irm 1go615,,61V7 BROOKLYN ACADEMY OF MUSIC

Metropolitan Co.

in ti

March 15, 1909 '

OFFICIAL PROGRAM 4- Remaining

March 24. . , April 5. La Boheme

i

, 690 690 64 -7- -7-

Arrangements have been made with the American Guild of Organists for a series of Recitals upon the great organ in the Academy of Music, on Sunday afternoons, the proceeds to be given to the hospitals of Brooklyn, to be designated by those who as- sume the responsibility for the neces- sary expense of the Recitals. Tickets, 50 cents, will be on sale at the box office of the Brooklyn

Academy of Music. _

The fourth Recital will be held Sunday, March 21st, at 4 P. M., for the benefit of the German Hospital. Organist, H. Brooks Day, F. A. G. O.

Z. &al) dy ae

7 Twelfth Night of the Subscription, Monday Evening, March 15th, 1909, at 8 o'clock The Bartered Bride (PRODANA NEVÉSTA) Bohemian Opera in Three Acts By K. Sabina German Text by Max Kalbeck MUSIC BY BEDRICH SMETANA (IN GERMAN)

KRUSCHINA, a peasant ROBERT BLASS KATHINKA, his wife MARIE MATTFELD MARIE, their daughter EM MY DESTINN MICHA, landowner ADOLF MÜHLMANN AGNES, his wife HENRIETTA WAKEFIELD WENZEL, their son ALBERT REISS HANS, Micha's son by first marriage CARL JöRN KEZAL, marriage broker SPRINGER, director of a traveling circus JULIUS BAYER ESMERALDA, a dancer ISABELLE L. HUILLIER MUFF, a comedian LUDWIG BURGSTALLER Peasants and Circus People.

CONDUCTOR STAGE MANAGER ANTON SCHERTEL CHORUS MASTER HANS STEINER

Incidental Dances arranged by M. OTTOKAR BARTIK Act. I. -Polka by M. Ottokar Bartik, Mlle. Gina Torriani and Corps of Bohemian Dancers. Act. II.- Furiant by M. Ottokar Bartik, Mlles. Gast and Pechfelder. Act. III. -Comedy: Mlles. Gina Torriani, Gast, Pechfelder, Bourgeau and Weidlich. The Overture will be played between Acts I. and II.

..SYNOPSIS OF SCENERY. Acts I. and III. -Main Street of a large Bohemian Vil- lage at kermesse time. Act II.- Interior of a Tavern. Costumes designed by Professor Heinrich Lefler, of the Im- perial Academy, Vienna, and made by Alexander Blaschke & Co., Vienna. Scenery by Brüder Kautsky & Rottonara, Vienna. There will be an intermission of twenty minutes after each act, which will bring the opera to a close at about eleven o'clock. On Grand Opera Nights the Banquet Hall will be open as a Foyer, and can be reached either by the stairways to the First Balcony, or by the Elevators in main En- trance Lobby.

8 ARGUMENT The scene is laid in a small village in Bohemia. A chorus is joyfully singing of love. Marie, a young girl, and her lover, Hans, are not so happy, for Marie's parents want to marry her off to a man she does not love. Hans, her lover, is sure that all will turn out well, and that if she only loves him, no one can compel her to marry the other man. At the sound of ap- proaching footsteps, Hans goes, and Marie hides as Kezal, a matrimonial agent, Kruschina, Marie's father, and Kathinka, her mother, come on the scene. Kezal has been negotiating for a marriage between Marie and Wenzel, the son of Micha, one of the men of the village, but they have not yet told Marie s of their choice. The father does not think it necessary to get her consent, but the mother has more sympathy for her daugh- ter, and asks them to wait and hear what Marie has to say. Kezal sings the praises of Wenzel and arouses their curiosity to such an extent, that they regret that he did not bring Wen- zel with him. Marie comes on the scene and refuses to hear of marrying Wenzel. She loves Hans and will marry no one else. Kruschina promises Micha in writing that he will give Marie to his son. Marie is still firm in her decision, so Kezal tells Kruschina to go and talk it over with Micha, while he goes to see what he can do with Hans. ' In the next scene, which ends the act, some country folk are gathered in front of the inn, drinking, while the young men and girls dance.

