Chinese University Bulletin

Total Page:16

File Type:pdf, Size:1020Kb

Chinese University Bulletin Chinese University Bulletin Chinese University No. 1, 2010 CHINESE UNIVERSITY BULLETIN No. 1, 2010 香 港 中 文 大 學 The Chinese University of Hong Kong We all like the feel of paper. But this bulletin will increase your carbon footprint. So share a copy with friends or read it online at your own leisure (www.cuhk.edu.hk/iso/bulletin). Thank you for supporting the environment. CHINESE UNIVERSITY BULLETIN No. 1, 2010 Contents © The Chinese University of Hong Kong 2010 2 Humanities · Humanity · Humankind • Research Institute for the The Chinese University Bulletin is Humanities 4 published biannually by the • Research Centre for Information Services Office Comparative City Cultures 6 • Centre for Comparative and Address all correspondence to Public History 7 Information Services Office, • CUHK, Shatin, N.T., Hong Kong SAR, Research Centre for Human The People's Republic of China Values 8 • Department of Music 10 Email • Centre for Culture and Development 12 [email protected] • Centre for the Studies of Daoist Culture 14 • Centre for Catholic Studies 16 Website www.cuhk.edu.hk/iso/bulletin Advisory Committee on 18 The 67th Congregation Chinese University Bulletin Prof. Laurence K.P. Wong Prof. Chan Hung-kan 22 Former Vice-Chancellor Prof. Joseph Man Chan Prof. Charles K. Kao Returns to CUHK Prof. David Parker Mr. Eric S.P. Ng Mr. Jacob S.K. Leung 28 Two Projects Made Areas of Excellence Ms. Amy Y.M. Tsui • Institute of Network Coding 29 Ms. Antonia Y.H. Yeung • The Historical Anthropology of Chinese Mr. Tommy W.K. Cho Society 30 32 Foundation Stone Laid for Lee Woo Sing College 34 The Best and the Brightest 36 News in Brief • Appointments 36 • Honours and Recognition 38 • Research 41 • Activities and Events 43 • Intellectual Cross-currents 47 Humanities Humanity Humankind hat are the humanities? At the risk of over-simplification, they Ware disciplines that occupy the vast territory between the creative arts—that which Oscar Wilde famously believed should be ‘useless,’ as a flower is useless—and science with its steely functionality. The responsibility of the humanities is to shed light on the human condition and what it means to be human—all the struggles and aspirations, achievements and failures, values and visions that help us make sense of our lives and our world. They exist to inspire admiration and contemplation on the one hand, and to instruct and influence action on the other, and perhaps, even to help us to become truly human in the most positive sense of the word. Among universities in Hong Kong, the Chinese University is best known for its strong humanistic tradition. In the last issue of the Bulletin, we profiled some of the celebrated humanities scholars in our midst. We will continue with the humanities focus in this issue by introducing some highlights in humanities teaching and research at CUHK. Chinese University Bulletin No. 1, 010 Humanities · Humanity · Humankind Humanities Humanity Humankind hat are the humanities? At the risk of over-simplification, they Ware disciplines that occupy the vast territory between the creative arts—that which Oscar Wilde famously believed should be ‘useless,’ as a flower is useless—and science with its steely functionality. The responsibility of the humanities is to shed light on the human condition and what it means to be human—all the struggles and aspirations, achievements and failures, values and visions that help us make sense of our lives and our world. They exist to inspire admiration and contemplation on the one hand, and to instruct and influence action on the other, and perhaps, even to help us to become truly human in the most positive sense of the word. Among universities in Hong Kong, the Chinese University is best known for its strong humanistic tradition. In the last issue of the Bulletin, we profiled some of the celebrated humanities scholars in our midst. We will continue with the humanities focus in this issue by introducing some highlights in humanities teaching and research at CUHK. Chinese University Bulletin No. 1, 010 Humanities · Humanity · Humankind California (USC) and an electrical engineer by Unity in Interdisciplinarity training, who has done a lot to boost USC’s arts The Humanities Seven and humanities programmes during his 19 years Centre for Hong Kong Cultural Studies in office, incidentally with the help of another Publishing the new Hong Kong Cultural Studies series; Research Institute for the Humanities electrical engineer—provost and future USC conducting cross-disciplinary and cross-institutional president, Prof. C.L. Max Nikias. Professor Leung research he Research Institute for the Humanities (RIH) only enables us to learn from each other,’ said added that the Chinese University is clearly Edwin Cheng Foundation Asian Centre for Twas set up in 1991 to bring all interdisciplinary