DOCSLIB.ORG

Zxaavftt Vhmuwmfpr ^Wobffk T «Y!K«

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zxaavftt Vhmuwmfpr ^Wobffk T «Y!K« • «a XOA II AA Mlswllanootfs .dtJtMtf Ing tbe ritual over the third candidate for tbs ' wffir Hr riftf MM-ir* v t: bapiiiun when Uie crush came, lie threw iilllil off Ufa coat and fa fate, and hr prrsufieut !i;uiiiTi,fnTrii and courageous effort# ittccwdcain saving sit liras. The man is totally crashed with s weight of sorrow, fie wanders about UlM tlx* wn< k in melancholy sadness, and to U**ny in UaSntf »»» 1 « seems constantly in orient prayer. lie has H, Uk -ui , nf MMM( wZn*mW •oum injuries and suffered much from ex- • « MblM podN. TWy iMAke ib«____ Ami ***** *M Mr • I wk« 1(1 Miss Keith, of Dixon, stood on the outer M ««r »«*rld wWD Ku^lUh rsw * *lge of Uie bridge, and when the crash kuftoWM by that draft i*~d»; 1 .•Ik u ) r • — «l— cstne *he start***! fa leap into tbe water, but was caught by Mr. George Anderson It totaa*ito. __ _i ihowkii ib*i fSI bom iklB|» T«» flostor fort wtora Mto»» mM;M * I • t m and held till !»oth were rescued from their It »Un w wttb • mm of wt«n I** rilous position. A Mrs Keener, from TW strive to Uft tbe rarthit* mmL * % - * !«•¥) M II# kua |kh| voL. vii .—no . :m ST. JOHNS, MICII., THURSDAY, MAY 15, 1873. WHOLE NO. 313. Chicago, who is visiting Uiis place, had a Ix» *r «m firw. Il4 Hfr M nwl, very narrow «wra|>e, os slso did Mrs. Dus- ImI ftl thr c.n h* Wt Ilf «(M rtjon. who clung fa * Jutting stone in Uie tprasg futtoismrrd u» the foot,* • — ■ 1 pier for some minute*, hhe was painffiliy ‘•{joua Tiu u > tbe touch tlivUM'. predictor. Time waa when she Wy <»r »i«M lorul seixiug tbe police station bouaes while tbe Met bovriwe Ingeraotl, of ConnectIcut, waa fa- aixl wife, and BU-venaon, John Harness and wounded. The town is full with rumors .thy. tfrar. / * fn« #tl * i • *• tho«£fct ahunfutr tuititTM of Um in i til. aid r«ifw>litan Fotkw are abaent, aud bad held a augurat*4 || Hartford, uu the 71b, with im wife, aixl Thoiua* Tyke, wife and daughter, of other marvelous escapes. Home of the npai/h mo m word M A Plimr has the following lunar wvaUtar OMil_ _ _ _ _ meeting, Indorsing the conduct of the peoyde I>*»sing ceremonfas. had Ih *vu arrested. A. M. King, a traveling dis ­ prominent citizen*, among them Mr. htick* «> /bon t# /A< CSS# If. wiaaoni; 4 Fine wratber, wind, of min, TIIE m ad'^H am of Ui. Martin.vilk. An official call baa l*e«-n Isanrd for tlie went trict preacher, bad been arrested at Parsous, ney, editor of the Nun, were Just approach* (Ad you. / toi/J « 4/ ihrtmi’f* ** uiajr bo lo*»ke«i for according as the moon Fiil-l«*r Hi. klcii f v • ^wir. the glittering prize; it thr By tbe exploaion of a lard retirkring tank in Ing of tbe Main** Republican State Convention and a n*»fariuu* murderer, once pardotx*d from ing Uie bridge when it gave way. llad Wf rrad ontfl th* vMnn iHm* risen w ith a pun* white, rod. or awtuthk me‘inbera of thv A merit an legation, on thv 3d, they been two minutes sooner they would kin reach, so, seizing hold of hia rake, he < hieagoou tlie afternoon of the fftb* three men at Bangor, on tlie 19tb of Juue. the FeniU-ntlary, ixumxi Major Muuford, and And drown; hot. m Mr |»snff hr |«m. light. If at fall moon, half the dike L begau to rake the water, and |ieraevercd, formally prtwvtitvd to Prraith iit Elguvrtu the have gone fa eternity wiUi the rest. The A tUle of Miinph OTffM»« ‘i. Ik.,1. .L I i«* >T|1 aud a tiny