Campaign Summary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
13 White Woman Listen! Black Feminism and the Boundaries of Sisterhood
13 White Woman Listen! Black Feminism and the Boundaries of Sisterhood Hazel V. Carby I'm leaving evidence. And you got to leave evidence too. And your children got to leave evidence.... They burned all the documents.... We got to burn out what they put in our minds, like you burn out a wound. Except we got to keep what we need to bear witness. That scar that's left to bear witness. We got to keep it as visible as our blood. (Jones 1975) The black women's critique of history has not only involved us in coming to terms with "absences"; we have also been outraged by the ways in which it has made us visible, when it has chosen to see us. History has constructed our sexuality and our femininity as deviating from those qualities with which white women, as the prize objects of the Western world, have been endowed. We have also been defined in less than human terms (Jordon 1969). Our continuing struggle with History began with its "discovery" of us. However, this chapter will be concerned with herstory rather than history. We wish to address questions to the feminist theories that have been developed during the last decade; a decade in which black women have been fighting, in the streets, in the schools, through the courts, inside and outside the wage relation. The significance of these struggles ought to inform the writing of the herstory of women in Britain. It is fundamental to the development of a feminist theory and practice that is meaningful for black women. -
Emma Domínguez-Rué Universitat De Lleida [email protected]
TRACES OF HERSTORY: REINVENTING WOMANHOOD IN THE KATE FANSLER MYSTERY SERIES BY AMANDA CROSS Emma Domínguez-Rué Universitat de Lleida [email protected] Although the American writer and Columbia professor Carolyn Gold Heilbrun (1926-2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism. Taking Heilbrun’s essays in feminism and literary criticism as a basis and her 1990 novel The Players Come Again as substantiation to my argument, this paper will illustrate the ways in which her detective novels became an instrument to reach a mass audience of female readers who might not have read her theoretical work, but who were perhaps finding it difficult to reach fulfillment as women under patriarchy. My aim is to reveal the extent to which Heilbrun’s seemingly more superficial and much more commercial novels were used a catalyst that informed her feminist principles while vindicating the need to repair women’s historical invisibility. Keywords: Amanda Cross, Carolyn Heilbrun, feminism, detective fiction, female readership “As long as women are isolated one from the other, not allowed to offer other women the most personal accounts of their lives, they will not be part of any narrative of their own” (Heilbrun 1988: 46). Although the American writer and Columbia Professor Carolyn Gold Heilbrun (1926-2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism. -
“Herstory” Challenging Gender Stereotypes in Israeli Girls’ Perfect Love Stories
“HerStory” Challenging Gender Stereotypes in Israeli Girls’ Perfect Love Stories Shiri Reznik This study explores the love stories written by 77 Israeli girls, aged 11-12 years old, in order to examine the possible influence of the media on their romantic narratives and the gender roles embedded within them. The girls were asked to write their own perfect love story and then participated in focus groups during which they explained the stories they wrote. The stories have been analyzed with the method of discourse analysis. Although many girls chose to express their imaginary romantic world by using popular media characters, plot lines and idioms, others offered a new and even revolutionary perspective on what a perfect love story can be, and especially the gender roles it can depict. Stories about female protagonists who make the first romantic move, perform sisterhood as an act of resistance, or prefer to be an assertive non-stereotypical princess, are analyzed in light of the girls’ socioeconomic backgrounds and role models. If you had to imagine the perfect love story what would it be? This study aims to find out how tween Israeli girls perceive the concept of romantic love, what are their expectations regarding gender roles in the romantic sphere, and how do they imagine an ideal love story when given the opportunity to write their own romantic narrative. Another goal of the current study is to examine the possible influence of the media on girls’ romantic perceptions and dreams, since numerous studies have found that mediated representations of love are meaningful sources of identification, social learn- ing, and internalization of romantic narratives and behaviors among children, teens and adults as well (Bachen & Illouz, 1996; Hefner & Wilson, 2013). -
Thomas Erben Gallery Ecofeminism(S)
Thomas Erben Gallery ecofeminism(s) curated by Monika Fabijanska June 19 - July 24, 2020 Press Day: Thursday, June 18, 2020, 12-6pm Reopens: September 8-26, 2020 526 West 26th Street, Suite 412-413 New York, NY 10001 Gallery Hours: Tue - Sat, 10-6pm Summer Hours: Mon – Fri , 11-6pm (June 29-July 24) NEW INFORMATION (updated August 28, 2020) ecofemisnism(s) online: PRESS RELEASE PRESS KIT: WORK DESCRIPTIONS & IMAGES LIST OF ARTISTS LIST OF ARTWORKS IMAGES ESSAY EXHIBITION PRESS UPCOMING PROGRAMS: Thursday, September 10, 6:30 PM EST Christies’s webinar: Spotlight on ecofeminism(s) REGISTER This complimentary webinar explores the critically acclaimed group exhibition ecofeminism(s) at Thomas Erben Gallery. Exhibition curator Monika Fabijanska and gallerist Thomas Erben will join Christie’s Education’s Julie Reiss for a discussion about the show’s timeliness and the increasing centrality in the art world of art grounded in ecological and other human rights concerns. Wednesday, September 16, 6:30 PM EST Zoom conversation with Raquel Cecilia Mendieta, niece and goddaughter of Ana Mendieta and Mira Friedlaender, daughter of Bilge Friedlaender, moderated by Monika Fabijanska. LINK TO ZOOM Meeting ID: 969 1319 1806 Password: 411157 RECORDED PROGRAMS GALLERY WALKTHROUGH WITH THE CURATOR ZOOM CONVERSATIONS moderated by curator Monika Fabijanska: Wednesday, July 8, 6:30 PM EST Lynn Hershman Leeson Mary Mattingly Hanae Utamura Julie Reiss, Ph.D., Christie’s Education CLICK TO WATCH THE RECORDING Wednesday, July 15, 6:30 PM EST Aviva Rahmani Sonya Kelliher-Combs -
