DOCSLIB.ORG

The Food/Books of Austin Clarke, Hiromi Goto, Tessa Mcwatt and Fred Wah

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Food/Books of Austin Clarke, Hiromi Goto, Tessa Mcwatt and Fred Wah Université de Montréal Literary Meals in Canada : The Food/books of Austin Clarke, Hiromi Goto, Tessa McWatt and Fred Wah par Alexia Moyer Département d’études anglaises Faculté des arts et des sciences Thèse présentée à la Faculté des arts et des sciences en vue de l’obtention du grade Doctorat en Études anglaises Avril 2012 © Alexia Moyer, 2012 Université de Montréal Faculté des arts et des sciences Cette thèse intitulée : Literary Meals in Canada : The Food/books of Austin Clarke, Hiromi Goto, Tessa McWatt, and Fred Wah Présentée par : Alexia Moyer a été évaluée par un jury composé des personnes suivantes : Robert Schwartzwald, Président-rapporteur Lianne Moyes, Directrice de recherche Nathalie Cooke, Membre du jury Dominic Pettman, Examinateur externe Najat Rahman, Représentante du doyen de faculté des arts et sciences i RÉSUMÉ Literary Meals in Canada étudie Pig Tails ’n Breadfruit d'Austin Clarke, Chorus of Mushrooms et The Kappa Child de Hiromi Goto, This Body de Tessa McWatt, ainsi que Diamond Grill de Fred Wah. Cette thèse entreprend d’établir la signification de la nourriture dans ces récits, ce qu'elle permet aux auteur(e)s d'exprimer par rapport à divers thématiques—les structures sociales, la culture, le langage, ou encore la subjectivité—et comment ils/elles établissent des connexions entre elles, et quelles conclusions ils/elles en tirent. En d'autres termes, cette thèse s'interroge sur les stratégies utilisées par ces auteur(e)s lorsqu'ils écrivent de la “nourri-téra-ture.” Ma lecture de ces œuvres est aussi ancrée au sein d'une conversation sur la nourriture au sens large: que ce soit dans les cercles académiques, dans les supermarchés, par l'intermédiaire des étiquettes, ou dans les médias. J'examine comment mon corpus littéraire répond, infirme, ou confirme les discours actuels sur la nourriture. Divisé en quatre chapitres—Production, Approvisionnement, Préparation, et Consommation—ce mémoire précise la signification du “literary supermarket” de Rachel Bowlby, en s'appuyant sur les travaux de Michael Pollan et Hiromi Goto; compare la haute cuisine d'Escoffier à la “hot-cuisine” d'Austin Clarke; recherche les connections entre l’acte de faire la cuisine et celui de l’écrire chez Luce Giard, Austin Clarke, et Fred Wah; confronte les préceptes d'Emily Post concernant les bonnes manières de la table à la cacophonie et aux bruits de mastication chez Hiromi Goto; et relie Tessa McWatt et Elspeth Probyn qui partagent, toutes deux, un intérêt et une approche à la sustentation des corps. ii Les textes qui composent ce corpus sont des “foodbooks” (“aliment-textes”). La nourriture, et les différentes activités qui y sont associées, y est transcrite. C’est pourquoi cette thèse accorde une grande importance aux particularités de ce moyen d'expression. Mots-clés : repas littéraires au Canada, aliment-textes, Austin Clarke, Hiromi Goto, Tessa McWatt, Fred Wah. iii ABSTRACT Literary Meals in Canada examines Austin Clarke’s Pig Tails ’n Breadfruit, Hiromi Goto’s Chorus of Mushrooms and The Kappa Child, Tessa McWatt’s This Body, and Fred Wah’s Diamond Grill. It asks, what does food mean to these stories, what does it allow the writers in question to say—about social structures, culture, language, and subjectivity—and how do they go about making these connections or drawing these conclusions? In other words, what are their food-writing strategies? I also read these texts as part of a larger conversation about food, a conversation taking place in academic circles as well as at the supermarket, on food labels, on television, and other media outlets. I look for moments in which my literary corpus responds to and challenges food-centred discourse. Comprised of four chapters—Production, Procurement, Preparation, and Consumption—this dissertation explicates Rachel Bowlby’s term, “literary supermarket,” through Michael Pollan and Hiromi Goto; it compares Escoffier’s haute cuisine with Austin Clarke’s “hot-cuisine”; it tracks the kinship between “doing-cooking” and writing cooking, as articulated by Luce Giard, Austin Clarke, and Fred Wah; it reads Emily Post’s advice on table manners against Hiromi Goto’s cacophony of gnashing and nibbling; and it pairs Tessa McWatt with Elspeth Probyn, both of whom share a similar approach to, and interest in, bodies that eat. The texts that make up this corpus are foodbooks. Food and the activities and processes associated with it are therefore mediated by language. For this reason the dissertation attends to the particularities and the potential effects of writing food. iv Keywords : literary meals in Canada, foodbooks, Austin Clarke, Hiromi Goto, Tessa McWatt, Fred Wah v TABLE OF CONTENTS Introduction ............................................................................................................................ 1 Chapter 1: Production .......................................................................................................... 24 Chapter 2: Procurement........................................................................................................ 58 Chapter 3: Preparation.......................................................................................................... 97 Chapter 4: Consumption .................................................................................................... 132 Conclusion.......................................................................................................................... 