were almost Instantly killed, arid Hou. Oakea Awu*s, M. C.t died at Koston, a soman with him, were arrest*d at Fort And btvzk* with tight from hrarra at tael -until a party of Somersetshire mowers )iiIqI rcwoiution of tin* Nvtiair and House of work of rescuing the livinir and recovering several (tillers seriously»u^> iigurtd. ,. Maas., cm tbe Mb. aged sixty-nine years. BeuU. wind; if black, rain. If at the rising of came along, and Jeered him ax a “moon Kefirewentatitrca of tlie United Slate*, entigratu the dead was carried on an Sabbath after­ Thro* all thr bl ark imho of that nlzkt A loiwreme (Kau. i ivlegrani «»f tlie fttb *Av> There was a general adjournment of the the D< v* ........ the l,«»rn is '-t> raker.*' Anxious to remove the slur of luting Ibr Spanish tioveminent aud people mi noon, large gangs of workman employed A zlonr atrraio* from oul Ibr k’kwa; seuruL Jhcxn.w LiJ he a urt;v;Ueuce yt w et tbe dead Indy <*f William York, brother of courts thmugltoul the couutry, on tb«* fith, Tli«* Dixon Unlnmity —A Gmplilr Ik*- 11U slrailfast sutni hukl| Um Bgnt stupidity from his countryman, Mr. Aker- Ujr passage by the Assembly of the hill abol­ <■0 the North western and Illinois Central a t->1 wheirvfi? V^h» O^w ifie; 4f ili+l**r Huuatur York, wboar mysterious disappearance out of rr**pe* t to the memory of the late Hallways, under the charge of John C That shines yU might M orrre»nar hian ingenioualy accounts for the opprobt ishing slavery in the colouiea. Oil presenting M-riptioM. horn in obscured, there will be rain lie. o«« nickname in this way : “Hide zay as some week* ago caused so much excitement, t hief Justice Utiaac. Jacob*, offering timely assistance, and Tbr rra vrttl do t»S»**r#t. and Hf« the resolution* tbe (iencraleongratulated Spain fl»rc shf gttAiiis her full; if UHh lh»rns ap­ hew they gied t|i* neame o* w imh I rakers to bad tireti found burled on tbe claim of • man Fresident (irant left 4 bieagooti the nionting (Special dJspaich Ui ito (.hkago Inter-Ocean ] their labors were kept up during Uie Hr subbed oariii a hsbMtnr breath; oil tb« establishment of a Republic and the Bui flriuD \ni therbv coward airlif. pear obtune, a frightful teui|H>t is near; we Wiltshire vauk, bekaae a passel o’ named Bender, #is miles north of Uhcrryvale. of tlie Mb, for Washington. Dnox, III., May k greater pari of the night. A derrick was alioliahiiiciit of alavery. I’reaideut Fig There ••And- a man Who hath ■» Meath! if tho? are % harp 'Bui fTetl, hl«ti ddihls •tupid laslies one night tried to rake the Tlie remains Isiee mark* of viok >nee. Other A grand five day* Jubilee ia to take place iu Thi* is a dark day for Dixon. 4>ver erected and a seine stretched across the may Ik * exported. Darw in declares it i* a ueraa, in n*|*ljr, tliank* d tbe American Nation eOMu< shadow o’ th’ moon owl o' th’ bmk, and dead Uaiies w« re found under Bender*nbouse Chicago during tlie first week Iu June, on tbe the whole city then ’ ia a pail of sadness river to catch any bodies that might aUre aigu of coining raiu when the inoou'a am I i *111 ,'fi an utal 1*1 *•.