Prof. Leung Yuen-sang, director of the RIH and attaching great importance to the humanities Phenomenology research in the humanities under one roof. It is Professor of History. and he is very happy about it. Organizing Master Class in Phenomenology for Asian currently home to seven research centres, with Scholars etc; publishing Journal of Phenomenology Interdisciplinarity, a response to the worldwide more proposed and pending approval. The RIH is and the Human Sciences a n d R e s e a r c h o n trends of globalization, is a distinguishing feature supported by private funds and external research Phenomenology and the Human Sciences of the institute. All staff involved in the institute grants. Research Centre for Comparative City hail from different departments and academic Cultures ‘The Chinese University’s humanistic backgrounds. Professor Leung said that though Conducting research on the history, culture and tradition is our asset. Our Colleges not belonging to the humanities, interaction between cities, including Hong Kong, offer integrated curricula engineering and science can also Shanghai, Shenzhen and Singapore emphasizing the humanities. contribute to the former, quoting Research Centre for Confucian Studies Of course there are debates Prof. Steven Sample, President Studying Confucian teaching and learning in late among the disciplines, but it of the University of Southern imperial China, Confucianism in Lingnan China; organizing workshops on Confucian statecraft Research Centre for Human Values Running a joint monthly Luncheon Series for the College Fellows with Morningside College; hosting seminars, a conference and a forum Research Centre for Humanities Computing Maintaining research website HUMANUM; servicing University units, e.g., Department of Philosophy, to implement the CU Philosophy Information Databases Research Centre for Ming-Qing Studies Coordinating teaching and research on the literature, history, philosophy, religion, culture of the Ming-Qing era Chinese University Bulletin No. 1, 010 Humanities · Humanity · Humankind California (USC) and an electrical engineer by Unity in Interdisciplinarity training, who has done a lot to boost USC’s arts The Humanities Seven and humanities programmes during his 19 years Centre for Hong Kong Cultural Studies in office, incidentally with the help of another Publishing the new Hong Kong Cultural Studies series; Research Institute for the Humanities electrical engineer—provost and future USC conducting cross-disciplinary and cross-institutional president, Prof. C.L. Max Nikias. Professor Leung research he Research Institute for the Humanities (RIH) only enables us to learn from each other,’ said added that the Chinese University is clearly Edwin Cheng Foundation Asian Centre for Twas set up in 1991 to bring all interdisciplinary Prof. Leung Yuen-sang, director of the RIH and attaching great importance to the humanities Phenomenology research in the humanities under one roof. It is Professor of History. and he is very happy about it. Organizing Master Class in Phenomenology for Asian currently home to seven research centres, with Scholars etc; publishing Journal of Phenomenology Interdisciplinarity, a response to the worldwide more proposed and pending approval. The RIH is and the Human Sciences a n d R e s e a r c h o n trends of globalization, is a distinguishing feature supported by private funds and external research Phenomenology and the Human Sciences of the institute. All staff involved in the institute grants. Research Centre for Comparative City hail from different departments and academic Cultures ‘The Chinese University’s humanistic backgrounds. Professor Leung said that though Conducting research on the history, culture and tradition is our asset. Our Colleges not belonging to the humanities, interaction between cities, including Hong Kong, offer integrated curricula engineering and science can also Shanghai, Shenzhen and Singapore emphasizing the humanities. contribute to the former, quoting Research Centre for Confucian Studies Of course there are debates Prof. Steven Sample, President Studying Confucian teaching and learning in late among the disciplines, but it of the University of Southern imperial China, Confucianism in Lingnan China; organizing workshops on Confucian statecraft Research Centre for Human Values Running a joint monthly Luncheon Series for the College Fellows with Morningside College; hosting seminars, a conference and a forum Research Centre for Humanities Computing Maintaining research website HUMANUM; servicing University units, e.g., Department of Philosophy, to implement the CU Philosophy Information Databases Research Centre for Ming-Qing Studies Coordinating teaching
Recommended publications
  • Culture and Sport
    CULTURE AND SPORT Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, China Cultural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts.