163 vi À Madame de Scélo et ses goûters. À Franck et son potager. vii Acknowledgements Many thanks: —To my supervisor, Professor Lianne Moyes, who guided this project from its initial, tentative stages to completion. I am most grateful for her critical insight and her kindness. It has been a privilege to learn from her. —To Professors Robert Schwartzwald and Heike Härting, who have been most generous with their knowledge and their time. —To Madame Johanne Ménard-Simard for her administrative support. —To the members of the études anglaises Peer Editing Group and the Canadianist Research Group, from whom I have learned so much about writing, research, and collaboration. —To Naqaa Abbas, Richard Cassidy, Julia Christensen, Lilianne Dang, Sandra Duric, Sarah Henzi, Karis Shearer, and Warren Steele, for their invaluable feedback and encouragement. —To Professor Nathalie Cooke, for her support of my postdoctoral research. —To Professor Caroline Rosenthal, for sharing her unpublished work with me. —To Margot Auber, for her gracious and well-timed offer to proofread the final draft. —To my grandparents, Donald and Gertrude Moyer, for their interest in, and support of, learning in all its forms. —À mes beaux-parents préférés, Jean et Christine Scherrer, pour leur soutien tout au long de ma thèse. viii —To my parents, Ian and Lilyane Moyer, who approach their work and play with dedication and enthusiasm. —À Bertrand, for your keen (yet kind) critical eye, and for all the moments between the research and the writing. Introduction 2 People ask me: Why do you write about food, and eating, and drinking? Why don't you write about the struggle for power and security, and about love, the way others do? They ask it accusingly, as if I were somehow gross, unfaithful to the honor of my craft. The easiest answer is to say that, like most other humans, I am hungry. But there is more than that. It seems to me that our basic needs, for food and security and love are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it . and then the warmth and richness and fine reality of hunger satisfied . and it is all one. —M.F.K. Fisher, The Gastronomical Me, (vii) If there is one sure thing about food, it is that it is never just about food. Terry Eagleton, “Edible écriture” (204) What is a foodbook? A search engine responds to my initial inquiry with a question of its own; do you mean food book? No, I mean foodbook. It is a combined word, a neologism if you will, like gastrotext,1 gastropoetics,2 food fictions,3 gastro-graphy.4 The terms are very similar. Each prefix (or similar) references all things alimentary: food, ingestion, and digestion. Each suffix is about writing, narration, poetry, representation. A foodbook, as I shall attempt to articulate in the next few paragraphs, is many things. It is the title (in part) of this thesis. It is the neologism I have chosen to describe this project of mine about food and written representations of food.5 It is a pithy term which, 1David Bevan's Introduction to Literary Gastronomy. 2Parama Roy, Alimentary Tracts: Appetites, Aversions, and the Postcolonial. 3Tobias Döring, Markus Heide, and Susanne Mühleisen. Food and Culture: The Poetics and Politics of Food. 4Rosalia Baena, “Gastro-graphy: food as metaphor in Fred Wah's Diamond Grill and Austin Clarke's Pig Tails 'n Breadfruit,” in Canadian Ethnic Studies. 5 I prefer foodbook over the other options: gastrotext, gastropoetics, food fictions, gastro-graphy, for its inclusivity. “gastro” invokes consumption, the chewing and swallowing kind, but does not allude to the other activities, production, procurement, preparation that are also the focus of this project. “Fictions” 3 most notably, appears on the cover of a cookbook / “literary symposium” / fundraiser compiled and edited by Margaret Atwood, published by Totem Books, and produced for P.E.N. International (1987). I refer here
Load more

Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
    1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen
    [Show full text]
  • Cahiers-Papers 53-1
    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
    [Show full text]
  • Canada's Façade of Equality: Austin Clarke's More Mary Ma
    Ma, “Canada’s Façade of Equality” 11 Canada’s Façade of Equality: Austin Clarke’s More Mary Ma Canada is known as a haven for immigrants. Canadian migrants, their children, and their grandchildren live in the diaspora, a physical community who “acknowledge that ‘the old country’ […] always has some claim on their loyalty and emotions” (Cohen qtd. McLeod 237) and carry a fractured sense of identity through “living in one country but looking across time and space to another” (McLeod 237). Canada prides itself as a multicultural nation that champions inclusivity, diversity, and equality. However, it seems Canada’s often glorified multiculturalism is little more than “a media mask, […] a public advertising campaign” (McLeod 262). This façade seems to be promoted by Canadian media, government, and society to perpetuate an illusion of equality while concurrently “ignor[ing] the underlying and continuing inequalities and prejudices that blight the lives of diasporic peoples” (McLeod 262). In the novel More, Austin Clarke incisively exposes the implicit systemic and societal racism festering in Canada, while also exposing the psychological complexities of living in the diaspora. In More, Clarke unmasks Canada’s systemic discrimination which has long allowed Canadian employers to retain power while subjugating vulnerable immigrant workers. Clarke delineates this systemic racism by describing the limited employment opportunities immigrants, especially Black immigrants, have in Canada. In the novel, Bertram is an apprentice mechanic in Barbados. Upon his arrival in Canada, he earnestly pursues a job in his specialized field. However, “after two months of single-minded perusal of the pages that advertised hundreds of jobs, skilled and unskilled, that related to repairing cars” (Clarke 67), Bertram abandons his dream.