• -idem I.rant, and said that the ino«t* disinterested cannot help to loosem’d from tlie watery prison and And hm«r* shove a -lakin* deck; to! During U»e mouth of April there were M, occasion uf the formal i»peuing of tin* new A hfldjr »mw >be iraptor *rmw; head U Itidden in hal«»es. A e«»rre.Hpoiid wroni end «in iA feel. The calamity strike** at nearly every float out, and several were recovered in A rainbow rising o'er the a rec k. 414 dead letters received at the Dead Letter pasaetiger de(M>t of the Michiguu .Southern and eat yf .Vrgca n/*1 [fueri* § says a large eirele doin ’V th' ** 11*. ,M.i * * "* (|Br:'i ity »,f household, and tlie rich aixl poor meet that way. Night settled like a mantle (Bfice. Of tills nund>er, ‘Jli,475 were held for round the nuaxi, w ith A north or north a-vi»l4ng keg** o’ K«H-k island Railroads aud the Inauguration of together in mourning. 8o closely hound over the scene, and made more ghastly eaat wind. ,prcdicatc» al4»riny weather; IT only herten nrake t»ut a" postage. tlie new Pacific Hotel. an* the citizens hy the tie* of Idood and the horrid and fantastic shapes which the And dying with a» pare aaaaa. p ,$ I w the win*l cornea from any (hiier <|uurt< r. A “local option ” 1*111, which docs tud except TIh * Iowa State Christian Conference will tltssaM su**l !ciu inti. 4Ul intcrroarrhi#*? there ia senrrely a family in broken bridge had assumed. Men con ­ lie tiad uo need to rave bb Ufc. Jiiere will be rain, but 1<hm of U- If, how- cider «»r lugvr Is-it, lias |m*•*#***! U h ; X** w Y’ork tinued to w'ork with torches until mid ­ had his grin at Tm, but they hail a goo* Victor Eniiiianuel bad revol H5ri^|danre meet at In-grand, June 4. the whole place but takes Bie aorrow to lard! boar they shame tbe life we Hv Sciute. ita home. The store** are clo*e«l aud the night, when a watch was stationed and - • r/ii laugh at lie, when 'em got wlioame the *»f tbe Ministry ’* rtwignalion, and rtsjuested A Dixon (III.) dispatch of the SLh *ay* three The*e aailor* of our sra-glrt i»h\ • (»et*rg*- Fr .UK *** Tiaiu has Item pronoun* * d housea darkened.
Load more

Recommended publications
  • Le FORUM, Vol. 38 No. 1 Lisa Desjardins Michaud, Rédactrice
    The University of Maine DigitalCommons@UMaine Le FORUM Journal Franco-American Centre Franco-Américain Fall 2015 Le FORUM, Vol. 38 No. 1 Lisa Desjardins Michaud, Rédactrice Nick McCrea Roger Parent Guy Dubay Jeff yC r See next page for additional authors Follow this and additional works at: https://digitalcommons.library.umaine.edu/ francoamericain_forum Recommended Citation Desjardins Michaud, Rédactrice, Lisa; McCrea, Nick; Parent, Roger; Dubay, Guy; Cyr, Jeff; Cyr, Don; Genest, Martha Cyr; Richard, Mark Paul; Bruneau, Juliete; Barrière, Joshua; Beaulne, Kent ("Bone"); Marceau, Albert J.; Gélinas, Alice; and Chenard, Bob, "Le FORUM, Vol. 38 No. 1" (2015). Le FORUM Journal. 41. https://digitalcommons.library.umaine.edu/francoamericain_forum/41 This Book is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Le FORUM Journal by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Authors Lisa Desjardins Michaud, Rédactrice; Nick McCrea; Roger Parent; Guy Dubay; Jeff yC r; Don Cyr; Martha Cyr Genest; Mark Paul Richard; Juliete Bruneau; Joshua Barrière; Kent ("Bone") Beaulne; Albert J. Marceau; Alice Gélinas; and Bob Chenard This book is available at DigitalCommons@UMaine: https://digitalcommons.library.umaine.edu/francoamericain_forum/41 Le“AFIN D’ÊTREFORUM EN PLEINE POSSESSION DE SES MOYENS” VOLUME 38, #1 AUTOMNE/HIVER 2015 Donation swells genealogical, historical records at UMaine Franco center... Nick McCrea | BDN Nick McCrea Celeste Ringuette, widow of Adrien Lanthier Ringuette of Indiana, talks about her late husband during a dedication ceremony of a library at the University of Maine named in Adrien's honor.
