CORRECTING and REPLACING Infospace Mobile and the Island Def Jam Music Group Produce First Live Ringtone at Hip Hop Sensation Ludacris' "Red Light District" CD
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Ludacris Word of Mouf Full Album
Ludacris, Word Of Mouf Full Album Zip 1 / 4 Ludacris, Word Of Mouf Full Album Zip 2 / 4 3 / 4 Word Of Mouf | Ludacris to stream in hi-fi, or to download in True CD Quality on Qobuz.com.. Play full-length songs from Word Of Mouf by Ludacris on your phone, computer and home audio system with Napster.. Ludacris - Word Of Mouf - Amazon.com Music. ... Listen to Word Of Mouf [Explicit] by Ludacris and 50 million songs with Amazon Music Unlimited. $9.99/month .... Download Word Of Mouf (Explicit) by Ludacris at Juno Download. Listen to this and ... Block Lockdown (album version (Explicit) feat Infamous 2-0). 07:48. 96.. 2001 - Ludacris - ''Wоrd Of Mouf''. Tracklist. 01. "Coming 2 America". 02. ... Tracklist. 01 - Intro. 02 - Georgia. 03 - Put Ya Hands Up. 04 - Word On The Street (Skit).. Word of Mouf is the third studio album by American rapper Ludacris; it was released on November 27, 2001, by Disturbing tha Peace and Def Jam South.. Word of Mouf by Ludacris songs free download.. Facebook; Twitter .. Explore the page to download mp3 songs or full album zip for free.. ludacris word of mouf zip ludacris word of mouf songs ludacris word of mouf download ludacris word of mouf full album . View credits, reviews, tracks and shop for the 2001 CD release of Word Of Mouf on Discogs. ... Word Of Mouf (CD, Album) album cover ... Tracklist Hide Credits .... Ludacris - Back for the First Time (Full album). Enoch; 16 ... Play & Download Ludacris - Word Of Mouf itunes zip Only On GangstaRapTalk the.. Download Word of Mouf 2001 Album by Ludacris in mp3 CBR online alongwith Karaoke. -
Copyright by Eric Alan Ratliff 2003
Copyright by Eric Alan Ratliff 2003 The Dissertation Committee for Eric Alan Ratliff Certifies that this is the approved version of the following dissertation: The Price of Passion: Performances of Consumption and Desire in the Philippine Go-Go Bar Committee: ____________________________________ Douglas Foley, Supervisor ____________________________________ Kamran Asdar Ali ____________________________________ Robert Fernea ____________________________________ Ward Keeler ____________________________________ Mark Nichter The Price of Passion: Performances of Consumption and Desire in the Philippine Go-Go Bar by Eric Alan Ratliff, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2003 Acknowledgements A project of this scope and duration does not progress very far without the assistance of many people. I would first like to acknowledge my dissertation committee members for their advice and encouragement over these many years. Douglas Foley, Ward Keeler, Robert Fernea, Kamran Ali and Mark Nichter provided constructive comments during those times when I could not find the right words and continuing motivation when my own patience and enthusiasm was waning. As with the subjects of my study, their ‘stories’ of ethnographic practice were both informative and entertaining at just the right moments. Many others have also offered inspiration and valuable suggestions over the years, including Eufracio Abaya, Laura Agustín, Priscilla Alexander, Dr. Nicolas Bautista, Katherine Frank, Jeanne Francis Illo, Geoff Manthey, Sachiyo Yamato, Aida Santos, Melbourne Tapper, and Kamala Visweswaran. This research would never have gotten off the ground without the support of the ReachOut AIDS Education Foundation (now ReachOut Foundation International). -
An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Is Hip Hop Dead?
IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work. -
Island Records and Notting Hill Implement Music Gateway's New
Island Records and Notting Hill implement Music Gateway’s new Private Network Software Music Gateway has developed a new project management solution - with Island Records Dance and Notting Hill Publishing among its founding clients as well as working closely with labels such as Sire Records, a subsidiary of Warner Music Group. The Private Network offers a highly functional and secure project management system to be used in-house at music companies and beyond. "The collaborative nature of dance music means that I always have a number of records and projects in development with artists not just in the UK but around the world,” said founding client and A&R Consultant at Island Records, Dave Lambert. “Tracking the progress of these projects and the individual processes are essential, and managing my network as a whole is top priority. With Music Gateway I have my own closed network that I control, so I can make this happen in a much more effective way, saving myself heaps of time.” Each Private Network is modular and flexible, with features including: unlimited usage and network growth; unlimited file sizes, back up and storage; branded private networks and project management systems; mobile optimisation; worldwide access; collaboration and remote working tools. A number of new features have also been added to the whole Music Gateway platform including, video timeline feedback function, ability to upload and manage any file type within the workspace, and assign meta-data to all files. “The concept for the Private Network was triggered after Music Gateway was approached by a notable publishing company who were looking for a secure and functional, private project management tool,” said Music Gateway CEO Jon Skinner. -
Thesis Finding Privacy in the Red-Light District
THESIS FINDING PRIVACY IN THE RED-LIGHT DISTRICT: AN ANALYSIS OF VICTORIAN ERA MEDICINE BOTTLES FROM THE VANOLI SITE (5OR.30) IN OURAY, COLORADO Submitted by Heather Horobik Department of Anthropology In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2011 Master’s Committee: Advisor: Mary Van Buren Ann Magennis Narda Robinson Copyright by Heather Horobik 2011 All Rights Reserved ABSTRACT FINDING PRIVACY IN THE RED-LIGHT DISTRICT: AN ANALYSIS OF VICTORIAN ERA MEDICINE BOTTLES FROM THE VANOLI SITE (5OR.30) IN OURAY, COLORADO A sample of bottles from the Vanoli Site (5OR.30), part of a Victorian era red- light district in Ouray, Colorado are examined. Previous archaeological studies involving the pattern analysis of brothel and red-light district assemblages have revealed high frequencies of medicine bottles. The purpose of this project was to determine whether a sense of privacy regarding health existed and how it could influence disposal patterns. The quantity and type of medicine bottles excavated from two pairs of middens and privies were compared. A concept of privacy was discovered to have significantly affected the location and frequency of medicine bottle disposal. A greater percentage of medicine bottles was deposited in privies, the private locations, rather than the more visually open and accessible middens. This study concludes that, while higher percentages of medicine bottles are found within brothel and red-light district locations, other factors such as privacy and feature type may affect the artifact patterns associated with such sites. ii ACKNOWLEDGEMENTS Many people helped and supported me throughout the process involved in completing this thesis. -
Ludacris the Red Light District Full Album Zip
Ludacris, The Red Light District Full Album Zip ERROR_GETTING_IMAGES-1 Ludacris, The Red Light District Full Album Zip 1 / 2 Hood Starz.com].rar hosted on mediafire.com 80.48 MB, Ludacris Chicken N Beer ... Ludacris, The Red Light District Full ;Enoch; 17 videos; 147,667 views חנוך .(Album Zip Download.. Ludacris - The Red Light District (Full album + Bonus Track Last updated on Jun 26, 2015. Subscribe! Play all. Share.. Find Ludacris discography, albums and singles on AllMusic. ... The Red Light District. 2004. The Red Light District · Def Jam South · Disturbing tha Peace. 2005.. Tracklist: 1. Intro, 2. Number One Spot, 3. Get Back, 4. Put Your Money, 5. Blueberry Yum Yum, 6. Child Of The Night, 7. The Potion, 8. Pass Out, 9. Skit, 10.. 2000 - Ludacris - ''Back For The First Time''. Tracklist. 01. "U Got a Problem?" 02. .... 2004 - Ludacris - ''The Red Light District''. Tracklist. 01. "Intro" Timbaland. 02.. Ludacris – The Red Light District. The Red Light District (CD, Album) album cover. More Images · All Versions · Edit Release · Sell This ... Tracklist Hide Credits .... The red light district. ludacris 320 kbps . Ludacris release therapy itunes . tags ludacris the red light district. Ludacris, the red light district full album zip .... Ludacris - The Red Light District review: Inconsistent, but primarily ... Release Date: 2004 | Tracklist .... I haven't heard a full one after this. Calc. Ludacris – Chicken-N-Beer – Album Zip Quality: iTunes Plus AAC M4A ... songs lyrics, songs mp3 download, download zip and complete full album rar. ... DVD made by of Ludacris visiting the red-light district, a growroom, .... 4 Download zip, rar. -
Anti-Racism Topic Paper
