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Facing the Responsibility of Paulus Manutius
UCLA UNIVERSITY RESEARCH LIBRARY Department of Special Collections OCCASIONAL PAPERS 8 ^ 5 .-<« fyHtufnt k't* tILt- f^t \fL W mm^Jtitm. * t-nt«ji^/' /J<^ -«<»«a* 'hhi^,^ VJKliw*" "*^ Ju -it t, «»i/e<rf /nj'^/ ^uy» ^ /5*> fC'lf' f^ fa^* t*.Zi. )«»V» rM<fKi4d-y MFi^ fu>J7iUlf IA.1^ ^t^4A ^^ s'^^mj^antai ul^ fl.''A«*S)j««^ '?HW-\ ^UmIZ4/''^ The Contract Facing the Responsibility of Paulus Manutius by MARTIN LOWRY Department of Special Collections University Research Library University of California Los Angeles 1995 Copyright © March 1995 by the Regents of the University of CaUfomia ISSN 1041-1143 This publication is produced with support from The Bemadine J. L. M Zelenka Endowment CONTENTS The Problem 1 New Evidence. The Ahmanson-Murphy Document 6 The Forces behind the Contract 17 The Editorial Strategy of the Counter-Reformation 35 Failure of Funds: Failure of Nerve? 52 Conclusion 71 Appendix; Transcription of the Contract 78 ABBREVIATIONS Aldo Aldo Manuzio di Paolo Junior Aldus Aldus Manutius Senior CEBR Contemporaries ofErasmus: a Biographical Register, 3 vols.. University of Toronto Press 1985-87 Eubel K. Eubel & G. Van Gulik, Hierarchia Catholica Medii et Recentioris Aevi, vol. 3, Regensburg 1923 Nolhac P. de Nolhac, "Lettres inedites de Paul Manuce" in Ecole Frangaise deRome, Melanges dArchaelogie etd'Histoire, vol. 3, 1883 Pastor L. von Pastor, History of the Popes from the Close of the Middle Ages, new English edition, 40 vols., Liechtenstein 1968-69 PMEL Pauli Manutii Epistolarum Libri decern, duobus nuper odditis, Venice 1580 PMLV Tre Libri di Lettere Volgari di M. -
DISSERTATION-Submission Reformatted
The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 By Robert Lee Harkins A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ethan Shagan, Chair Professor Jonathan Sheehan Professor David Bates Fall 2013 © Robert Lee Harkins 2013 All Rights Reserved 1 Abstract The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 by Robert Lee Harkins Doctor of Philosophy in History University of California, Berkeley Professor Ethan Shagan, Chair This study examines the problem of religious and political obedience in early modern England. Drawing upon extensive manuscript research, it focuses on the reign of Mary I (1553-1558), when the official return to Roman Catholicism was accompanied by the prosecution of Protestants for heresy, and the reign of Elizabeth I (1558-1603), when the state religion again shifted to Protestantism. I argue that the cognitive dissonance created by these seesaw changes of official doctrine necessitated a society in which religious mutability became standard operating procedure. For most early modern men and women it was impossible to navigate between the competing and contradictory dictates of Tudor religion and politics without conforming, dissimulating, or changing important points of conscience and belief. Although early modern theologians and polemicists widely declared religious conformists to be shameless apostates, when we examine specific cases in context it becomes apparent that most individuals found ways to positively rationalize and justify their respective actions. This fraught history continued to have long-term effects on England’s religious, political, and intellectual culture. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
View the Marchesa Program Notes
About the Program by Anne MacNeil The Marchesa of Mantua, Isabella d’Este — known as “The First Lady of the Renaissance” — is often described as a female counterpart to the “Renaissance men” for whom Italy is celebrated. Among her interests, Isabella planned gardens and raised animals. She operated a perfume and cosmetic pharmacy that produced soaps and scents for herself and her friends. She excelled in fashion design, creating for herself a signature style that other women, like Lucretia Borgia, were eager to imitate. She was keenly interested in politics, government, and social life, and had evident gifts for all three, but it is chiefly for her activities as a patron and a collector that history remembers Isabella d’Este. Her famous studiolo and grotta, the empty rooms of which may still be seen in the ducal palace in