Governor General's Literary Awards
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
A. Scholarships
A. Scholarships St. Thomas University recognizes academic excellence through a generous scholarship program. The university offers a wide range of entrance awards to highly qualified students admitted on the basis of their high school records, as well as numerous scholarships-in- course to continuing students who have achieved academic distinction at St. Thomas. Entrance Scholarships The Entrance Scholarship program is competitive and is designed to attract outstand- ing scholars to the St. Thomas University campus. Except when otherwise specified, the entrance awards are open to candidates for full-time admission to the first year of the Bachelor of Arts program who are applying on the basis of their high school records. 1. Selection Criteria In selecting entrance scholarship recipients, the primary criterion considered by the Entrance Scholarship Selection Committee is the academic record. The Committee reviews the following: • admission average • Grade 12 program: courses and levels • rank in graduating class • program and performance in grade 11 Note: The admission average is calculated on the senior-level academic English grade and the grades on four other Grade 12 academic courses drawn from our list of approved admis- sions subjects. For details, please consult Section One, Admissions and Registration. At mid year, the admission averages for scholarship purposes is calculated on the overall av- erage of final grades on Grade 11 academic subjects, as well as final first-semester results or mid-year results (for non-semestered schools) on Grade 12 academic subjects. Other factors considered include: • a reference letter from a teacher, principal or guidance counsellor In addition to the academic selection criteria, the following criteria are considered in award- ing some entrance scholarships: • leadership qualities • extracurricular activities • financial status 2. -
Writing Here1
WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story. -
The Globe 100: Our Favourite Books of 2020
The Globe 100: Our favourite books of 2020 Globe and Mail editors and reviewers offer up our annual guide to the most notable fiction, non- fiction, thrillers, graphic novels, picture books, young adult books and cookbooks of the year MARGARET CANNON, JEFFREY CANTON, JUDITH PEREIRA, SEAN ROGERS, AND ALEC SCOTT SPECIAL TO THE GLOBE AND MAIL PUBLISHED DECEMBER 4, 2020UPDATED 1 MINUTE AGO ILLUSTRATION BY SALINI PERERA Ridgerunner GIL ADAMSON (HOUSE OF ANANSI PRESS) The sequel to The Outlander (2007), this gothic Western was short-listed for this year’s Giller and won the Writers’ Trust Fiction Prize. The novel begins in 1917 with the death of Mary, the first novel’s main character, and focuses on the father of her child, Moreland. He sets out to steal enough cash to give his son a comfortable life. But their boy, who has his parents’ stubbornness and itch for self- sufficiency, doesn’t stay put for long. READ OUR INTERVIEW WITH AUTHOR GIL ADAMSON Homeland Elegies AYAD AKHTAR (LITTLE, BROWN AND COMPANY) This novel by the Pulitzer-winning author of Disgraced provocatively blends fact and fiction, paradox and contradiction, appearing to be a memoir of a man with the same name and pedigree as its author – a Pulitzer-winning American playwright of Pakistani-Muslim extraction whose father, a doctor, became enamoured with Donald Trump after treating him for a heart ailment, and then disillusioned after he assumes the presidency. READ OUR INTERVIEW WITH AUTHOR AYAD AKHTAR Leave The World Behind RUMAAN ALAM (HARPERCOLLINS) The author of Rich and Pretty and That Kind of Mother is back with a look at what happens when a pair of white renters, Clay and Amanda, are startled by the unexpected arrival of the Black property owners, who claim they’re escaping a mysterious blackout in New York. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Death, Animals, and Ethics in David Bergen's the Time in Between
