DOCSLIB.ORG

English Mock-Pastoral and Mock-Georgic, 1660-1740

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
English Mock-Pastoral and Mock-Georgic, 1660-1740 Against Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740 by Brad Quentin Boyd A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor James Grantham Turner, Chair Professor Kevis Goodman Professor Mark Griffith Fall 2013 Against Arcadia: Mock-Pastoral and Mock-Georgic in English, 1660-1740 © Brad Quentin Boyd 2013 Abstract Against Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740 by Brad Quentin Boyd Doctor of Philosophy in English University of California, Berkeley Professor James Grantham Turner, Chair Against Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740 is a study of the receptions of the ancient Greek and Roman genres or modes of pastoral and georgic in the British nations and Ireland by poets of the Restoration and early eighteenth century, in particular Andrew Marvell, John Wilmot, Earl of Rochester, Jonathan Swift, John Gay, and Alexander Pope. It argues that the traditional and still-dominant literary history of pastoral and georgic in English, which sees these poetic forms in terminal decline after the deaths of the “last Renaissance poets,” John Milton and Andrew Marvell, is mistaken, and seeks to reconfigure that history. In the case of pastoral, most readers have proceeded from a mistaken belief that arcadian or soft pastoral, marked by idealizing, sentimental, romance conventions, was the traditional nature of this poetic form and that the waning of poetry of this kind after 1660 thus represented the decline and fall of pastoral. This study argues on the contrary that such arcadian accretions to the main trunk of Graeco-Roman and medieval pastoral in fact date primarily from the widespread popularity of Jacopo Sannazaro’s Arcadia and other “soft” pastoral Renaissance texts, and that Rochester, Swift, Gay, and Pope, by their vibrant retrieval of the thematic and contextual reference of ancient pastoral, especially its paradigmatic practitioners Theocritus and Vergil, reactivate the traditional nature of the genre: pastoral had in fact always been highly ironized, philosophically skeptic, and often scabrously sexualized, surprisingly “modern” almost two thousand years before modernity. In the case of georgic, this study argues, a similar misprision has traditionally led literary history to suppose that the earnest true georgics of the eighteenth century (didactic and landscape-descriptive poems by Philips, Somervile, Thomson, Dyer, Grainger, Jago) were the direct descendants of Hesiodic and especially Vergilian georgic. In fact, this study argues, it is the mock-georgics of Marvell, Rochester, Swift, Gay, and Pope that lay the best claim to that identity, marked as they are not only by ancient georgic’s irony, skepticism of ideas of natural innocence and ease, and consciousness of the dislocations and losses of civil and foreign war, in sharp contrast to the earnest, naturalist or optimist, 1 and progressive themes of eighteenth-century true georgics (which are not in this sense “true” at all). Instead, informed in Marvell’s case by the experience of the defeat of the republican and Whig cause at the Restoration, and in the case of Swift, Gay, and Pope by the aftermath of the Stuart dynasty’s major reverses in 1688 and 1714, they imagine and satirize a landscape, and cityscape, that are gradually descending to political and cultural ruin. 2 in piam memoriam Herley Sterling Boyd and José Ascensión (Chon) Muñoz whose labors were bucolic and georgic, respectively i Against Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740 Brad Quentin Boyd Acknowledgements Introduction 1 Chapter One Haymakers, Whore-Writers and “Happy Men”: the Labor of Love in Marvell’s Topographies 21 1. “Let others tell the Paradox”: Upon Appleton House and Protestant parthenogenesis 24 2. “And in the Cherry he does Nature vex”: horticulture and whore-writing in “The Mower against Gardens” 35 3. “Nor am I so deform’d to sight”: “Damon the Mower” and the Labor of Self-Love 38 4. “The Mower’s Song” and “The Mower to the Glo-Worms” 45 Chapter Two “And Reason lay dissolv’d in Love”: Libertine Sociality as Mock-Pastoral in Rochester 49 1. “When neither Head nor Tail