Mantua, once housed one of the most magnificent art collections of Europe. Isabella’s paintings, sculpture, jewels, and other art objects demonstrate important themes of the Renaissance: possessing the ancient world through the collection of antiquities, demonstrating erudition and virtue through the acquisition of classical narratives, and fashioning an identity through portraiture and personal emblems. Her collecting increased her cultural capital among the aristocracy. It also reflected her humanist education as a child at the court of Ferrara, enhanced the prestige of the Gonzaga court in Mantua, and facilitated political and social opportunities for her children. Isabella was a scholar of Greek, Latin, and Italian literatures, an avid musician, a patron of music and musicians, and a connoisseur of musical instruments. -
View of the Great
This dissertation has been 62—769 microfilmed exactly as received GABEL, John Butler, 1931- THE TUDOR TRANSLATIONS OF CICERO'S DE OFFICIIS. The Ohio State University, Ph.D., 1961 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE TUDOR TRANSLATIONS OP CICERO'S DE OFFICIIS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By John Butler Gabel, B. A., M. A., A. M. ****** The Ohio State University 1961 Approved by Adviser Department of Ehglis7 PREFACE The purpose of this dissertation is to throw light on the sixteenth-century English translations of De Offioiis, one of Cicero’s most popular and most influential works. The dissertation first surveys the history and reputation of the Latin treatise to I600 and sketchs the lives of the English translators. It then establishes the facts of publication of the translations and identifies the Latin texts used in them. Finally it analyzes the translations themselves— their syntax, diction, and English prose style in general— against the background of the theory and prac tice of translation in their respective periods. I have examined copies of the numerous editions of the translations in the Folger Shakespeare Library, the Library of Congress, and the libraries of the Ohio State University and the University of Illinois. I have also made use of films of copies in the British Museum and the Huntington Library. I have indicated the location of the particular copies upon which the bibliographical descrip tions in Chapter 3 are based. -
Fictions of Collaboration : Authors and Editors in the Sixteenth Century
Fictions of collaboration : authors and editors in the sixteenth century Autor(en): Burrow, Colin Objekttyp: Article Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 25 (2011) PDF erstellt am: 10.10.2021 Persistenter Link: http://doi.org/10.5169/seals-389636 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Fictions of Collaboration: Authors and Editors in the Sixteenth Century CoUn Burrow This essay tracks the changing relationship between authors and editors (or print-shop "overseers" of kterary texts), in the second half of the sixteenth century. Beginning with the pubücation of works by Thomas More, Thomas Wyatt, and Henry Howard, Earl of Surrey, it shows how editorial activity helped to fashion the ways in which authors were represented. -
CURRICULUM VITAE ET STUDIORUM of Arianna Sacerdoti
CURRICULUM VITAE ET STUDIORUM of Arianna Sacerdoti Dr. Arianna Sacerdoti (email: [email protected]) was born in Naples, in 1979. Since December 2008, and after successfully passing a selection process, she has worked as Full Time Researcher in Latin Language and Literature at the once Faculty of Literature and Philosophy and now Department of Literature and Cultural Heritage of the Second University; she was confirmed in her role of Researcher on December 11, 2011. Training, curriculum vitae before tenure, language certifications Her academic training was carried out between Naples, Canada and Germany; her in itinere training takes place, besides Italy, in foreign institutions, thanks to periods of teaching abroad (Muenster, 2007; Helsinki 2010, 2011, 2014; Erasmus agreements renewed or established in 2016 with Helsinki, Santiago de Compostela, Lisbon); research abroad (University of Toronto: 2005; 2006; 2012); participation in international conferences (Toronto 2006; Delphi 2012; Naples-Santa Maria Capua Vetere 2015; Santiago de Compostela 2017). Arianna