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Merchant-Of-Venice-Study-Guide.Pdf
INDIANA UNIVERSITY THEMESter // wWW.THEMESter.indiana.edu 1 Welcome to William Shakespeare’s The Merchant of Venice, Cardinal Stage’s Collaboration with the Contents: COAS Themester on Beauty SECTION 1: 2 Beauty from across the Disciplines Ellen MacKay, Associate Professor, English, Director of IDAH, chair of faculty advisory committee of Themester 2016: Beauty. SECTION 2: 4 A Short Sketch of Shakespeare’s Life as We Know it When I proposed Beauty for an IU moment is ripe for lively and thoughtful Themester topic, I did so with the engagement of beauty’s standards, costs, following pitch: risks, pleasures and values. SECTION 3: As an organizing principle for As an example of this rich and complex 8 “Which is the Merchant programming that reaches across the tradition of beauty, The Merchant of here, and which the Jew?” diverse disciplines that comprise the Venice is extraordinarily apt. At a first College of Arts and sciences, Beauty glance the reason for this is pretty SECTION 4: is ideal: not only can a wide range of orthodox. Merchant is is a play by William 10 Beauty and Ugliness scholars, scientists, artists and community Shakespeare, by longstanding consensus in Jewish History members speak to it, they can do so the foremost writer of the English impassionedly. After all, beauty is at the language, named by Helen Vendler as the SECTION 5: root of who we are and what we do: the poet of the millennium on the New York 11 The Merchant of Venice: fundamental principals of science and Times’ “Best of” list in 2000. -
Bringing in a New Era in Character Education. INSTITUTION Stanford Univ., CA
DOCUMENT RESUME ED 476 547 EA 032 522 AUTHOR Damon, William, Ed. TITLE Bringing in a New Era in Character Education. INSTITUTION Stanford Univ., CA. Hoover Institution on War, Revolution, and Peace. ISBN ISBN-0-8179-2962-2 PUB DATE 2002 -00 -00 NOTE 211p. AVAILABLE FROM Hoover Institution Press, Stanford University, Stanford, CA 94305-6010 ($15). Tel: 650-723-1754; Tel: 877-466-8374 (Toll Free); Fax: 650-723-1687; e- mail:. [email protected]; Web site: http://www.hoover.org. PUB TYPE Books (010) Guides Non-Classroom (055) EDRS PRICE EDRS Price MF01/PC09 Plus Postage. DESCRIPTORS Codes of Ethics; Consciousness Raising; Democratic Values; Educational Principles; Elementary Secondary Education; *Ethical Instruction; Ethics; Higher Education; Integrity; Moral Issues; *Moral Values; Personality Development; Social Values; Student Development; *Values Clarification; *Values Education IDENTIFIERS Character Development ABSTRACT The nine essays in this book present perspectives on what is needed in character education from kindergarten to college. Two main themes run through the volume. The first is a consensus among the authors that fundamental moral standards must be passed along to the young and that educators at all levels bear the obligation to transmit these core standards to their studehts. The second is a shared determination to discard old oppositions that have paralyzed some of the best efforts in character education over the past several decades. The essays are titled as follows: "Transmitting Moral Wisdom in an Age of the Autonomous Self" (Arthur J. Schwartz); "How Moral Education Is Finding It8 Way Back into American's Schools" (Christina Hoff Sommers); "The Science of Character Education" (Marvin W. -
Microsoft Visual Basic
€ LIJST: FAX/MODEM/E-MAIL: 19 okt 2020 PREVIEWS DISK: 21 okt 2020 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 19 oktober 5706 ST HELMOND ONLINE: 19 oktober TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 december/januari #547 ********************************** __ 0081 [M] Southern Bastards H TPB Vol.03 19.34 b *** DIAMOND COMIC DISTR. ******* __ 0082 [M] Southern Bastards G TPB Vol.04 21.92 b ********************************** __ 0083 [M] Ascender TPB Vol.03 21.92 b __ 0084 [M] Ascender TPB Vol.01 12.89 b DCD SALES TOOLS page 026 __ 0085 [M] Ascender TPB Vol.02 21.92 b __ 0019 Previews December 2020 #387 3.69 i __ 0086 [M] Descender Tin Stars TPB Vol.01 12.89 b __ 0020 Marvel Previews De EXTRA Vol.05 #6 1.58 b __ 0087 [M] Descender TPB Vol.02 19.34 b __ 0021 Previews Dec 2020 Customer Or #387 0.79 i __ 0088 Descender Singularities TPB Vol.03 19.34 b __ 0022 Previews Dec 2020 Custo EXTRA #387 1.58 i __ 0089 [M] Descender Orbital M TPB Vol.04 21.92 b __ 0024 Previews Dec 2020 Retai EXTRA #387 2.62 b __ 0090 Descender Rise/Robots TPB Vol.05 21.92 b __ 0025 Game Trade Magazine #250 0.00 E __ 0091 Descender War Machine TPB Vol.06 21.92 b __ 0026 Game Trade Magazine EXTRA #250 0.58 E __ 0092 [M] Coffin Bound Dear G TPB Vol.02 21.92 b IMAGE COMICS page 032 __ 0093 [M] Coffin Bound TPB Vol.01 21.92 b __ 0030 [M] Reckless H/C 32.24 b __ 0094 [M] Die Great Game TPB Vol.03 21.92 b __ 0031 [M] Bad Weekend H/C 21.92 b __ 0095 [M] -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
