'Herstory': the Missing Woman of Cyprus
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The Impact of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana Karen Mcgee
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Listening to the Voices: Multi-ethnic Women in School of Education Education 2015 The mpI act of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana Karen McGee Follow this and additional works at: http://repository.usfca.edu/listening_to_the_voices Part of the Education Commons Recommended Citation McGee, Karen (2015). The mpI act of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana. In Betty Taylor (Eds.), Listening to the Voices: Multi-ethnic Women in Education (p. 1-10). San Francisco, CA: University of San Francisco. This Book is brought to you for free and open access by the School of Education at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Listening to the Voices: Multi-ethnic Women in Education by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The Impact of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana Karen McGee What is the impact of a matriarchal tradition and the tradition of an African queenmothership on the ability of African women to advance in political, educational, and economic spheres in their countries? The Ashanti tribe of the Man people is the largest tribe in Ghana; it is a matrilineal society. A description of the precolonial matriarchal tradition among the Ashanti people of Ghana, an analysis of how the matriarchal concept has evolved in more contemporary governments and political situations in Ghana, and an analysis of the status of women in modern Ghana may provide some insight into the impact of the queenmothership concept. -
13 White Woman Listen! Black Feminism and the Boundaries of Sisterhood
13 White Woman Listen! Black Feminism and the Boundaries of Sisterhood Hazel V. Carby I'm leaving evidence. And you got to leave evidence too. And your children got to leave evidence.... They burned all the documents.... We got to burn out what they put in our minds, like you burn out a wound. Except we got to keep what we need to bear witness. That scar that's left to bear witness. We got to keep it as visible as our blood. (Jones 1975) The black women's critique of history has not only involved us in coming to terms with "absences"; we have also been outraged by the ways in which it has made us visible, when it has chosen to see us. History has constructed our sexuality and our femininity as deviating from those qualities with which white women, as the prize objects of the Western world, have been endowed. We have also been defined in less than human terms (Jordon 1969). Our continuing struggle with History began with its "discovery" of us. However, this chapter will be concerned with herstory rather than history. We wish to address questions to the feminist theories that have been developed during the last decade; a decade in which black women have been fighting, in the streets, in the schools, through the courts, inside and outside the wage relation. The significance of these struggles ought to inform the writing of the herstory of women in Britain. It is fundamental to the development of a feminist theory and practice that is meaningful for black women. -
Within the Context of Searching for a National Identity, the Search for a Female Identity Also Arises in Don Quijote by Miguel
ENVIRONMENTAL SURROUNDINGS DEFINING NATIONAL IDENTITIES by MEGAN TRENHOLM (Under the Direction of Susan Quinlan) ABSTRACT Throughout this thesis, three books will be discussed: A Bagaceira by José Américo de Almeida, Iracema by José de Alencar, and A Senhora by José de Alencar as well. These works will be interlinked based on their principle female characters and how their feminine characteristics are always in comparison with their environmental surroundings. Because they all deal with the flora and fauna of a specific historic place based on where the specific story takes place, all of them also correspond with the search for a national identity. In addition to the search for a national identity, each female character exemplifies the Persephone – Demeter myth and cyclical events that pertain to fertility. All of these works attempt to center on ecofeminism and the search for a “matrifocal” society rather than a patriarchal society. INDEX WORDS: Brazilian national identity, Persephone – Demeter, Objectification, Environment, Journey, Historic place, Matriarchy, Ecofeminism, Iracema, A Bagaceira, A Senhora, Alencar, Almeida, Woman and Nature, 19th Century Brazil ENVIRONMENTAL SURROUNDINGS DEFINING NATIONAL IDENTITIES by MEGAN TRENHOLM B.A., University of Georgia, 2004 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2006 © 2006 Megan Trenholm All Rights Reserved ENVIRONMENTAL SURROUNDINGS DEFINING NATIONAL IDENTITIES by MEGAN TRENHOLM Major Professor: Susan Quinlan Committee: Robert Moser Betina Kaplan Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2006 DEDICATION I am eternally grateful to my parents, who never lose faith in me…Thank you. -