perswade”: A Ramble in St James’s Park as genre and intertext 54 2. “And disobedience cease to please us”: theme and context in A Ramble in St James’s Park 66 3. “A Song (Faire Cloris in a Pigsty Lay”) 80 4. “Song (A Young Lady to her Antient Lover”) 83 Chapter Three “But how shall I describe her Arts / To recollect the scatter’d parts”: Juvenalian Pastoral and Ovidian Georgic in Swift 88 1. Swiftian mock-pastoral: “A Description of the Morning” and Juvenalian description 89 2. A short excursus on ekphrasis: Swift’s “Description” and Hogarth’s The Four Times of the Day 93 3. Swiftian mock-georgic: “A Description of a City Shower” and ekphrasis 97 4. “A Town Eclogue” 103 5. “The Progress of Beauty” and “Stella’s Birthday, 1721”: pastoral compliment remodeled 106 6. “A Pastoral Dialogue” 112 ii 7. “The Lady’s Dressing Room” 115 8. “The Reasons that Induced Dr S[wift]”: Lady Mary Wortley Montagu and Whig mock- pastoral 125 9. “A Beautiful Young Nymph Going to Bed”: Ovidian georgic 128 10. “Strephon and Chloe”: Juvenalian city georgic 134 11. “Cassinus and Peter”: Lucretian town eclogue 139 Chapter Four “Court Clowns, or Clown Courtiers”: Pastoral Panegyric and Georgic Satire in Gay 144 1. Idylls of the Queen: The Shepherd’s Week as satiric panegyric 151 2. “The Toilette,” “The Birth of the Squire,” and Gay’s town eclogues 166 3. Unto dust thou shalt return: Trivia as Juvenalian georgic and Georgian politics 175 Chapter Five “To where Fleet-ditch with disemboguing streams / Rolls the large tribute of dead dogs to Thames”: Jacobite Georgic and Grubstreet Pastoral in Pope 197 1. “And floating Forests paint the Waves with Green”: form and intertext in Windsor- Forest 199 2. “The Fields are ravish’d from th’industrious Swains”: Windsor-Forest as Jacobite georgic 208 3. The Dunciad: Grubstreet pastoral as Patriot polemic 218 4. “Teach thou the warbl’ing Polypheme to roar”: genre and intertext in The Dunciad 221 5. “Mad Mathesis alone was unconfin’d”: culture-collapse and the metastases of “reason” 225 Bibliography 244 iii It is a pleasure to be able to acknowledge a series of debts, professional and personal, incurred over the years. I wish to thank my undergraduate teachers at Yale, especially Claude Rawson and Murray Biggs, with whom I first studied the Scriblerians and the Renaissance dramatists respectively, and who generously agreed to recommend my admission to graduate school. To (then) Dean Russell Osgood of Cornell Law School and Prof. Adeno Addis I am indebted for kindnesses shown to a law student whose heart was really in the humanities, and to Winthrop “Pete” Wetherbee, whose learned, witty seminars on Chaucer catalyzed a deferred desire to study and teach literature as a profession. At U. C. Berkeley I have benefited from the expertise and kindness of many, including Ian Duncan, who generously shared his encyclopedic knowledge of Scott; Richard Hutson, fellow student of the American West and a model of patient teaching and mentoring; George Starr, who chaired my qualifying examination and whose lectures on Defoe, Richardson, and Smollett taught me a great deal; Nikolaos Papazarkadas, whose patience and civility made Greek 1 seem positively pleasant; and Sumi Furiya, with whom I first studied the Eclogues, and whose precision of reading and writing, and early enthusiasm for my ideas, helped launch this project. I owe particular thanks to the members of my dissertation committee, who have displayed Job-like patience with my research and writing, and offered invaluable assistance: Kevis Goodman, whose interest in the lively “afterlife” of georgic in the eighteenth century has been infectious, and whose balance of careful research with dedicated teaching I take as a model; Mark Griffith, who has generously taken time from his own distinguished research to guide my forays into Greek and Latin poetry, with a mix of erudition and kindness for which I am grateful; and my dissertation director James Grantham Turner, who has encouraged and guided my work since a first-year paper on Goldsmith that got me thinking about pastoral, and whose analytic rigor, breadth and depth of reading, and good humor have been invaluable at every stage. Affectionate thanks also to three old, old friends: Flagg Youngblood, whose irrepressible humor and gift for