Is Hip Hop Dead?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
Digitale Disconnectie Voor De La Soul
juridisch Digitale disconnectie dreigt voor hiphopgroep De La Soul Stakes Is High Bjorn Schipper Met de lancering op Netflix van de nieuwe hitserie The Get Down staat de opkomst van hiphop weer volop in de belangstelling. Tegen de achtergrond van de New Yorkse wijk The Bronx in de jaren ’70 krijgt de kijker een beeld van hoe discomuziek langzaam plaatsmaakte voor hiphop en hoe breakdancen en deejayen in zwang raakten. Een hiphopgroep die later furore maakte is De La Soul. In een tijd waarin digitale exploitatie volwassen is geworden en de online-mogelijkhe- den haast eindeloos zijn, werd onlangs bekend dat voor De La Soul juist digitale disconnectie dreigt met een nieuwe generatie (potentiële) fans1. In deze bijdrage ga ik in op de bizarre digi- tale problemen van De La Soul en laat ik zien dat ook andere artiesten hiermee geconfronteerd kunnen worden. De La Soul: ‘Stakes Is High’ Net als andere hiphopalbums2 bevatten de albums van De New Yorkse hiphopgroep De La Soul bestaat De La Soul vele samples. Dat bleef juridisch niet zon- uit Kelvin Mercer, David Jude Jolicoeur en Vincent der gevolgen en zorgde voor kopzorgen in verband met Mason. De La Soul brak in 1989 direct door met het het clearen van de gebruikte samples. Niet zo vreemd album 3 Feet High and Rising en kreeg vooral door ook als we bedenken dat in die tijd weinig jurispruden- de tekstuele inhoud en het gekleurde hoesontwerp al tie bestond over (sound)sampling. Zo kreeg De La Soul snel een hippie-achtig imago aangemeten. Met hun het na de release in 1989 van 3 Feet High and Rising vaste producer Prince Paul bewees De La Soul dat er aan de stok met de band The Turtles. -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 Exile in the Gramola: A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Ethnic Studies Commons, Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Santos, Roberto Alejandro, "Exile in the Gramola: A Jewinican (Re)Collection" (2010). Open Access Theses & Dissertations. 2777. https://digitalcommons.utep.edu/open_etd/2777 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION ROBERTO ALEJANDRO SANTOS Department of Creative Writing APPROVED: _____________________________________________ Benjamin Alire Sáenz, Committee Chair _____________________________________________ Sasha Pimentel Chacón, M.F.A. _____________________________________________ Maceo Dailey, Ph.D. _____________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © 2010 by Roberto Alejandro Santos All Rights Reserved. Livication For my family & friends EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION by ROBERTO ALEJANDRO SANTOS, B.A., M.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2010 Preface to Exile in the Gramola : A Jewinican (Re)Collection What is a book of poetry but a collection of words and lines, truths and lies, questions and almost-answers. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
(2001) 96- 126 Gangsta Misogyny: a Content Analysis of the Portrayals of Violence Against Women in Rap Music, 1987-1993*
Copyright © 2001 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN 1070-8286 Journal of Criminal Justice and Popular Culture, 8(2) (2001) 96- 126 GANGSTA MISOGYNY: A CONTENT ANALYSIS OF THE PORTRAYALS OF VIOLENCE AGAINST WOMEN IN RAP MUSIC, 1987-1993* by Edward G. Armstrong Murray State University ABSTRACT Gangsta rap music is often identified with violent and misogynist lyric portrayals. This article presents the results of a content analysis of gangsta rap music's violent and misogynist lyrics. The gangsta rap music domain is specified and the work of thirteen artists as presented in 490 songs is examined. A main finding is that 22% of gangsta rap music songs contain violent and misogynist lyrics. A deconstructive interpretation suggests that gangsta rap music is necessarily understood within a context of patriarchal hegemony. INTRODUCTION Theresa Martinez (1997) argues that rap music is a form of oppositional culture that offers a message of resistance, empowerment, and social critique. But this cogent and lyrical exposition intentionally avoids analysis of explicitly misogynist and sexist lyrics. The present study begins where Martinez leaves off: a content analysis of gangsta rap's lyrics and a classification of its violent and misogynist messages. First, the gangsta rap music domain is specified. Next, the prevalence and seriousness of overt episodes of violent and misogynist lyrics are documented. This involves the identification of attributes and the construction of meaning through the use of crime categories. Finally, a deconstructive interpretation is offered in which gangsta rap music's violent and misogynist lyrics are explicated in terms of the symbolic encoding of gender relationships. -