ACT II. A room in the inn. Hans is seated at one end of the table, and Kezal at another. They drink. Hans is extolling the joy of loving and being loved, when Kezal comes up to him and tells him that love is nothing if one has no money, but Hans disagrees. Young men and girls are dancing. Wenzel comes in rather tipsy, when Marie approaches him, and begs him not to marry the girl he is promised to, because she loves another. She tells him that she knows a very pretty girl, who is madly in love with him. Wenzel promises to renounce the girl, and is very much touched by the interest Marie has taken in him. In the meantime, Kezal asks Hans to give up Marie and promises him 300 gulden if he does so. Hans agrees, on the condition that she marry no one but Micha's son (for he is Micha's son, but from his first wife). Kezal yields, and the contract is signed. Hans rejoices at his own cleverness and looks forward to a happy life with Marie. In the next scene, Kezal returns to the parents with Hans, and they all rejoice that Kezal has been able to straighten matters so cleverly. ACT III. A traveling company comes to the town and the manager announces all the celebrities. Wenzel is still very tipsy and is very much smitten by the pretty tight -rope dancer Esmeralda, who encourages his advances. Unfortunately, the man who was to play the bear has gotten drunk, and they cannot find another who would fit in the hide. The manager, seeing that Wenzel is so interested in Esmeralda, thinks it a good way to get him to do the bear- tricks, and finally persuades him to get into the hide and dance. (Continued on page ¡2)

9 DIAGRAMS OF EXITS

IF tt' a 1 I V o a EXIT? -,.. 3 EXIT 5 = E= Q 6 EXIT6a W EXIT4 _J J W W r U) J J a J N Q U) N Q, Q LADIES' RETIRING ROOM 1 EXITS OPERA HOUSE P Main Floor SMOKING ROOM up TO UP COAT'S HAT Ñ FLACKS 2-BALCOMYExi7 :Illlllfil

In the next scene, Wenzel's mother comes to take him to Marie, but he refuses to go, saying that he does not want her, because he was told she would torture him to death, bcause she loves another. Kezal tells Marie and the rest that Hans had sold her for 30o gulden. Marie refuses to believe it, but when she sees the contract, she is convinced of her lover's faithlessness. She asks them to leave her alone. They go. Hans comes and talks to her of his love, tells her the whole trick in a very jolly and bantering way. but she does not see through it, and refuses to listen to him, when he tries to ex- plain the mystery. Kezal and the others come on the scene, and though they are happy to have gotten rid of Hans, they are rather disgusted with his mean treatment of Marie. Hans tries to convince Marie that she will marry Micha's son any- way, but she is still ignorant of the fact that Hans is Micha's long -lost son. When Agnes and Micha come in, they recog- nize Hans and see that Kezal has fallen into his own snare; and when Marie admits that she loves Hans they ridicule Kezal and he takes to his heels. Wenzel comes in dressed in the bear -hide and is dragged away by his mother. The happy lovers are then blessed by Micha and all rejoice in the wedding of the Bartered Bride.

12

Noc e __,1 III,.

EXITS EXIT10

OPERA HOUSE Second Floor,

W J Q EXIT 13 EXIT 11 7 EXIT 14 EXIT 12

W W ,Y w C -J rt t In Q o F F W z .; J o o 0 O `MN 2ND BALCONY STAIRCASE ELEVATORS

_ I

Saturday Afternoon, March 20th 2 o'clock "THE LITTLE PRINCESS Benefit for the Brooklyn Free Kindergarten Society

Friday Evening, March 26th 8.15 o'clock AMHERST COLLEGE MUSICAL ASSOCIATION

Wednesday Evening, March 31st 8.15 o'clock BROOKLYN PHILHARMONIC SOCIETY Benefit of the Samaritan Hospital

13 l

OPERA HOUSE Third Floor

W r U ci 7 r pJ ó EXIT15 EXIT 17 z t Q W EXIT 16 EXIT 18 _ x Cr Q

W J JW

Q Q W J JW J EXIT 19 N Q 4 o f N r- II i ELEVATORS X w RETIRING A COAT ROOMS

Cloak Rooms and Ladies' Rooms on Orchestra and Second Balcony Floors.