    [Show full text]
  • Body Histories and the Limits of Life in Asian Canadian Literature
    Body Histories and the Limits of Life in Asian Canadian Literature by Ranbir Kaur Banwait M.A., Simon Fraser University, 2008 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences Ranbir Kaur Banwait 2014 SIMON FRASER UNIVERSITY Summer 2014 Approval Name: Ranbir Kaur Banwait Degree: Doctor of Philosophy (English) Title of Thesis: Body Histories and the Limits of Life in Asian Canadian Literature Examining Committee: Chair: Dr. Sean Zwagerman Associate Professor of English Dr. Christine Kim Co-Senior Supervisor Assistant Professor of English Dr. David Chariandy Co-Senior Supervisor Associate Professor of English Dr. Larissa Lai Associate Professor of English University of Calgary Dr. Lara Campbell Internal Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Dr. Donald Goellnicht External Examiner Professor of English and Cultural Studies McMaster University Date Defended/Approved: July 24, 2014 ii Partial Copyright Licence iii Abstract Histories of racialization in Canada are closely tied to the development of eugenics and racial hygiene movements, but also to broader concerns, expressed throughout Western modernity, regarding the “health” of nation states and their subjects. This dissertation analyses books by Velma Demerson, Hiromi Goto, David Chariandy, Rita Wong, Roy Miki and Larissa Lai to argue that Asian Canadian literature reveals, in heightened critical terms, how the politics of racial difference has
    [Show full text]
  • Lai CV April 24 2018 Ucalg For
    THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’
    [Show full text]
  • Japanese Elements in the Poetry of Fred Wah and Roy Kiyooka
    Susan Fisher Japanese Elements in the Poetry of Fred Wah and Roy Kiyooka For nearly a century, Japanese poetic forms have pro- vided inspiration for poets writing in English. The importance of Japanese poetry for Ezra Pound and its role in the formation of Imagism have been well documented (see, for example, Kawano, Kodama, and Miner). Charles Olson, in his manifesto "Projective Verse" (1950), drew examples from Japanese sources as well as Western ones. Several of the Beat Generation poets, such as Gary Snyder, Allen Ginsberg, and Philip Whalen, studied in Japan and their work reflects a serious interest in Japanese poetry. Writing in 1973, p o e t and translator Kenneth Rexroth declared that "classical Japanese and Chinese poetry are today as influential on American poetry as English or French of any period, and close to determinative for those born since 1940" (157). Rexroth may have been overstating this influence; he, after all, had a role in creating it. Nonetheless, what Gary Snyder calls the "myste- riously plain quality" of East Asian verse has served as a model for the simple diction and directness of much contemporary poetry ("Introduction" 4). Writers belonging to these two generations of Asian-influenced American poets—the Imagists and the Beat poets—had no ethnic connection to Asia. But the demographic changes of the last few decades have produced a third generation whose interest in Asian poetry derives at least in part from their own Asian background. Several Asian Canadian poets have written works that are modelled on Japanese genres or make sustained allusions to Japanese literature.
