May 2018 Newsletter
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The Cowl Island/Page 19 Vol
BACK PAGE: Focus on student health Deanna Cioppa '07 Men's hoops win Think twice before going tanning for spring Are you getting enough sleep? Experts say reviews Trinity over West Virginia, break ... and get a free Dermascan in Ray extra naps could save your heart Hear Repertory Theater's bring Friars back Cafeteria this coming week/Page 4 from the PC health center/Page 8 latest, A Delicate into the running for Balance/Page 15 NCAA bid Est. 1935 Sarah Amini '07 Men's and reminisces about women’s track win riding the RIPTA big at Big East 'round Rhose Championships The Cowl Island/Page 19 Vol. LXXI No. 18 www.TheCowl.com • Providence College • Providence, R.I. February 22, 2007 Protesters refuse to be silenced by Jennifer Jarvis ’07 News Editor s the mild weather cooled off at sunset yesterday, more than 100 students with red shirts and bal loons gathered at the front gates Aof Providence College, armed with signs saying “We will not stop fighting for an end to sexual assault,” and “Vaginas are not vulgar, rape is vulgar.” For the second year in a row, PC students protested the decision of Rev. Brian J. Shanley, O.P., president of Providence College, to ban the production of The Vagina Monologues on 'campus. Many who saw a similar protest one year ago are asking, is this deja vu? Perhaps, but the cast and crew of The Vagina Monologues and many other sup porters said they will not stop protesting just because the production was banned last year. -
Responsibilities of the Music Executive
Chapter II Responsibilities of the Music Executive Frederick Miller, Dean Emeritus School of Music, DePaul University Administrative Organization in Academia In virtually all academic institutions, ultimate authority rests with a governing board, that is, trustees, regents, whatever. As a practical matter, much of the board’s authority is delegated to the president, who retains as much as he or she needs to do the job and passes along the rest to the next person in the institutional chain of command, typically the provost. That person, in turn, keeps what is needed for that office and gives the rest to the deans and department chairs in this downward flow of authority in academia. Whatever title the music executive may hold—dean, chair, and so on—the position will typically be thought of as “middle management.” Others in the academic hierarchy— president, provost, vice presidents—are seen as “upper management,” and as some cynics might view it, hardly anyone is lower than a dean. However accurate this may be, mid-level administrative positions in higher education possess an unmistakable fragility. It stems from the fact that while we may be tenured in our faculty positions, at some professorial rank, we are not tenured in our administrative positions. We are positioned in the hierarchy between faculty, many or most of whom are tenured in their roles, and the upper administration, who typically are less subject to periodic, formal review. We spend much of our time in adversarial relationships with one of these groups on behalf of the other. That is, we may be pressing the upper administration on behalf of some faculty need. -
Panelists Biographies
Public Workshop on Competition in Licensing Music Public Performance Rights July 28-29, 2020 Panelist Biographies July 28, 2020 Session 1: Remarks from Stakeholders on the Consent Decrees David Israelite, President and CEO, National Music Publishers’ Association (NMPA) David Mark Israelite is the President and Chief Executive Officer of the National Music Publishers’ Association. The National Music Publishers' Association (NMPA) is the premier trade association representing American music publishers and their songwriter partners. The NMPA's mandate is to protect and advance the interests of music publishers and their songwriter partners in matters relating to the domestic and global protection of music copyrights. From 2001 through 2005, Israelite served as Deputy Chief of Staff and Counselor to the Attorney General of the United States. In this capacity he served as the Attorney General’s personal advisor on all legal, strategic and public affairs issues. In March of 2004, the Attorney General appointed Israelite Chairman of the Department’s Task Force on Intellectual Property. Prior to joining the Department of Justice, he served as the Director of Political and Governmental Affairs for the Republican National Committee. In that role he was the senior advisor to the Chairman of the National Republican Party. From 1997 through 1998, he served as Missouri Senator Kit Bond’s Administrative Assistant, making him the youngest AA in the United States Senate. He also served as Campaign Manager for Senator Bond’s successful 1998 re-election campaign. From 1994 through 1997, Israelite practiced law in the Commercial Litigation Department at the firm of Bryan Cave, LLP in Kansas City, Missouri. -