Telephone Booths at East and West Ends of Main Lobby.

Any one finding lost articles will please leave them at The Acad- emy office, entrance on St. Felix Street, which is open daily from 9.00 a. m. until io.00 p. m. All inquiries relating to lost articles should there be made.

Water of the Great Bear Company used in the Academy.

The Brooklyn Academy of Music is equipped with the ACOUSTICON to enable the patrons, whose hearing is defective, to enjoy the opera to the fullest extent. Seat and box holders may have an installation made by application to the General Acoustic Company, 1265 Broadway.

The "Vite" Carriage Call system used in The Brooklyn Academy of Music, is leased from the General Acoustic Company of New York.

Patrons are earnestly requested to assist the management in their efforts to place their carriages at the door promptly, and with this in view you are respectfully requested to remain INSIDE the lobby until your carriage number appears on the number carrying machine in the lobby.

14 Telephones VALENTIN SCHMITT Main 606 -1812 -6825 Proprietor

jLot Bran 1uß 588 -592 Fulton Street 79 -83 Rockwell Place BROOKLYN, N. Y. Entrance to Ladies' Dining Room, 592 Fulton Street

Lodge Rooms for Meetings, etc.

ACCOMMODATIONS FOR Beefsteak Parties, Private Dinners, Weddings, Card Parties Special Attention to Clubs and Societies

BUSINESS MEN'S LUNCH, 40 CENTS From 12 to 2 P.M. Every Evening from 6 to 1 Vienna Orchestra First Class Service. Moderate Prices. Exquisite Cooking Come and see the new Bavarian Room, the new Banquet Hall and the Buffalo Room.

15 w

Mlle. EMMY 1)ESTINN is one more great artist who has added her ap- proval by choosing for her personal use the HARDMAN PIANO The piano which an artist chooses for daily, intimate use in ,her own home, the instrument she selects as the greatest aid' to her work, must be accepted as the one that expresses her personal estimate more definitely than any written word.

Hardman Pianos range in price from $390 to $z000 for uprights; $650 to $1500 for Grands. Terms may be arranged to suit your convenience. The highest possible value is allowed on in- struments taken in exchange.

Hardman, Peck & Company ESTABLISHED 1842 524 Fulton Street, Brooklyn

EAGLE PRESS, BROOKLYN-NEW YORK ÌU'} BROOKLYN ACADEMY OF MUSIC

Metropolitan Opera Co.

in

The Bartered Bride

March 15, 1909

OFFICIAL PROGRAM The new Spring Hats from Paris will be exhibited in our

Millinery Salon, March , the Sixteenth.

ABP°riA,,,,,gmaus'.

.. 1

2 Brooklyn has now the largest and best Cold Storage Plant for Furs anywhere in the world

It is the new plant now being completed in the new Loeser Building on Livingston Street. It will be nearly twice as large as the next largest in Brooklyn. It has every possible scientific device for the protection of furs, rugs, fine garments, etc., from moths, fire, theft or any damage whatever. Garments will be hung separately and cold dry air will constantly circulate among them. - Putting your furs in this plant costs very little and gives you abso- lute insurance against loss.

CZe7&,61) f In every detail the Leading Retail Establishment of Brooklyn]

3 S

.-_..

` : " Yr r,, . .. 4.

. ">°.. The Bartered Bride makes a fine theme for an opera, but she isn't the young woman of spirit we expect to visit our exhibition of ex- quisite cut glass. So anxious are we to please this young woman that we have built a charming boudoir just to show these choice crystal effects in. No one excels us in the quality and beauty of cut glass, and if others can't sell it as low as we do that is their fault.

WnIT*43, , . 1z4 More than fifty stores under one roof

4 CHARTERED 1866 I BROOKLYN TRUST COMPANY Main Office: 177 -179 Montague St. Branch: Bedford Ave. and Fulton St. Manhattan Office: 90 Broadway (2 Wall St.)

