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Illapu
Como Aprendí a Ser Chileno
Belonging and Popular Culture Interdisciplines 1 (2018)
Música Artes Musicales Prof
La Nueva Canción and Its Significance
Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora
Canto Porque Es Necesario Cantar: the New Song Movement in Chile, 1973-1983 By
Ullo SEPTIEMBRE VERANO 1985 MADRID / ESPANA // LOS ANGELES / CALIFORNIA D N U B D E Eblclones DICIEMBRI! DE / O T O ~ O LA Frodt
Como Aprendí a Ser Chileno
La Canción Urbana De Raíz Folklórica En Chile
Latin American Songs in the GDR and the East German Singer-Songwriter Repertoire (1970–2000): Gerhard Schöne’S ‘Meine Geschwister’ in the Light of Translation Studies
Hip Hop Practice As Identity and Memory Work in and In-Between Chile and Sweden
Musique Et Camps De Concentration
Latin American Songs in the GDR and the East German Singer-Songwriter Repertoire (1970–2000): Gerhard Schöne’S ‘Meine Geschwister’ in the Light of Translation Studies
QUILAPAYÚN's Style and History, the Current Line-Up Continues to Extend a Long Term Project Whose Main Aim Is Constant Renewal
Memory in Exile: an Interview with Jorge Coulon of Inti Illimani
Choral Arrangements of Nueva Canción Chilena: Exploring Socially Committed Song in the Choral Context
Introduction
Variations on a Fugitive's Song
Top View
Truenan Y Brillan: El «Sonido Propio» De Illapu
Patricio Manns Charo Cofre
Universidad Autónoma Del Estado De México Facultad De Humanidades “Más Justicia, Menos Monumentos”: La Creación De Un Ca
16. Curating La Nueva Cancion: Perform, Among Them Victor Jara
Canto Al Huaso, Canto Al Pueblo
La Nueva Canción Chilena: O Canto Como Arma Revolucionária Sílvia Sônia Simões1
La Nueva Canción Chilena Y La Cantata Popular
Chilean New Song and Revolutionary Activists
Illapu Presenta Su Nuevo Sencillo: “La Vida Volverá”
ROCK EN ANTOFAGASTA Estudio De Caso En Provincia
Chilean New Song La Nueva Canción
H a L F C E N T U R Y
O Papel Das Juventudes Comunistas Na Difusão Da Nova Canção Chilena (1968-1973) Revista Tempo E Argumento, Vol