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Le FORUM, Vol. 38 No. 1 Lisa Desjardins Michaud, Rédactrice
The University of Maine DigitalCommons@UMaine Le FORUM Journal Franco-American Centre Franco-Américain Fall 2015 Le FORUM, Vol. 38 No. 1 Lisa Desjardins Michaud, Rédactrice Nick McCrea Roger Parent Guy Dubay Jeff yC r See next page for additional authors Follow this and additional works at: https://digitalcommons.library.umaine.edu/ francoamericain_forum Recommended Citation Desjardins Michaud, Rédactrice, Lisa; McCrea, Nick; Parent, Roger; Dubay, Guy; Cyr, Jeff; Cyr, Don; Genest, Martha Cyr; Richard, Mark Paul; Bruneau, Juliete; Barrière, Joshua; Beaulne, Kent ("Bone"); Marceau, Albert J.; Gélinas, Alice; and Chenard, Bob, "Le FORUM, Vol. 38 No. 1" (2015). Le FORUM Journal. 41. https://digitalcommons.library.umaine.edu/francoamericain_forum/41 This Book is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Le FORUM Journal by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Authors Lisa Desjardins Michaud, Rédactrice; Nick McCrea; Roger Parent; Guy Dubay; Jeff yC r; Don Cyr; Martha Cyr Genest; Mark Paul Richard; Juliete Bruneau; Joshua Barrière; Kent ("Bone") Beaulne; Albert J. Marceau; Alice Gélinas; and Bob Chenard This book is available at DigitalCommons@UMaine: https://digitalcommons.library.umaine.edu/francoamericain_forum/41 Le“AFIN D’ÊTREFORUM EN PLEINE POSSESSION DE SES MOYENS” VOLUME 38, #1 AUTOMNE/HIVER 2015 Donation swells genealogical, historical records at UMaine Franco center... Nick McCrea | BDN Nick McCrea Celeste Ringuette, widow of Adrien Lanthier Ringuette of Indiana, talks about her late husband during a dedication ceremony of a library at the University of Maine named in Adrien's honor. -
Long Métrage Feature Film
LONG MÉTRAGE FEATURE FILM Hiver | 2020 | Winter CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES MINISTÈRE DE LA FÉDÉRATION WALLONIE-BRUXELLES SERVICE GÉNÉRAL DE L’AUDIOVISUEL ET DES MÉDIAS CENTRE DU CINÉMA ET DE L’AUDIOVISUEL PROMOTION EN BELGIQUE Boulevard Léopold II 44 - B-1080 Bruxelles T +32 (0)2 413 22 44 [email protected] www.centreducinema.be WALLONIE BRUXELLES IMAGES PROMOTION INTERNATIONALE Place Flagey 18 - B-1050 Bruxelles T +32 (0)2 223 23 04 [email protected] www.wbimages.be LONG MÉTRAGE ÉDITEUR RESPONSABLE Frédéric Delcor - Secrétaire Général Boulevard Léopold II 44 - B-1080 Bruxelles PUBLICATION Février / February 2020 COUVERTURE / COVER Jumbo de Zoé Wittock Production : Kwassa Films © Caroline Fauvet LONG MÉTRAGE FEATURE FILM Hiver | 2020 | Winter CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES SOMMAIRE CONTENT ADORABLES................................ SOLANGE CICUREL .......................... 4 ADORATION ................................ FABRICE DU WELZ ........................... 5 ANIMALS .................................. NABIL BEN YADIR ............................ 6 APRÈS LA FIN .............................. FRANÇOIS HIEN ............................. 7 BULA ...................................... BORIS BAUM ............................... 8 DES HOMMES .............................. LUCAS BELVAUX ............................. 9 FILLES DE JOIE ............................. FRÉDÉRIC FONTEYNE & ANNE PAULICEVICH ...... 10 FILS DE PLOUC ............................. LENNY GUIT & HARPO GUIT -
Cinema 2: the Time-Image
m The Time-Image Gilles Deleuze Translated by Hugh Tomlinson and Robert Caleta M IN University of Minnesota Press HE so Minneapolis fA t \1.1 \ \ I U III , L 1\) 1/ ES I /%~ ~ ' . 1 9 -08- 2000 ) kOTUPHA\'-\t. r'Y'f . ~ Copyrigh t © ~1989 The A't1tl ----resP-- First published as Cinema 2, L1111age-temps Copyright © 1985 by Les Editions de Minuit, Paris. ,5eJ\ Published by the University of Minnesota Press III Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 f'tJ Printed in the United States of America on acid-free paper 1'::>55 Fifth printing 1997 :])'''::''531 ~ Library of Congress Number 85-28898 ISBN 0-8166-1676-0 (v. 2) \ ~~.6 ISBN 0-8166-1677-9 (pbk.; v. 2) IJ" 2. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or othenvise, ,vithout the prior written permission of the publisher. The University of Minnesota is an equal-opportunity educator and employer. Contents Preface to the English Edition Xl Translators'Introduction XV Chapter 1 Beyond the movement-image 1 How is neo-realism defined? - Optical and sound situations, in contrast to sensory-motor situations: Rossellini, De Sica - Opsigns and sonsigns; objectivism subjectivism, real-imaginary - The new wave: Godard and Rivette - Tactisigns (Bresson) 2 Ozu, the inventor of pure optical and sound images Everyday banality - Empty spaces and stilllifes - Time as unchanging form 13 3 The intolerable and clairvoyance - From cliches to the image - Beyond movement: not merely opsigns and sonsigns, but chronosigns, lectosigns, noosigns - The example of Antonioni 18 Chapter 2 ~ecaPitulation of images and szgns 1 Cinema, semiology and language - Objects and images 25 2 Pure semiotics: Peirce and the system of images and signs - The movement-image, signaletic material and non-linguistic features of expression (the internal monologue). -
Bilan 2007 Du Centre Du Cinéma Et De L'audiovisuel
2007 Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel ................................................................ 4 1. Enveloppe budgétaire pour la production audiovisuelle 2007 ...................... 4 2. Chiffres clefs 2007 .......................................................................................... 5 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2007 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 17 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF, BE TV, BTV, MCM) .......................................................... 18 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 20 5. Promotion et diffusion ........................................................................................... -
Boule De Suif and Other Stories
Boule de Suif and Other Stories Boule de Suif and Other Stories Guy de Maupassant Translated by Andrew Brown ALMA CLASSICS alma classics an imprint of alma books ltd 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom 101pages.co.uk ‘Boule de Suif’ first published in French in 1880; ‘The Confession’ first published in French as ‘La Confession’ in 1883; ‘First Snow’ first published in French as ‘Première neige’ in 1883; ‘Rose’ first published in French in 1884; ‘The Dowry’ first published in French as ‘La Dot’ in 1884; ‘Bed 29’ first published in French as ‘Le Lit 29’ in 1884 This collection first published by Hesperus Press Ltd in 2003 This edition first published by Alma Books Ltd in 2018 Cover image © nathanburtondesign.com Translation, introduction and notes © Andrew Brown, 2003, 2018 Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-764-2 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction i Boule de Suif and Other Stories ix Boule de Suif 1 The Confession 51 First Snow 59 Rose 71 The Dowry 79 Bed 29 87 Note on the Text 102 Notes 102 Boule de Suif and Other Stories Boule de Suif or several days in succession, tattered remnants of F the defeated army had been passing through the town. -
Programme N°129
Cinéma 14 mai-10juin2008 Cinéma Lux - Studio du 7ème Art 6, avenue Sainte-Thérèse - 14000 CAEN Tél. : 02 31 82 29 87 - 08 92 68 00 43 (0,34 €/mn) Site Internet : http://www.cinemalux.org Email : [email protected] Pour recevoir notre programme à domicile pendant un an, envoyez-nous vos coordonnées et un chèque de 3,80 € tarif normal 5,7 €. tarif réduit * 4,7 €. carte twisto, lézardus 3,6 €. groupe et scolaires ** 2,5 € abonnement 10 places 35 €. 