Teyana Taylor New Album Free Download Teyana Taylor New Album Free Download
teyana taylor new album free download Teyana taylor new album free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67ac8f0418794a91 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Your access to this site has been limited by the site owner. If you think you have been blocked in error, contact the owner of this site for assistance. If you are a WordPress user with administrative privileges on this site, please enter your email address in the box below and click "Send". You will then receive an email that helps you regain access. Block Technical Data. Block Reason: Access from your area has been temporarily limited for security reasons. Time: Sat, 7 Aug 2021 0:58:48 GMT. About Wordfence. Wordfence is a security plugin installed on over 3 million WordPress sites. The owner of this site is using Wordfence to manage access to their site. You can also read the documentation to learn about Wordfence's blocking tools, or visit wordfence.com to learn more about Wordfence. -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2019 Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry Laura Kozel Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Kozel, Laura, "Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry" (2019). Law School Student Scholarship. 1019. https://scholarship.shu.edu/student_scholarship/1019 ABSTRACT Despite improvements in female visibility and a number of movements pushing for equality in recent years, gender imbalance continues to plague the world of entertainment. While strides have been made to achieve parity in the film industry, little progress has been made to achieve the same in music where the disproportionality of females is even worse. Females are chronically underrepresented across virtually all aspects of music, both on-stage and off-stage, whether it be as musicians or as executives, which subsequently effects the amount of nominations, as well as awards that females in music receive. The implementation of inclusion riders in Hollywood has demonstrably improved female representation in popular films, but until now inclusion riders have not been applied to the music industry. This paper explores the application of inclusion riders to the music industry in order to remedy a long-standing history of female exclusion, as well as increase visibility for the vast number of talented females in the music industry that deserve the same opportunities and recognition, but until now have remained invisible. -
NYME 2017 Attendee List.Xlsx
NYME 2017 Attendee List First Name Last Name Job Title Company Tiombe "Tallie" Carter, Esq. CEO Tallie Carter Law Esq Wesley A'Harrah Head of Training & Development, Tools Reporting Music Ally Michael Abitbol SVP, Business & Legal Affairs, Digital Sony/ATV Music Publishing Dan Ackerman Section Editor CNET Andrea Adams Director of Sales FilmTrack Andrew Adler Director Citrin Cooperman Stella Ahn Turki Al Shabanah CEO Rotana TV Philip Alberstat Chief Operating Officer Contend Jake Alcorn MBA Student Columbia Business School Brianna Alexander Sarah Ali Operation and Support Streamlabs June Alian Publicity Director Skybound Entertainment Graham Allan EVP, Operations & Consulting KlarisIP Karen Allen President Karen Allen Consulting Susan Allen Attorney Advisor (Copyright) United States Patent and Trademark Office (USPTO) Michele Amar Director / CEO Bureau Export / France Rocks Danny Anders CEO & Founder ClearTracks Jeff Anderson Chief Strategy Officer and GM Bingo Bash - GSN Games Mark Anderson VP Global Sales LumaForge Stephen Anderson Business Development & Partnerships Octane AI Alec Andronikov CEO The Visory Manny Anekal Founder and CEO The Next Level and Versus Sports Debbie Anjos Marketing Manager Gerber Life Insurance Farooq Ankalagi Sr. Director Mindtree Lauren Apolito SVP Strategy & Business Development Rumblefish/HFA Phil Ardizzone Senior Director, Sales IAB Mario Armstrong Chief Content Officer The Never Settle Show Kwadjo Asare Consultant FIGHTER Kwasi Asare CEO Fighter Interactive Nuryani Asari Jem Aswad Senior Music Editor Variety -
The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting. -
LITTLE BROTHER the Listening