    [Show full text]
  • Long Métrage Feature Film
    LONG MÉTRAGE FEATURE FILM Hiver | 2020 | Winter CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES MINISTÈRE DE LA FÉDÉRATION WALLONIE-BRUXELLES SERVICE GÉNÉRAL DE L’AUDIOVISUEL ET DES MÉDIAS CENTRE DU CINÉMA ET DE L’AUDIOVISUEL PROMOTION EN BELGIQUE Boulevard Léopold II 44 - B-1080 Bruxelles T +32 (0)2 413 22 44 [email protected] www.centreducinema.be WALLONIE BRUXELLES IMAGES PROMOTION INTERNATIONALE Place Flagey 18 - B-1050 Bruxelles T +32 (0)2 223 23 04 [email protected] www.wbimages.be LONG MÉTRAGE ÉDITEUR RESPONSABLE Frédéric Delcor - Secrétaire Général Boulevard Léopold II 44 - B-1080 Bruxelles PUBLICATION Février / February 2020 COUVERTURE / COVER Jumbo de Zoé Wittock Production : Kwassa Films © Caroline Fauvet LONG MÉTRAGE FEATURE FILM Hiver | 2020 | Winter CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES SOMMAIRE CONTENT ADORABLES................................ SOLANGE CICUREL .......................... 4 ADORATION ................................ FABRICE DU WELZ ........................... 5 ANIMALS .................................. NABIL BEN YADIR ............................ 6 APRÈS LA FIN .............................. FRANÇOIS HIEN ............................. 7 BULA ...................................... BORIS BAUM ............................... 8 DES HOMMES .............................. LUCAS BELVAUX ............................. 9 FILLES DE JOIE ............................. FRÉDÉRIC FONTEYNE & ANNE PAULICEVICH ...... 10 FILS DE PLOUC ............................. LENNY GUIT & HARPO GUIT
    [Show full text]
  • Cinema 2: the Time-Image
    m The Time-Image Gilles Deleuze Translated by Hugh Tomlinson and Robert Caleta M IN University of Minnesota Press HE so Minneapolis fA t \1.1 \ \ I U III , L 1\) 1/ ES I /%~ ~ ' . 1 9 -08- 2000 ) kOTUPHA\'-\t. r'Y'f . ~ Copyrigh t © ~1989 The A't1tl ----resP-- First published as Cinema 2, L1111age-temps Copyright © 1985 by Les Editions de Minuit, Paris. ,5eJ\ Published by the University of Minnesota Press III Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 f'tJ Printed in the United States of America on acid-free paper 1'::>55 Fifth printing 1997 :])'''::''531 ~ Library of Congress Number 85-28898 ISBN 0-8166-1676-0 (v. 2) \ ~~.6 ISBN 0-8166-1677-9 (pbk.; v. 2) IJ" 2. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or othenvise, ,vithout the prior written permission of the publisher. The University of Minnesota is an equal-opportunity educator and employer. Contents Preface to the English Edition Xl Translators'Introduction XV Chapter 1 Beyond the movement-image 1 How is neo-realism defined? - Optical and sound situations, in contrast to sensory-motor situations: Rossellini, De Sica - Opsigns and sonsigns; objectivism­ subjectivism, real-imaginary - The new wave: Godard and Rivette - Tactisigns (Bresson) 2 Ozu, the inventor of pure optical and sound images­ Everyday banality - Empty spaces and stilllifes - Time as unchanging form 13 3 The intolerable and clairvoyance - From cliches to the image - Beyond movement: not merely opsigns and sonsigns, but chronosigns, lectosigns, noosigns - The example of Antonioni 18 Chapter 2 ~ecaPitulation of images and szgns 1 Cinema, semiology and language - Objects and images 25 2 Pure semiotics: Peirce and the system of images and signs - The movement-image, signaletic material and non-linguistic features of expression (the internal monologue).