Submission to the University of Baltimore School of Law‟S Center on Applied Feminism for Its Fourth Annual Feminist Legal Theory Conference
Submission to the University of Baltimore School of Law‟s Center on Applied Feminism for its Fourth Annual Feminist Legal Theory Conference. “Applying Feminism Globally.” Feminism from an African and Matriarchal Culture Perspective How Ancient Africa’s Gender Sensitive Laws and Institutions Can Inform Modern Africa and the World Fatou Kiné CAMARA, PhD Associate Professor of Law, Faculté des Sciences Juridiques et Politiques, Université Cheikh Anta Diop de Dakar, SENEGAL “The German experience should be regarded as a lesson. Initially, after the codification of German law in 1900, academic lectures were still based on a study of private law with reference to Roman law, the Pandectists and Germanic law as the basis for comparison. Since 1918, education in law focused only on national law while the legal-historical and comparative possibilities that were available to adapt the law were largely ignored. Students were unable to critically analyse the law or to resist the German socialist-nationalism system. They had no value system against which their own legal system could be tested.” Du Plessis W. 1 Paper Abstract What explains that in patriarchal societies it is the father who passes on his name to his child while in matriarchal societies the child bears the surname of his mother? The biological reality is the same in both cases: it is the woman who bears the child and gives birth to it. Thus the answer does not lie in biological differences but in cultural ones. So far in feminist literature the analysis relies on a patriarchal background. Not many attempts have been made to consider the way gender has been used in matriarchal societies. -
Feminist Literary Criticism: a Paradigm of Matriarchy in Literature
Journal of Literature and Art Studies, February 2020, Vol. 10, No. 2, 93-97 doi: 10.17265/2159-5836/2020.02.001 D DAVID PUBLISHING Feminist Literary Criticism: A Paradigm of Matriarchy in Literature Md. Masud Rana Jazan University, Jazan, Saudi Arabia Amina Rashid Jazan University, Jazan, Saudi Arabia Feminist literary theory underpins literature from matriarchal perspective revolting against prototype patriarchal ritual i.e. established dogmatism, superstition, close-eyed religious propaganda, language engineering and so forth. It questions the textual politics of dissipating womankind in literature. It shatters long-cherishing outlook of gender inequality, gender politics, power relation, sexual objectification, oppression, patriarchy, stereotyping and so on. In this connection, this theory sees women along with their experiences, thinking, language, position and role playing, cultural conditioning, diction, and above all, matriarchal assertion in literature. Feminist literary criticism has been generated from feminism and the basic aim of the theory is to investigate and trace out how female characters have been positioned in literature compared with male characters in terms of social and biological factors of different ages of the past started from antiquity. Feminist literary theory has also deconstructed texts from two different perspectives i.e. text written by men and text written by women. This paper attempts to evalualte feminist literary criticism as a subtle machinery or paradigm of matriarchy not only in avant-garde but also in old texts of literature. Keywords: Avant-garde, feminist literary criticism, feminism, matriarchy, patriarchy, androtexts, gynotexts, psychoanalysis, ecrrture feminine Introduction From antiquity to avant-garde literature, it has been made quite clear that women are directly consumed negatively as mere “Others”. -
Emma Domínguez-Rué Universitat De Lleida [email protected]
