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Erik Charell
German Operetta on Broadway and in the West End, 1900–1940
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Sound–Film–Music, 1929-1933 Special Exhibiton of the Deutschen
In 193X, Constance Rourke's Book American Humor Was Reviewed In
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Der Kuhhandel
SWR2 Musikstunde
Verlängert Bis 25. Mai 2008
El Congreso Se Divierte
Filmklassiker Bel Ami (1939)
Friedrichstadt-Palast Berlin Celebrates Memorial Inauguration
Copyright by Christelle Georgette Le Faucheur 2012
Breaking the Rules: Hollywood and the Limits of Propaganda in Nazi Germany, 1933-1939
Appendix 1 Productions of Operetta from the German Stage on Broadway and in the West End, 1900–1940
An Accident of Resistance in Nazi Germany: Oskar Kalbus's Three-Volume History of German Film (1935–37) Joel Westerdale Smith College,
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Im Weißen Rössl
Nachrichten Aus Dem Volksmusikarchiv Des Landkreises
The Jazz Republic: Music, Race, and American Culture in Weimar Germany
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Moma Weimar Cinema 1919-1933 Daydreams and Nightmares
MUSICAL THEATRE a History
Friedrichstadt-Palast Berlin to Celebrate Anniversary Year
Web Nl232-1.Qxd
British Films 1927 - 1939 Was Originally Produced in 1986 by BFI Library Services
In the Steps of Operetta: Austrian Cinema's Relation to History
Neu Diplomarbeit Sabine Kauer
Behind the Mask – Das Verlorene Gesicht (The Lost Face) and Popular German Cinema After World War II
The Firebrand of Florence INTRODUCTION
Musical Theatre Transfer in the 1920S and 1930S Len Platt and Tobias
Revue As a Liminal Theatre Genre: a Comparative, Interdisciplinary Approach to Contexts and Characteristics of Revues in Transitional Modern Times
German Culture Through Film an Introduction to German Cinema
The Ciné “Never Sets…”: British Cinema As a Transatlantic