mimicry are the very essence of the satiric spirit; Josiah Osgood, il miglior fabbro, who has patiently been listening to my speculations ever since we followed Johnson and Boswell through the Highlands as undergraduates; and Andrew Evans, whose open-handed generosity and patience of my curmudgeonliness are the very essence of Christian charity. My greatest debt is to my beloved family, whose affection, strength, and support, moral and material, have been my rock since the very beginning. My late grandmothers, Anna Boyd and Neoma Muñoz, taught me a lot about faith, and the lessons I learned from my late grandfathers are recorded in the dedication to this book. Thanks, for everything, to my dear sister Valerie Kortz, to my nephew Brendan and my niece Makayla, and to Gary and Yvette Boyd, who taught me when I was a boy in Colorado that if the trail gets steep you should lean forward in the saddle, and that if you get bucked off, get back on and keep riding. I’m still riding, Mom and Dad; thanks. iv INTRODUCTION Against Arcadia: English Mock-Pastoral and Mock-Georgic, 1660-1740 Man, n. An animal so lost in rapturous contemplation of what he thinks he is as to overlook what he indubitably ought to be.
Load more

Recommended publications
  • The Eloquence of Mary Astell
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2005 The eloquence of Mary Astell Sutherland, Christine Mason University of Calgary Press Sutherland, C. M. "The eloquence of Mary Astell". University of Calgary Press, Calgary, Alberta, 2005. http://hdl.handle.net/1880/49316 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com THE ELOQUENCE OF MARY ASTELL by Christine Mason Sutherland ISBN 978-1-55238-661-3 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence.
    [Show full text]
  • The Songs of the Beggar's Opera
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1966 The onS gs of The Beggar's Opera Carolyn Anfinson Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Anfinson, Carolyn, "The onS gs of The Beggar's Opera" (1966). Masters Theses. 4265. https://thekeep.eiu.edu/theses/4265 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institutionts library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author THE SONGS OF THE BEGGAR'S OPERA (TITLE) BY Carolyn Anfinson THESIS SUBMIITTD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.S.
    [Show full text]
  • Volume 89 Number 1 March 2020 V Olume 89 Number 1 March 2020
    Volume 89 Volume Number 1 March 2020 Volume 89 Number 1 March 2020 Historical Society of the Episcopal Church Benefactors ($500 or more) President Dr. F. W. Gerbracht, Jr. Wantagh, NY Robyn M. Neville, St. Mark’s School, Fort Lauderdale, Florida William H. Gleason Wheat Ridge, CO 1st Vice President The Rev. Dr. Thomas P. Mulvey, Jr. Hingham, MA J. Michael Utzinger, Hampden-Sydney College Mr. Matthew P. Payne Appleton, WI 2nd Vice President The Rev. Dr. Warren C. Platt New York, NY Robert W. Prichard, Virginia Theological Seminary The Rev. Dr. Robert W. Prichard Alexandria, VA Secretary Pamela Cochran, Loyola University Maryland The Rev. Dr. Gardiner H. Shattuck, Jr. Warwick, RI Treasurer Mrs. Susan L. Stonesifer Silver Spring, MD Bob Panfil, Diocese of Virginia Director of Operations Matthew P. Payne, Diocese of Fond du Lac Patrons ($250-$499) [email protected] Mr. Herschel “Vince” Anderson Tempe, AZ Anglican and Episcopal History The Rev. Cn. Robert G. Carroon, PhD Hartford, CT Dr. Mary S. Donovan Highlands Ranch, CO Editor-in-Chief The Rev. Cn. Nancy R. Holland San Diego, CA Edward L. Bond, Natchez, Mississippi The John F. Woolverton Editor of Anglican and Episcopal History Ms. Edna Johnston Richmond, VA [email protected] The Rev. Stephen A. Little Santa Rosa, CA Church Review Editor Richard Mahfood Bay Harbor, FL J. Barrington Bates, Prof. Frederick V. Mills, Sr. La Grange, GA Diocese of Newark [email protected] The Rev. Robert G. Trache Fort Lauderdale, FL Book Review Editor The Rev. Dr. Brian K. Wilbert Cleveland, OH Sheryl A. Kujawa-Holbrook, Claremont School of Theology [email protected] Anglican and Episcopal History (ISSN 0896-8039) is published quarterly (March, June, September, and Sustaining ($100-$499) December) by the Historical Society of the Episcopal Church, PO Box 1301, Appleton, WI 54912-1301 Christopher H.