    [Show full text]
  • Bilan 2007 Du Centre Du Cinéma Et De L'audiovisuel
    2007 Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel ................................................................ 4 1. Enveloppe budgétaire pour la production audiovisuelle 2007 ...................... 4 2. Chiffres clefs 2007 .......................................................................................... 5 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2007 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 17 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF, BE TV, BTV, MCM) .......................................................... 18 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 20 5. Promotion et diffusion ...........................................................................................
    [Show full text]
  • Boule De Suif and Other Stories
    Boule de Suif and Other Stories Boule de Suif and Other Stories Guy de Maupassant Translated by Andrew Brown ALMA CLASSICS alma classics an imprint of alma books ltd 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom 101pages.co.uk ‘Boule de Suif’ first published in French in 1880; ‘The Confession’ first published in French as ‘La Confession’ in 1883; ‘First Snow’ first published in French as ‘Première neige’ in 1883; ‘Rose’ first published in French in 1884; ‘The Dowry’ first published in French as ‘La Dot’ in 1884; ‘Bed 29’ first published in French as ‘Le Lit 29’ in 1884 This collection first published by Hesperus Press Ltd in 2003 This edition first published by Alma Books Ltd in 2018 Cover image © nathanburtondesign.com Translation, introduction and notes © Andrew Brown, 2003, 2018 Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-764-2 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction i Boule de Suif and Other Stories ix Boule de Suif 1 The Confession 51 First Snow 59 Rose 71 The Dowry 79 Bed 29 87 Note on the Text 102 Notes 102 Boule de Suif and Other Stories Boule de Suif or several days in succession, tattered remnants of F the defeated army had been passing through the town.
    [Show full text]
  • Programme N°129
    Cinéma 14 mai-10juin2008 Cinéma Lux - Studio du 7ème Art 6, avenue Sainte-Thérèse - 14000 CAEN Tél. : 02 31 82 29 87 - 08 92 68 00 43 (0,34 €/mn) Site Internet : http://www.cinemalux.org Email : [email protected] Pour recevoir notre programme à domicile pendant un an, envoyez-nous vos coordonnées et un chèque de 3,80 € tarif normal 5,7 €. tarif réduit * 4,7 €. carte twisto, lézardus 3,6 €. groupe et scolaires ** 2,5 € abonnement 10 places 35 €. 