CEDA Topic Paper Anti-Racism Proposal 2016-17 Policy Debate Claudette Colvin C.T. Vivian Chase Iron Eyes T. R. M. Howard Yuri Kochiyama Reies López Tijerina Daisy Lee Gatson Bates Anti-Racism Topic Paper April 2016 Janet Escobedo, Georgia State University; Samuel Hanks, Georgia State University; Nadia Hussein, Georgia State University; and Dr. Kevin Kuswa, Berkeley Preparatory in Tampa, Florida. —with advice and feedback from Rashad Evans, University of Puget Sound and Dr. Tim Barouch, Georgia State University Page 1 of 161 “Paradigms, however, are like frost crystals that disappear on exposure to the sun. As soon as one starts talking about a paradigm, its days are numbered,” R. Delgado, ’12 “We’re living in more chains today -- through lockdowns, ankle bracelets, halfway houses,… -- than we were in the early 1800’s. That’s something to think about.” Frank W. Wilderson, ‘14 CEDA Topic Paper Anti-Racism Proposal 2016-17 Policy Debate Table of Contents Anti-Racism Topic Area Proposal .................................................................................................................................................... 4 I. “Anti-Racial Exclusion” Phrasing ........................................................................................................................ 9 Racial Disparity ............................................................................................................................................................................... 18 Racial Inequality ............................................................................................................................................................................. -
Russell Simmons Russell Simmons Has Been the Leader in Bringing The
Russell Simmons Russell Simmons has been the leader in bringing the powerful influence of hip-hop culture to every facet of business and media since its inception in the late 1970s through current day, in which its integration into mainstream American Culture means an entirely new, post-racial, progressive America. Simmons' businesses have always been rooted in giving a powerful voice to emerging creative and social movements, and integrating them into the American psyche. His business successes have spanned music, film, television, fashion, the jewelry industry, video games, online and financial services; his activism has encompassed all of the areas touched by his businesses, including poverty, education and ignorance. From producing and/or managing such early hip-hop artists as Kurtis Blow, Run DMC, Will Smith and the Beastie Boys to signing seminal luminaries like Jay Z, LL Cool J and Ludacris to his iconic record label, Def Jam Recordings, Simmons’ groundbreaking vision and the cultural revolution became the international phenomenon now known as hip-hop. Following his departure from Def Jam, in 1999, Russell created a fashion empire in Phat Farm, which begat Baby Phat and Run Athletics, and put the definitive stake in the ground for urban streetwear, to which others followed including: Roc-A-Wear, Sean John, Derion, Enyce, Ecko and many others. His film and television production company with partner Stan Lathan, Simmons Lathan Media Group, created the wildly successful HBO series, “Def Comedy Jam “ (8 million DVDS sold), “Russell Simmons Presents Def Poetry,” and “HBO Presents Brave New Voices,” the Hollywood box office success “The Nutty Professor,” the Tony Award-winning stage production “Russell Simmons Presents Def Poetry Jam on Broadway,” the international hit on MTV “Run’s House,” and most recently the successful first season of “Running Russell Simmons.” In 2003, Simmons co-founded Unirush Financial Services with consumer debt investor David Rosenberg. -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
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Case 2:21-cv-04848 Document 1 Filed 06/15/21 Page 1 of 12 Page ID #:1 1 QUINN EMANUEL URQUHART & SULLIVAN, LLP 2 Alex Spiro (pro hac vice pending) [email protected] 3 51 Madison Avenue, 22nd Floor New York, New York 10010 4 Telephone: (212) 849-7000 Facsimile: (212) 849-7100 5 Robert M. Schwartz (Bar No. 117166) 6 [email protected] Dylan C. Bonfigli (Bar No. 317185) 7 [email protected] 865 South Figueroa Street, 10th Floor 8 Los Angeles, California 90017-2543 Telephone: (213) 443-3000 9 Facsimile: (213) 443-3100 10 Attorneys for Plaintiff Shawn (JAY-Z) Carter 11 12 UNITED STATES DISTRICT COURT 13 CENTRAL DISTRICT OF CALIFORNIA, WESTERN DIVISION 14 15 SHAWN CARTER, also known as Case No. 2:21-cv-4848 JAY-Z, an individual, 16 COMPLAINT FOR Plaintiff, 17 1. VIOLATION OF SECTION v. 3344 OF THE CALIFORNIA 18 CIVIL CODE JONATHAN MANNION, an 19 individual, and JONATHAN 2. VIOLATION OF THE MANNION PHOTOGRAPHY LLC, a CALIFORNIA COMMON 20 New York limited liability company, LAW RIGHT OF PUBLICITY 21 Defendants. JURY TRIAL DEMAND 22 23 24 25 26 27 28 COMPLAINT Case 2:21-cv-04848 Document 1 Filed 06/15/21 Page 2 of 12 Page ID #:2 1 Plaintiff Shawn (JAY-Z) Carter, upon his personal knowledge and 2 information and belief alleges as follows against defendants Jonathan Mannion and 3 Jonathan Mannion Photography LLC (collectively, “Mannion”). 4 NATURE OF THE ACTION 5 1. JAY-Z brings this action to stop Jonathan Mannion from exploiting 6 JAY-Z’s name and image without JAY-Z’s consent. -
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (Guest Post)*
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (guest post)* Album cover Label Run-DMC Released in May of 1986, “Raising Hell” is to Run-DMC what “Sgt. Pepper’s” is to the Beatles--the pinnacle of their recorded achievements. The trio--Run, DMC, and Jam Master Jay--had entered the album arena just two years earlier with an eponymous effort that was likewise earth-shakingly Beatlesque. Just as “Meet the Beatles” had introduced a new group, a new sound, a new language, a new look, and a new attitude all at once, so “Run-DMC” divided the history of hip-hop into Before-Run-DMC and After-Run-DMC. Of course, the only pressure on Run-DMC at the very beginning was self-imposed. They were the young guns then, nothing to lose and the world to gain. By the time of “Raising Hell,” they were monarchs, having anointed themselves the Kings of Rock in the title of their second album. And no one was more keenly aware of the challenge facing them in ’86 than the guys themselves. Just a year earlier, LL Cool J, another rapper from Queens, younger than his role models, had released his debut album to great acclaim. Run couldn’t help but notice. “All I saw on TV and all I heard on the radio was LL Cool J,” he recalls, “Oh my god! It was like I was Richard Pryor and he was Eddie Murphy!” Happily, the crew was girded for battle. Run-DMC’s first two albums had succeeded as albums, not just a collection of singles--a plan put into effect by Larry Smith, who produced those recordings with Russell Simmons, the group’s manager.