    [Show full text]
  • Political Dissent in Groves, Caves, and Grottos Nina Bhatia, Washington University in St
    POLITICAL DISSENT IN GROVES, CAVES, AND GROTTOS NINA BHATIA, WASHINGTON UNIVERSITY IN ST. LOUIS In Ode 3.25 Horace invokes Bacchus for divine inspiration while he is composing a poem that will honor the living deification of Augustus. As such, this poem is typically viewed as pro-Augustan propaganda. However, contextualization of Horace’s Odes demonstrates their multifaceted nature revealing small rebellions against Augustus. The goal of this project is to demonstrate the underlying subversive nature of Ode 3.25 through contextualization by examining Antony’s link to Bacchus, the invocation of Bacchus for poetic inspiration, and the contemporary perceptions of deification. Patron Gods and Political Propaganda Invocation Deification Antony created a divine lineage for himself from Bacchus Ode 3.25’s first stanza does more than just recall the Bacchic trope of The most contemporarily recent, posthumous deification was going so far as to “look like him in both physical appearance and possession. Horace’s use of nemora, specus, and antriis immediately pulls readers into that of Julius Caesar. The arrival of a comet, often termed the sidus Iulium, clothing” (Freyburger-Garland 24). This Bacchic branding was the wild, Bacchic setting. That is then immediately countered by the following: during the funerary games held for Caesar was celebrated as evidence for amplified by Antony’s time ruling in Egypt where he was deified as Julius Caesar’s entrance to consilium Iovis. The sidus Iulium imagery was often quibus antris egregii Caesaris audiar In which cave shall I be heard the syncretic Dionysus-Osiris. This is demonstrated by the arrival aeternum meditans decus musing to induct distinguished used to legitimize Augustus’s claim to power.
    [Show full text]
  • Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmerman Damer University of Richmond, [email protected]
    University of Richmond UR Scholarship Repository Classical Studies Faculty Publications Classical Studies 2016 Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmerman Damer University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/classicalstudies-faculty- publications Part of the Classical Literature and Philology Commons Recommended Citation Damer, Erika Zimmermann. "Iambic Metapoetics in Horace, Epodes 8 and 12." Helios 43, no. 1 (2016): 55-85. This Article is brought to you for free and open access by the Classical Studies at UR Scholarship Repository. It has been accepted for inclusion in Classical Studies Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Iambic Metapoetics in Horace, Epodes 8 and 12 ERIKA ZIMMERMANN DAMER When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry, he celebrates his adaptation of Archilochean iambos to the Latin language. He further states that while he followed the meter and spirit of Archilochus, his own iambi did not follow the matter and attacking words that drove the daughters of Lycambes to commit suicide (Epist. 1.19.23–5, 31).1 The paired erotic invectives, Epodes 8 and 12, however, thematize the poet’s sexual impotence and his disgust dur- ing encounters with a repulsive sexual partner. The tone of these Epodes is unmistakably that of harsh invective, and the virulent targeting of the mulieres’ revolting bodies is precisely in line with an Archilochean poetics that uses sexually-explicit, graphic obscenities as well as animal compari- sons for the sake of a poetic attack.
