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London Book Fair 2019

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London Book Fair 2019 London Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager TEL +61 2 8923 9892 FAX +61 2 9956 6487 EMAIL [email protected] penguin.com.au/rights Awards and Nominations 2019 & 2018 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Cage by Lloyd Jones Longlisted: Ockham New Zealand Book Awards 2019 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by FIona Kidman Longlisted: Ockham New Zealand Book Awards 2019 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: IMPAC International Dublin Literary Award 2018 2 LONDON 2019 FRONTLIST RIGHTS CATALOGUE RIGHTS SOLD 2018 & 2019 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St Martin’s) Random House – Ebury) United Kingdom (Hachette) Italy (DeA Planeta) The Netherlands (Ambo Anthos) Audio (Penguin Random Germany (Piper Verlag) House Australia) Spain (Penguin Random House Groupo Editorial) Poland (Wydawnictwo Bukowy Las) Greenlight Benjamin Stevenson North America (Sourcebooks) This Mortal Boy United Kingdom (Hachette) Fiona Kidman United Kingdom (Gallic Books) Audio (Audible) Film Option (South Pacific Pictures) Audio (Bolinda) Potiki The Mannequin Makers Patrica Grace Craig Cliff United Kingdom (Penguin United Kingdom (Melville Random House – Penguin House) Press) Also licenced to: North America (Milkweed Editions) Romania (Editura Univers) The Yellow Villa Sixty Summers Amanda Hampson Amanda Hampson Italy (Newton Compton Editori) Audio (W. F. Howes) Czech Republic (Baronet, A.S) Large Print (Ulverscroft) Audio (W F Howes) The Kookaburra Creek Cafe The Country Wedding Sandie Docker Barbara Hannay Germany (Verlagsgruppe Czech Republic (Baronet) Random House) Also licensed to: Audio (W F Howes) Audio (W.F.Howes) The Dangerous Crossing Love Song Rachel Rhys Sasha Wasley Audio (Ulverscroft) Germany (Droemer Verlag) Audio (Ulverscroft) Large Print (Ulverscroft) 3 LONDON 2019 FRONTLIST RIGHTS CATALOGUE Literary The Yield TARA JUNE WINCH is an Australian (Wiradjuri) Tara June Winch writer based in France. She was named as one of The Sydney Morning Herald’s Best Young Pub date: July 2019 Australian Novelists for her first novel, Swallow Format: 224pp – 153mm x 234mm the Air. She has gone on to win numerous Rights held: World Australian literary awards, and in 2009 she Audio: Penguin Random House Australia received the prestigious Rolex Mentor and Imprint: Hamish Hamilton Australia Protégé Award. Selling Points Just tell the truth and someone will hear it eventually. • The long-awaited second novel from one of Australia’s most exciting writers. The yield in English is the reaping, the things that man • Tara June Winch was a Rolex mentoree, can take from the land. In the language of the Wiradjuri under the tutelage of Nobel Laureate Wole yield is the things you give to, the movement, the space Soyinka between things: baayanha. • A story working – beautifully – on so many Knowing that he will soon die, Albert ‘Poppy’ levels: readers will return to it over and over. Gondiwindi takes pen to paper. His life has been spent Praise for Tara June Winch’s previous on the banks of the Murrumby River at Prosperous titles House, on Massacre Plains. Albert is determined to ‘Her spare, careful language never suffered pass on the language of his people and everything from the tedium that sometimes accompanies that was ever remembered. He finds the words on the minimalist prose. It seemed to swim. Its wind. precision was poetic’ – THE LIFTED BROW August Gondiwindi has been living on the other ‘These are the stories of a gifted writer casting side of the world for ten years when she learns of off expectations and finding new heights’ – THE her grandfather’s death. She returns home for his SYDNEY MORNING HERALD burial, wracked with grief and burdened with all she ‘Tara June Winch’s characters all speak like real tried to leave behind. Her homecoming is bittersweet people, and that’s what makes you care about as she confronts the love of her kin and news that them’ – THE AUSTRALIAN Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save ‘Winch’s writing is vivid, immediately engaging, their land – a quest that leads her to the voice of her lyrical but succinct.’ – SYDNEY REVIEW OF grandfather and into the past, the stories of her people, BOOKS the secrets of the river. Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity. 4 LONDON 2019 FRONTLIST RIGHTS CATALOGUE Literary Hitch KATHRYN HIND was born in Canberra and Kathryn Hind has now returned there after five years in the UK. She’s published essays and short stories Pub date: June 2019 in various Australian journals and collections, Format: 320pp – 153mm x 234mm and has a poem published on one of Canberra’s Rights held: World Action buses. Kathryn began her first novel, Audio: Penguin Random House Australia Hitch, while studying in the UK, and in 2018 Imprint: Vintage Australia she was awarded the Penguin Random House Literary Prize for the manuscript. Winner of the inaugural Penguin Random House Sales Points Australia Literary Prize. • Hitch won the inaugural Penguin Random “She stopped walking and touched the fur on House Australia Literary Prize Lucy’s head in a signal for her to do the same. Something rattled in Amelia’s pack and took a • An original new voice in Australian literature moment to settle, and then there it was: the buzz Praise for Hitch of a vehicle in the distance.” ‘A tautly poetic and gripping tale of a young Amelia hitchikes across Australia, lost and woman’s perilous odyssey as she willingly puts mourning, as she struggles to face the death herself at the mercy of the strangers – whether of her mother and the subsequent surfacing kind or cruel – in order to test her ability to of unwanted memories. On the road, Amelia is confront her painful past.’ – CERIDWEN DOVEY, drawn to strangers who compel her to confront AUTHOR OF IN THE GARDEN OF FUGITIVES her emotions. ‘Gritty and suspenseful, and left you feeling With each fumbling–and loaded–interaction wrung out but relieved by the end. A very Amelia endures we are asked to look closer at impressive novel.’ – MAX SHIRLEY, MACLEAN’S the power imbalances at play. Steadily peeling BOOKSHOP back the many layers of Amelia, Hitch reveals ‘An introspective tale about a young woman how an individual’s experiences shape their hitchhiking across Australia to escape her life perceptions of the people and places around but not knowing what she is looking for. Amelia them, especially when that individual is a woman is complicated and relatable. I really enjoyed and alone. recommend it.’ – SARAH DEASY, AVID READER Hitch is an account of a young woman finding BOOKSHOP her feet in a world that consistently questions her right to joy and agency within it. It implores us to accept a person’s right to find their own way. 5 LONDON 2019 FRONTLIST RIGHTS CATALOGUE Literary Fusion Sales Points Kate Richards • Fusion is a compelling conceit, informed by Kate’s background as a doctor: a young Pub date: Feburary 2019 woman is knocked out in a car accident, and Format: 304pp – 153mm x 234mm cared for by the man who finds her and the Rights held: World conjoined twins he lives with. Audio: Rights Available • Kate handles this unsettling starting point Imprint: Hamish Hamilton Australia beautifully, to write a blend of psychological Lyrical and poetic, Fusion is a unique and powerful thriller with tones of a Gothic fairytale. The modern-Gothic fairytale that has at its heart sisters are at the heart of the book: weird, questions of selfhood, dependency and love. witty, fragile, alive. • Kate Richards’ memoir Madness was Conjoined twins Sea and Sabine live shut away in a universally acclaimed for its writing, winning cottage in the woods, together with Wren – the young the Adelaide Festival Awards for Literature man who helps care for them. non–fiction prize, and shortlisted for the Each is damaged but has found peace in the woods, Queensland Literary Awards non–ficton and the three live in relative harmony and are largely prize. self-sufficient. Praise for Fusion ‘While at times heart-wrenchingly sad, the One day Wren discovers a woman on the road nearby, novel is never without hope; Richards highlights badly injured and unconscious. her characters’ ultimate desires for love and He brings her back to the cottage, and he and the acceptance through gentle moments of twins nurse her back to health. But the arrival of this compassion and exquisite descriptions of the outsider changes the dynamic in the cottage, with natural world. Her highly stylised prose delivers unforeseen consequences. a story that is as multi-layered as its characters. Part fairytale, part Australian Gothic thriller, KATE RICHARDS is a writer of fiction, narrative Fusion is contemporary Australian literature at non–fiction and poetry. She has a medical its finest and deserves
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