TRACES OF HERSTORY: REINVENTING WOMANHOOD IN THE KATE FANSLER MYSTERY SERIES BY AMANDA CROSS Emma Domínguez-Rué Universitat de Lleida [email protected] Although the American writer and Columbia professor Carolyn Gold Heilbrun (1926-2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism. Taking Heilbrun’s essays in feminism and literary criticism as a basis and her 1990 novel The Players Come Again as substantiation to my argument, this paper will illustrate the ways in which her detective novels became an instrument to reach a mass audience of female readers who might not have read her theoretical work, but who were perhaps finding it difficult to reach fulfillment as women under patriarchy. My aim is to reveal the extent to which Heilbrun’s seemingly more superficial and much more commercial novels were used a catalyst that informed her feminist principles while vindicating the need to repair women’s historical invisibility. Keywords: Amanda Cross, Carolyn Heilbrun, feminism, detective fiction, female readership “As long as women are isolated one from the other, not allowed to offer other women the most personal accounts of their lives, they will not be part of any narrative of their own” (Heilbrun 1988: 46). Although the American writer and Columbia Professor Carolyn Gold Heilbrun (1926-2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism. -
1 Pagoda, Temple of Love 1977
Pagoda, Temple of Love 1977 - Practice Ground for the Matriarchy First, I want to thank Dr. Goettner Abendroth and Dr.Keller for inviting me to this miracle of a conference. The theme of this conference is TIME IS RIPE – better to build a lifeboat than wait for the patriarch Titanic to listen to reason. In 1977, a group of women in St. Augustine, Florida built a lifeboat. We built an intentional community that is matriarchal at it's base and intention and, matrifocal in it's function. It is a community of Lesbian Feminists who decided to make the personal truly political by immersing themselves in Lesbian culture. Choosing to live in a women only community, with Women's Spirituality at it's base, was (is) nothing short of revolutionary. Exploring the notion of how life could be lived among women, with core feminist ethics and intention, was a cause that was taken up by thousands of women in the 1970s. Most of these communities quickly dissolved, some lasted through the 1980s, and a few, like the Pagoda Community, lasted into this century. Intentional women's communities were and continue to be practice grounds for the matriarchy, glimpses of how life could be lived among women here and now. Pagoda women trudged through murky, treacherous waters to build bridges between women at a time when we were just beginning to find each other. For the Pagoda Community, it meant years of joy in living among women in an idyllic seaside setting, together with the chaos that comes before real 1 change. -
“Herstory” Challenging Gender Stereotypes in Israeli Girls’ Perfect Love Stories
“HerStory” Challenging Gender Stereotypes in Israeli Girls’ Perfect Love Stories Shiri Reznik This study explores the love stories written by 77 Israeli girls, aged 11-12 years old, in order to examine the possible influence of the media on their romantic narratives and the gender roles embedded within them. The girls were asked to write their own perfect love story and then participated in focus groups during which they explained the stories they wrote. The stories have been analyzed with the method of discourse analysis. Although many girls chose to express their imaginary romantic world by using popular media characters, plot lines and idioms, others offered a new and even revolutionary perspective on what a perfect love story can be, and especially the gender roles it can depict. Stories about female protagonists who make the first romantic move, perform sisterhood as an act of resistance, or prefer to be an assertive non-stereotypical princess, are analyzed in light of the girls’ socioeconomic backgrounds and role models. If you had to imagine the perfect love story what would it be? This study aims to find out how tween Israeli girls perceive the concept of romantic love, what are their expectations regarding gender roles in the romantic sphere, and how do they imagine an ideal love story when given the opportunity to write their own romantic narrative. Another goal of the current study is to examine the possible influence of the media on girls’ romantic perceptions and dreams, since numerous studies have found that mediated representations of love are meaningful sources of identification, social learn- ing, and internalization of romantic narratives and behaviors among children, teens and adults as well (Bachen & Illouz, 1996; Hefner & Wilson, 2013). -
To Wards an Integrative Ecofeminist Praxis
