Bukowski Agency Backlist Highlights

Total Page:16

File Type:pdf, Size:1020Kb

Bukowski Agency Backlist Highlights the bukowski agency backlist highlights 2010 www.thebukowskiagency.com CONTENTS Anita Rau Badami . 2 Judy Fong Bates . 4 Alan Bradley . 6 Catherine Bush . 8 Abigail Carter . 9 Wayson Choy . 10 Austin Clarke . 12 George Elliott Clarke . 14 Anthony De Sa . 15 John Doyle . 16 Liam Durcan . 17 Anosh Irani . 18 Rebecca Eckler . 20 Paul Glennon . 21 Ryan Knighton . 22 Lori Lansens . 24 Sidura Ludwig . 26 Pearl Luke . 27 Annabel Lyon . 28 D .J . McIntosh . 30 Leila Nadir . 31 Shafiq Qaadri . 32 Adria Vasil . 32 Eden Robinson . 33 Kerri Sakamoto . 34 Sandra Sabatini . 36 Cathryn Tobin . 37 Cathleen With . 38 CLIENTS . 39 CO-AGENTS . 40 Anita RAu BadamI Can You Hear the Nightbird Call? Can You Hear the Nightbird Call? traces the epic trajectory of a tale of terrorism through time and space 95,000 words hardcover / Finished books available RIGHTS SOLD Canada: Knopf, September 2006 Italy: Marsilio, Spring 2008 France: Éditions Philippe Rey, India: Penguin, January 2007 March 2007 Australia: Scribe, March 2007 Holland: De Geus, Spring 2008 • Longlisted for the 2008 IMPAC Dublin Literary Award • Shortlisted for the Ontario Library Association 2007 Evergreen Awards The Hero’s Walk The Hero’s Walk traces the terrain of family and forgiveness through the lives of an exuberant cast of characters bewildered by the rapid pace of change in today’s India 368 pages hardcover / Finished books available RIGHTS SOLD US: Algonquin, 2001 Canada: Knopf, 2000 US: Paperback: Ballantine Greece: Kastaniotis Editions UK: Bloomsbury, 2002 Poland: Wydawnictwo Dialog France: Stock, 2004 Portugal: Difel, 2003 Spain: Ediciones Bronce, 2002 Italy: Marsilio, 2004 Catalan: Columna, 2003 Holland: De Geus, 2005 • A Washington Post Best Book of 2001 • Longlisted for the IMPAC Dublin Literary Award • Longlisted for the Orange Prize for Fiction • Winner of the 2001 Regional Commonwealth Prize for Best Book • Winner of the 2005 Giuseppe Berto Literary Prize for Best Italian Translation • A national bestseller 2 fiction Tamarind Woman Tamarind Woman is a beautiful and brilliant portrait of two generations of women 266 pages hardcover / Finished books available RIGHTS SOLD US: Algonquin Books, Spring France: Éditions Philippe Rey, 2004 2002 India: Penguin, 2004 Canada: Penguin, Spring 2002 Germany: Bertelsmann UK: Bloomsbury, Fall 2002 Serbia: Monomoimanjana, 2009 • A Barnes and Noble Discover Great New Writers selection, Spring 2002 • A WH Smith Travel Read-of-the-Week, UK PRAISE FOR ANITA RAu BADAmI’S FICTION “Badami has woven a web of memory and myth in her novel, a tapestry in which the personal and the political are tragically intertwined.” —THE CALCUTTA TELEGRAPH “This book demands to be read straight through—20 pages a night before switching off the bedside lamps will leave most readers longing for more.” —THE WASHINGTON POST “A novel of broad and lovely scope. Badami deftly handles terrifying shifts in tradition and social order.” —ELLE “A skilled writer can convey epic events through the lives of ordinary people. Badami’s [book] is an outstanding example of such skill…. In graceful prose, replete with the sensuous details of everyday life, she gives us a portrait of resilience and adaptability in the face of personal disillusion, trauma, and disintegrating tradition.” —COMMONWEALTH PRIZE JURY “This is a substantial, satisfying read, elegantly written and effortlessly compelling. Much reminiscent of Rohinton Mistry.” —THE INDEPENDENT, UK “A picture of post-colonial India is vividly conjured up…. Sharply realized as the minor characters are, they are never allowed to overshadow the central figures…. The more upbeat mood [of the latter part of the book] mitigates the sadness of the rest, and brings this very accomplished first novel to a quiet and satisfying conclusion.” —THE TIMES, UK fiction 3 Judy Fong Bates The Year of Finding memory: A memoir A probing memoir about a daughter’s search to understand remarkable and terrible truths about her parents’ past 80,000 words hardcover / Manuscript available “Judy Fong Bates’ new memoir, The Year of Finding Memory, is the most accurate and heart felt written account of what it’s like to go back to the Chinese countryside in search of your roots that I’ve ever read. She captures the beauty of the villages, the sense of returning home to a place you’ve never been, the heartache, joy, understanding and longing that you feel, and that very real