Quarterly Earnings Supplementary Explanatory Materials for the Nine Months Ended December 31, 2017
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The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
On a Day in 2000, at a Certain Pub, the Three Creators of the Big O Got Together and to Discuss Their Passionate Thoughts…!
On a day in 2000, at a certain pub, the three creators of The Big O got together and to discuss their passionate thoughts…! Kazuyoshi Katayama The director of The Big O, he has also worked on other anime including Sentimental Journey and Giant Robo. An established pro of robot dramas. Keiichi Sato The Big O character and mecha designer/supervisor. He has worked with director Kazuyoshi Katayama since Giant Robo, and has also worked on the City Hunter TV special. Hitoshi Ariga The Big O manga artist (see inside front cover for more information). The Big O is finally starting to be released on video/DVD. Ariga: I‟d like people who weren‟t able to catch it on TV to take this opportunity to check it out Sato: Even people who dismissed it by just saying “I don‟t have cable.” [The Big O was originally shown in Japan on the Wowow cable channel—Ed.] But I guess that‟s how it is. When you can‟t see it, it‟s sour grapes. Ariga: I was hoping that the manga would help to get people interested. I‟m hoping it‟ll get people to buy the DVDs and videos, so it‟s an important piece of media in that respect. I know that I shouldn‟t stray too far. Sato: Well, we‟re going to keep needing your help. (laughs) Ariga: I‟ll do my best. (laughs) Katayama: Well, I‟d like people to enjoy the world of The Big O by both reading the manga and watching the anime. -
The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment. -
Microsoft Visual Basic
€ LIJST: FAX/MODEM/E-MAIL: 19 okt 2020 PREVIEWS DISK: 21 okt 2020 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 19 oktober 5706 ST HELMOND ONLINE: 19 oktober TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 december/januari #547 ********************************** __ 0081 [M] Southern Bastards H TPB Vol.03 19.34 b *** DIAMOND COMIC DISTR. ******* __ 0082 [M] Southern Bastards G TPB Vol.04 21.92 b ********************************** __ 0083 [M] Ascender TPB Vol.03 21.92 b __ 0084 [M] Ascender TPB Vol.01 12.89 b DCD SALES TOOLS page 026 __ 0085 [M] Ascender TPB Vol.02 21.92 b __ 0019 Previews December 2020 #387 3.69 i __ 0086 [M] Descender Tin Stars TPB Vol.01 12.89 b __ 0020 Marvel Previews De EXTRA Vol.05 #6 1.58 b __ 0087 [M] Descender TPB Vol.02 19.34 b __ 0021 Previews Dec 2020 Customer Or #387 0.79 i __ 0088 Descender Singularities TPB Vol.03 19.34 b __ 0022 Previews Dec 2020 Custo EXTRA #387 1.58 i __ 0089 [M] Descender Orbital M TPB Vol.04 21.92 b __ 0024 Previews Dec 2020 Retai EXTRA #387 2.62 b __ 0090 Descender Rise/Robots TPB Vol.05 21.92 b __ 0025 Game Trade Magazine #250 0.00 E __ 0091 Descender War Machine TPB Vol.06 21.92 b __ 0026 Game Trade Magazine EXTRA #250 0.58 E __ 0092 [M] Coffin Bound Dear G TPB Vol.02 21.92 b IMAGE COMICS page 032 __ 0093 [M] Coffin Bound TPB Vol.01 21.92 b __ 0030 [M] Reckless H/C 32.24 b __ 0094 [M] Die Great Game TPB Vol.03 21.92 b __ 0031 [M] Bad Weekend H/C 21.92 b __ 0095 [M] -
Cambridge University Press 978-1-108-72474-6 — an Introduction to Japanese Society Yoshio Sugimoto Index More Information