    [Show full text]
  • ACMR Newsletter Association for Chinese Music Research 中國音樂研究會通訊
    ACMR Newsletter http://acmr.info/ Association for Chinese Music Research 中國音樂研究會通訊 Volume 20, number 1 May 2014 MESSAGE FROM THE PRESIDENT Membership Dues Spring greetings meeting also appears in this issue if you to the ACMR were unable to join us. community! I hope you enjoy I encourage all of our members (old and this latest issue new) to take the time to read the tribute of the ACMR to one of our founding members, Rulan Newsletter; our Chao Pian, in commemoration of her newsletter team passing late last year. I look forward to has been work- celebrating her contributions to our com- ing hard to munity when we gather in Pittsburgh this compile infor- fall. Lei Ouyang mation that will Bryant be useful and Our two established prizes (Rulan Chao engaging to our Pian and Barbara Barnard Smith) continue members. As always, we encourage eve- to receive numerous submissions and I ryone to regularly submit updates on their will announce the 2014 winners this fall at research and scholarship. Please continue our annual meeting. As discussed at the to let our Newsletter Editors know of any 2013 meeting, a new student travel prize items you would like to see appear in our (Ruby Chao Yeh Student Travel Award), Inside this issue: newsletter. is under development. More news will be coming out shortly regarding this new I greatly enjoyed our gathering in Indianap- prize. olis for our 2013 annual meeting in con- Announcements, junction with the Society for Ethnomusi- Finally, the ACMR officers are finalizing 2 prize winners cology. It was a pleasure to meet old and the constitution and bylaws and will be new colleagues and provide the oppor- contacting you shortly for your input and People and places tunity for us to come together to discuss eventually to bring the documents to the 3-4 Recent work our shared research interests.
    [Show full text]
  • Ms Ng Wing-Mui DOCTOR of HUMANITIES Honoris Causa Citation
    Ms Ng Wing-mui DOCTOR OF HUMANITIES honoris causa Citation Ms Ng Wing-mui, well known as “Mui E” (Auntie Mui), is a master singer in both Cantonese operatic song yuetkuk and Cantonese narrative singing naamyam. Mui E began singing these two genres in her teens. Having been a professional singer since she was seven, Mui E made a name when she was thirteen. Since the 1930s, she has made music with all of the celebrated artists of Cantonese music of the time. With eighty years of practice and performance experience, Mui E excels in the two genres of yuetkuk and naamyam and is now considered a grand master artist of shiniang qiang (style of the blind female singers). In her early years she learnt from gushi (blind male singers) Liu Jiu and shiniang Renxin and Yinjiao, capturing the essence of Cantonese naamyam singing. In addition to being a gifted singer, Mui E is also a very talented instrumental performer. She is especially skilled in two musical instruments, the long-neck plucked lute qinqin and the hammered dulcimer yangqin. In the late 1930s and early 1940s, the prominent Hong Kong Cantonese musician, Siu Tit- hung, composed the famous piece “Flowing Water and Moving Clouds”. Chan Luk-ping of Macau set this melody with lyrics and turned it into a well-known piece of Cantonese operatic song yuetkuk, “My Man Returns Late”. At thirteen, Mui E premiered the song and immediately gained a reputation in Hong Kong and Macau. Knowing of Mui E’s talent and fame, Siu went to Macau and played his musical instruments to Mui E’s singing.
    [Show full text]
  • My Days with the Institute of Chinese Studies
    2017 No. 4 Interview with Professor Cheng Hwei Shing My Days with the Institute of Chinese Studies Date: 9 November 2017 Location: Room 124, the Institute of Chinese Studies (ICS) Interviewee: Professor Cheng Hwei Shing, Senior Research Fellow (honorary), Research Centre for Contemporary Chinese Culture, ICS Interviewer: Professor Lai Chi Tim, Associate Director of the Institute of Chinese Studies Recorded by: Pei Fanhui, MPhil in Translation, CUHK Professor Cheng Hwei Shing was born in Hong Kong in September 1949. He graduated from the Department of History at Nanjing University in 1982, and was then assigned to work at the Second Historical Archives of China in Nanjing. He was promoted as the Associate Director of the Archive Processing and Cataloguing Department in January 1985. In December 1988, he came to Hong Kong and reside there hereafter. He obtained an MPhil degree from the University of Hong Kong and a PhD degree from the Chinese University of Hong Kong. He had been working with the Institute of Chinese Studies in the Chinese University of Hong Kong since 1990 and retired in September 2013. Professor Cheng is now a Senior Research Fellow (honorary) of Institute of Chinese Studies and Adjunct Professor at the Department of History in the Chinese University of Hong Kong. Professor Cheng has long been working on the collecting, editing and publishing of archives for the Republic of China Period. His study focuses on the history of the Republic of China, especially on the financial and economic policies, national capital and bureaucratic capital under the Nationalist Government in the 1930s and 40s, as well as its sino-foreign economic relationships.
