DOCSLIB.ORG

The Literary Studies Convention @ Wollongong University 7 – 11 July 2015

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen Abblitt: [email protected] ............................................................................. 19 Dvir Abramovich: [email protected] ................................................................................. 20 Sarah Ailwood: [email protected], and Maree Sainsbury: [email protected] ............................................................................................ 21 Keyvan Allahyari: [email protected] .......................................................... 22 Danny Anwar: [email protected] ................................................................................. 23 Tomoko Aoyama: [email protected] .................................................................................. 24 Georgina Arnott: [email protected] ................................................................... 25 Marie Rose B. Arong: [email protected] .......................................................... 26 Mostafa Azizpour: [email protected] ......................................................................... 27 Sarah Balkin: [email protected] ............................................................................ 28 Tully Barnett: [email protected] .......................................................................... 29 Tully Barnett: [email protected], Kate Douglas: [email protected] and Anna Poletti: [email protected]......................................................................... 30 James Bedford: [email protected] ......................................................................... 31 James Bedford: [email protected] ......................................................................... 32 Alison Bell: [email protected] ........................................................................................ 33 Shaun Bell: [email protected] .................................................................................. 34 Merlinda Bobis: [email protected] ..................................................................................... 34 Katherine Bode: [email protected] ........................................................................ 36 Roxanne Bodsworth: [email protected] .................................................................. 37 Meg Brayshaw: [email protected] .......................................................................... 38 Lachlan Brown: [email protected] ...................................................................................... 39 Megan Brown: [email protected] ................................................................................. 40 Sarah-Jane Burton: [email protected] ............................................................................... 41 Ian Campbell: [email protected] ............................................................................................. 42 Michael Campbell: [email protected] ........................................................ 43 Alison Cardinale: [email protected] ............................................................................ 44 4 Felicity Castagna: [email protected] ............................................................................... 45 Mridula Chakraborty: [email protected] .................................................... 46 Meeta Chatterjee-Padmanabhan: [email protected] ........................................................... 47 Beibei Chen: [email protected] ............................................................................ 48 William J. Cheng: [email protected] ............................................................... 49 Will Christie: [email protected] ............................................................................. 50 Tom Clark: [email protected]........................................................................................... 51 Deirdre Coleman: [email protected] & Sashi Nair: [email protected] ..... 52 Anne Collett: [email protected] .......................................................................................... 53 Sarah Comyn: [email protected] ...................................................................... 54 Evelyn Araluen Corr: [email protected] ............................................................ 55 Moya Costello: [email protected] .............................................................................. 56 Julian Croft: [email protected] .................................................................................... 57 Rebecca Cross: [email protected] ................................................................................... 58 Ned Curthoys: [email protected] .............................................................................. 59 James Dahlstrom: [email protected] .................................................................... 60 Karen Daly: [email protected] ................................................................................................ 61 Tanya Dalziell: [email protected] and Paul Genoni: [email protected] ... 62 Chris Danta: [email protected] .......................................................................................... 63 Louise D’Arcens: [email protected] ................................................................................... 64 Guy Davidson: [email protected].............................................................................................. 65 Toby Davidson: [email protected] ........................................................................... 66 Geoff Davis: [email protected] ........................................................................ 67 Charles Dawson: [email protected] .......................................................................... 68 Natalie Day: [email protected] .......................................................................... 69 Gaby Dixon-Ritchie: [email protected] ................................................................... 70 Kieran Dolin: [email protected] .................................................................................. 71 Kate Douglas: [email protected] .......................................................................... 72 Sarah Dowling: [email protected] ............................................................................ 73 Jonathan Dunk: [email protected] ....................................................................... 74 Phillip Edmonds: [email protected] ............................................................. 75 Paul Eggert: [email protected] ................................................................................................... 76 Ben Eldridge: [email protected] ........................................................................... 77 Michael Ellis: [email protected] ............................................................................ 78 Emily Finlay: [email protected] ................................................................................ 79 Sanaz Fotouhi: [email protected] .............................................................................. 80 5 Kelly Frame: [email protected] ..................................................................... 81 Rachel Franks: [email protected] and Richard Neville: [email protected] .................................................................................................... 82 Lucy Fraser: [email protected] .............................................................................................. 83 Adam Gall: [email protected] ..............................................................................................