LITTLE BROTHER The Listening KEY SELLING POINTS • White vinyl reissue • Includes bonus 7” DESCRIPTION ARTIST: Little Brother “In Little Brother’s music, the North Carolina group makes a specific TITLE: The Listening point to highlight the more refined aspects of mid-’90s hip-hop. CATALOG: l-ABB1038 Basing its 2002 sound upon the foundation previously established LABEL: ABB Records by the likes of Pete Rock, A Tribe Called Quest, Jay Dee, and Black GENRE: Hip-Hop/Rap Star, Little Brother makes somewhat of a political statement by BARCODE: N/A ABB1038 applying such standards to this modern age. The Listening does FORMAT: 2XLP + 7” an exceptional job of proving that soulful meditations have indeed RELEASE: 7/14/2017 retained their traditional relevancy within the contemporary realms LIST PRICE: $22.98 / CS of rap. 9th Wonder’s production leads the charge with distinct drum kicks pacing larger-than-life melodic samples, which are often TRACKLISTING enhanced with sultry female voice-overs. Meanwhile, Phonte and 1. Morning Big Pooh dig even deeper within the hip-hop vaults as they draw 2. For You upon classic routines by the likes of Rakim, Slick Rick, and Audio 2 3. Speed for their lyrical inspiration. 4. Whatever You Say 5. Make Me Hot Whether engaged in storytelling, braggadocio, or simple 6. The Yo-Yo reassurance, the rhyming duo complements 9th Wonder’s varying 7. Shorty on the Lookout 8. Love Joint Revisited shades of mood music with a consistent degree of skill and sincerity. 9. So Fabulous The album both starts and finishes strongly, with “For You,” “Speed,” 10. -
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community. -
From Soul Syndicate to Super Scholar: Portia K. Maultsby
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 18 / 2013-2014 From Soul Syndicate to Super Scholar: Portia K. Maultsby aaamc liner notes 18 0214.indd 1 2/24/14 2:58 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and study of African American music and culture. www.indiana.edu/~aaamc Table of Contents From the Desk of the Director .....................2 In the Vault: Recent Donations .................3 Portia Maultsby and Mellonee Burnim. Photo by Chris Meyer, courtesy of Indiana University. Featured Collection: Black Gospel Music in the Today I write my last director’s column Advisory Board, who have donated Netherlands .........................4 for Liner Notes as I prepare to retire materials and promoted the work of after a forty-two-year career at Indiana the archives, assisted in identifying and IU Embarks on 5-Year University. One of my most rewarding acquiring collections, offered ideas for Media Digitization and activities during this long residency has programs and development projects, Preservation Initiative ...........6 been my work as founding director of and provided general counsel. I take this the Archives of African American Music opportunity to publicly thank them for From Soul Syndicate and Culture. From the outset, my goal their unwavering support over the years. to Super Scholar: was to establish an archives with a focus I also acknowledge the archives’ Portia K. Maultsby ................7 on black musical and cultural traditions, superb and dedicated full-time and including popular and religious music, student staff, who offered many creative The AAAMC Welcomes personality radio of the post-World War II ideas for collection development, public Incoming Director era, and the musical legacy of Indiana, that Mellonee Burnim ................15 programs, and marketing activities largely had been excluded (jazz being the over the past twenty-two years. -
Catholic Grade and High Schools Excluded in Federal Aid Message
—^ •<••[ mar "^ttP* r THE VOICE 6301 Biscayne Blvd. Miami 38, Fla. Wh- y Discriminate ^VOICE Return Requested Against 6 Million Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida Private Students? VOL. IV, NO. 46 Price $5 a year ... 15 cents a copy FEBRUARY 1, 1963 "The message contains something for everybody — everybody except the children whose parents have elected to send them to private schools." That capsule comment, expressed by a leading spokesman Catholic Grade And High Schools for Catholic schools, best describes the message on education sent to Congress Tuesday by President Kennedy. Msgr. Frederick G. Hochwalt, director of the Education De- Excluded In Federal Aid Message partment, National Catholic Welfare Conference, stated that it was "^deed encouraging" to note that the message acknowledged WASHINGTON (NO — Presi- leges would be eligible to take "grants and graduate fellow- than to public school teachers .thai .Wational opportunities should be extended to all stu- dent Kennedy's 1963 education part in a proposed three-year ships. only as is now the case. dents^'without exception." program follows the pattern of billion dollar loan program for its predecessors on the issue of In addition, the program calls He expressed deep disappointment, however, at the pro- for forgiveness of up to 50 per Both public and private cot- aid to church-related schools: construction of academic facili- gram's proposals for aid to grade and high schools, in which cent of a National Defense Edu- leges would be eligible for Colleges and universities are in, ties. only public schools would share for the most part.