there-but-for-the-grace-of-God emotion that you experience in meeting your relatives who were left behind. Beautiful!” –LISA SEE, AUTHOR OF Shanghai girlS, Peony in love AND SnoWFloWer and the Secret Fan RIGHTS SOLD Canada: Random House, “With the elegant brush strokes of a miniaturist, Judy Fong Bates brings April 2010 alive the world of her family both in Canada and China. In doing so, she tells the tale of two nations and what it means to live on the bridge that spans the countries. The Year of Finding Memory explores the universal journey of trying to construct, out of the debris of the past, an understanding of our ancestry. This poignant memoir explores the universal passage we must all take to discover an understanding of ourselves.” –SHYAM SELvADURAI, AUTHOR OF Funny Boy AND cinnaMon gardenS Growing up in her father’s hand laundry in small-town Ontario, Judy Fong Bates listened to the mystery and allure of her parents’ stories of their past lives in China, an exotic and exciting place far removed from their humdrum everyday lives . Then a half-century after her arrival, Judy Fong Bates, her husband and her brothers travelled back to China for the first time . The reunion with her older sister and other relatives in China spiralled into a series of unanticipated and shocking discoveries . In her ancestral village she heard stories of her mother, a glamorous young woman who arrived from the big city to teach, chasing her father, the exalted village leader and wealthy Gold Mountain Guest . These stories didn’t match what she’d witnessed of her parents, who were poverty-stricken and always at odds with each other . Possessed with a need to reconcile these facts, Fong Bates returned a year later and immersed herself in a place so unexpectedly bountiful that she finally began to understand her parents in a way that she never did when they were alive . 4 non-fiction midnight at the Dragon Café The life of a young Chinese girl is torn apart by dark family secrets and divided loyalties in a small Ontario town in the 1950s 315 pages hardcover / Finished books available • The 2007 “One Community, One Book” selection for Portland, Oregon • Winner of a 2006 Alex Award from the American Library Association • An American Library Association Notable Book for 2006 PRAISE FOR JuDY FONG BATES’ MIDNIGHT AT THE DRAGON CAFÉ “In deceptively simple, intimate prose, Judy Fong Bates captures the complexities of a childhood filled with secrets, longing, and superstition, and powerfully exposes the lengths to which families will go to survive. Midnight at the Dragon Café is an original, haunting debut novel.” RIGHTS SOLD —KIRKUS REvIEWS, STARRED REvIEW US: Counterpoint Press, April 2005 “The mounting suspense of family secrets makes this first novel a Canada: McClelland & breathless read, even as the simple, beautiful words make you want to Stewart, February 2004 stop and read the sentences over and over again.” Thailand: Sanskrit Books —BOOKLIST, STARRED REvIEW ALSO AvAILABLE “Bates writes in clean, understated prose, imbuing her characters with a China Dog and Other lasting poignancy.” Stories from the Chinese —ENTERTAINMENT WEEKLY Laundry “Judy Fong Bates catches and holds our attention like a teacher of unruly kids: She whispers… unpretentious prose.” —THE WASHINGTON POST “The simplicity and honesty of Fong Bates’ composition… puts the readers right in the midst of ‘Dragon Café’.” —THE PLAIN DEALER, CLEvELAND “A deeply affecting debut novel…, Bates conveys with pathos and generosity the anger, disappointment, vulnerability and pride of people struggling to balance duty and passion.” —PUBLISHERS WEEKLY “An elegant first novel.” —CHATELAINE “[Bates’] attention to physical detail is matched by compassionate understanding, which gives real weight to the telling of the submerged, drowning passion hidden in this household.” —THE NATIONAL POST fiction 5 Alan Bradley The Weed that Strings the Hangman’s Bag The second installment of the Flavia de Luce mystery series 384 pages / Finished books available “A gloriously eccentric cast of characters… There’s not a reader alive who wouldn’t want to watch Flavia in her lab concocting some nefarious brew.” —KIRKUS REvIEWS Flavia de Luce didn’t intend to investigate another murder—but, then again, Rupert Porson didn’t intend to die . When the master puppeteer’s van breaks down in Bishop’s Lacey, he puts on a show with his loyal assistant, the disarmingly charming Nialla, prone (by Flavia’s estimation) to strange bruises and long, solitary cries in graveyards . While