5 places carte junior (-16ans) 15 €. comités d’entreprises 3,5 €. * - 16 ANS, CARTE @TOO, CARTE VERMEIL, ÉTUDIANT, CHÔMEUR, FAMILLE NOMBREUSE, CERCLE D’ARTE ET DU MÉMORIAL, CHÈQUES VACANCES, TROU- BAPASS, ABONNÉS DE LA COMÉDIE DE CAEN, ABONNÉS JEAN VILAR ET LE Tram Bus MERCREDI POUR TOUS lignes A et B lignes 13 et 14 ** À PARTIR DE 25 PERSONNES arrêt Lux - Victor Lépine arrêt Sainte-Thérèse Le Lux est une association d’éducation populaire (loi 1901), Salle d’Art et (dernier Tram à 0h45) lignes 1, 3, 5, 9 et 11 arrêt Demi-Lune Essai classée Recherche et Découverte, Patrimoine, Jeune Public. Il bé- néficie du soutien de la Communauté d’agglomération Caen la mer, de la ville de Caen, du Conseil Régional et de l’ODACC. design graphique : Fred Hocké - [email protected] MARADONA h A L’AFFICHE A BORD DU DARJEELING LIMITED MOGAMBO BIENVENUE CHEZ LES CHTIS MONGOL CHASSEURS DE DRAGONS L'OMBRE DE BOGOTA CIAO STEFANO ON THE RUMBA RIVER LES CITRONNIERS PLOY LES CONTREBANDIERS DE MOONFLEET LE PREMIER VENU DEUX SOEURS POUR UN ROI QU'ELLE ÉTAIT VERTE MA VALLÉE ET PUIS LES TOURISTES LES RAISINS DE LA
    [Show full text]
  • Bulletin N° 90
    N° 90 - JANVIER-MARS 2006 - NR 90 - JANUARI-MAART 2006 Bulletin trimestriel de la Fondation Auschwitz Driemaandelijks tijdschrift van de Auschwitz Stichting n° 90 janvier-mars 2006 / nr. 90 januari-maart 2006 Sommaire - Inhoudstafel BARON PAUL HALTER Editorial / Editoriaal . 7 PHILIP VERWIMP Individueel en collectief gedrag tijdens de genocide in Rwanda . 11 HARALD HUTTERBERGER Est-ce encore pertinent ? Image et signification du Mémorial du Camp de Mauthausen pour les jeunes Autrichiens - Conclusions d’une étude de cas empirique . 37 CHARLES HEIMBERG Commission d’experts et «Histoire vécue» : une forme helvétique d’instrumentalisation des témoins . 55 TATJANA TÖNSMEYER Le nationalisme slovaque et ses répercussions dans les relations germano-slovaques 1939-1945 . 63 VARDA FISZBEIN Entretien avec Philippe Mesnard et François Rastier réalisé à l’occasion de la parution des traductions espagnoles des ouvrages de Primo Levi, Rapport sur Auschwitz (Présentation de P. Mesnard) et de F. Rastier, Ulysse à Auschwitz, Primo Levi, le survivant . 75 * — 1 — BULLETIN TRIMESTRIEL DE LA FONDATION AUSCHWITZ - DRIEMAANDELIJKS TIJDSCHRIFT VAN DE AUSCHWITZ STICHTING BARON PAUL HALTER ET YANNIS THANASSEKOS Histoire et politique de la mémoire : réponse au texte du collectif d’historien «Pléthore de mémoire : quand l’Etat se mêle d’histoire...» / Geschiedenis en herinneringspolitiek : antwoord op de tekst van een groep historici «Het verschil tussen herinnering en geschiedenis...» . 79 JAN VELAERS De Negationismewet en de pseudo-geschiedschrijving. Het Hof van Cassatie en het einde van het proces Siegfried Verbeke . 85 DOSSIER : AUTOUR DE CARL SCHMITT (II) YANNIS THANASSEKOS Le débat autour de la réception de Carl Schmitt. Critique de la modernité : théologie politique ou retour aux «anciens» ? .