Cambridge University Press 978-1-108-72474-6 — An Introduction to Japanese Society Yoshio Sugimoto Index More Information Index Abe, Shinz¯o,236, 303, 312 alternative culture, 285 abilities, of employees, 116–17 characteristics, 287 abortion, 186–8 communes and the natural economy, 299–300 academic world system, 52–3 Cool Japan as, 311 achieved status, 73–4, 81 countercultural events and performances, 298–9 Act on Land and Building Leases (1991), 122 historical examples, 297 Act on Promotion of Women’s Participation local resident–volunteer support movements as, and Advancement in the Workplace (2016), 325 182 mini-communication media and online papers, activism, see resident movements; social 297–8 movements nature of, 297 administrative guidance (gyosei¯ shido¯), 232, 235–6, social formations producing, 286 338 amae (active dependency), 29, 43, 51 administrative systems amakudari (descending from heaven), 232–5, 251 during Heian period, 9 Amaterasu Ōmikami, 6–7, 267 during Kamakura period, 10 ambiguity, manipulation of, 337–8 during Yamato period, 7 Ame no Uzume, 6 adoption, 196 Ampo struggle, 318, 321 AEON, 110 ancestor worship, 266, 281, 295 aging society, 47–8 animators, working conditions, 307 declining birth rate and, 86–7 anime, 27–8, 46–7, 302, 311 life expectancy in, 84–6 animism, 203, 266–7 rise in volunteering and, 323 annual leave, 120 woman’s role as caregiver in, 181 anomie (normlessness), 48 Agon-shu¯ (Agon sect), 273 anti-development protests, 324–5 agricultural cooperatives, 326 anti-nuclear demonstrations, 92, 317–21 -
The Cardinal St
The Cardinal St. Paul’s Intermediate March 2020 The Cardinal Issue #1 Newspaper Contributors: Charlotte Bown Brayden Burden Joy Henein Jacob Mackey Brooklyn Payne 1 The Cardinal St. Paul’s Intermediate March 2020 is more difficult and has more opportunities, but I think that everything is going well. Interviews With Grade 7 Students 2. What are some of the differences you have found A few students from grade 7 were between your elementary years interviewed at the beginning of the school and junior high so far? year by different newspaper reporters. We were interested in seeing how they were Julianna: The school is a lot older. More managing with their move to a new school. freedom. Here are the questions asked and the answers of the students. Norah: I have found that there is a lot more freedom. NOTE: Remember this was in late September - early October. Some edits Ireland: There are not as many rules here have been made to the exact wording. than at the elementary. 1. How are you adjusting to your Caroline: Some differences are there is a move to St. Paul’s lot more freedom. In Gander Elementary Intermediate? garbage cans went on wheels, but now they don’t. Julianna: There's more freedom here Chloe: Some differences are that there are compared to Gander Elementary. You had to stay in one spot during recess. There was a lot more freedom, opportunities and no going to the gym. You were not allowed school extra curricular activities. to use your phone. 3. What activities are you Norah: I’m adjusting well. -
Microsoft Visual Basic
$ LIST: FAX/MODEM/E-MAIL: aug 23 2021 PREVIEWS DISK: aug 25 2021 [email protected] for News, Specials and Reorders Visit WWW.PEPCOMICS.NL PEP COMICS DUE DATE: DCD WETH. DEN OUDESTRAAT 10 FAX: 23 augustus 5706 ST HELMOND ONLINE: 23 augustus TEL +31 (0)492-472760 SHIPPING: ($) FAX +31 (0)492-472761 oktober/november #557 ********************************** __ 0079 Walking Dead Compendium TPB Vol.04 59.99 A *** DIAMOND COMIC DISTR. ******* __ 0080 [M] Walking Dead Heres Negan H/C 19.99 A ********************************** __ 0081 [M] Walking Dead Alien H/C 19.99 A __ 0082 Ess.Guide To Comic Bk Letterin S/C 16.99 A DCD SALES TOOLS page 026 __ 0083 Howtoons Tools/Mass Constructi TPB 17.99 A __ 0019 Previews October 2021 #397 5.00 D __ 0084 Howtoons Reignition TPB Vol.01 9.99 A __ 0020 Previews October 2021 Custome #397 0.25 D __ 0085 [M] Fine Print TPB Vol.01 16.99 A __ 0021 Previews Oct 2021 Custo EXTRA #397 0.50 D __ 0086 [M] Sunstone Ogn Vol.01 14.99 A __ 0023 Previews Oct 2021 Retai EXTRA #397 2.08 D __ 0087 [M] Sunstone Ogn Vol.02 14.99 A __ 0024 Game Trade Magazine #260 0.00 N __ 0088 [M] Sunstone Ogn Vol.03 14.99 A __ 0025 Game Trade Magazine EXTRA #260 0.58 N __ 0089 [M] Sunstone Ogn Vol.04 14.99 A __ 0026 Marvel Previews O EXTRA Vol.05 #16 0.00 D __ 0090 [M] Sunstone Ogn Vol.05 14.99 A IMAGE COMICS page 040 __ 0091 [M] Sunstone Ogn Vol.06 16.99 A __ 0028 [M] Friday Bk 01 First Day/Chr TPB 14.99 A __ 0092 [M] Sunstone Ogn Vol.07 16.99 A __ 0029 [M] Private Eye H/C DLX 49.99 A __ 0093 [M] Sunstone Book 01 H/C 39.99 A __ 0030 [M] Reckless -
A Galáxia De Anime Como ``New Media''
i i i i i i i i i i i i i i i i i i i i Herlander Elias A Galáxia de Anime A Animação Japonesa como New Media Livros LabCom 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-088-3 Título: A Galáxia de Anime: A Animação Japonesa como New Media Autor: Herlander Elias [http://www.herlanderelias.net] Ano: 2012 i i i i i i i i Índice RESUMO & PALAVRAS-CHAVE3 INTRODUÇÃO5 Objectivos............................... 15 Metodologias de Investigação..................... 17 Materiais............................... 18 As Obras Mais Importantes...................... 19 Hipóteses de Pesquisa......................... 26 Resultados Esperados......................... 26 Enquadramento Teórico........................ 27 Autores e Conceitos....................... 27 Temas.............................. 39 Abordagens Comuns...................... 42 1 DO LITERÁRIO AO CINEMÁTICO 45 1.1 A BANDA DESENHADA MANGA.............. 52 1.1.1 A Origem........................ 52 1.1.2 O Estilo Visual..................... 58 1.1.3 O Leitor de Manga................... 62 1.2 O FILME DE ANIME..................... 66 1.2.1 História da Anime................... 66 1.2.2 Estética e Técnica................... 71 1.2.3 Os Espectadores de Anime............... 77 1.3 MANGA DIGITAL....................... 85 1.3.1 Participação, Subjectividade e Transporte....... 85 i i i i i i i i i 1.3.2 Digital Graphic Novel: A Convergência de Manga e Anime.......................... 88 1.4 VIDEOJOGOS DE ANIME.................. 92 1.4.1 O Prolongamento.................... 92 1.4.2 O Público do Controlo................. 107 1.4.3 A Simbiose Videojogo-Filme............ -
Ultraman: Vol. 5 PDF Book
ULTRAMAN: VOL. 5 PDF, EPUB, EBOOK Tomohiro Shimoguchi,Eiichi Shimizu | 200 pages | 08 Sep 2016 | Viz Media, Subs. of Shogakukan Inc | 9781421581866 | English | San Francisco, United States Ultraman: Vol. 5 PDF Book The series began serialization in the first ever issue of Monthly Hero's magazine, published on November 1, Transformers Action Figures. Our legal basis for doing this is our legitimate interest in asking for feedback in order to improve our products and services. The newest one that shows up looks cool. Just a moment while we sign you in to your Goodreads account. July Release. Acrylic Stands. VikingSchism rated it liked it Aug 05, The three were even interviewed, as well as reviewing chapter 4 of the manga themselves. Gundam: Iron-Blooded Orphans. This Usage