The Forging of Civil War Memory and Reconciliation, 1865 – 1940
A Dissertation entitled “The Sinews of Memory:” The Forging of Civil War Memory and Reconciliation, 1865 – 1940 by Steven A. Bare Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History ___________________________________________ Dr. Kim E. Nielsen, Committee Chair ___________________________________________ Dr. Ami Pflugrad-Jackisch, Committee Member ___________________________________________ Dr. Bruce Way, Committee Member ___________________________________________ Dr. Neil Reid, Committee Member ___________________________________________ Dr. Cyndee Gruden, Dean College of Graduate Studies The University of Toledo May 2019 Copyright 2019, Steven A. Bare This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. An Abstract of “The Sinews of Memory:” The Forging of Civil War Memory and Reconciliation, 1865 – 1940 by Steven A. Bare Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History The University of Toledo December 2018 “The Sinews of Memory:’ The Forging of Civil War Memory and Reconciliation, 1865 – 1940,” explores the creation of historical memory of the American Civil War and, its byproduct, reconciliation. Stakeholders in the historical memory formation of the war and reconciliation were varied and many. “The Sinews of Memory” argues reconciliation blossomed from the 1880s well into the twentieth-century due to myriad of historical forces in the United States starting with the end of the war leading up to World War II. The crafters of the war’s memory and reconciliation – veterans, women’s groups, public history institutions, governmental agents, and civic boosters – arrived at a collective memory of the war predicated on notions of race, manliness, nationalism, and patriotism. -
Der Japanische Monsterfilm (Daikaijū -, Kaijū -, Daimajin - Und Kaijin Eiga) – Filmographie Und Bibliographie Von Ludger Kaczmarek & Hans J
Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie 2018 https://doi.org/10.25969/mediarep/12780 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen: Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2018 (Medienwissenschaft: Berichte und Papiere 147). DOI: https://doi.org/10.25969/mediarep/12780. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0147_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 147, 2018: Japanischer Monsterfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulf. ISSN 1613-7477. URL: htp://berichte.derwulf.de/0147_18.pdf. Letzte Änderung: 25.09.2018. Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga) – Filmographie und Bibliographie von Ludger Kaczmarek & Hans J. Wulf Inhalt: 1. Vom Horror zum Trash – der japanische Monsterflm / Oliver Miller [1] 1.1 Die Wurzeln des Monsterflms [1] 1.2 Der Ursprung des japanischen Monsterflms: oodzilla [2] 1.3 Die Monster sind los – auf dem Weg in die Kommerzialisierung [3] 1.4 Der japanische Monsterflm als eigenstänndiges oenre [4] 1.5 Die Rückkehr oodzillas und ein Blick in die ZukunF [4] 1.6 Fazit [5] Anmerkungen [5] 2. -
Cardinal Cadence for Web 6/04
CadenceCARDINAL From the President The Staff Whether the focus is on construction or instruction, summertime Cardinal Cadence is published by the Division of at Lamar University is a time of preparation for the approaching University Advancement, Lamar University, a member of The Texas State University System and an affirmative academic year. These months, you can find some Lamar faculty action, equal opportunity educational institution. teaching summer courses, while others are engaged in scholarly Brian Sattler, Executive Editor, Director of Public Relations Cynthia Hicks ’89, ’93, Editor activities, research or travel. Louise Wood, Writer The sounds of construction