Sacerdoti, great-granddaughter of the writer, artist, and intellectual Carlo Levi (author of Christ stopped at Eboli and other books) grew up and studied in the city of Naples. She graduated in June 1998 at the "Jacopo Sannazaro" High School with a grade of 60/60 (examined by an external committee in the following disciplines: written Greek; Philosophy; Italian Literature). In that same high school, Arianna Sacerdoti was known for her strong propensity towards literary disciplines and had been selected for participation in two non-local certamines (Certamen Aeschylaeum, Gela, 1997; Certamen Leopardianum, Pordenone, 1998). She enrolled in the Faculty of Literature and Philosophy of the University of Naples "Federico II" (Classical Literatures) from September 1998 and graduated with honors on February 11, 2003 in Latin literature with a thesis titled "Commentationes hasce ludere ac facere: literary program and models in the praefatio of Aulus Gellius". -
Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian Editions of Jacopo Sannazaro's Arcadia
This is a repository copy of Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian editions of Jacopo Sannazaro's Arcadia (1571 and 1578) and Edmund Spenser's The Shepheardes Calender (1579). White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/136570/ Version: Accepted Version Article: Brennan, MG orcid.org/0000-0001-6310-9722 (2018) Philip Sidney's Book-Buying at Venice and Padua, Giovanni Varisco's Venetian editions of Jacopo Sannazaro's Arcadia (1571 and 1578) and Edmund Spenser's The Shepheardes Calender (1579). Sidney Journal, 36 (1). pp. 19-40. ISSN 1480-0926 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Philip Sidney’s Book-Buying at Venice and Padua, Giovanni Varisco’s Venetian editions of Jacopo Sannazaro’s Arcadia (1571 and 1578) and Edmund Spenser’s The Shepheardes Calender (1579)1 [Abstract] This essay traces Philip Sidney’s involvements with the book trade at Venice and Padua during his residence there from November 1573 until August 1574. -
Virgil of Naples
Virgil of Naples Sannazaro's (meta)poetic succession R. A. E. Poelstra Classics and Ancient Civilizations: Classics Student number 10012354 University of Amsterdam Thesis supervisor: David Rijser Second reader: Michael C. J. Putnam August 1st 2014 Word count: 21 093 1 Contents 1. Title page, p. 1 2. Contents, p. 2 3. Acknowledgments, p. 3 4. Introduction, pp. 4-7 5. Chapter 1 'Virgil', pp. 8-24 5.1. The dream of Hector and its context, pp. 8-10 5.2. The dream of Hector and its symbolism, pp. 10-12 5.3. The underworld and its context, pp. 12-13 5.4. The underworld and its symbolism, pp. 13-15 5.5. The Tiber and its context, pp. 15-16 5.6. The Tiber and its symbolism, pp. 16-20 5.7. The shield of Aeneas and its context, pp. 20-21 5.8. The shield of Aeneas and its symbolism, pp. 22-23 5.9. General Remarks, p. 23 6. Chapter 2 'Sannazaro', pp. 24-38 6.1. The underworld and its context, pp. 24-26 6.2. The underworld and its symbolism, pp. 26-33 6.3. Proteus' prophecy and its context, pp. 33-35 6.4. Proteus' prophecy and its symbolism, 35-38 6.5. General remarks, p. 38 7. Chapter 3 'the Eclogues', pp. 39-50 7.1. Virgil's sixth Ecloga and its context, pp. 39-40 7.2. Virgil's sixth Ecloga and its symbolism, pp. 41-45 7.3. Sannazaro's fourth Ecloga Piscatoria and its context, pp. 45-47 7.4. -
Tna Prob 11/40/86
THE NATIONAL ARCHIVES PROB 11/40/86 1 ________________________________________________________________________ SUMMARY: The document below is the Prerogative Court of Canterbury copy of the will, dated 22 December 1556 and proved 12 February 1558, of Robert Goche (d. 5 May 1557), esquire, father of the poet Barnable Goche, and son-in-law of Margaret (nee Wood) Mantell Haute Hales (d. 18 September 1567), who commenced the lawsuit Hales v Petit, alluded to in the gravedigger's speech in Shakespeare's Hamlet. FAMILY BACKGROUND For the testator’s family background, see the pedigree in Metcalfe, Walter C., ed., The Visitation of the County of Lincoln in 1562-4, (London: George Bell & Sons, 1881), p. 52 at: https://archive.org/details/visitationofcoun00cook/page/n113 See also Eccles, Mark, ‘Barnabe Googe in England, Spain, and Ireland’, English Literary Renaissance, Vol. 15, No. 3, (Autumn 1985), pp. 