Nialla plays Mother Goose, Rupert’s goose gets RIGHTS SOLD cooked, the victim of an electrocution that is too perfectly planned US: Delacorte Press, to be an accident . March 2010 Canada: Doubleday, Putting down her sister-punishing chemistry experiments and March 2010 picking up her bicycle, Gladys, Flavia uncovers long buried secrets UK: Orion, April 2010 of Bishop’s Lacey, a seemingly idyllic town that nevertheless has a Portugal: Planeta Manuscrito mad woman living in its woods, a prisoner-of-war with a soft spot Italy: Mondadori for the English countryside, and two childless parents with a Israel: Matar devastating secret . It’s possible Rupert Porson’s van didn’t break Germany: Blanvalet down so accidentally in this charming hamlet . It’s possible the Spain: Planeta police won’t be able to solve his murder most ingenious . It’s possible France: Lattes that his killer may help guide Flavia in way over her eleven-year- Korea: Munkakdogne old head, and to a startling discovery that reveals the chemical Poland: vesper composition of vengeance .
Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • Cahiers-Papers 53-1
    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
    [Show full text]
  • Death, Animals, and Ethics in David Bergen's the Time in Between
    Document generated on 09/26/2021 1 p.m. Studies in Canadian Literature / Études en littérature canadienne Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins Volume 38, Number 1, 2013 URI: https://id.erudit.org/iderudit/scl38_1art013 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Mullins, K. (2013). Death, Animals, and Ethics in David Bergen’s The Time in Between. Studies in Canadian Literature / Études en littérature canadienne, 38(1), 248–266. All rights reserved, ©2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins eath is a dominating presence in David Bergen’s Giller Prize-winning novel The Time in Between (2005). Although Charles Boatman’s suicide lies at the centre of the narrative, Dthe novel — and Charles himself — is also haunted by other deaths: the death of Charles’s ex-wife, Sara, the deaths of innocents in Vietnam, and the deaths of animals. It rotates around various absences and, as is frequently the case in Bergen’s fiction, highlights individual suffering and alienation within the family unit1: Charles returns to Vietnam in the hope of ascribing meaning to the “great field of nothing” that he has experienced since the war (38), while two of his children, Ada and Jon, travel to Vietnam to search for their missing father only to discover he has committed suicide.
    [Show full text]
  • Download Full Issue
    191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F.
    [Show full text]
  • Hungarian Studies ^Eviezv Vol
    Hungarian Studies ^eviezv Vol. XXV, Nos. 1-2 (Spring-Fall, 1998) Special Volume: Canadian Studies on Hungarians: A Bibliography (Third Supplement) Janos Miska, comp. This special volume contains a bibliography of recent (1995-1998) Canadian publications on Hungary and Hungarians in Canada and else- where. It also offers a guide to archival sources on Hungarian Canadians in Hungary and Canada; a list of Hungarian-Canadian newspapers, jour- nals and other periodicals ever published; as well as biographies of promi- nent Hungarian-Canadian authors, educators, artists, scientists and com- munity leaders. The volume is completed by a detailed index. The Hungarian Studies Review is a semi- annual interdisciplinary journal devoted to the EDITORS publication of articles and book reviews relat- ing to Hungary and Hungarians. The Review George Bisztray is a forum for the scholarly discussion and University of Toronto analysis of issues in Hungarian history, politics and cultural affairs. It is co-published by the N.F. Dreisziger Hungarian Studies Association of Canada and Royal Military College the National Sz£ch6nyi Library of Hungary. Institutional subscriptions to the HSR are EDITORIAL ADVISERS $12.00 per annum. Membership fees in the Hungarian Studies Association of Canada in- Oliver Botar clude a subscription to the journal. University of Manitoba For more information, visit our web-page: Geza Jeszenszky http://www.ccsp.sfu.ca/calj.hsr Budapest- Washington Correspondence should be addressed to: Ilona Kovacs National Szechenyi Library The Editors, Hungarian Studies Review, University of Toronto, Mlria H. Krisztinkovich 21 Sussex Ave., Vancouver Toronto, Ont., Canada M5S 1A1 Barnabas A. Racz Statements and opinions expressed in the HSR Eastern Michigan U.