To wards an Integrative Ecofeminist Praxis Duns l'tthique environnementale the feminist claim that women should ainsi que &ns les thtories fkministes have equal opportunity, they resist etpolitiques, l'introduction du terme fundamental restructuring of power kcofkminisme provoque de vives relations (Burt, 192). Liberal femi- controverses.Cet article examine les While men's revolutions have often nists and ecofeminists use traditional difftrentes dkfinitions de been about dying for 0 Cause, lobbying techniques to influence leg- l'tcoftminisme ainsi que son islation and incorporate women fully eficacitk en tant que thkorie. feminist conceived transformation into the mainstream of contemporary is about daring to live society. Liberalism focuses on equal ac- Ecofeminism reinforces a deep and for U cause. very personal understanding of the cess of individuals to resources and connection between the oppression opportunities. This is problematic for of women and nature in patriarchal -Petu~ Kelly environmental issues because it is so society. Although the term highly individualistic, and environ- ecofeminism has been used in many mental regulations can be seen as ways, its basis is an understanding of limiting to individual freedom. Lib- the interconnectedand mutually reinforcingsubjugation of women era1 ecofeminists have argued, however, for environmental regu- and the domination of nature. However, the description and lation and compensation and thus, the implied restriction of explanation for these phenomena, as well as the prescription for individual liberties. change vary considerably. Liberal, socialist, and radical femi- Karen Warren argues, however, that liberalism is inadequate nism all contribute to anecofeminist perspective and policy. This for ecofeminism as it creates inequality through its acceptance of article examines these different concepts of ecofeminism. -
Campaign Summary
Profile Team Name : Baguette - The French Magic Touch Campaign name anotherstory Campaign background anotherstory is a campaign that aims to open the eyes of European citizens on women's rights history and to involve them while they feel little concerned by the cause. The strategy adopted is the "wrapping technique". The principle is to embody the history of women's rights and the cause in a package that looks like what our targets want or at least that does not look like the idea they most have of feminism. This campaign meets current wishes expressed by citizens (Ipsos Trends, 2016): - The positive. Citizens are asking for positive inspirations and they increasingly reject news and subjects causing anxiety. - The personal bubble. Individuals are looking for establish a deeper relationship with themselves by learning more about the history of their family for instance. Therefore, we are convinced that to engage citizens, they need to be positively connected to women's history through their personal story. So we ask ourselves what event concerns us individually, also unifying and most of the time positive? The birthday! The birth date is the central point of the campaign where citizens will understand that since that date, the history of women's rights became their history too and consequently they have to involve themselves for this cause. A website entitled "anotherstory.eu" is at the heart of our campaign. It uses a positive and personal tonality to talk about equality between men and women and it constitutes a new opportunity to discover another story of your birth date. -
Thomas Erben Gallery Ecofeminism(S)
Thomas Erben Gallery ecofeminism(s) curated by Monika Fabijanska June 19 - July 24, 2020 Press Day: Thursday, June 18, 2020, 12-6pm Reopens: September 8-26, 2020 526 West 26th Street, Suite 412-413 New York, NY 10001 Gallery Hours: Tue - Sat, 10-6pm Summer Hours: Mon – Fri , 11-6pm (June 29-July 24) NEW INFORMATION (updated August 28, 2020) ecofemisnism(s) online: PRESS RELEASE PRESS KIT: WORK DESCRIPTIONS & IMAGES LIST OF ARTISTS LIST OF ARTWORKS IMAGES ESSAY EXHIBITION PRESS UPCOMING PROGRAMS: Thursday, September 10, 6:30 PM EST Christies’s webinar: Spotlight on ecofeminism(s) REGISTER This complimentary webinar explores the critically acclaimed group exhibition ecofeminism(s) at Thomas Erben Gallery. Exhibition curator Monika Fabijanska and gallerist Thomas Erben will join Christie’s Education’s Julie Reiss for a discussion about the show’s timeliness and the increasing centrality in the art world of art grounded in ecological and other human rights concerns. Wednesday, September 16, 6:30 PM EST Zoom conversation with Raquel Cecilia Mendieta, niece and goddaughter of Ana Mendieta and Mira Friedlaender, daughter of Bilge Friedlaender, moderated by Monika Fabijanska. LINK TO ZOOM Meeting ID: 969 1319 1806 Password: 411157 RECORDED PROGRAMS GALLERY WALKTHROUGH WITH THE CURATOR ZOOM CONVERSATIONS moderated by curator Monika Fabijanska: Wednesday, July 8, 6:30 PM EST Lynn Hershman Leeson Mary Mattingly Hanae Utamura Julie Reiss, Ph.D., Christie’s Education CLICK TO WATCH THE RECORDING Wednesday, July 15, 6:30 PM EST Aviva Rahmani Sonya Kelliher-Combs -
Three Waves of Feminism
01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women.