pesaturo Head of Music Vendor Management Label Relations Cody Wescott Matthew Plotnik Brand Specialist, Music Head, Music Marketing Brandon Reese AMPED Technical Product Mgr. Pip Smith Taru Reilly Import Sales Mgr. Sr. Mgr., Analytics Dean Tabaac Neil Schield Content Acquisition, Label & Studios Marketing Dave Schwartz Apple Music Artist & Label Relations Dave Allen Sally Seitz Artist Relations Label Relations & Music Programming Sydney Alston Robert Whitham Music Marketing, Label relations Gina Bartoli David Yeager Music Marketing Lead Business Analysis & Strategy Ryan Christo Colin Young Technical Product Mgr. Sr. Mgr. Zack Cole Label Relations Baker & Taylor Leon D'Angio Sue Bryan Data Analyst Div. Merchandising Dir. Jill Harwell Aaron Dysart Sr. Ops. Mgr., Apple Music & News Music Buyer Kelsey Inch Steve Harkins Business Strategy VP, & GM Lauren Kasper Scott Henderson Independent Label Relations Dir., Branding & Marketing Ben Lawrence Emily Marsh Mgr., Business Ops. Retail Territory Mgr. Jay Liepis Kerry McCarthy Head, US Label & Artist Relations Account Mgr., Bryce Mclaughlin Ken Norton Mgr., Partner Data & Analytics Account Mgr., Independent Sales Gregory Mead Jim Ogletree Product Marketing Music Buyer Karen Park Joh Content Marketing 2 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES CD Baby Down In The Valley Jon Bahr* Scott Farrell VP, Music Publishing GM & Buyer Kevin Breuner* Steve Williams VP, Marketing Store Mgr. & Buyer Tracy Maddux CEO eBay Chris Robley* Debra Landen Editor CD Baby’s DIY Musician Blog Merchant Chelsea Walsh Coalition of Independent Music Assoc. Merchant Media Stores Michael Bunnell Google Pres. Zack Hasanov Andrea Paschal Partner Technology Mgr. GM HDtracks Criminal Records / AIMS Lisa Marks Eric Levin Sr. VP & General Counsel Owner Luann Myers Microsoft Sales Assoc. Pedro Gutierrez Dir., Entertainment Darkside Records Courtney Siedentopf Justin Johnson Sr. Entertainment Category Mgr. Owner Shawn Stewart Entertainment Lead Department of Record Stores Carrie Colliton Music Millennium Co-Founder of Record Store Day Terry Currier Michael Kurtz Owner Pres. Napster Dimple Records Brian Ringer* Dilyn Radakovitz Exec. VP, Ops. & CTO Owner & Buyer Newbury Comics DirectTou/Alliance Ent/ AMPED Carl Mello Joceylnn Pryor Dir., Entertainment Product Dir., Marketing Merch&ising 3 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Pandora Spotify Adam Parness* Scott Burn Head of Publisher Licensing & Relations Sr. Metadata Curation Mgr. Glenn Peoples* Troy Carter* Head of Music Insights & Analytics Global Head, Creator Services Tracy Chan PlayStation Product Dir. Christine Liberatore Gary Eggleton Marketing Sr. Economist Carrie Surtees Marni Greenberg Sr. Mgr. Head of Product & Partner Communications primephonic Rob Harvey Jonathan Bradley Global Head of Artist & Label Services Chief Marketing Officer Jason Herskowitz Jennifer Harrington Product Marketing & PR Mgr. Copeland Isaacson Mgr., Artist & Label Services ProStudioMasters JJ Italiano Oles Protsidym US Head of Major Label Relations CEO Xavier Jernigan Head of North America, Shows & Record Archive, Inc. Editorial Alayna Alderman Thomas Karlsson VP Content Infringement & Curation Team Dick Storms Lead Pres. Tiffany Kumar Global Head of Songwiter Relations Schoolkids Records Jen Massett Stephen Judge Head of Independents, North America Owner Edwin McCarron Data Curator SoundCloud Laura Ohls Joe Bognanno Mgr., Artist & Label Services Dir., Royalties Jomar Perez Megan West* Analyst Dir., Client Relations Dave Rocco Global Head of Artist Marketing Dom Sanya Alex von Reyn Creative Partnerships 4 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Spotify (cont’d) YouTube Mark Williamson T. Jay Fowler* Global Head of Artist & Industry Dir., Product Management Partnerships Brian Hennigan Global Head YouTube Pop-Up Spaces Ticketmaster Lance