Cultural Sexism in Academia
Gender and Education ISSN: 0954-0253 (Print) 1360-0516 (Online) Journal homepage: http://www.tandfonline.com/loi/cgee20 Women, know your limits: cultural sexism in academia Heather Savigny To cite this article: Heather Savigny (2014) Women, know your limits: cultural sexism in academia, Gender and Education, 26:7, 794-809, DOI: 10.1080/09540253.2014.970977 To link to this article: https://doi.org/10.1080/09540253.2014.970977 Published online: 24 Oct 2014. Submit your article to this journal Article views: 2227 View related articles View Crossmark data Citing articles: 26 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=cgee20 Gender and Education, 2014 Vol. 26, No. 7, 794–809, http://dx.doi.org/10.1080/09540253.2014.970977 Women, know your limits: cultural sexism in academia Heather Savigny* The Media School, Bournemouth University, Weymouth House, Poole, Dorset BH12 5BB, UK (Received 9 July 2013; accepted 25 September 2014) Despite the considerable advances of the feminist movement across Western societies, in Universities women are less likely to be promoted, or paid as much as their male colleagues, or even get jobs in the first place. One way in which we can start to reflect on why this might be the case is through hearing the experiences of women academics themselves. Using feminist methodology, this article attempts to unpack and explore just some examples of ‘cultural sexism’ which characterises the working lives of many women in British academia. This article uses qualitative methods to describe and make sense of some of those experiences. -
Wages, Housework, and Feminist Activism in 1970S Italy and Canada
HOUSEWORK AND SOCIAL SUBVERSION: WAGES, HOUSEWORK, AND FEMINIST ACTIVISM IN 1970S ITALY AND CANADA CHRISTINA ROUSSEAU A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO December 2016 © Christina Rousseau, 2016 Abstract My dissertation, Housework and Social Subversion: Wages, Housework, and Feminist Activism in 1970s Italy and Canada, presents a history of the Wages for Housework movements in Italy and Canada (1972-1978), looking at the parallel development of autonomist feminist politics in these locations. Based on a series of interviews with feminists involved in the movement, my dissertation highlights the significant political value in the way the group’s theoretical perspective influenced our current understanding of social reproduction. Social reproduction refers to the unpaid activities associated with family and societal maintenance – procreation, socialization, and nurturance – as well as paid work in social sectors such as health care, education, childcare, and social services. In the context of Wages for Housework, my dissertation re-examines the movement’s understandings of wages, housework, and the gendered relations of production in the home. In critiquing the capitalist, patriarchal, imperialist nuclear family, they re- conceptualized wages and housework in a way that allowed for the uncovering of the most hidden aspect of housework: emotional labour and care. Looking at the parallel development of Wages for Housework movements in Italy and Canada, I also highlight the emergence of similar tensions regarding the demand for wages and the role of the working class housewife in their analyses. -
Title of Thesis
Perplexities of the Personal and the Political How Women’s Liberation Became Women’s Human Rights Valgerður Pálmadóttir Department of Historical, Philosophical and Religious Studies Umeå 2018 This work is protected by the Swedish Copyright Legislation (Act 1960:729) Dissertation for PhD ISBN: 978-91-7601-947-4. Cover illustrations: “When the photographer arrived, these women were undermining the patriarchy” and “Everywhere she went, there was a conference” by Björg Sveinbjörnsdóttir. Composition: In house Umeå University. Electronic version available at: http://umu.diva-portal.org/ Printed by: Umeå University Printing Service Umeå, Sweden 2018 To my family Table of Contents Abstract ......................................................................................... iii Acknowledgements ......................................................................... v 1. Introduction ................................................................................ 1 Subversive Stories ...................................................................................................... 1 UN Conference on Women Provokes a Grassroots Response .................................4 New Strategies: Advocating for Women’s Human Rights at the UN .....................6 From Anger to Compassion .......................................................................................9 Aims of the Study and Research Questions ................................................................... 13 Selection of sources ....................................................................................................... -
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
UC Irvine FlashPoints Title The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory Permalink https://escholarship.org/uc/item/11z5g0mz ISBN 978081013 5550 Author Heaney, Emma Publication Date 2017-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The New Woman The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/fl ashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. -
Black Feminist Thought