    [Show full text]
  • October 2013\Adult Book List.Wpd
    This is the published version: Mackey, Margaret, De Vos, Gail, Ganshorn, Heather, Johnston, Ingrid, McClay, Jill Kedersha and Moruzi, Kristine 2012, Contemporary Canadian adult books for strong teen readers, Resource links: connecting classrooms, libraries & Canadians learning resources, vol. 18, no. 1, pp. 58‐66. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30062208 Reproduced with the kind permission of the copyright owner. Copyright : 2012, Resource Links Contemporary Canadian Adult Books for Strong Teen Readers by Margaret Mackey with Gail de Vos, Heather Ganshorn, Ingrid Johnston, Jill Kedersha McClay, and Kristine Moruzi With this column, our eighteenth in an ongoing annual series, we present our pick of contemporary Canadian adult publishing that we believe has the potential to appeal to strong teenage readers. We began this work in 1996 believing that good teen readers were seriously under-served when it came to reading advice. Where should they go when they begin to come to the end of the road with young adult literature (as wonderful as much of that literature undoubtedly is)? Who provides guidance on the kinds of adult materials that might speak to a teenager? We saw a vacuum, and we have made efforts to step into that empty space ever since. As usual, our main selection criterion is that the book should have some kind of youth appeal. Middle-age crises need not apply to appear on these pages. We do not screen for strong language or graphic sex or violence; we assume that a confident teenage reader will not hesitate to put down a book if it does not appeal, for whatever reason.
    [Show full text]
  • Dictionaries Were, However, Better – and Were Relentlessly Promoted in Canada’S Middlebrow Media by Their Editor, the Jolly Mediævalist Katherine Barber
    The right reason to write a book Anger. Or is that the wrong reason? Either way, it is what drove me to write Organizing Our Marvellous Neighbours. But let me start out with a bit of personal history. I was always a good speller. On the only occasion I lost a spelling bee in grade school, the word that did me in was beau, ironically enough. One year, we had a weekly writing lesson in which I sat at the front of the class spelling words on demand for my fellow students. Thirty years have passed, but I still notice spelling. I notice spelling mistakes. Those aren’t always important (perfect spelling in your chat window does not make your instant messages perfect), but spelling mistakes, punctuation errors, and the like will jump right out at me. They’re often the first thing I notice when I look at a page – a phenomenon that carried through to the publication of my first book, where I noticed the mistakes before anything else. But I’ve noticed other things beyond misspellings. I noticed across-the- board American spellings in Canadian publications – and, much more often, all- British spellings. I noticed those things, but that’s all I did. The year 2002 would be a turning point. I’d been watching TV captioning for 30 years, but it was in 2002 that CBC agreed to closed-caption 100% of its programming on two networks, CBC Television and Newsworld. That came about as the result of a human-rights complaint that CBC had lost.
    [Show full text]
  • Governor General's Literary Awards
    Bibliothèque interculturelle 6767, chemin de la Côte-des-neiges 514.868.4720 Governor General's Literary Awards Fiction Year Winner Finalists Title Editor 2009 Kate Pullinger The Mistress of Nothing McArthur & Company Michael Crummey Galore Doubleday Canada Annabel Lyon The Golden Mean Random House Canada Alice Munro Too Much Happiness McClelland & Steward Deborah Willis Vanishing and Other Stories Penguin Group (Canada) 2008 Nino Ricci The Origins of Species Doubleday Canada Rivka Galchen Atmospheric Disturbances HarperCollins Publishers Ltd. Rawi Hage Cockroach House of Anansi Press David Adams Richards The Lost Highway Doubleday Canada Fred Stenson The Great Karoo Doubleday Canada 2007 Michael Ondaatje Divisadero McClelland & Stewart David Chariandy Soucoupant Arsenal Pulp Press Barbara Gowdy Helpless HarperCollins Publishers Heather O'Neill Lullabies for Little Criminals Harper Perennial M. G. Vassanji The Assassin's Song Doubleday Canada 2006 Peter Behrens The Law of Dreams House of Anansi Press Trevor Cole The Fearsome Particles McClelland & Stewart Bill Gaston Gargoyles House of Anansi Press Paul Glennon The Dodecahedron, or A Frame for Frames The Porcupine's Quill Rawi Hage De Niro's Game House of Anansi Press 2005 David Gilmour A Perfect Night to Go to China Thomas Allen Publishers Joseph Boyden Three Day Road Viking Canada Golda Fried Nellcott Is My Darling Coach House Books Charlotte Gill Ladykiller Thomas Allen Publishers Kathy Page Alphabet McArthur & Company GovernorGeneralAward.xls Fiction Bibliothèque interculturelle 6767,
    [Show full text]
  • 150 Canadian Books to Read
    150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J.