Podell Justin Atkins Dir., Global Head - YouTube Spaces Client Relations Mgr. Jennifer Rosen Head of Music Publishing Partnerships Trans World Entertainment Jamie Sanchez Katie Cocca Mgr., Music Partnerships Music Buyer Gwen Shen Ish Cuebas Music Partner Mgr. Chief Merchandising Officer Kevin Wyatt Jodie Evans Product Specialist VP of Marketing and Customer Experience CONTENT COMPANIES Scott Hoffman VP Merchandising - Music 6/8 Records, LLC. Dan Murray Sinem Varoglu Music Buyer Founder Vevo ABKCO Parul Chokshi* Sara Dempsey Dir., Talent & Brand Marketing Assoc. Vice Pres. of Sales/Marketing Rachel McEnerney Dir., Brand Solutions ADA Roberto Santos* David Orleans Dir., Research Pres. Adam Smith* Eliah Seton Sr. VP, Nat'l Sales Pres., ADA Global Jennifer Tressler Brandon Squar Sr. Mgr., Music & Talent VP, Label Development & Strategy Tina Warwick Waterloo Records & Video Inc. Dir., National Sales & Marketing John Kunz Pres. Adarga Entertainment Group Henry Alonzo We Got The Beats CEO Anthony Cicalese Alexandria Davila Owner COO Jamie Hart Publishing Administrator 5 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 CONTENT COMPANIES Adukeh Music BBR Music Group Lori Adukeh Shaina Botwin Mgr. Digital Marketing Mgr. Alexandra Adukeh Marisa Coffin Singer Songwriter Marketing Mgr. Chelsey Flick AGD Entertainment Dir., Marketing Nathan Dohse Lynette Garbonola COO & Co-Founder VP, Digital JoJamie Hahr Alpha Pup Records VP, Marketing Jake Jenkins Addie Saloman Label Management Dir., Digital Atlantic Records Beggars Group Julie Greenwald* Louise "Rusty" Clarke Chairman & COO VP, Sales Camille Hackney* Simon Wheeler Exec. VP, of Brand Partnerships & Head Dir., Digital & New Business of Global Brand Partnerships Council (GBPC) Big Enterprises Chris Martignago* Kerry Hansen Dir., A&R Research Pres. Steve Robertson* Jennifer Witherell Sr. VP, A&R VP Rich Wagner Dir., Nat'l Sales ig Loud Mountain Seth England* ATO Records Partner Stephanie Alexa VP, Finance & Licensing Admin. Big Machine Label Group Stephen Brady* Average Joe's Entertainment Strategic Research Analyst Andrew Davis Jimmy Chapin* Digital Marketing Dir., Int'l Jamie Reeder Nicole Csabai Digital Marketing VP Revenue & Sales Nathan Thompson Dave Kelly Dir., Digital Marketing Dir., Strategies & Research Mike Rittberg Chief Marketing Officer 6 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 CONTENT COMPANIES Big Spark Music Group Cleopatra Records Dennis Kurtz Ken Tighe VP VP, Marketing & Product Management BMG Cold River Records Kos Weaver* Jim Dandy Exec. VP VP, Promotion Carli Manchaca Brooklyn Basement Records Dir., Digital Strategy Blair Clark Marie Wapelhorst CEO Dir., Strategy & Artist Relations Burnside Distribution Columbia Records Bill McNally Joe Gallo VP, & Owner Dir., Digital Sales Liberty Lucken Capitol Records Sr. VP, Sales Phillip Bailey Sr. Dir., Label Sales Concord Music Group Cecille Crisostomo Tom “Grover” Biery* Mgr., Label Sales Sr. VP David Miller Mike Gillespie VP, Label Sales Sr. VP, Sales Josh Remsberg Craig Hammond Sr. Dir., Label Sales Nat'l Sales Dir. Vince Szydlowski Jeff Hodak Sr. VP, Label Sales Dir., Sales & Commerce Lisa Hopkins Caroline Records Dir., Sales Non-Traditional Kelie Borowy Mgr., Digital Sales & Marketing Crossroads Label Group Scott Brand Scott Wagner Mgr., Retail Sales & Marketing Sr. VP Ray Kurzeka Dir., Commercial Development Curb/Word Entertainment Group Matt Sawin Kellyn Bailey Sr. VP, Marketing & Commercial Dir., Marketing Development John Clore Dir., Marketing & Digital Comm. Cinq Music Benson Curb* Barry Daffurn VP, Sales Co-Founder Josh Thompson VP Marketing,
Recommended publications
  • An N U Al R Ep O R T 2018 Annual Report
    ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
    [Show full text]
  • Dickins' Sony Deal Opens New Chapter by Ajax Scott Rob Dickins Bas Teame Former Rival Sony Music Three Months After Leaving Warn