Praise for the first edition of Black Feminist Thought “The book argues convincingly that black feminists be given, in the words immor- talized by Aretha Franklin, a little more R-E-S-P-E-C-T....Those with an appetite for scholarese will find the book delicious.” —Black Enterprise “With the publication of Black Feminist Thought, black feminism has moved to a new level. Collins’ work sets a standard for the discussion of black women’s lives, experiences, and thought that demands rigorous attention to the complexity of these experiences and an exploration of a multiplicity of responses.” —Women’s Review of Books “Patricia Hill Collins’ new work [is] a marvelous and engaging account of the social construction of black feminist thought. Historically grounded, making excellent use of oral history, interviews, music, poetry, fiction, and scholarly literature, Hill pro- poses to illuminate black women’s standpoint. .Those already familiar with black women’s history and literature will find this book a rich and satisfying analysis. Those who are not well acquainted with this body of work will find Collins’ book an accessible and absorbing first encounter with excerpts from many works, inviting fuller engagement. As an overview, this book would make an excellent text in women’s studies, ethnic studies, and African-American studies courses, especially at the upper-division and graduate levels. As a meditation on the deeper implications of feminist epistemology and sociological practice, Patricia Hill Collins has given us a particular gift.” —Signs “Patricia Hill Collins has done the impossible. She has written a book on black feminist thought that combines the theory with the most immediate in feminist practice. -
Alternative Pornographies, Regulatory Fantasies and Resistance Politics
Alternative Pornographies, Regulatory Fantasies and Resistance Politics Zahra Zsuzsanna Stardust Bachelor of Arts (History) (University of Sydney) Bachelor of Laws (Hons) (University of Sydney) Master of Arts (Gender and Cultural Studies) (University of Sydney) Thesis submitted to fulfil requirements of a Doctor of Philosophy in the School of Arts and Media at the University of New South Wales. March 2019. Supervised by Professor Ramaswami Harindranath, Dr Daniel Joyce and Professor Kath Albury. 1 Contents Dissertation sheet ............................................................................................................................................ 5 Originality Statement ....................................................................................................................................... 6 Inclusion of Publications Statement .................................................................................................................. 7 Copyright and Authenticity Statement .............................................................................................................. 8 Abstract ........................................................................................................................................................... 9 Acknowledgements ........................................................................................................................................ 10 Relevant Publications and Presentations Arising from this Research .............................................................. -
Transfeminism: a Collection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • transfeminism: a collection • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Featuring: The Transfeminist Manifesto An Open Letter to Alix Dobkin Whose Feminism is it Anyway? • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Written & Compiled by Emi Koyama <[email protected]> http://eminism.org/ * Putting the Emi back in Feminism since 1975. The Feminist Conspiracy Press, PO Box 40570, Portland OR 97240 Index The Transfeminist Manifesto 3 Reprinted from The Transfeminist Manifesto and Other Essays on Transfeminism, March 2000. An Open Letter to Alix Dobkin 12 Reprinted from An Open Letter to Alix Dobkin, April 2000. Whose Feminism is it Anyway? The Unspoken Racism of the Trans Inclusion Debate 19 Reprinted from Whose Feminism is it Anyway?, October 2000. About Eminism.org 27 © 2000-2001 Emi Koyama / The Feminist Conspiracy Press PO Box 40570, Portland OR 97240 Get more of Emi – visit www.eminism.org email: [email protected] 2 By Emi Koyama [email protected] Originally Published: October 1999 The Last Edited: July 2001 Transfeminist Manifesto Introduction less as women despite their birth sex assignment to the contrary. “Trans men,” likewise, is used to The latter half of the twentieth century describe those who identify, present, or live as witnessed an unprecedented broadening of men despite the fact that they were perceived American feminist movement as a result of otherwise at birth. While this -
General Editor's Introduction
General Editor’s Introduction PAISLEY CURRAH n the last decade, movements for transgender equality appear to have advanced I with astonishing speed, while other issues of concern to women’s movements have largely stalled, either making little progress (equal pay) or suffering real set- backs (abortion access). From policy reforms to public opinion trends, it seems that the situation has changed faster, and in a more positive direction, on issues char- acterized as “transgender rights” than it has on those understood as “women’s rights.” This apparent gap may be exacerbated in the United States: at the con- clusion of the culture wars of the last forty years, the almost inseparable bond between movements for sexual and gender freedom that marked liberationist discourse of the 1970s has been torn asunder, reconstituted through the logic of an identity politics that affirms the demands for recognition of sexual and gender minorities but finds the misogyny that still structures all women’s lives largely unintelligible, outside the scope of the liberal project of inclusion. One poll, for example, found that 72 percent of the millennial generation in the United States favor laws banning discrimination against transgender people—a proportion very close to the 73 percent who support protections for gay and lesbian people. But only 55 percent of this generation, born between 1980 and 2000, say abortion should be legal in all (22 percent) or some (33 percent) cases (Jones and Cox 2015: 42, 3). In a three-month period ending July 31, 2015, when this introduction was written, the New York Times editorial board came out in support of transgender issues seven times—and that number does not include the several almost uni- versally positive op-ed contributions published during the same period.