(159) [PL5] Sample Some Of
Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P. -
Waya&R People Do Their
THE MOST TRUSTED NAME IN RADIO ISSUE 1985 DECEMBER 17 1993 This Week The future is in your hands. At least, i:'s the future as a group of record executives, along with a gaggle of Gavin types, see it. Hey, if Jeane Dixon and the Amazing Peskin can do it, why can't we? And so we get the jump on '94 from Craig LAW! (above), who sees less virtual "I predict that the reality than simple reality com- ing to the music business. On the GAVIN side of the crystal hall, Album Adult Alternative CEO David Dalton sees and hears free -form radio in the new year-or he'll reduce subscrip- tion rates (Just kidding!). And format will change the Ron Fel has a disturbing vision about Billy Joel wayA&R people do their (right). Our Newss.ection is given cver to a wrap-up of a o G.qey'll be ableto phat and crazy year, as managing editor Ben Fong -Torres steals liberally from ook at a4C 50year hisrootsgROMMIlle(which or stole liberally from Esquire) to do the honors. Re -live such great moments as Prince's old artist and think earth -shaking name change and a certa n pretty woman making Lyle Lovett (below) an honest man. F nally, we predict a sea- about workIng with sonal feature in the Gavin Yellow Pages them." of Radio, as Natalie Duitsman canvasses THESE AND OTHER PREDICTIONS, several radio stations- MINX-Amherst, Mass., WHAI- Greenfield, Mass., and Live 105 - BY RECORD INDUSTRY SEERS, ARE San Francisco-to learn how they handle Christmas music. -
Fresh Dressed
PRESENTS FRESH DRESSED A CNN FILMS PRODUCTION WORLD PREMIERE – DOCUMENTARY PREMIERE Running Time: 82 Minutes Sales Contact: Dogwoof Ana Vicente – Head of Theatrical Sales Tel: 02072536244 [email protected] 1 SYNOPSIS With funky, fat-laced Adidas, Kangol hats, and Cazal shades, a totally original look was born— Fresh—and it came from the black and brown side of town where another cultural force was revving up in the streets to take the world by storm. Hip-hop, and its aspirational relationship to fashion, would become such a force on the market that Tommy Hilfiger, in an effort to associate their brand with the cultural swell, would drive through the streets and hand out free clothing to kids on the corner. Fresh Dressed is a fascinating, fun-to-watch chronicle of hip-hop, urban fashion, and the hustle that brought oversized pants and graffiti-drenched jackets from Orchard Street to high fashion's catwalks and Middle America shopping malls. Reaching deep to Southern plantation culture, the Black church, and Little Richard, director Sacha Jenkins' music-drenched history draws from a rich mix of archival materials and in-depth interviews with rappers, designers, and other industry insiders, such as Pharrell Williams, Damon Dash, Karl Kani, Kanye West, Nasir Jones, and André Leon Talley. The result is a passionate telling of how the reach for freedom of expression and a better life by a culture that refused to be squashed, would, through sheer originality and swagger, take over the mainstream. 2 ABOUT THE FILMMAKERS SACHA JENKINS – Director Sacha Jenkins, a native New Yorker, published his first magazine—Graphic Scenes & X-Plicit Language (a ‘zine about the graffiti subculture)—at age 17. -
The Dead Prez It Is Important to Know and Try to Understand the Two Men That Produce Those Lyrics
Whose School Is It? By Linda Millik Racism and violence in schools is a relevant and important topic that needs to be addressed by not only school faculty but also the community and the students as well. The Dead Prez, a rap duo, hoped to do just that with their song “They Schools” released in 2000. “They Schools” is full of powerful lyrics which challenge social institutions and the injustices of those institutions. Powerful implications can be drawn towards classrooms and schools across America as well as society and the larger social issues of America through examining and analyzing the lyrics of “They Schools.” Before analyzing the lyrics of the Dead Prez it is important to know and try to understand