Document generated on 09/26/2021 1 p.m. Studies in Canadian Literature / Études en littérature canadienne Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins Volume 38, Number 1, 2013 URI: https://id.erudit.org/iderudit/scl38_1art013 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Mullins, K. (2013). Death, Animals, and Ethics in David Bergen’s The Time in Between. Studies in Canadian Literature / Études en littérature canadienne, 38(1), 248–266. All rights reserved, ©2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins eath is a dominating presence in David Bergen’s Giller Prize-winning novel The Time in Between (2005). Although Charles Boatman’s suicide lies at the centre of the narrative, Dthe novel — and Charles himself — is also haunted by other deaths: the death of Charles’s ex-wife, Sara, the deaths of innocents in Vietnam, and the deaths of animals. It rotates around various absences and, as is frequently the case in Bergen’s fiction, highlights individual suffering and alienation within the family unit1: Charles returns to Vietnam in the hope of ascribing meaning to the “great field of nothing” that he has experienced since the war (38), while two of his children, Ada and Jon, travel to Vietnam to search for their missing father only to discover he has committed suicide. -
A. Scholarships
A. Scholarships St. Thomas University recognizes academic excellence through a generous scholarship program. The university offers a wide range of entrance awards to highly qualified students admitted on the basis of their high school records, as well as numerous scholarships-in- course to continuing students who have achieved academic distinction at St. Thomas. Entrance Scholarships The Entrance Scholarship program is highly competitive and is designed to attract out- standing scholars to the St. Thomas University campus. Except when otherwise specified, the entrance awards are open to candidates for full-time admission to the first year of the Bachelor of Arts program who are applying on the basis of their high school records. 1. Selection Criteria In selecting entrance scholarship recipients, the primary criterion considered by the Entrance Scholarship Selection Committee is the academic record. The Committee reviews the following: • admission average • Grade 12 program: courses and levels • rank in graduating class • program and performance in grade 11 Note: The admission average is calculated on the senior-level academic English grade and the grades on four other Grade 12 academic courses drawn from our list of approved admissions subjects. For details, please consult Section One, Admissions and Registration. At mid year, the admission averages for scholarship purposes is calculated on the overall average of final grades on Grade 11 academic subjects, as well as final first-semester results or mid-year results (for non-semestered schools) on Grade 12 academic subjects. Other factors considered include: • a reference letter from a teacher, principal or guidance counsellor • scores on standardized tests In addition to the academic selection criteria, the following criteria are considered in award- ing some entrance scholarships: • leadership qualities • extracurricular activities • financial status 2. -
Canada's Façade of Equality: Austin Clarke's More Mary Ma
Ma, “Canada’s Façade of Equality” 11 Canada’s Façade of Equality: Austin Clarke’s More Mary Ma Canada is known as a haven for immigrants. Canadian migrants, their children, and their grandchildren live in the diaspora, a physical community who “acknowledge that ‘the old country’ […] always has some claim on their loyalty and emotions” (Cohen qtd. McLeod 237) and carry a fractured sense of identity through “living in one country but looking across time and space to another” (McLeod 237). Canada prides itself as a multicultural nation that champions inclusivity, diversity, and equality. However, it seems Canada’s often glorified multiculturalism is little more than “a media mask, […] a public advertising campaign” (McLeod 262). This façade seems to be promoted by Canadian media, government, and society to perpetuate an illusion of equality while concurrently “ignor[ing] the underlying and continuing inequalities and prejudices that blight the lives of diasporic peoples” (McLeod 262). In the novel More, Austin Clarke incisively exposes the implicit systemic and societal racism festering in Canada, while also exposing the psychological complexities of living in the diaspora. In More, Clarke unmasks Canada’s systemic discrimination which has long allowed Canadian employers to retain power while subjugating vulnerable immigrant workers. Clarke delineates this systemic racism by describing the limited employment opportunities immigrants, especially Black immigrants, have in Canada. In the novel, Bertram is an apprentice mechanic in Barbados. Upon his arrival in Canada, he earnestly pursues a job in his specialized field. However, “after two months of single-minded perusal of the pages that advertised hundreds of jobs, skilled and unskilled, that related to repairing cars” (Clarke 67), Bertram abandons his dream. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Bukowski Agency Backlist Highlights