CAPITAL $1,000,000 UNDIVIDED PROFITS ..... 2,177,900

TRUSTEES THOMAS T. BARR THEODORE F. MILLER SAMUEL W. BOOCOCK WILLIS L. OGDEN GEORGE W. CHAUNCEY JOSEPH E. OWENS WILLIAM N. DYKMAN JOHN J. PIERREPONT WILLIAM HESTER CHARLES M. PRATT FRANCIS L. HINE GEORGE G. REYNOLDS WILLIAM A. JAMISON CHARLES A. SCHIEREN DAVID H. LANMAN EDWARD M. SHEPARD FRANK LYMAN J. H. WALBRIDGE HOWARD W. MAXWELL ALEXANDER M. WHITE WILLIS D. WOOD

ADVISORY COMMITTEE Bedford Branch

EUGENE F. BARNES _ JOHN MCNAMEE WILLIAM MCCARROLL JOHN C. RICHARD EDWARD LYONS

OFFICERS THEODORE F. MILLER, President SAMUEL W. BoococK, Vice- President ALEXANDER M. WHITE, Vice-President DAVID H. LANMAN, Treasurer STANLEY W. HUSTED, Secretary FRANK J. W. DILLER, Assistant Secretary WILLIS MCDONALD, JR., Assistant Secretary HORACE W. FARRELL, Assistant Secretary C. O. BRINCKERHOFF, Manager Bedford Branch

This Company's experience of over forty years in the execution of various trusts commends it for ap- pointment as Executor, Trustee, Guardian or Admin- istrator. A Booklet containing useful information on this subject may be procured upon application at any of the offices. -

5 Remaining Operas

March 24. Aida.

April 5. La Boheme (i)90 0 40

Arrangements have been made with the American Guild of Organists for a series of Recitals upon the great organ in the Academy of Music, on Sunday afternoons, the proceeds to be given to the hospitals of Brooklyn, to be designated by those who as- sume the responsibility for the neces- sary expense of the Recitals. Tickets, 50 cents, will be on sale at the box office of the Brooklyn Academy of Music.

The fourth Recital will be held

4 Sunday, March 21st, at 4 P. M., for 1 i the benefit of the German Hospital. Organist, H. Brooks Day, F. A. G. O.

} _ 1`. áe db ctib

7 Twelfth Night of the Subscription, Monday Evening, March 15th, 1909, at 8 o'clock The Bartered Bride (PRODANA NEVÉSTA) Bohemian Opera in Three Acts By K. Sabina German Text by Max Kalbeck MUSIC BY BEDRICH SMETANA (IN GERMAN)

KRUSCHINA, a peasant ROBERT BLASS KATHINKA, his wife MARIE MATTFELD MARIE, their daughter MICHA, landowner ADOLF MÜHLMANN AGNES, his wife HENRIETTA WAKEFIELD WENZEL, their son ALBERT REISS HANS, Micha's son by first marriage CARL JöRN KEZAL, marriage broker ADAMO DIDUR SPRINGER, director of a traveling circus JuLlus BAYER ESMERALDA, a dancer ISABELLE L. HUMMER MUFF, a comedian LUDWIG BURGSTALLER Peasants and Circus People. CONDUCTOR GUSTAV MAHLER STAGE MANAGER ANTON SCHERTEL CHORUS MASTER HANS STEINER

Incidental Dances arranged by M. OTTOKAR BARTIK : Act. I. -Polka by M. Ottokar Bartik, Mlle. Gina Torriani and Corps' of Bohemian Dancers. Act. II.- Furiant by M. Ottokar Bartik, Mlles. Gast and Pechfelder. Act. III. -Comedy: Mlles. Gina Torriani, Gast, Pechfelder, Bourgeau and Weidlich. The Overture will be played between Acts I. and II. SYNOPSIS OF SCENERY. Acts I. and III. -Main Street of a large Bohemian Vil- lage at kermesse time. Act II.- Interior of a Tavern. Costumes designed by Professor Heinrich Lefler, of the Im- perial Academy, Vienna, and made by Alexander Blaschke & Co., Vienna. Scenery by Briider Kautsky &t Rottonara, Vienna. There will be an intermission of twenty minutes after each act, which will bring the opera to a close at about eleven o'clock. On Grand Opera Nights the Banquet Hall will be open as a Foyer, and can be reached either by the stairways to the First Balcony, or by the Elevators in main En- trance Lobby.