Load more

Recommended publications
  • Foreign Soil by Maxine Beneba Clarke HACHETTE
    2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others.
    [Show full text]
  • A Study of How German Publishers Have Imagined Their Readers of Australian Literature
    Australia and Its German-Speaking Readers: A Study of How German Publishers Have Imagined Their Readers of Australian Literature OLIVER HAAG Austrian Research Centre for Transcultural Studies, Vienna Australian literature is marketed not only to a national audience but also to an overseas readership, who consume it both in English and in various languages of translation, of which German seems to be the most common.1 The publication of translated Australian books thus undergoes marketing processes similar to those in Australia. One of the most immediate publishing mechanisms is the physical appearance of a book, or what Gerard Genette terms the ‘publisher’s peritexts’ (16); that is, the texts that ‘surround’ the actual text, such as book covers. Dust jackets in particular establish the first act of engagement between an author—or more properly, the author’s words—and his or her prospective readers: ‘Your potential reader will form an impression of your book while looking at the cover—before they even decide to look inside’ (Masterson 161). Thus, in making a particular book palatable for a prospective readership, publishers2 shape the story with a vision of the reader in mind: first, they advertise the text through its cover illustration and blurb, both of which usually reflect and summarise the content; secondly, in so doing, publishers develop an image of prospective readers. They evaluate readers’ tastes and assess their target readers, including their age, level of education, and gender; then, based on such assessments, they develop strategies for marketing a book to this particular group of intended readers. Furthermore, Genette argues that such practices are ‘made up of a heterogeneous group of practices and discourses of all kinds and dating from all periods’ (2).
    [Show full text]
  • The Charmian Clift Phenomenon Graham Rochford Tucker University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1991 From novelist to essayist: the Charmian Clift phenomenon Graham Rochford Tucker University of Wollongong Recommended Citation Tucker, Graham Rochford, From novelist to essayist: the Charmian Clift phenomenon, Doctor of Philosophy thesis, Department of English, University of Wollongong, 1991. http://ro.uow.edu.au/theses/1369 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. FROM NOVELIST TO ESSAYIST: THE CHARMIAN CLIFT PHENOMENON A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by GRAHAM ROCHFORD TUCKER, B.A., M.A. (Honours) &*2g&« DEPARTMENT OF ENGLISH 1991 This thesis is dedicated to the memory of the late PROFESSOR GRAHAME JONES of New England University 'II faut imaginer Sisyphe heureux' CONTENTS Page ACKNOWLEDGEMENTS (iv) ABBREVIATIONS (v) ABSTRACT (vi) INTRODUCTION i. THE CHARMIAN CLIFT PHENOMENON 1 ii. KINDRED SPIRITS 19 CHAPTERS I THURSDAY'S HERALD: CHARMIAN CLIFT AND THE NEW JOURNALISM 28 II THE PRIZE 48 III THE JOINT NOVELS 65 IV THE NOVELS: i. WALK TO THE PARADISE GARDENS 90 V THE NOVELS: ii. HONOUR'S MIMIC 109 VI THE NOVELS: POSTSCRIPT 123 VII * TRAVEL BOOKS 130 VIII ' THE MERMAID 140 IX LOTUS EATERS 165 X BROTHER JACK 203 XI THE WOMEN COLUMNISTS 228 XII COMING HOME 257 XIII OUT OF ASPIC: i. NOT CULLED 298 XIV OUT OF ASPIC: ii. TOO LATE FOR ASPIC 313 XV CHARMIAN'S WORLD: i.