    [Show full text]
  • Culture and Sport
    CULTURE AND SPORT Culture and Sport Culture and Sport Eastern and western cultures have co-existed in Macao for over 400 years. A wide variety of cultural traditions, languages, values, religious beliefs, and customs have all existed side by side and influenced one another. Out of this melting pot, a regional culture unique to Macao has gradually developed into its present richness. Macao’s culture is thus a diverse mixture, with traditional Chinese culture as its heart, and it has assimilated Western, particularly Portuguese, cultural influences in perfect harmony. Following its policy of promoting Chinese culture while preserving the unique pluralistic cultural heritage of Macao, the Government has hosted various cultural and artistic activities invited art troupes from mainland China and overseas, as well as Macao, to perform. These have created opportunities for audiences to learn more about the history, society, and culture of different regions, as well as enhancing cultural exchange and the quality of cultural life of Macao’s residents. Cultural Affairs Bureau The Cultural Affairs Bureau is a Government department that sets out the Government’s key objectives in cultural matters. The bureau is responsible for protecting cultural heritage, giving guidance on aesthetic appreciation, supporting community organisations, nurturing talent in arts and culture, developing local cultural industries, as well as organising cultural entertainment programmes, such as concerts, exhibitions, seminars, music classes, dance, drama courses, Macao International Parade, Macao International Music Festival, Macao Arts Festival, Macao City Fringe Festival, Chinese Culture and Natural Heritage Day, Macao Youth Music Competition and Macao Annual Visual Arts Exhibition. It also provides subsidies for different cultural and art programmes as well as scholarships to support the publication of research and advanced studies about arts.
    [Show full text]
  • Research on the Innovative Application Methods of Lingnan Traditional Elements in Architectural Design
    MATEC Web of Conferences 228, 05009 (2018) https://doi.org/10.1051/matecconf/201822805009 CAS 2018 Research on the Innovative Application Methods of Lingnan Traditional Elements in Architectural Design Feifeng Zhong Guangzhou Nanyang Polytechnic Abstract. The focus of this study is how to break through the traditional practices, and deeply explore the innovative application methods of Lingnan traditional elements into architectural design, so that Lingnan traditional elements can be subtly integrated into modern architectural design. It is hoped that this will be of certain practical guiding significance for the architects in applying Lingnan traditional elements in architectural design. Keywords: Lingnan traditional elements; Architectural design; Innovation; Application methods. 1 Introduction culture and other factors, some elements of the traditional element in the plane or elevation modeling are directly The Lingnan architecture has occupied an extremely transplanted into the architectural design and carry out important position in the Lingnan area. It is unique in certain transformation by combining with the design traditional Chinese architecture and has rich cultural intent [1]. We can properly transplant Lingnan traditional connotations and values. However, a large part of works figures, plants, animals, patterns with traditional of Lingnan traditional elements applied in architectural metaphorical and symbolic meanings, symbols with design is too monotonous, symbolic, conceptualized, and traditional religious ornamentation, geometric symbols even over-decorated, artificial, and formulaic. There are and other images, as well as some forms of characters and rare substantive studies and cases that are innovative and scenery in popular historical legends, myths, idioms or groundbreaking in integrating Lingnan traditional legends. The existing technology and design techniques elements into modern architectural design.