R 1

ARGUMENT The scene is laid in a small village in Bohemia. A chorus is joyfully singing of love. Marie, a young girl, and her lover, Hans, are not so happy, for Marie's parents want to marry her off to a man she does not love. Hans, her lover, is sure that all will turn out well, and that if she only loves him, no one can compel her to marry the other man. At the sound of ap- proaching footsteps, Hans goes, and Ms rie hides as Kezal, a matrimonial agent, Kruschina, Marie's father, and Kathinka, her mother, come on the scene. Kezal has been negotiating for a marriage between Marie and Wenzel, the son of Micha, one of the men of the village, but they have not yet told Marie of their choice. The father does not think it necessary to get her consent, but the mother has more sympathy for her daugh- ter, and asks them to wait and hear what Marie has to say. Kezal sings the praises of Wenzel and arouses their curiosity to such an extent, that they regret that he did not bring Wen- zel with him. Marie comes on the scene and refuses to hear of marrying Wenzel. She loves Hans and will marry no one 1 else. Kruschina promises Micha in writing that he will give Marie to his son. Marie is still firm in her decision, so Kezal tells Kruschina to go and talk it over with Micha, while he goes to see what he can do with Hans. In the next scene, which ends the act, some country folk are gathered in front of the inn, drinking, while the young men and girls dance. .1cr II. A room in the inn. Hans is seated at one end of the table, and Kezal at another. They drink. Hans is extolling the joy of loving and being loved, when Kezal comes up to him and tells him that love is nothing if one has no money, but Hans disagrees. Young men and girls are dancing. Wenzel comes in rather tipsy, when Marie approaches him, and begs him not to marry the girl he is promised to, because she loves another. She tells him that she knows a very pretty girl, who is madly in love with him. Wenzel promises to renounce the girl, and is very much touched by the interest Marie has taken in him. In the meantime, Kezal asks Hans to give up Marie and promises him 30o gulden if he does so. Hans agrees, on the condition that she marry no one but Micha's son (for he is Micha's son, but from his first wife). Kezal yields, and the contract is signed. Hans rejoices at his own cleverness and looks forward to a happy life with Marie. In the next scene, Kezal returns to the parents with Hans, and they all rejoice that Kezal has been able to straighten matters so cleverly. ACT III. A traveling company comes to the town and the manager announces all the celebrities. Wenzel is still very tipsy and is very much smitten by the pretty tight -rope dancer Esmeralda, who encourages his advances. Unfortunately, the man who was to play the bear has gotten drunk, and they cannot find another who would fit in the hide. The manager, seeing that Wenzel is so interested in Esmeralda, thinks it a good way to get him to do the bear- tricks, and finally persuades him to get into the hide and dance. (Continued on fiage ra)

9 s

MARESI CO.

Caterers and Confectioners

30 CLINTON STREET BROOKLYN

AND

719 SIXTH AVENUE NEW YORK

10 i

J

WHOLESALE GROWER OF CUT FLOWERS

Floral Decorations for all Occasions

. 77 # f[OO?/

3 and 5 GREENE AVENUE Telephones, Prospect 28406540 341 to 349 GREENE AVENUE Telephone, 2055 -L Prospect

BROOKLYN

GREENHOUSES, SHORT HILLS, N. J. Telephone, ?8 -L Short Hills

11 DIAGRAMS OF EXITS

i

3 w 7 u o J4 EXIT? n 7 EXIT5 o 6 EXIT61 c a of j W . EXIT4 i r W N In J J - Q Q á á Q Q Q c LADIES RETIRING ROOM --__ EXITS OPERA HOUSE Main Floor

////I yu SMOKING ROOM up TO UP COATS MAT oav F ro RACKS 2='OAICONY ExtT t'allllllllll F- H ."- r., uyl n..