353-370 at: https://www.jstor.org/stable/43447166 According to the will below, the testator had a brother, Richard Goche. MARRIAGES AND ISSUE The testator married firstly Margaret Mantell (d.1540), the daughter of Sir Walter Mantell (d.1529) and his first wife, Margaret Wood (d. 18 September 1567). For the will of Sir Walter Mantell, see TNA PROB 11/23/158. After the death of Sir Walter Mantell, the testator’s mother-in-law, Margaret Wood, married secondly Sir William Haute (d.1539), and thirdly the judge, Sir James Hales (d.1554). For the will of Sir William Haute see TNA PROB 11/26/240. For the testator’s mother-in-law, Margaret (nee Wood) Mantell Haute Hales, see also the will of her stepson, Humphrey Hales, TNA PROB 11/53/261. -
Metaliteracy & Theatricality in French & Italian Pastoral
THE SHEPHERD‘S SONG: METALITERACY & THEATRICALITY IN FRENCH & ITALIAN PASTORAL by MELINDA A. CRO (Under the Direction of Francis Assaf) ABSTRACT From its inception, pastoral literature has maintained a theatrical quality and an artificiality that not only resonate the escapist nature of the mode but underscore the metaliterary awareness of the author. A popular mode of writing in antiquity and the middle ages, pastoral reached its apex in the sixteenth and seventeenth centuries with works like Sannazaro‘s Arcadia, Tasso‘s Aminta, and Honoré d‘Urfé‘s Astrée. This study seeks to examine and elucidate the performative qualities of the pastoral imagination in Italian and French literature during its most popular period of expression, from the thirteenth to the seventeenth century. Selecting representative works including the pastourelles of Jehan Erart and Guiraut Riquier, the two vernacular pastoral works of Boccaccio, Sannazaro‘s Arcadia, Tasso‘s Aminta, and D‘Urfé‘s Astrée, I offer a comparative analysis of pastoral vernacular literature in France and Italy from the medieval period through the seventeenth century. Additionally, I examine the relationship between the theatricality of the works and their setting. Arcadia serves as a space of freedom of expression for the author. I posit that the pastoral realm of Arcadia is directly inspired not by the Greek mountainous region but by the Italian peninsula, thus facilitating the transposition of Arcadia into the author‘s own geographical area. A secondary concern is the motif of death and loss in the pastoral as a repeated commonplace within the mode. Each of these factors contributes to an understanding of the implicit contract that the author endeavors to forge with the reader, exhorting the latter to be active in the reading process. -
University of Kansas Publications
UNIVERSITY OF KANSAS PUBLICATIONS HUMANISTIC STUDIES No. 25 The Life and Works of George Turbervile By John Erskine Hankins UNIVERSITY OF KANSAS PUBLICATIONS VOL. 1940 NO. II HUMANISTIC STUDIES, No. 25 Committee on Humanistic Studies ARTHUR TAPPAN WALKER OTTO SPRINGER CHARLES MELVILLE BAKER WILLIAM H. SHOEMAKER CLYDE KENNETH HYDER, Editor The University of Kansas Humanistic Studies are offered in exchange for similar publications by learned societies and by universities and other academic institu• tions. All inquiries and all matter sent in exchange should be addressed to the Library of the University of Kansas, Lawrence, Kansas* Volume I Number 1. Studies in the Work of Colley Cibber, by Dewitt C Croissant. October. 1912. Seventy pages. Fifty cents. Number 2. Studies in Bergson's Philosophy, by Arthur Mitchell* January, 1914. One hundred and fifteen pages. Seventy-five cents. Number 3. Browning and Italian Art and Artists, by Peart Hogrefe. May, 1914. Seventy-seven pages. Fifty cents. Number 4. The Semantics of -mentum, -bulum, and ~culumr by Edmund D* Cressman. January, 1915. Fifty-six pages. Fifty cents. Volume II Number 1. Oriental Diction and Theme in English Verse, 1740*1840, by Edna Osborne. May, 1916. One hundred and forty-one pages. Seventy-five cents. Number 2. The Land Credit Problem, by George E. Putnam. December, 1916. One hundred and seven pages. Seventy-five cents. Number 3. Indian Policy and Westward Expansion, by James C. Malin. November, 1921. One hundred and eight pages. One dollar. Number 4. American Indian Verse: Characteristics of Style, by Nellie Barnes. December, 1921. Sixty-four pages. Seventy-five cents.