    Dickins' Sony deal opens new chapter by Ajax Scott later building a team of up to 20. Rob Dickins bas teame Instant Karma will sign around five rA, ^ threeformer months rival Sony after Music leaving warner ri likelyartists to a be year, from most the UKof orwhom Ireland. are hisMusic music to launchindustry the career. next stage of Dickins says he will not specifically S Dickins' new record label Instant goclose chasing to expiring. after those Tm notacts. going If they to with the hasfirst got single off torelease a fiying under start the handling partnership Interscope - My releasesName Is inby the US UK they'reare interested going to in call," being he part says. of that therapper single, Eminem released - enjoying next Monday a huge initial(March shipout. 29), have Around been 220.000 ordered unitsby of months of negotiations between runningDickins, Warner's who spent UK ninepublishing years theretaiiefsVwhile Top 40 of the the Airplay track waschart. yesterday "Ifs appealing (Sunday) right on acrosscourse theto move board," into says Dickins, his lawyer Tony Russell arm before moving to head its Polydor head of radio promotionl" TU.Ruth ..U.._ Parrish. A V.UK promo visit will inelude wasand afinaliy list of whittled would-be down backers to Sony that New partners: Dickins (second isrecord in no company hurry toin 1983,issue addsrecords. he im_ rrShady LPes - thiswhich week debuted on The at Bignumber Breakfast twoThe in and the CD:UK.States earlierThe this (l-r)left) Sony in New Music York Worldwide last week with "Ifs really not important when the onth - follows on April 12.
    [Show full text]
  • The Year's Music
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
    [Show full text]
  • Annual Report
    ANNUAL REPORT 2014 Management Message 02 At the center of our businesses 04 12 Group Profi le | Businesses | Societal, Social and Litigation | Risk Factors 07 Environmental Information 41 1. Group Profi le 09 1. Corporate Social Responsibility (CSR) Policy 42 2. Businesses 20 2. Societal Information 47 3. Litigation 32 3. Social Information 62 4. Risk Factors 38 4. Environmental Information 77 5. Verifi cation of Non-Financial Data 85 3 Information about the Company | Corporate Governance | Reports 91 1. General Information about the Company 92 2. Additional Information about the Company 93 3. Corporate Governance 106 4. Report by the Chairman of Vivendi’s Supervisory Board on Corporate Governance, Internal Audits and Risk Management – Fiscal Year 2014 147 5. Statutory Auditors’ report, prepared in accordance with Article L.225-235 of the French Commercial Code, on the Report prepared by the Chairman of the Supervisory Board of Vivendi SA 156 4 Financial Report | Statutory Auditors’ Report on the Consolidated Financial Statements | Consolidated Financial Statements | Statutory Auditors’ Report on the Financial Statements | Statutory Financial Statements 159 Selected key consolidated fi nancial data 160 I - 2014 Financial Report 161 II - Appendices to the Financial Report: Unaudited supplementary fi nancial data 191 III - Consolidated Financial Statements for the year ended December 31, 2014 195 IV - Vivendi SA - 2014 Statutory Financial Statements 294 56 Recent events | Outlook 337 Responsibility for Auditing 1. Recent events 338 the Financial Statements 341 2. Outlook 339 1. Responsibility for Auditing the Financial Statements 342 ANNUAL REPORT 2014 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes.
    [Show full text]
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Nielsen Music Year-End Report Canada 2016
    NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year.
    [Show full text]
  • Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT
    [Show full text]
  • Free Views Tiktok
    Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos.