    [Show full text]
  • Libraries and Cultural Resources
    LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Katherine Govier fonds. ACU SPC F0128 https://searcharchives.ucalgary.ca/katherine-govier-fonds An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. KATHERINE GOVIER fonds ACCESSION NO.: 700/01.6 The Katherine Govier Fonds Accession No. 700/01.6 CORRESPONDENCE ....................................................................................................................................... 2 MANUSCRIPTS ............................................................................................................................................. 28 Fiction - Drama (Film, Radio, Stage, TV) ................................................................................................. 29 Fiction - Novel ......................................................................................................................................... 37 Fiction - Short Story Collections .............................................................................................................. 39 Fiction - Uncollected Short Stories.......................................................................................................... 42 Non-Fiction - Articles, Book Reviews, Speeches, Etc. ............................................................................. 42 PUBLISHED WORKS ....................................................................................................................................
    [Show full text]
  • "A Press with Such Traditions": Oxford University Press of Canada Ruth
    "A Press with Such Traditions": Oxford University Press of Canada Ruth Panofsky' On Tuesday, 10 August 1904, when Oxford University Press established a branch in Canada,2 it joined a small but significant group of publishing houses already operating in Toronto. By the turn of the century, Toronto had become a centre for Canada's burgeoning publishing industry, home to the Copp Clark Company, W.J. Gage and Company, and the Methodist Book and Publishing House (later Ryerson Press), for example. When Oxford University Press set up shop on "Booksellers' Row"3 at Zy Richmond Street West, the company sought to consolidate its presence in the small Canadian market with a view to establishing itself as an important branch. Eight years earlier, in September 1896, Oxford had opened its first branch operation in New York. The founding of a second branch in Toronto served, in fact, to widen Oxford's presence in North America. By 1929, the Toronto branch could announce with "great pride" that it represented "a Press with such traditions, and such a record of useful and important work, not only in the development of printing but in the History of England."4 After twenty-five years in Canada, Oxford University Press had begun to realize its hopes for expansion. I Ruth Panofsky is Associate Director of the ]Joint Graduate Programme in Communication and Culture at Ryerson University. Her most recent publications include Adele Wiseman: Essays on Her Works and Lifeline, a volume of poetry. She thanks Joanna Gertler, Laura Macleod, Martin Maw, and Phyllis Wilson of Oxford University Press; Jan Walter of Macfarlane Walter 8< Ross; Jim Armour, Vivian Luong, Roy MacSkimming, and Bill Toye for their assistance .
    [Show full text]
  • Robarts Library Staff Pick Their Favourites
    ISSUE No. 39, June 2007 ISSN 0840–5565 Robarts Library Staff Pick Their Favourites Collection Development at UTL This issue, besides the regular spring issue staples, features articles by members of the Collection he Collection Development Depart- ment of the University of Toronto Development Department and Order Section of the Robarts Library on recent acquisitions for the Library, since its inception as the Book Fisher Library, which they thought would be of particular interest to our readers. TSelection Department in 965, has enjoyed a strong working relationship with the Thomas Fisher Rare Book Library and its staff. Established in response to the unprec- edented growth of the graduate programs at the University, the Department’s main responsibility was and remains the selection of research–level and undergraduate materials housed in the central campus libraries, includ- ing the collections in the Robarts Library for the Humanities and Social Sciences and the Gerstein Science Information Centre. Staffed by librarians with subject and language exper- tise, the Department acquires titles through a combination of broadly–based approval plans (where book dealers around the world are authorized by the Library to select and supply new publications of research quality, the plans being based upon detailed written profiles that outline the parameters of our collecting interests), as well as librarian–initiated orders, and the generous support of donors. While most selection activities of the librarians in the Department are focused on building the general collections in the main libraries, Freedman’s dust jacket design for Siegfried Sassoon’s Memoirs of an Infantry Officer. opportunities do arise to acquire material for the Fisher collections.
    [Show full text]