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Jacopo Sannazaro
Facing the Responsibility of Paulus Manutius
Renaissance Receptions of Ovid's Tristia Dissertation
View the Marchesa Program Notes
CURRICULUM VITAE ET STUDIORUM of Arianna Sacerdoti
Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian Editions of Jacopo Sannazaro's Arcadia
Virgil of Naples
Metaliteracy & Theatricality in French & Italian Pastoral
Introduction Around 1493, During the Kingdom of Ferrante of Aragon
Jacopo Sannazaro's Piscatory Eclogues and the Question of Genre
Ekphrasis and the Feminine in Sannazaro's Arcadia
Introduction
Printing and Reading Italian Latin Humanism in Renaissance Europe (Ca
O Soneto Atribuível a Camões Todo Animal Da Calma Repousava
Robert J. Hudson BUCOLIC INFLUENCE: MAROT's GALLIC PASTORAL and MAURICE SCÈVE's ARION
Arcadia at the Newberry Author(S): Carlo Vecce Source: I Tatti Studies in the Italian Renaissance, Vol
Aldus Manutius : Printer and Publisher of Renaissance Venice
Neapolitan Humanism and the Early Renaissance in The
The Tears in Things: How the Jesuits “Ripped Up” Virgil
Top View
Hans Belting, Jacopo Sannazaro & His Readers. the Arcadian Dream in the Pocket Book, In
Public Magnificence and Private Display: Giovanni Pontano's De
Latin Pastoral Poetry of the Italian Renaissance (1480-1530)
“Emotional Rescue”: Heroic Chastity and Devotional Practice in Iacopo Sannazaro's De Partu Virginis
Pointed Poetry: Agudeza and Petrarchism in Góngora’S Late Sonnets
Ancient Ritual and the Search for Arcadia: from Vergil to Poussin
2017–2018 James Hankins
English Mock-Pastoral and Mock-Georgic, 1660-1740
Marenzio's Madrigali a Quattro, Cinque Et Sei Voci of 1588: a Newly-Revealed Madrigal Cycle and Its Intellectual Context
(1423-1494), Neapolitan Playwright Pierantonio Caracciolo Presented a Farsa Entitled the Wizard (L’Imagico ) to the King and His Court at Castelnuovo
Myth Destructive: Corte-Real's Rewriting of Eros
"Imitation in Sixteenth-Century Portuguese Eclogues: Diogo
Basile and the Grotesque