5 places carte junior (-16ans) 15 €. comités d’entreprises 3,5 €. * - 16 ANS, CARTE @TOO, CARTE VERMEIL, ÉTUDIANT, CHÔMEUR, FAMILLE NOMBREUSE, CERCLE D’ARTE ET DU MÉMORIAL, CHÈQUES VACANCES, TROU- BAPASS, ABONNÉS DE LA COMÉDIE DE CAEN, ABONNÉS JEAN VILAR ET LE Tram Bus MERCREDI POUR TOUS lignes A et B lignes 13 et 14 ** À PARTIR DE 25 PERSONNES arrêt Lux - Victor Lépine arrêt Sainte-Thérèse Le Lux est une association d’éducation populaire (loi 1901), Salle d’Art et (dernier Tram à 0h45) lignes 1, 3, 5, 9 et 11 arrêt Demi-Lune Essai classée Recherche et Découverte, Patrimoine, Jeune Public. Il bé- néficie du soutien de la Communauté d’agglomération Caen la mer, de la ville de Caen, du Conseil Régional et de l’ODACC. design graphique : Fred Hocké - [email protected] MARADONA h A L’AFFICHE A BORD DU DARJEELING LIMITED MOGAMBO BIENVENUE CHEZ LES CHTIS MONGOL CHASSEURS DE DRAGONS L'OMBRE DE BOGOTA CIAO STEFANO ON THE RUMBA RIVER LES CITRONNIERS PLOY LES CONTREBANDIERS DE MOONFLEET LE PREMIER VENU DEUX SOEURS POUR UN ROI QU'ELLE ÉTAIT VERTE MA VALLÉE ET PUIS LES TOURISTES LES RAISINS DE LA -
Un Belge) Et Fiona Gordon Leur Univers N’Est Pas Dé- Bruno Romy, Qui Est Installé Dessinent Un Chat Et Puis Pouillé Au Point D’En Devenir En France
10 10 Colophon Avant-propos 5 Antécédents 9 Joachim Lafosse 17 Textes et interviews Ont collaboré à cet ouvrage Toute représentation Sam Garbarski 31 Boyd van Hoeij Marc Clement (rédaction ou reproduction, même [email protected] de la version française), partielle, de la présente Julien Beauvois, Mathieu publication, sous quelque Dominique Abel Portraits De Biasio, Louis Héliot, forme que ce soit, est Fabrizio Maltese Geneviève Kinet, Anna interdite sans autorisation & Fiona Gordon 45 www.fabriziomaltese.com Knight, Emmanuelle préalable de l’éditeur. Lambert, Ian Mundell, Cette représentation Conception graphique Rosanna O’Sullivan, Guy ou reproduction, par Micha Wald 59 BaseDesign Trifin, Natasha Senjanovic, quelque procédé que www.basedesign.com Thierry Vandersanden, ce soit, constituerait Fabrice du Welz 73 Ariane Vaughan. une contrefaçon. Coordination © 2010 Ministère de la Bouli Lanners 85 Eric Franssen Communauté Française Manager de Belgique/Wallonie- Olivier Masset-Depasse 99 Wallonie Bruxelles Images Bruxelles International/ Tél +32 (0)2 223 23 04 Wallonie Bruxelles Images [email protected] Stéphane Aubier Imprimé par IPM Printing Coédition Imprimé sur Furioso & Vincent Patar 113 Ministère de la Communauté Française Dépôt légal : de Belgique D/2010/4101/1 Ursula Meier 127 Service général de ISBN 2-87263-030-9 l’Audiovisuel et des EAN 9782872630301 Nabil Ben Yadir 141 Multimédias – Centre du Cinéma et de l’Audiovisuel Boulevard Léopold II, 44, B-1080 Bruxelles Tél +32 (0)2 413 35 02 Conclusion 153 Fax +32 (0)2 413 20 68 [email protected] www.audiovisuel.cfwb.be Filmographie sélective 166 Wallonie-Bruxelles Note sur les portraits 174 International Place Sainctelette, 2 B-1080 Bruxelles Note sur les auteurs 175 Tél +32 (0)2 421 83 15/09 Fax +32 (0)2 421 87 66 [email protected] www.wbi.be/culture 4 5 Avant-propos Les décennies nous aident le succès que l’on sait, leur francophone moderne. -
Meiermovies Short Films by Star Rating
MeierMovies Short Films by Star Rating Theatrically released motion pictures of 40 minutes or less For every great feature, there’s a great short, and this list attempts to chronicle just some of those tiny masterpieces – and their not-so-masterful counterparts. For films to make this list, they must have played in at least one film festival or showcase, or theatrical venue, for a paying audience. Films shown only on television (or available only on DVD, Blu-ray, video or online) are reserved for my Television list. Also not included here are student films and similar projects that have never been presented at a theatrical venue that charged admission to viewers. (Please note that this is slightly more lenient than the qualifications for the feature- film lists, which require that a film of more than 40 minutes play at least two major festivals, or have a limited or general release.) Theatrical newsreels (pre-television) and theatrically released trailers are not eligible for this list, although mini-documentaries and travelogues (typically playing alongside trailers and B-features in the 1930-1950s) are. Short films shown at theme parks and museums are eligible, but not if they rely on animatronic/interactive/live elements. Shorts produced for timed competitions, such as 48-hour or 24-hour projects, are not included here, unless those films were subsequently screened at a second venue. The ratings system is the same as that of the feature-film list, just with no half or quarter stars. That difference is due to simplification and also to the fact that it’s admittedly difficult, and perhaps somewhat unfair, to compare a 2-minute film to a 40- minute one using quarter stars. -