Data may include information such as your computer's Internet Protocol address e. Add to cart. Download as PDF Printable version. Shogakukan Creative. December 5, [41]. Brad rated it liked it Feb 09, There's not quite enough to get me attached to the characters since I have no nostalgia for the original. High-Grade Kits. World: The art is the best part of the series. The staff are returning to reprise their roles. Original net animation. May Release. In that case, we can't Published in Monthly Hero's since the magazine's inaugural issue. If HobbyLink Japan, Inc. The add-on prevents the Google Analytics JavaScript ga. About Eiichi Shimizu. Feb 01, Wing Kee rated it liked it. Jules rated it really liked it Sep 19, You may also like: Fiction Staff Picks. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Der Japanische Monsterfilm (Daikaijū -, Kaijū -, Daimajin - Und Kaijin Eiga) – Filmographie Und Bibliographie Von Ludger Kaczmarek & Hans J
Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie 2018 https://doi.org/10.25969/mediarep/12780 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen: Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2018 (Medienwissenschaft: Berichte und Papiere 147). DOI: https://doi.org/10.25969/mediarep/12780. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0147_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 147, 2018: Japanischer Monsterfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulf. ISSN 1613-7477. URL: htp://berichte.derwulf.de/0147_18.pdf. Letzte Änderung: 25.09.2018. Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga) – Filmographie und Bibliographie von Ludger Kaczmarek & Hans J. Wulf Inhalt: 1. Vom Horror zum Trash – der japanische Monsterflm / Oliver Miller [1] 1.1 Die Wurzeln des Monsterflms [1] 1.2 Der Ursprung des japanischen Monsterflms: oodzilla [2] 1.3 Die Monster sind los – auf dem Weg in die Kommerzialisierung [3] 1.4 Der japanische Monsterflm als eigenstänndiges oenre [4] 1.5 Die Rückkehr oodzillas und ein Blick in die ZukunF [4] 1.6 Fazit [5] Anmerkungen [5] 2. -
Visualizar/Abrir
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E INFORMAÇÃO Angela Longo PÓS-HUMANISMO NA MÁQUINA ANÍMICA Visões explosivas do humano na animação japonesa ポストヒューマニズム及びアニメ・マシーンについて日本のアニメーションに 人間の爆発的な見解 Porto Alegre 2017 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E INFORMAÇÃO Angela Longo PÓS-HUMANISMO NA MÁQUINA ANÍMICA Visões explosivas do humano na animação japonesa ポストヒューマニズム及びアニメ・マシーンについて日本のアニメーションに 人間の爆発的な見解 Dissertação de mestrado apresentada ao Programa de Pós-Graduação em Comunicação e Informação, da Universidade Federal do Rio Grande do Sul, como parte dos requisitos para a obtenção do título de Mestre. Orientadora: Nísia Martins do Rosário Linha de pesquisa: Cultura e Significação Porto Alegre 2017 PÓS-HUMANISMO NA MÁQUINA ANÍMICA Visões explosivas do humano na animação japonesa ポストヒューマニズム及びアニメ・マシーンについて日本のアニメーションに 人間の爆発的な見解 Tese de mestrado apresentada à banca examinadora do Programa de Pós-Graduação em Comunicação e Informação da Universidade Federal do Rio Grande do Sul (PPGCOM- UFRGS) como requisito parcial para obtenção do título de mestre. Aprovado em: 31/03/2017 BANCA EXAMINADORA ________________________________________________________ Prof. Dr. Nísia Martins do Rosário, UFRGS (Orientadora) ________________________________________________________ Prof. Dr. Guillherme Carvalho da Rosa, UFPEL ________________________________________________________ Prof. Dr. Alexandre