    [Show full text]
  • Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011)
    Bell Yung’s CV 1 Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011) Home Address 504 N. Neville St., Pittsburgh, PA 15213 Tel: (412) 681-1643 Office Address Room 206, Music Building University of Pittsburgh, Pittsburgh, PA 15260 Tel: (412) 624-4061; Fax: (412) 624-4186 e-mail: [email protected] Education Ph.D. in Music, Harvard University, 1976 Ph.D. in Physics, Massachusetts Institute of Technology, 1970 B.Sc. in Engineering Physics, University of California, Berkeley, 1964 Piano performance with Kyriana Siloti, 1967-69 Piano pedagogy at Boston University Summer School at Tanglewood, 1967 Performance studies of various instruments in the Javanese gamelan ensemble, particularly on gender barung (metal xylophone) with Pak Djokowaluya, Yogyakarta, summer 1983. Performance studies of various Chinese instruments; in particular qin (seven-string zither) with Masters Tsar Teh-yun of Hong Kong, from 1978 on, and Yao Bingyan of Shanghai, summer of 1980, 81, 82. Academic Employment University of Pittsburgh Professor of Music, 1994 (On leave 1996-98, and on leave half time 98-02) Associate Professor of Music, 1987 Assistant Professor of Music, 1981 University of Hong Kong Kwan Fong Chair in Chinese Music, University of Hong Kong, 1998.2 – 2002.7. Reader in Music, University of Hong Kong, 1996.8-1998.2 (From February 1998 to 2002, I held joint appointments at the University of Pittsburgh and the University of Hong Kong, teaching one term a year at each institution.) University of California at Davis, Visiting Associate
    [Show full text]
  • Sing Me a Story
    CHINA DAILY | HONG KONG EDITION Friday, November 15, 2019 | 11 Heritage Sing me a story ven before people learned Neil Li finds out about the forgotten art of naamyam singing and to write, stories would be passed down verbally from recent attempts to enhance its appeal among newer audiences. one generation to another. EThese tales were sometimes delivered by a singer, accompanied by one or recording along with a reinterpreted through spoken words and at other two instruments. The melodic for- version that combines elements from times through song, with the latter mulas are simpler than those found electronic music. resulting in the emergence of some in Cantonese opera. “When you use new technology truly unique art forms, such as that Naamyam is always sung in Can- and audio systems to listen to those of naamyam.. tonese as its music is intrinsically old recordings from the seventies, Naamyam is a form of narrative linked to the language. “Any kind of they feel very different. I’m very excit- singing that originated in Guangdong narrative singing is very much relat- ed to be able to use new technology and was commonly heard in restau- ed to its language or dialect,” says to interpret these wonderful (works rants, tea houses and brothels in the Chan. “I always tell my students that of) music for everyone to listen to,” early to mid-20th century. Perfor- there is no national style in Chi- says Woo. mances were typically accompanied nese music, but there are a lot of Through these productions, Woo by string and percussion instruments regional styles.
    [Show full text]
  • Finding Foshan Heritage Hotbed Transforms Into Enertainment Hub
    P earl R iver D elta Finding Foshan Heritage hotbed transforms into enertainment hub Follow Us on WeChat Now Advertising Hotline 400 820 8428 Also in this issue: 城市漫步珠三角 英文版 3 月份 Keith Richards exclusive 国内统一刊号: CN 11-5234/GO China Intercontinental Press Inside the PLA compounds China's first pro female surfer MARCH 2014 《城市漫步》珠江三角洲 英文月刊 主管单位: 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位: 五洲传播出版社 地址: 北京市海淀区北三环中路31号生产力大楼B座7层 邮编100088 B-721 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui Chief Editor Tom Lee Deputy Editor Jane Kent Shenzhen Editor Gary Maidment Events and Web Editor Will Wu Staff Writer S. E. Smith Editorial Assistant Van Fan Contributors Marina Garvey Birch, Marianna Cerini, Andrew Chin, Lena Gidwani, James Griffiths, Jeremiah Jenne, Karoline Kan, Monica Liau, Gary Maidment, Trevor Marshallsea, Zoey Zha Intern Alice Wang Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市澳门路872弄10号 邮政编码: 200050 No.10, Lane 872, Aomen Lu, Shanghai 200050 电话: 021-2213 9018 传真: 021-2213 9010 Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路42号大院2号楼610室 邮政编码: 510095 Rm. 610, No. 2 Building, Area 42, Lu Yuan Lu, Guangzhou 510095 电话: 020-8358 6125 传真: 020-8357 3859 - 816 Shenzhen 深圳业务 电话: 0755-8623 3220 传真: 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街48号东方银座C座G9室 邮政编码: 100027 9G, Block C, Ginza Mall, No.48 Dongzhimen Wai Dajie, Dongcheng District, Beijing,
    [Show full text]
  • Mainlanders Trash Baidu Over Bogus Travel Agency P7 Xinhua
    G2E ASIA RETURNS WITH MACAU A POSSIBLE FIX TRUMP KIM BI-LEVEL EXHIBITOR SPACE IN CHINA-US TENSIONS , G2E Asia is returning May 21 to 23 Lawyer Alexander Kocsis says END SUMMIT to the Venetian Macao, introducing Macau, ‘philosophically halfway’ WITH STANDOFF a bi-level exhibitor space for an between China and the U.S., can OVER EASING US expected 18K visitors plug the gap in misunderstanding SANCTIONS P2 P4 P12,13 FRI.01 Mar 2019 T. 19º/ 23º C H. 75/ 98% facebook.com/mdtimes + 13,000 MOP 8.00 3239 N.º HKD 10.00 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho www.macaudailytimes.com.mo “ THE TIMES THEY ARE A-CHANGIN’ ” AD MACAU-HK SCAMMERS Mainlanders trash Baidu over bogus travel agency P7 XINHUA WORLD BRIEFS CHINA-US Security experts say the U.S. government is likely exaggerating the Huawei threat. Not only is the U.S. case short on specifics, they say, it glosses over the fact that the Chinese don’t need secret access to Huawei routers to infiltrate global networks that already have notoriously poor security. CHINA A prominent Chinese human rights lawyer Jiang Tianyong disappeared on the day of his scheduled release from prison yesterday and was reportedly taken away by unknown persons. More on p11 AP PHOTO PAKISTAN A temporary closure of air space over Pakistan snarled air traffic especially between Asia and Europe, though some OUT TODAY airlines adjusted by rerouting their flights. In Bangkok, an important and busy hub for transcontinental flights, Gaming revenue thousands of travelers were stranded.