    [Show full text]
  • Survey of Post-War Built Heritage in Victoria: Stage One
    Survey of Post-War Built Heritage in Victoria: Stage One Volume 1: Contextual Overview, Methodology, Lists & Appendices Prepared for Heritage Victoria October 2008 This report has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by David Wixted, Suzanne Zahra and Simon Reeves © heritage ALLIANCE 2008 Contents 1.0 Introduction................................................................................................................................. 5 1.1 Context ......................................................................................................................................... 5 1.2 Project Brief .................................................................................................................................. 5 1.3 Acknowledgements....................................................................................................................... 6 2.0 Contextual Overview .................................................................................................................. 7 3.0 Places of Potential State Significance .................................................................................... 35 3.1 Identification Methodology .......................................................................................................... 35 3.2 Verification of Places .................................................................................................................. 36 3.3 Application
    [Show full text]
  • Kim Scott's Writing and the Wirlomin Noongar Language and Stories Project
    Disputed Territories as Sites of Possibility: Kim Scott's Writing and the Wirlomin Noongar Language and Stories Project Natalie Quinlivan BA International Studies, BA Communications (Creative Writing), MA English A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences School of Literature, Art and Media University of Sydney April 2019 Abstract Kim Scott was the first Aboriginal author to win the Miles Franklin Literary Award in 2000 for Benang, an award he won again in 2011 for That Deadman Dance. Yet despite these national accolades, Scott interrogates the very categories of Australian and Indigenous literatures to which his work is subjected. His writing reimagines, incorporates and challenges colonial ways of thinking about people and place. This thesis reveals the provocative proposal running through Scott’s collected works and projects that contemporary Australian society (and literature) should be grafted onto regional Aboriginal languages and stories as a way to express a national sense of “who we are and what we might be”. Scott’s vision of a truly postcolonial Australia and literature is articulated through his collected writings which form a network of social, historical, political and personal narratives. This thesis traces how Scott’s writing and the Wirlomin Noongar Language and Stories Project (Wirlomin Project) reconfigure colonial power relationships in the disputed territories of place, language, history, identity and the globalised world of literature. Ultimately, Scott intends to create an empowered Noongar position in cross-cultural exchange and does so by disrupting the fixed categories inherent in these territories; territories constructed during the colonising and nationalising of Australia.
    [Show full text]
  • 21 – 23 February University of Western Australia Welcome to Literature & Ideas
    PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love.
    [Show full text]
  • Read Book Careful, He Might Hear
    CAREFUL, HE MIGHT HEAR YOU PDF, EPUB, EBOOK Sumner Locke Elliot,Robyn Nevin | 299 pages | 02 Apr 2013 | Text Publishing Co | 9781921922244 | English | Melbourne, Australia Careful, He Might Hear You PDF Book I'm really glad I finally picked this up and read it. Though Vanessa initially assures Lila that she only wants weekend visits with P. Elliott had learnt first-hand what it was like to be trapped in the middle of such a war. Thanks for telling us about the problem. You can get your custom paper from our expert writers. It is a milange of emotions slowly heating until boiling point is reached. The persona of Vanessa illustrates the impact childhood experiences can have on the psyche later in life. Metacritic Reviews. George Colleen Clifford PS has been raised by his aunt Lila Nevin and her husband George since his mother died soon after his birth. I was so on the edge of my seat when it got close to the verdict that I skipped a few pages and then wanted to throw the book across the room when I read the decision From " Veronica Mars " to Rebecca take a look back at the career of Armie Hammer on and off the screen. John Hargreaves, as PS' still mostly absent father, was nobly worthless, which explained so much. By the time he published his first novel, Elliott had spent 25 years writing first radio serials in Australia and then live television dramas in New York City. What it gains, perhaps, in retrospect is a historian's view of an Australia long gone but still casting shadows over us all.