Producing Popularity: the Success in France of the Comics Series "Astérix Le Gaulois" Eliza Bourque Dandridge Thesis
Producing Popularity: The Success in France of the Comics Series "Astérix le Gaulois" Eliza Bourque Dandridge Thesis Submitted to the Faculty of Virginia Polytechnic Institute and State University in Partial Fulfillment of the Requirement for the Degree of Master of Arts in History (European Area Studies) Dr. Fabrice G. Teulon, Chair Dr. Sue W. Farquhar Dr. E. Thomas Ewing April 30, 2008 Blacksburg, Virginia Keywords: Astérix, comics, bande dessinée, production of culture, branding, popularity, appeal Copyright 2008 Eliza Bourque Dandridge. All rights reserved. Producing Popularity: The Success in France of the Comics Series "Astérix le Gaulois" Eliza Bourque Dandridge ABSTRACT: This study examines the rise in popularity of the French comics series "Astérix le Gaulois" through a production-of-culture lens in an effort to uncover how industry evolution and organization, protectionist legislation, marketing, advertising, branding, and consecration by the media worked interdependently to catapult Astérix, the series' protagonist, into stardom by the middle of the 1960s. In so doing, this study forcefully argues that elements external to the text itself greatly facilitated, and in some ways determined, the series' quick and dramatic rise in popularity in France by 1966. The predominance of American and Belgian comics into the 1950s and the moral turn towards all things "100 % français" enabled the success of Pilote, the French- language, French-themed magazine launched in 1959 and in which "Astérix" first appeared. By the early 1960s, Pilote's faithful readership helped make the publication of "Astérix" in album format a resounding success. Simultaneous radio exposure and extensive product merchandising further promoted "Astérix" to a new, vast, and diverse comics market comprised of children and adults alike. -
Th from Pa He Place O Fa Aternal H of Absent Thesis S Doctor Schoo
From Paternal Hegemony to the Ethics of Fraternity:: the Place of Absent Fathers in Le Jeune Cinéma Français ByB Eun-Jee Park Thesis submitted for the degree of Doctor of Philosophy (Integrated) School of Modern Languages Faculty of Humanities and Social Sciences Newcastle University NE1 7RU United Kingdom February 2011 1 Abstract In the 1990s a new generation of socially engaged filmmakers came to be known as le jeune cinéma français. Many of these filmmakers examined a whole range of social issues, with a particular aim of focusing on the representation of the French family. In these family portraits, the father, both as the traditional head of the family institution and as a stand-in for the State, is notably missing. This thesis inquires into the paternal absence in le jeune cinéma, and traces how the paternal crisis is related to the filmmakers’ practice of auteur cinema. The jeunes auteurs, rather than participating directly in political debate, make a case for cinema as a tool for an ethical engagement with the reality of those left behind by socio-economic change. Drawing on philosophical thinking developed by Emmanuel Levinas and Jacques Derrida, this thesis discusses the ways le jeune cinéma seeks to move away from the oedipal association of the father with the law, and thereby to articulate the recognition of an ethical fraternity as opening up to the care and hospitality towards the Other. This thesis outlines specific ideals of new paternal models that le jeune cinéma proposes. Starting with an Introduction which develops the points made above and sets out the theoretical framework, this study then moves on to consider six emblematic films which alter the way the father is conceived through diverse paternal reconfigurations. -