    [Show full text]
  • Governor General's Literary Awards
    Bibliothèque interculturelle 6767, chemin de la Côte-des-neiges 514.868.4720 Governor General's Literary Awards Fiction Year Winner Finalists Title Editor 2009 Kate Pullinger The Mistress of Nothing McArthur & Company Michael Crummey Galore Doubleday Canada Annabel Lyon The Golden Mean Random House Canada Alice Munro Too Much Happiness McClelland & Steward Deborah Willis Vanishing and Other Stories Penguin Group (Canada) 2008 Nino Ricci The Origins of Species Doubleday Canada Rivka Galchen Atmospheric Disturbances HarperCollins Publishers Ltd. Rawi Hage Cockroach House of Anansi Press David Adams Richards The Lost Highway Doubleday Canada Fred Stenson The Great Karoo Doubleday Canada 2007 Michael Ondaatje Divisadero McClelland & Stewart David Chariandy Soucoupant Arsenal Pulp Press Barbara Gowdy Helpless HarperCollins Publishers Heather O'Neill Lullabies for Little Criminals Harper Perennial M. G. Vassanji The Assassin's Song Doubleday Canada 2006 Peter Behrens The Law of Dreams House of Anansi Press Trevor Cole The Fearsome Particles McClelland & Stewart Bill Gaston Gargoyles House of Anansi Press Paul Glennon The Dodecahedron, or A Frame for Frames The Porcupine's Quill Rawi Hage De Niro's Game House of Anansi Press 2005 David Gilmour A Perfect Night to Go to China Thomas Allen Publishers Joseph Boyden Three Day Road Viking Canada Golda Fried Nellcott Is My Darling Coach House Books Charlotte Gill Ladykiller Thomas Allen Publishers Kathy Page Alphabet McArthur & Company GovernorGeneralAward.xls Fiction Bibliothèque interculturelle 6767,
    [Show full text]
  • 150 Canadian Books to Read
    150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J.
    [Show full text]
  • Lost Languages and Cultural Identity in Hiromi Goto's
    Ewa Bodal “A loss so fine it pierced my heart.” Lost languages and Cultural Identity in Hiromi Goto’s "Chorus of Mushrooms" and Eden Robinson’s "Monkey Beach" TransCanadiana 6, 235-248 2013 Ewa Bodal Nicolaus Copernicus University “A LOSS SO FINE IT PIERCED MY HEART.” LOST LANGUAGES AND CULTURAL IDENTITY IN HIROMI GOTO’S CHORUS OF MUSHROOMS AND EDEN ROBINSON’S MONKEY BEACH Résumé : Bien que Chorus of Mushrooms d’Hiromi Goto et Monkey Beach d’Eden Robinson aient été écrits par deux auteurs évoluant dans des contexts ethniques et sociaux différents, les deux romans partagent le thème commun, celui de la perte de la langue ancestrale dans les textes des protagonistes. Dans Chorus of Mushrooms, les parents japonais immigrants de Muriel, ou Murasaki, construisent l’identité de toute la famille sur le rejet de la langue et de la culture japonaises ; dans Monkey Beach, la communauté de Haisla des Premières nations de Kitamaat où vivent la protagoniste Lisamarie Hill et sa famille, s’est presque entièrement occidentalisée et pratiquement plus personne ne parle le Haisla. Étonnément, dans les deux romans, la langue ancestrale peut être considérée comme moyen d’accéder à la véritable identité des protagonistes, comme une traduction de la tradition vers l’anglais ; ce qui ne s’avère être qu’une traduction approximative, loin de suffire à transmettre les complexités de leurs cultures respectives des non-Blancs. L’article est consacré à la question de la perte des langues et à leur rôle de porteurs de l’identité ethnique et culturelle dans Chorus of Mushrooms et Monkey Beach.
    [Show full text]
  • Diasporic Interventions in the Work of SKY Lee, Joy Kogawa, Hiromi Goto, and Fred Wah
    University of Alberta Asian Canadian Literature: Diasporic Interventions in the Work of SKY Lee, Joy Kogawa, Hiromi Goto, and Fred Wah Guy Pierre Beau regard O A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English Edmonton, Alberta Spring 2000 National Library Bibliothèque nationale 1*1 ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington OttawaON KlAON4 OüawON KtAON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distri'bute or sell reproduire7prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/.film, de reproduction sur papier ou sur format électronique. The author retains ownenbip of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract This dissertation argues that liierary texts by SKY Lee, Joy Kogawa, Hiromi Goto, and Fred Wah function as diasporic interventions in the ongoing process of remembering a "racist past" in order to secure or contest a "multicultural presentnin Canada. It draws on the complementary insights of diaspora theory.
    [Show full text]
  • Canadianliterature / Littérature Canadienne
    Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 205, Summer 20 10, Queerly Canadian Guest Edited by Janice Stewart and Laura Moss Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Larissa Lai (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–2003), Laurie Ricou (2003–2007) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Editorial Janice Stewart Queerly Canadian: Introduction 6 Articles Nancy Kang Ecstasies of the (Un)Loved: The Lesbian Utopianism of Hiromi Goto’s The Kappa Child 13 Susan Billingham Écriture au Trans-féminine: Trish Salah’s Wanting in Arabic 33 Articles, continued Marni Stanley Drawn Out: Identity Politics and the Queer Comics of Leanne Franson and Ariel Schrag 53 L.
    [Show full text]