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Just intonation
3 Manual Microtonal Organ Ruben Sverre Gjertsen 2013
Download the Just Intonation Primer
Shifting Exercises with Double Stops to Test Intonation
Playing Music in Just Intonation: a Dynamically Adaptive Tuning Scheme
A Study of Microtones in Pop Music
Exploration of an Adaptable Just Intonation System Jeff Snyder
A Whole Different Serving of Tapioca: Exploring Just Intonation Dissonance
Tuning, Tonality, and 22-Tone Temperament
It's Just Intonation
MTO 12.3: Duffin, Just Intonation in Renaissance Theory and Practice
The Search for Pure Intonation
The Classical Indian Just Intonation Tuning System
COMPUTATIONAL ANALYSIS of QUARTER-TONE COMPOSITIONS by CHARLES IVES and IVAN WYSCHNEGRADSKY a Thesis Submitted to the College Of
Introducing My Work in Microtonally Extended Just Intonation by Marc Sabat – Edited from a Lecture Presented at the 2017 Ostrava Days
Music Theory Contents
Challenging Equal Temperament: Perceived Differences Between Twelve-Tone Equal Temperament and Twelve Fifth-Tones Tuning
Intonation Variables in the Performance of Twelve-Tone Music”
The Pythagorean Scale and Just Intonation
Top View
Tuning Presets in the MOTM 650 Compiled by Robert Rich
Tone Representation and Just Intervals in Contemporary Music Robert Hasegawa
Playing Melodically and Harmonically in Tune Michael Kimber One of The
Dissonance Within Discordance: the Influence of Equal
Tarsos Manual
The Mathematics of the Just Intonation Used in the Music of Terry Riley
Scales and Temperament
Tuning with Just Intonation and Equal Temparement
Tuning, Timbre, Spectrum, Scale
The Establishment of Equal Temperament Alisa Daum Cedarville University
Non-Octave Guitar and Keyboard Designs for Ervin M. Wilson
The Battle Between Impeccable Intonation and Maximized Modulation
Isaac Newton's Microtonal Approach to Just Intonation
Harmonic Intonation and Implication
Dynamic Intonation for Synthesizer Performance Benjamin Frederick Denckla
The Hayward Tuning Vine: an Interface for Just Intonation
Tones and Intervals of Hindu Classical Music
The Origin and Well-Formedness of Tonal Pitch Structures