- Home
- » Tags
- » Armida (Mysliveček)
Top View
- Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
- A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
- Voices, Bodies, Identities: the Modern Imagery of Castratos in Contemporary Performance Bianca De Mario (Università Degli Studi Di Milano)
- Dvorak's Armida and the Czech Oriental "Self"
- L'orleo Blcserensemble Cpo 777 377 - 2 Josef Myslivecek (1737-17811 Complete Wind Octets & Quintets
- Pittsburgh Symphony Orchestra 2016-2017 Mellon Grand Classics Season
- Ian Page and the Mozartists Launch Major New Recording Series Exploring Sturm Und Drang
- The Evolution of Jommelli's Operatic Style
- Staging the Operas of Francesco Cavalli
- Armida (Pinchgut Opera) 6/25/16, 5:05 AM
- Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
- The Code of Terpsichore. the Art of Dancing, Comprising Its Theory and Practice, and a History of Its Rise and Progress, from the Earliest Times
- Armida Armida
- Founded in 1872, the School of Music Combines the Intimacy and Intensity of Conservatory Train
- Rinaldo and Armida
- Transcripts of Dramatic Musical Works in Full Score at the Library of Congress
- Armide Armida
- Milan, 22Nd December, 1770 I Am Writ
- Ballet De La Nuit: Staging the Absolute Monarchy of Louis XIV
- Adolphe Nourrit, Gilbert Duprez, and the High C
- JOA Journal 2020
- Performing Editions of the Handel Cantatas HWV 81, 105, and 113 For
- Josef Mysliveček La Passione Di Nostro Signore Gesù Cristo Italské Oratorium
- A Resource Guide to Standard Handel Opera Roles for the Countertenor
- Luigi Marchesi: Life and Voice
- JOSEF MYSLIVECEKS BEMÜHEN UM DIE INNERE REFORM DER NEAPOLITANISCHEN „OPERA SERIA" Libretti Legen Ihre Zeugenschaft Ab
- Theater As Machine, Theater of Machines in Seventeenth-Century France
- |What to Expect from La Donna Del Lago
- Armida (Review) Roland Graeme
- Chronology the Classical Era
- Commentary: Seventeenth-Century Venetian Opera As Fondamente Nuove the Standard Party Line on Seventeenth-Century Venetian Opera—Or Venetian Public Opera
- Byron and Visual Culture