    [Show full text]
  • Un Belge) Et Fiona Gordon Leur Univers N’Est Pas Dé- Bruno Romy, Qui Est Installé Dessinent Un Chat Et Puis Pouillé Au Point D’En Devenir En France
    10 10 Colophon Avant-propos 5 Antécédents 9 Joachim Lafosse 17 Textes et interviews Ont collaboré à cet ouvrage Toute représentation Sam Garbarski 31 Boyd van Hoeij Marc Clement (rédaction ou reproduction, même [email protected] de la version française), partielle, de la présente Julien Beauvois, Mathieu publication, sous quelque Dominique Abel Portraits De Biasio, Louis Héliot, forme que ce soit, est Fabrizio Maltese Geneviève Kinet, Anna interdite sans autorisation & Fiona Gordon 45 www.fabriziomaltese.com Knight, Emmanuelle préalable de l’éditeur. Lambert, Ian Mundell, Cette représentation Conception graphique Rosanna O’Sullivan, Guy ou reproduction, par Micha Wald 59 BaseDesign Trifin, Natasha Senjanovic, quelque procédé que www.basedesign.com Thierry Vandersanden, ce soit, constituerait Fabrice du Welz 73 Ariane Vaughan. une contrefaçon. Coordination © 2010 Ministère de la Bouli Lanners 85 Eric Franssen Communauté Française Manager de Belgique/Wallonie- Olivier Masset-Depasse 99 Wallonie Bruxelles Images Bruxelles International/ Tél +32 (0)2 223 23 04 Wallonie Bruxelles Images [email protected] Stéphane Aubier Imprimé par IPM Printing Coédition Imprimé sur Furioso & Vincent Patar 113 Ministère de la Communauté Française Dépôt légal : de Belgique D/2010/4101/1 Ursula Meier 127 Service général de ISBN 2-87263-030-9 l’Audiovisuel et des EAN 9782872630301 Nabil Ben Yadir 141 Multimédias – Centre du Cinéma et de l’Audiovisuel Boulevard Léopold II, 44, B-1080 Bruxelles Tél +32 (0)2 413 35 02 Conclusion 153 Fax +32 (0)2 413 20 68 [email protected] www.audiovisuel.cfwb.be Filmographie sélective 166 Wallonie-Bruxelles Note sur les portraits 174 International Place Sainctelette, 2 B-1080 Bruxelles Note sur les auteurs 175 Tél +32 (0)2 421 83 15/09 Fax +32 (0)2 421 87 66 [email protected] www.wbi.be/culture 4 5 Avant-propos Les décennies nous aident le succès que l’on sait, leur francophone moderne.
    [Show full text]
  • Meiermovies Short Films by Star Rating
    MeierMovies Short Films by Star Rating Theatrically released motion pictures of 40 minutes or less For every great feature, there’s a great short, and this list attempts to chronicle just some of those tiny masterpieces – and their not-so-masterful counterparts. For films to make this list, they must have played in at least one film festival or showcase, or theatrical venue, for a paying audience. Films shown only on television (or available only on DVD, Blu-ray, video or online) are reserved for my Television list. Also not included here are student films and similar projects that have never been presented at a theatrical venue that charged admission to viewers. (Please note that this is slightly more lenient than the qualifications for the feature- film lists, which require that a film of more than 40 minutes play at least two major festivals, or have a limited or general release.) Theatrical newsreels (pre-television) and theatrically released trailers are not eligible for this list, although mini-documentaries and travelogues (typically playing alongside trailers and B-features in the 1930-1950s) are. Short films shown at theme parks and museums are eligible, but not if they rely on animatronic/interactive/live elements. Shorts produced for timed competitions, such as 48-hour or 24-hour projects, are not included here, unless those films were subsequently screened at a second venue. The ratings system is the same as that of the feature-film list, just with no half or quarter stars. That difference is due to simplification and also to the fact that it’s admittedly difficult, and perhaps somewhat unfair, to compare a 2-minute film to a 40- minute one using quarter stars.
    [Show full text]
  • Producing Popularity: the Success in France of the Comics Series "Astérix Le Gaulois" Eliza Bourque Dandridge Thesis
    Producing Popularity: The Success in France of the Comics Series "Astérix le Gaulois" Eliza Bourque Dandridge Thesis Submitted to the Faculty of Virginia Polytechnic Institute and State University in Partial Fulfillment of the Requirement for the Degree of Master of Arts in History (European Area Studies) Dr. Fabrice G. Teulon, Chair Dr. Sue W. Farquhar Dr. E. Thomas Ewing April 30, 2008 Blacksburg, Virginia Keywords: Astérix, comics, bande dessinée, production of culture, branding, popularity, appeal Copyright 2008 Eliza Bourque Dandridge. All rights reserved. Producing Popularity: The Success in France of the Comics Series "Astérix le Gaulois" Eliza Bourque Dandridge ABSTRACT: This study examines the rise in popularity of the French comics series "Astérix le Gaulois" through a production-of-culture lens in an effort to uncover how industry evolution and organization, protectionist legislation, marketing, advertising, branding, and consecration by the media worked interdependently to catapult Astérix, the series' protagonist, into stardom by the middle of the 1960s. In so doing, this study forcefully argues that elements external to the text itself greatly facilitated, and in some ways determined, the series' quick and dramatic rise in popularity in France by 1966. The predominance of American and Belgian comics into the 1950s and the moral turn towards all things "100 % français" enabled the success of Pilote, the French- language, French-themed magazine launched in 1959 and in which "Astérix" first appeared. By the early 1960s, Pilote's faithful readership helped make the publication of "Astérix" in album format a resounding success. Simultaneous radio exposure and extensive product merchandising further promoted "Astérix" to a new, vast, and diverse comics market comprised of children and adults alike.