the two men that produce those lyrics. I was first exposed to the Dead Prez on HBO’s original series Def Poetry Jam. This show was created my Russell Simmons, the hip hop mogul and owner of the Def Jam record label, Phat Farm clothing and many other urban influenced businesses. I was impressed, to say the least, by the performance of Dead Prez. I had heard of them before and knew of their militant, Malcolm X inspired take on racial issues but never knew the depth of their political awareness. After listening to what they had to say I was an immediate fan. The group consists of two African American males who have changed their names to M- 1 and Stic.man. M-1 was born in Jamaica but grew up in Brooklyn while Stic.man was born and raised in Tallahassee, Florida. -
Various Tommy Boy Presents: Architects of Culture Mp3, Flac, Wma
Various Tommy Boy Presents: Architects Of Culture mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Tommy Boy Presents: Architects Of Culture Country: UK Released: 2000 MP3 version RAR size: 1485 mb FLAC version RAR size: 1426 mb WMA version RAR size: 1286 mb Rating: 4.3 Votes: 373 Other Formats: MP3 MMF ASF VOC AC3 AA XM Tracklist Hide Credits Hip Hop Hooray 1 –Naughty By Nature 1:27 Producer – Naughty By Nature Uptown Anthem 2 –Naughty By Nature 1:34 Producer – Naughty By Nature Live It Up 3 –Natural Elements 2:59 Producer – Charlemagne Talkin' All That Jazz 4 –Stetsasonic 2:59 Producer – Daddy-O Me Myself & I 5 –De La Soul 1:43 Co-producer – De La SoulProducer – Prince Paul Doowutchyalike 6 –Digital Underground 1:59 Producer – The Underground* Thick 7 –DITC* 3:52 Producer – DJ Premier H-O-S-T-Y-L-E 8 –Screwball 2:41 Producer – Mike Heron Body In A Trunk 9 –Noreaga 2:18 Featuring – NasProducer – Grease* Halfway Thugs 10 –Capone & Noreaga* 3:20 Producer – Charlemagne Wrath Of My Madness (Remix) 11 –Queen Latifah 2:00 Producer – The 45 KingRemix – DJ Premier Money (Dollar Bill) 12 –Everlast 2:41 Featuring – Sadat XProducer – Dante Ross, John Gamble The Piecemaker 13 –Tony Touch 2:27 Featuring – Gang StarrProducer – DJ Premier Diaz Bros 14 –Tony Touch Featuring – Doo Wop, Pain In Da AssProducer – Tony 3:11 Touch So Good 15 –De La Soul 1:27 Featuring – Camp LoProducer – De La Soul Holy Calamity –Handsome Boy Modeling 16 Producer – DJ Shadow, Dan The Automator, Prince 1:55 School PaulScratches – DJ Quest –Afrika Bambaataa & The Jazzy Jazzy Sensation 17 3:27 5 Producer – Arthur Baker Credits DJ Mix – DJ Swing Notes Promotional CD given away with Hip Hop Connection magazine issue #138 (June 2000) Related Music albums to Tommy Boy Presents: Architects Of Culture by Various Naughty By Nature - Craziest Naughty By Nature - Everything's Gonna Be Alright Naughty By Nature - Nineteen Naughty Nine - Nature's Fury Naughty By Nature - O.P.P. -
De La Soul the Best of Mp3, Flac, Wma
De La Soul The Best Of mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Best Of Country: Europe Released: 2003 Style: Conscious MP3 version RAR size: 1691 mb FLAC version RAR size: 1383 mb WMA version RAR size: 1102 mb Rating: 4.7 Votes: 577 Other Formats: MP4 MPC WAV VOC FLAC VOX APE Tracklist Hide Credits Me Myself And I (Radio Version) A1 3:41 Co-producer – De La SoulMixed By – PosdnuosProducer – Prince Paul Say No Go A2 4:20 Co-producer – De La SoulMixed By, Arranged By – PosdnuosProducer – Prince Paul Eye Know A3 4:06 Co-producer – De La SoulMixed By, Arranged By – PosdnuosProducer – Prince Paul The Magic Number A4 3:14 Co-producer, Arranged By – De La SoulProducer, Mixed By – Prince Paul Potholes In My Lawn (12" Vocal Version) B1 Co-producer – De La SoulMixed By, Arranged By – PosdnuosProducer, Mixed By, Arranged 3:46 By – Prince Paul Buddy B2 Arranged By – PosdnuosCo-producer – De La SoulFeaturing – Jungle Brothers, Phife*, Q- 4:56 TipMixed By – Pasemaster MaseProducer – Prince Paul Ring Ring Ring (Ha Ha Hey) (UK 7" Edit) B3 5:06 Mixed By – Bob PowerProducer – Prince PaulProducer, Mixed By – De La Soul A Roller Skating Jam Named "Saturdays" B4 Producer – De La Soul, Prince PaulVocals [Disco Diva Singer] – Vinia MojicaVocals [Wrms 4:02 Personality] – Russell Simmons Keepin' The Faith C1 4:45 Producer – De La Soul, Prince Paul Breakadawn C2 4:14 Producer [Additional], Mixed By – Bob PowerProducer, Mixed By – De La Soul, Prince Paul Stakes Is High C3 5:30 Co-producer – De La SoulMixed By – Tim LathamProducer – Jay Dee 4 More C4 4:18 Co-producer – De La SoulFeaturing – ZhanéMixed By – Tim LathamProducer – Ogee* Oooh.