the bukowski agency backlist highlights 2010 www.thebukowskiagency.com CONTENTS Anita Rau Badami . 2 Judy Fong Bates . 4 Alan Bradley . 6 Catherine Bush . 8 Abigail Carter . 9 Wayson Choy . 10 Austin Clarke . 12 George Elliott Clarke . 14 Anthony De Sa . 15 John Doyle . 16 Liam Durcan . 17 Anosh Irani . 18 Rebecca Eckler . 20 Paul Glennon . 21 Ryan Knighton . 22 Lori Lansens . 24 Sidura Ludwig . 26 Pearl Luke . 27 Annabel Lyon . 28 D .J . McIntosh . 30 Leila Nadir . 31 Shafiq Qaadri . 32 Adria Vasil . 32 Eden Robinson . 33 Kerri Sakamoto . 34 Sandra Sabatini . 36 Cathryn Tobin . 37 Cathleen With . 38 CLIENTS . 39 CO-AGENTS . 40 Anita RAu BadamI Can You Hear the Nightbird Call? Can You Hear the Nightbird Call? traces the epic trajectory of a tale of terrorism through time and space 95,000 words hardcover / Finished books available RIGHTS SOLD Canada: Knopf, September 2006 Italy: Marsilio, Spring 2008 France: Éditions Philippe Rey, India: Penguin, January 2007 March 2007 Australia: Scribe, March 2007 Holland: De Geus, Spring 2008 • Longlisted for the 2008 IMPAC Dublin Literary Award • Shortlisted for the Ontario Library Association 2007 Evergreen Awards The Hero’s Walk The Hero’s Walk traces the terrain of family and forgiveness through the lives of an exuberant cast of characters bewildered by the rapid pace of change in today’s India 368 pages hardcover / Finished books available RIGHTS SOLD US: Algonquin, 2001 Canada: Knopf, 2000 US: Paperback: Ballantine Greece: Kastaniotis Editions UK: Bloomsbury, 2002 Poland: Wydawnictwo Dialog France: -
Fall 2013 / Winter 2014 Titles
INFLUENTIAL THINKERS INNOVATIVE IDEAS GRANTA PAYBACK THE WAYFINDERS RACE AGAINST TIME BECOMING HUMAN Margaret Atwood Wade Davis Stephen Lewis Jean Vanier Trade paperback / $18.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 ANANSIANANSIANANSI 978-0-88784-810-0 978-0-88784-842-1 978-0-88784-753-0 978-0-88784-809-4 PORTOBELLO e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $16.95 978-0-88784-872-8 978-0-88784-969-5 978-0-88784-875-9 978-0-88784-845-2 A SHORT HISTORY THE TRUTH ABOUT THE UNIVERSE THE EDUCATED OF PROGRESS STORIES WITHIN IMAGINATION FALL 2013 / Ronald Wright Thomas King Neil Turok Northrop Frye Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $14.95 978-0-88784-706-6 978-0-88784-696-0 978-1-77089-015-2 978-0-88784-598-7 e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $14.95 WINTER 2014 978-0-88784-843-8 978-0-88784-895-7 978-1-77089-225-5 978-0-88784-881-0 ANANSI PUBLISHES VERY GOOD BOOKS WWW.HOUSEOFANANSI.COM Anansi_F13_cover.indd 1-2 13-05-15 11:51 AM HOUSE OF ANANSI FALL 2013 / WINTER 2014 TITLES SCOTT GRIFFIN Chair NONFICTION ... 1 SARAH MACLACHLAN President & Publisher FICTION ... 17 ALLAN IBARRA VP Finance ASTORIA (SHORT FICTION) ... 23 MATT WILLIAMS VP Publishing Operations ARACHNIDE (FRENCH TRANSLATION) ... 29 JANIE YOON Senior Editor, Nonfiction ANANSI INTERNATIONAL ... 35 JANICE ZAWERBNY Senior Editor, Canadian Fiction SPIDERLINE .. -
On Deformity: Bodies in Contemporary Canadian Fiction
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-25 On Deformity: Bodies in Contemporary Canadian Fiction Ram, Véronique Dorais Ram, V. D. (2012). On Deformity: Bodies in Contemporary Canadian Fiction (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27175 http://hdl.handle.net/11023/312 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY On Deformity: Bodies in Contemporary Canadian Fiction by Véronique Dorais Ram A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA October, 2012 © Véronique Dorais Ram 2012 Abstract This dissertation ponders how deformity acts as an index of resistance to the conventional family saga; it challenges the authority of the genre, which perpetuates conformity to affirm the existence of a national identity. I open with a history of the trope of deformity and a theory on its applicability to questions of the nation in Canadian fiction. Bonnie Burnard’s A Good House begins the literary analysis and considers how Daphne’s asymmetrical face exemplifies the novel’s overarching deformation of the domestic realist text.