    [Show full text]
  • Th from Pa He Place O Fa Aternal H of Absent Thesis S Doctor Schoo
    From Paternal Hegemony to the Ethics of Fraternity:: the Place of Absent Fathers in Le Jeune Cinéma Français ByB Eun-Jee Park Thesis submitted for the degree of Doctor of Philosophy (Integrated) School of Modern Languages Faculty of Humanities and Social Sciences Newcastle University NE1 7RU United Kingdom February 2011 1 Abstract In the 1990s a new generation of socially engaged filmmakers came to be known as le jeune cinéma français. Many of these filmmakers examined a whole range of social issues, with a particular aim of focusing on the representation of the French family. In these family portraits, the father, both as the traditional head of the family institution and as a stand-in for the State, is notably missing. This thesis inquires into the paternal absence in le jeune cinéma, and traces how the paternal crisis is related to the filmmakers’ practice of auteur cinema. The jeunes auteurs, rather than participating directly in political debate, make a case for cinema as a tool for an ethical engagement with the reality of those left behind by socio-economic change. Drawing on philosophical thinking developed by Emmanuel Levinas and Jacques Derrida, this thesis discusses the ways le jeune cinéma seeks to move away from the oedipal association of the father with the law, and thereby to articulate the recognition of an ethical fraternity as opening up to the care and hospitality towards the Other. This thesis outlines specific ideals of new paternal models that le jeune cinéma proposes. Starting with an Introduction which develops the points made above and sets out the theoretical framework, this study then moves on to consider six emblematic films which alter the way the father is conceived through diverse paternal reconfigurations.
    [Show full text]
  • Homemaking, Making Home, and Femininity in Contemporary Women’S Filmmaking and Literature of the Métropol and the Maghreb
    THERE’S NO PLACE LIKE HOME: HOMEMAKING, MAKING HOME, AND FEMININITY IN CONTEMPORARY WOMEN’S FILMMAKING AND LITERATURE OF THE MÉTROPOL AND THE MAGHREB DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stacey Weber-Fève, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Judith Mayne, Advisor Professor Danielle Marx-Scouras _________________________________ Advisor Professor Jennifer Willging Graduate Program in French and Italian Copyright by Stacey Weber-Fève 2006 ABSTRACT This dissertation examines the problematic location of home, the traditional female activity of homemaking, and the representation of female subjectivity in contemporary cinematic, (auto)biographical, and fictional texts by several contemporary French and Francophone women artists. These writers and filmmakers question the home as a female interior space in which female protagonists traditionally become objects or accessories. They also bring to the fore multiple representations of contemporary French, Algerian, and Tunisian femininity. In these texts, the artists embrace and foreground domestic space, female housekeeping activities, and women’s ideological roles in order to (re)appropriate the normative gender discourses of their homelands. They accomplish these goals by revealing how the home within each society functions subversively as a space of socio-political-historical contention. Using Assia Djebar’s work as a source of theoretical departure, this study illustrates the representation of women in body, by voice, and through the gaze in a collection of narratives created by French-speaking women artists from the Métropol and the Maghreb. Using feminist film theoretical and lifewriting critical perspectives, I examine the functions of the gaze and the effects of voicing the personal for women of France and North Africa.
    [Show full text]