    [Show full text]
  • Listening to Chinese Music
    Listening to Chinese Music 1 Listening to Chinese Music This article is an English translation of part of the book Listening to Chinese Music 《中國音樂導賞》edited by Chuen-Fung Wong (黃泉鋒) and published by the Hong Kong Commercial Press in 2009 as a project of the Chinese Music Archive of the Chinese University of Hong Kong. With the permission by the Chinese Music Archive, this article is uploaded onto the Education Bureau’s website for teachers’ and students’ reference. As for the recordings of selected music, please refer to the CDs accompanying the printed copy of the Chinese version. © The Chinese Music Archive, the Chinese University of Hong Kong. All rights reserved. No part of this publication can be reproduced in any form or by any means. 2 Contents Foreword…………………………………………………………………………………..5 Translator’s Preface……………………………………………………………………….6 Chapter 1 Modern Chinese Orchestra ............................................................................. 8 Section 1 The Rise of the Modern Chinese Orchestra ......................................................... 9 Section 2 Instruments Used in the Modern Chinese Orchestra .......................................... 10 Section 3 The Characteristics of Chinese Orchestral Music and Its Genres ....................... 11 Section 4 The “Improvement” of Chinese Instruments ...................................................... 13 Section 5 The Development of Modern Chinese Orchestra ............................................... 15 Listening Guide ...................................................................................................................
    [Show full text]
  • Acss Book 2014
    1 2 THE ORGANISING COMMITTEE Principal Organisers TAN See Kam, University of Macau Gary BETTINSON, Lancaster University Tony SCHIRATO, University of Macau Coordinator XU Xiaying, Richard Co-directors GENG Li, Monique HUANG Yawen, Wendy KONG Mengxun, Carol YANG Liu, Sylvia ZHANG Xiaoyi, Sherry Secretarial Support Jenny LOU Barbara CHIN Conference Helpers CHEN Shuping, Jasmine DING Junxiao, Tony HU, Janice LIANG Ni, Mary LIANG Xinyuan, Angela LIN Han, Catherine LIN Xiaoying, Carmen LIN Xinrui LIU Chenxi, Ban LIU Wenhui LIU, Wencheng, Vinson O.S. EMMANUEL QIAN Qiao, Ted SUN Zhichu, Vincent TZENG, Karmen XIAO Yu, Sherry YAN Xi, Max ZHANG Guonan, Garland 3 ACSS CONFERENCES: Past and Present Asian Cinema Studies Society (ACSS) was launched in the United States in 1984 by Mira BINFORD, with help from a coterie of Asian cinema scholars. It initiated a newsletter and held successful conferences in Athens, Ohio, USA (1988), Melbourne, Australia (1990), and New York City, USA (1992). In 1994, a second conference was held at Athens, Ohio. John A. LENT was elected chair and editor-in-chief of Asian Cinema , which had evolved from a newsletter to a periodical. Lent turned Asian Cinema in an academic journal. In 2012 he stepped down as Chair of ACSS and Editor of Asian Cinema which by then has published through to Vol. 22 (2011) with a total of 32 numbers, each issue averaging 250-300 pages. Intellect Books (UK) now publishes Asian Cinema which is a doubly blind reviewed journal dedicated to promoting and building Asian cinemas communities and scholarship. During this period, ACSS has conducted five more international conferences: Peterborough, Canada (1997), Norman, Oklahoma, USA (2000), Jeonju, Korea (2002), Seattle, Washington, USA (2003), Beijing/Shanghai, China (2005), and Hong Kong SAR (2012).
    [Show full text]