    [Show full text]
  • The Dancing God and the Mind of Zeus in Nonnos' Dionysiaca
    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Οὐδε γέρων Ἀστραῖος ἀναίνετο: The Dancing God and the Mind of Zeus in Nonnos’ Dionysiaca Doron Simcha Tauber Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Classical Literature and Philology Commons, and the Indo-European Linguistics and Philology Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Tauber, Doron Simcha, "Οὐδε γέρων Ἀστραῖος ἀναίνετο: The Dancing God and the Mind of Zeus in Nonnos’ Dionysiaca" (2017). Senior Projects Spring 2017. 130. https://digitalcommons.bard.edu/senproj_s2017/130 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Οὐδε γέρων Ἀστραῖος ἀναίνετο The Dancing God and the Mind of Zeus in Nonnos’ Dionysiaca Senior Project submitted to The Division of Languages and Literature of Bard College by Doron Simcha Tauber Annandale-on-Hudson, New York May 2017 For James, my Hymenaios Acknowledgements: Bill Mullen has been the captain of my errant ship, always strong on the rudder to keep my course on line.
    [Show full text]
  • Facing the Responsibility of Paulus Manutius
    UCLA UNIVERSITY RESEARCH LIBRARY Department of Special Collections OCCASIONAL PAPERS 8 ^ 5 .-<« fyHtufnt k't* tILt- f^t \fL W mm^Jtitm. * t-nt«ji^/' /J<^ -«<»«a* 'hhi^,^ VJKliw*" "*^ Ju -it t, «»i/e<rf /nj'^/ ^uy» ^ /5*> fC'lf' f^ fa^* t*.Zi. )«»V» rM<fKi4d-y MFi^ fu>J7iUlf IA.1^ ^t^4A ^^ s'^^mj^antai ul^ fl.''A«*S)j««^ '?HW-\ ^UmIZ4/''^ The Contract Facing the Responsibility of Paulus Manutius by MARTIN LOWRY Department of Special Collections University Research Library University of California Los Angeles 1995 Copyright © March 1995 by the Regents of the University of CaUfomia ISSN 1041-1143 This publication is produced with support from The Bemadine J. L. M Zelenka Endowment CONTENTS The Problem 1 New Evidence. The Ahmanson-Murphy Document 6 The Forces behind the Contract 17 The Editorial Strategy of the Counter-Reformation 35 Failure of Funds: Failure of Nerve? 52 Conclusion 71 Appendix; Transcription of the Contract 78 ABBREVIATIONS Aldo Aldo Manuzio di Paolo Junior Aldus Aldus Manutius Senior CEBR Contemporaries ofErasmus: a Biographical Register, 3 vols.. University of Toronto Press 1985-87 Eubel K. Eubel & G. Van Gulik, Hierarchia Catholica Medii et Recentioris Aevi, vol. 3, Regensburg 1923 Nolhac P. de Nolhac, "Lettres inedites de Paul Manuce" in Ecole Frangaise deRome, Melanges dArchaelogie etd'Histoire, vol. 3, 1883 Pastor L. von Pastor, History of the Popes from the Close of the Middle Ages, new English edition, 40 vols., Liechtenstein 1968-69 PMEL Pauli Manutii Epistolarum Libri decern, duobus nuper odditis, Venice 1580 PMLV Tre Libri di Lettere Volgari di M.
    [Show full text]
  • Kinkaid, Samuel-Kyrle, John
    THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Kinkaid, Samuel- Kyrle, John by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 Kinkaid, Samuel Porterfield a Presbyterian minister, was born May 24, 1827, in Donegal, Butler County, Pa.; was educated at Washington College, Pa., where he graduated with honor in 1857; studied theology at the Western Theological Seminary, Alleghany, Pa.; was licensed in the spring of 1859, and during his senior year at the seminary preached at Academia and Rockland, Pa. There his labors were so abundantly successful that immediately upon his graduation he was ordained and installed over the united churches of Academia, Rockland, and Richland. In addition to his pastoral duties, he taught the academy at Freedom, Venango County, Pa. He died March 24, 1866. Kinkaid was marked for his great earnestness and diligence, as well as for his ardent piety and ability to present truth with directness and searching power.-Wilson, Presb. Hist. Almanac, 1867. Kinkead, James a Presbyterian minister, was born in St. Louis County, Mo., July 6,1807, licensed to preach in 1833, and ordained in 1840. His ministerial life was passed entirely in St. Francois and Washington counties, Mo. During the civil war he took every opportunity to favor the Union cause, and thus became obnoxious to the rebels, by whom he was taken from his bed and cruelly murdered on the night of Sept.