In the next scene, Wenzel's mother comes to take him to Marie, but he refuses to go, saying that he does not want her, because he was told she would torture him to death, bcause she loves another. Kezal tells Marie and the rest that Hans had sold her for 30o gulden. Marie refuses to believe it, but when she sees the contract, she is convinced of her lover's faithlessness. She asks them to leave her alone. They go. Hans comes and talks to her of his love, tells her the whole trick in a very jolly and bantering way. but she does not see through it, and refuses to listen to him, when he tries to ex- plain the mystery. Kezal and the others come on the scene, and though they are happy to have gotten rid of Hans, they are rather disgusted with his mean treatment of Marie. Hans tries to convince Marie that she will marry Micha's son any- way, but she is still ignorant of the fact that Hans is Micha's long -lost son. When Agnes and Micha come in, they recog- nize Hans and see that Kezal has fallen into his own snare; and when Marie admits that she loves Hans they ridicule Kezal and he takes to his heels. Wenzel comes in dressed in the bear -hide and is dragged away by his mother. The happy lovers are then blessed by Micha and all rejoice in the wedding of the Bartered Bride.

12 INNIM un. III í,= EXIT 9 EXIT 10 wo

OPERA HOUSE Second Floor

W J N Q EXIT 13 EXIT 117 EXIT 14 EXIT 12 si F- u W W u p¡ J Y f N VI O Q F Z z JW o o

. 2NO BALCONY \STAIRCASE ELEVATORS

Saturday, Afternoon, March 20th 2 o'clock "THE LITTLE PRINCESS Benefit for the Brooklyn Free Kindergarten Society

Friday Evening, March 26th . 8.15 o'clock AMHERST COLLEGE MUSICAL ASSOCIATION

Wednesday Evening, March 31st 8.15 o'clock BROOKLYN PHILHARMONIC SOCIETY Benefit of the Samaritan Hospital

18

- 4 t ó a W FIRE .t.; EXIT COURT EXIT EXIT LLEVAT EXIT lobby. your efforts of made to to there a. emy Cloak view 15 16 19 H J m. ORS Music, the enable Patrons The The Any Telephone .office, carriage you by be Water until Rooms to fullest Brooklyn "Vite" application one are place made. is the entrance are x0.00 leased of finding respectfully number extent. patrons, and Booths N J W their the earnestly Carriage p. Academy Ladies' from to on Great m. lost carriages OPERA appears at the Seat whose St. the requested Call All articles East requested Bear General Felix Rooms Third and of General hearing inquiries on system at Music and Floors. Company box Street, will 14 the the 4 N J W on Floor Acoustic HOUSE to West to Acoustic holders is number used is door please remain Orchestra assist relating equipped which defective, used Ends in promptly, Company, leave may the carrying INSIDE Company The is in to of and with open management the have to them lost Main Brooklyn N J W ai and enjoy Second Academy. the 1265 daily machine the articles of an at Lobby. RETIRING with AcousTrcoN lobby New installation The Broadway. the from Rooms Academy W X N Balcony in this should in York. Acad- opera until their T., 9.00 W the EXIT EXIT . in COAT 17 18 47 z z J 4 U W Telephones VALENTIN SCHMITT Main 606 -1812 -6825 Proprietor

of räu ans 588 -592 Fulton Street 79 -83 Rockwell Place BROOKLYN, N. Y. Entrance to Ladies' Dining Room, 592 Fulton Street

Lodge Rooms for Meetings, etc.

ACCOMMODATIONS FOR Beefsteak Parties, Private Dinners, Weddings, Card Parties Special Attention to Clubs and Societies

BUSINESS MEN'S LUNCH, 40 CENTS From 12 to 2 P.M. Every Evening from 6 to 1 Vienna Orchestra First Class Service. Moderate Prices. Exquisite Cooking Come and see the new Bavarian Room, the new Banquet Hall and the Buffalo Room.

15 Mlle. EMMY

11 DESTIN N is one more great artist who has added her ap- proval by choosing for her personal use the HARDMAN PIANO The piano which an artist chooses for daily, intimate use in her own home, the instrument she selects as the

greatest aid to her work, - must be accepted as the one that expresses her personal estimate more definitely than any written word.

Hardman Pianos range in price from $390 to $1000 for uprights; $650 to $1500 -for Grands. Terms may be arranged to suit your convenience. The highest possible value is allowed on in- struments taken in exchange.

Hardman, Peck & Company ESTABLISHED 1842 524 Fulton Street, Brooklyn

EAGLE PRESS, BROOKLYN-NEW YORK