    [Show full text]
  • Dancing on Coral Glenda Adams Introduced by Susan Wyndham The
    Dancing on Coral Drylands Glenda Adams Thea Astley Introduced by Susan Wyndham Introduced by Emily Maguire The True Story of Spit MacPhee Homesickness James Aldridge Murray Bail Introduced by Phillip Gwynne Introduced by Peter Conrad The Commandant Sydney Bridge Upside Down Jessica Anderson David Ballantyne Introduced by Carmen Callil Introduced by Kate De Goldi A Kindness Cup Bush Studies Thea Astley Barbara Baynton Introduced by Kate Grenville Introduced by Helen Garner Reaching Tin River Between Sky & Sea Thea Astley Herz Bergner Introduced by Jennifer Down Introduced by Arnold Zable The Multiple Effects of Rainshadow The Cardboard Crown Thea Astley Martin Boyd Introduced by Chloe Hooper Introduced by Brenda Niall classics_endmatter_2018.indd 1 4/07/2018 5:20 PM A Difficult Young Man Diary of a Bad Year Martin Boyd J. M. Coetzee Introduced by Sonya Hartnett Introduced by Peter Goldsworthy Outbreak of Love Wake in Fright Martin Boyd Kenneth Cook Introduced by Chris Womersley Introduced by Peter Temple When Blackbirds Sing The Dying Trade Martin Boyd Peter Corris Introduced by Chris Wallace-Crabbe Introduced by Charles Waterstreet The Australian Ugliness They’re a Weird Mob Robin Boyd Nino Culotta Introduced by Christos Tsiolkas Introduced by Jacinta Tynan The Life and Adventures of Aunts Up the Cross William Buckley Robin Dalton Introduced by Tim Flannery Introduced by Clive James The Songs of a Sentimental Bloke The Dyehouse C. J. Dennis Mena Calthorpe Introduced by Jack Thompson Introduced by Fiona McFarlane Careful, He Might Hear
    [Show full text]
  • Body Histories and the Limits of Life in Asian Canadian Literature
    Body Histories and the Limits of Life in Asian Canadian Literature by Ranbir Kaur Banwait M.A., Simon Fraser University, 2008 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences Ranbir Kaur Banwait 2014 SIMON FRASER UNIVERSITY Summer 2014 Approval Name: Ranbir Kaur Banwait Degree: Doctor of Philosophy (English) Title of Thesis: Body Histories and the Limits of Life in Asian Canadian Literature Examining Committee: Chair: Dr. Sean Zwagerman Associate Professor of English Dr. Christine Kim Co-Senior Supervisor Assistant Professor of English Dr. David Chariandy Co-Senior Supervisor Associate Professor of English Dr. Larissa Lai Associate Professor of English University of Calgary Dr. Lara Campbell Internal Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Dr. Donald Goellnicht External Examiner Professor of English and Cultural Studies McMaster University Date Defended/Approved: July 24, 2014 ii Partial Copyright Licence iii Abstract Histories of racialization in Canada are closely tied to the development of eugenics and racial hygiene movements, but also to broader concerns, expressed throughout Western modernity, regarding the “health” of nation states and their subjects. This dissertation analyses books by Velma Demerson, Hiromi Goto, David Chariandy, Rita Wong, Roy Miki and Larissa Lai to argue that Asian Canadian literature reveals, in heightened critical terms, how the politics of racial difference has
    [Show full text]
  • Scientists' Houses in Canberra 1950–1970
    EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science .
    [Show full text]
  • Lai CV April 24 2018 Ucalg For
    THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’
    [Show full text]
  • Japanese Elements in the Poetry of Fred Wah and Roy Kiyooka
    Susan Fisher Japanese Elements in the Poetry of Fred Wah and Roy Kiyooka For nearly a century, Japanese poetic forms have pro- vided inspiration for poets writing in English. The importance of Japanese poetry for Ezra Pound and its role in the formation of Imagism have been well documented (see, for example, Kawano, Kodama, and Miner). Charles Olson, in his manifesto "Projective Verse" (1950), drew examples from Japanese sources as well as Western ones. Several of the Beat Generation poets, such as Gary Snyder, Allen Ginsberg, and Philip Whalen, studied in Japan and their work reflects a serious interest in Japanese poetry. Writing in 1973, p o e t and translator Kenneth Rexroth declared that "classical Japanese and Chinese poetry are today as influential on American poetry as English or French of any period, and close to determinative for those born since 1940" (157). Rexroth may have been overstating this influence; he, after all, had a role in creating it. Nonetheless, what Gary Snyder calls the "myste- riously plain quality" of East Asian verse has served as a model for the simple diction and directness of much contemporary poetry ("Introduction" 4). Writers belonging to these two generations of Asian-influenced American poets—the Imagists and the Beat poets—had no ethnic connection to Asia. But the demographic changes of the last few decades have produced a third generation whose interest in Asian poetry derives at least in part from their own Asian background. Several Asian Canadian poets have written works that are modelled on Japanese genres or make sustained allusions to Japanese literature.
    [Show full text]