    [Show full text]
  • Ben Cook Appoints Magnus Ribbeklint As General Manager, Atlantic Records Uk
    2017-10-24 16:06 CEST BEN COOK APPOINTS MAGNUS RIBBEKLINT AS GENERAL MANAGER, ATLANTIC RECORDS UK Ribbeklint joins Atlantic UK having worked as General Manager of Warner Music Sweden, as well as Vice President, Marketing, Warner Music Nordics. A widely-respected leader in his field, Ribbeklint has been instrumental in guiding the company through the evolving digital landscape, with an innate understanding of the streaming era. Ben Cook - “Magnus is a brilliant creative and digital strategist. He shares our love of great music, our passion for artist development and our resolute focus on the future. Throughout the Nordic transition to streaming his foresight and expertise helped transform Warner Music Sweden into a global leader in social media, content and digital marketing. He joins us at a pivotal time for the UK industry. I’m confident he’ll help keep Atlantic at the leading edge of music’s on- going evolution - as we continue to find innovative new ways to release and campaign our amazing artists. I look forward to him being a key player in the already impressive force that makes up Atlantic UK.” Magnus Ribbeklint - “Jag vill tackaJonas Siljemark och hela det nordiska Warner- teamet för deras support. Det har varit ett stort privilegium att arbeta med dem de senaste fem åren. Jag har haft nöjet att få arbeta med några av de största artisterna I en tid när Norden har varit pionjärer i en grundläggande förvandling av musikindustrin. Jag har haft äran att jobba med svenska artister som Håkan Hellström, Laleh, Little Jinder, Lykke Li, Miriam Bryant, Måns Zelmerlöw, Nause, Otto Knows, Rhys och Sabina Ddumba, liksom nordiska stjärnor som Alma, Christopher och Julie Bergan.
    [Show full text]
  • Russell Simmons Russell Simmons Has Been the Leader in Bringing The
    Russell Simmons Russell Simmons has been the leader in bringing the powerful influence of hip-hop culture to every facet of business and media since its inception in the late 1970s through current day, in which its integration into mainstream American Culture means an entirely new, post-racial, progressive America. Simmons' businesses have always been rooted in giving a powerful voice to emerging creative and social movements, and integrating them into the American psyche. His business successes have spanned music, film, television, fashion, the jewelry industry, video games, online and financial services; his activism has encompassed all of the areas touched by his businesses, including poverty, education and ignorance. From producing and/or managing such early hip-hop artists as Kurtis Blow, Run DMC, Will Smith and the Beastie Boys to signing seminal luminaries like Jay Z, LL Cool J and Ludacris to his iconic record label, Def Jam Recordings, Simmons’ groundbreaking vision and the cultural revolution became the international phenomenon now known as hip-hop. Following his departure from Def Jam, in 1999, Russell created a fashion empire in Phat Farm, which begat Baby Phat and Run Athletics, and put the definitive stake in the ground for urban streetwear, to which others followed including: Roc-A-Wear, Sean John, Derion, Enyce, Ecko and many others. His film and television production company with partner Stan Lathan, Simmons Lathan Media Group, created the wildly successful HBO series, “Def Comedy Jam “ (8 million DVDS sold), “Russell Simmons Presents Def Poetry,” and “HBO Presents Brave New Voices,” the Hollywood box office success “The Nutty Professor,” the Tony Award-winning stage production “Russell Simmons Presents Def Poetry Jam on Broadway,” the international hit on MTV “Run’s House,” and most recently the successful first season of “Running Russell Simmons.” In 2003, Simmons co-founded Unirush Financial Services with consumer debt investor David Rosenberg.
    [Show full text]
  • No More Black and Blue
    ARIADNE: A Social Art Network Violence Against Women AgainstViolence.ART Volume 14 Number 4 April 2008 418-436 © 2008 Sage Publications 10.1177/1077801208314832 No More Black and Blue http://vaw.sagepub.com hosted at Women Against Violence Against http://online.sagepub.com Women and the Warner Communications Boycott, 1976–1979 Carolyn Bronstein DePaul University In the mid-1970s, Women Against Violence Against Women (WAVAW), the first national feminist organization to protest mediated sexual violence against women, pressured the music industry to cease using images of violence against women in its advertising. This article presents a case study of WAVAW’s national boycott of Warner Communications, Inc. and documents the activists’ successful consumer campaign. The study reveals that media violence was central to feminist organizing efforts, and that WAVAW and related organizations helped establish a climate of concern about vio- lence that motivated scientific research on the relationship between exposure to media violence and subsequent aggression. Keywords: advertising; grassroots organizing; media violence; music industry rom high above the storied Sunset Strip on a glorious June day, a bound and Fbruised woman on a billboard gazed down at the citizens of Los Angeles. She was the centerpiece of a new advertising campaign for the Rolling Stones’s 1976 album Black and Blue, part of a national promotion by Atlantic Records that featured print ads, radio spots, and in-store displays. At 14 by 48 feet, she dominated the busy sky- line, and traffic snarled up and down the boulevard as drivers slowed to get a better look. The woman wore a lacy white bodice, strategically ripped to display her breasts.
    [Show full text]
  • L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
    These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs.
    [Show full text]