    [Show full text]
  • The Roman Poets of the Augustan Age: Virgil by W
    The Project Gutenberg EBook of The Roman Poets of the Augustan Age: Virgil by W. Y. Sellar This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Roman Poets of the Augustan Age: Virgil Author: W. Y. Sellar Release Date: October 29, 2010 [Ebook 34163] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE ROMAN POETS OF THE AUGUSTAN AGE: VIRGIL*** THE ROMAN POETS OF THE AUGUSTAN AGE: VIRGIL. BY W. Y. SELLAR, M.A., LL.D. LATE PROFESSOR OF HUMANITY IN THE UNIVERSITY OF EDINBURGH AND FELLOW OF ORIEL COLLEGE, OXFORD iv The Roman Poets of the Augustan Age: Virgil THIRD EDITION OXFORD AT THE CLARENDON PRESS OXFORD UNIVERSITY PRESS AMEN HOUSE, E.C. 4 London Edinburgh Glasgow New York Toronto Melbourne Capetown Bombay Calcutta Madras HUMPHREY MILFORD PUBLISHER TO THE UNIVERSITY vi The Roman Poets of the Augustan Age: Virgil IMPRESSION OF 1941 FIRST EDITION, 1877 THIRD EDITION, 1897 vii PRINTED IN GREAT BRITAIN TO E. L. LUSHINGTON, ESQ., D.C.L., LL.D., ETC. LATE PROFESSOR OF GREEK IN THE UNIVERSITY OF GLASGOW. MY DEAR LUSHINGTON, Any old pupil of yours, in finishing a work either of classical scholarship or illustrative of ancient literature, must feel that he owes to you, probably more than to any one else, the impulse which directed him to these studies.
    [Show full text]
  • Renaissance Receptions of Ovid's Tristia Dissertation
    RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological.
    [Show full text]
  • Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.
    [Show full text]
  • AIA Bulletin, Fiscal Year 2005
    ARCHAEOLOGICAL INSTITUTE OF AMERICA A I A B U L L E T I N Volume 96 Fiscal Year 2005 AIA BULLETIN, Fiscal Year 2005 Table of Contents GOVERNING BOARD Governing Board . 3 AWARD CITATIONS Gold Medal Award for Distinguished Archaeological Achievement . 4 Pomerance Award for Scientific Contributions to Archaeology . 5 Martha and Artemis Joukowsky Distinguished Service Award . 6 James R . Wiseman Book Award . 6 Excellence in Undergraduate Teaching Award . 7 Conservation and Heritage Management Award . 8 Outstanding Public Service Award . 8 ANNUAL REPORTS Report of the President . 10 Report of the First Vice President . 12 Report of the Vice President for Professional Responsibilities . 13 Report of the Vice President for Publications . 15 Report of the Vice President for Societies . 16 Report of the Vice President for Education and Outreach . 17 Report of the Treasurer . 19 Report of the Editor-in-Chief, American Journal of Archaeology . 24 Report of the Development Committee . 26 MINUTES OF MEETINGS Executive Committee: August 13, 2004 . 28 Executive Committee: September 10, 2004 . 32 Governing Board: October 16, 2004 . 36 Executive Committee: December 8, 2004 . 44 Governing Board: January 6, 2005 . 48 nstitute of America nstitute I 126th Council: January 7, 2005 . 54 Executive Committee: February 11, 2005 . 62 Executive Committee: March 9, 2005 . 66 Executive Committee: April 12, 2005 . 69 Governing Board: April 30, 2005 . 70 R 2006 LECTURES AND PROGRAMS BE M Special Lectures . 80 TE P AIA National Lecture Program . 81 E S 96 (July 2004–June 2005) Volume BULLETIN, the Archaeological © 2006 by Copyright 2 ARCHAEOLOgic AL INStitute OF AMERic A ROLL OF SPECIAL MEMBERS .
    [Show full text]