Homemaking, Making Home, and Femininity in Contemporary Women’S Filmmaking and Literature of the Métropol and the Maghreb
THERE’S NO PLACE LIKE HOME: HOMEMAKING, MAKING HOME, AND FEMININITY IN CONTEMPORARY WOMEN’S FILMMAKING AND LITERATURE OF THE MÉTROPOL AND THE MAGHREB DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stacey Weber-Fève, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Judith Mayne, Advisor Professor Danielle Marx-Scouras _________________________________ Advisor Professor Jennifer Willging Graduate Program in French and Italian Copyright by Stacey Weber-Fève 2006 ABSTRACT This dissertation examines the problematic location of home, the traditional female activity of homemaking, and the representation of female subjectivity in contemporary cinematic, (auto)biographical, and fictional texts by several contemporary French and Francophone women artists. These writers and filmmakers question the home as a female interior space in which female protagonists traditionally become objects or accessories. They also bring to the fore multiple representations of contemporary French, Algerian, and Tunisian femininity. In these texts, the artists embrace and foreground domestic space, female housekeeping activities, and women’s ideological roles in order to (re)appropriate the normative gender discourses of their homelands. They accomplish these goals by revealing how the home within each society functions subversively as a space of socio-political-historical contention. Using Assia Djebar’s work as a source of theoretical departure, this study illustrates the representation of women in body, by voice, and through the gaze in a collection of narratives created by French-speaking women artists from the Métropol and the Maghreb. Using feminist film theoretical and lifewriting critical perspectives, I examine the functions of the gaze and the effects of voicing the personal for women of France and North Africa. -
Open Laura Call Dissertation Final
The Pennsylvania State University The Graduate School Department of French SELF AND REFUSE: WASTE ON THE HUMAN SCALE IN 21ST-CENTURY FRENCH ÉCRITURE DE SOI A Dissertation in French by Laura Kmonicek Call 2016 Laura Kmonicek Call Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2016 ii The dissertation of Laura Kmonicek Call was reviewed and approved* by the following: Vincent Bruyère Assistant Professor of French at Emory University Committee Co-Chair & Dissertation Co-Advisor Special Member Jennifer Boittin Associate Professor of French, Francophone Studies and History Committee Co-Chair & Dissertation Co-Advisor Jean-Claude Vuillemin Liberal Arts Research Professor, Professor of French Monique Yaari Professor of French Studies Richard Doyle Liberal Arts Research Professor, Professor of English Kathryn Grossman Professor of French Head of the Department of French & Francophone Studies *Signatures are on file in the Graduate School ABSTRACT In the 21st century, when wastes from fossil fuel emissions to mega-landfills have become a central focus of global cooperative initiatives, it stands to reason that authors, artists, and filmmakers have come to include waste materials in their self-representative works. In a self- writing style corresponding with Michel Foucault’s description of écriture de soi, Annie Ernaux, Agnès Varda, and Jean Rolin glean cultural materials from various sources including books, libraries, real-life events, oral histories, and interactions with others in waste zones ranging from official landfills to liminal zones of material and human abandon. Incorporating the materials and stories of people they gather there into their self-understandings they problematize waste for readers and viewers.