continue from the west side of Chris Castillo, Writer campus as the third phase of Cardinal Village nears completion. When the state-of- Contributors: Daucy Crizer, Amanda Rowell, writing the-art facility opens in August, it will bring Lamar’s residence hall capacity to 1,500 Allen Moore, Rohn Wenner, photography Cardinal Events 2004 students. The new 25,000-square-foot dining hall will follow in the construction Circulation includes 54,000 copies distributed to alumni, July 28-29 Sept. 13 faculty, staff and friends of Lamar University. If you have Orientation. (409) 880-8085 Nationally syndicated colum- schedule. Particularly exciting is the prospect of the renovation of McDonald Gym nist Leonard Pitts, 7 p.m. received more than one copy of this publication, please Aug. 10-11 let us know. University Theatre. Hosted by into a comprehensive fitness facility that is sure to become a center of activity for Orientation. (409) 880-8085 the College of Fine Arts and Changes of address may be sent to: Aug. -
Fresno's Veterans Day Parade Largest in the Nation »
FRESNO’S VETERANS DAY PARADE LARGEST IN THE NATION » DID PG&E PROBLEM SPARK DEADLY PARADISE BLAZE? » COMIC BOOK GENIUS STAN LEE, SPIDER-MAN W E E K LY D I G E S T CREATOR, DIES AT 95 » NOVEMBER 16, 2018 FRESNO’S VETERANS DAY PARADE IS LARGEST IN THE NATION NovemberLOCAL 12, 2018 | Myles Barker Over 30,000 people atended the largest Veterans Day nonprofts and car groups. “We have a litle bit of ev- Parade in the naton Monday in downtown Fresno. The erything,” said Virginia Cardinal, the chairwoman of the parade began in 1919 and has been held every year parade commitee. Retred Lt. Col. Larry Duba was the since with the excepton of World War II. “It was fantas- event’s grand marshal. He spoke about his tme in the tc,” said Daniel Payne, president of the Veterans Parade U.S. Air Force Reserve and thanked all veterans and staf. Payne said he is impressed by how much the pa- families for coming together to celebrate Veterans Day. rade has grown over the years. Rep. Jim Costa (D-Fresno) and State Senator Tom Berry- hill (R-Modesto) also spoke. When he joined the parade’s commitee, Fresno was the third largest in the naton, behind New York and Las Community Coming Together Vegas. It was expected to involve between 4,000 and Seeing the community come together to support vet- 6,000 partcipants Monday. “It has defnitely grown,” erans is what Cardinal “I also like seeing the Payne said. “It is a great feeling, and a great accomplish- appreciates most about younger kids get involved ment.” California is home to over two million veterans, the parade. -
Sinningia Speciosa 57 Seed Fund – Hybrids ‘Lorna Ohlgren’ Gussie Farrice Dave Zaitlin 61 Information About the Gesneriad 31 Gesneriads Index 2017 Society, Inc
GesThe Journal forn Gesneriade Growersria ds Volume 68 ~ Number 2 Second Quarter 2018 Return to Table of Contents RETURN TO TABLE OF CONTENTS The Journal for Gesneriad Growers Volume 68 ~ Number 2 Gesneriads Second Quarter 2018 41 Experiences Growing the Gesneriads FEATURES from Southern Chile 5 The 2017 Lawrenceville School in Cuba Program: Trekking from Guantánamo Bob Stewart to the North Coast through the 44 Christopheria xantha Alejandro de Humboldt National Park Dale Martens John L. Clark 46 Rarely Seen, Rarely Done: Merging 11 Delivering the Power of the Sun Two Passions to Cuba’s Alejandro de Humboldt Drew Norris National Park Annika Goldman DEPARTMENTS 13 From the Garden State to the Pearl 3 Message from the President of the Antilles 4 From The Editor Grace Cangiano 35 Botanical Review No. 46 16 From Guantanamera to Polymita: A Cultural and Biological Expedition Bob Stewart to Cuba 40 Changes to Species Seed List 1Q18 50 Coming Events Hiroki Nagao 19 Cultivating Gesneriads in Greece Ray Coyle and Karyn Cichocki 51 Gesneriad Registrations Panagiotis Mperetzikis 22 There’s Something for Everyone in Irina Nicholson New England! 52 Donations Gloria Utzig and Maureen Pratt Betsy Gottshall 26 Gesneriad Hybridizers Association 54 Back to Basics: Convention Fun! Meeting Dale Martens 27 Introducing Sinningia speciosa 57 Seed Fund – Hybrids ‘Lorna Ohlgren’ Gussie Farrice Dave Zaitlin 61 Information about The Gesneriad 31 Gesneriads Index 2017 Society, Inc. Cover Back Cover Gesneria bracteosa Primulina ‘Silver Feather’ Photo: John L. Clark -
Heroclix Bestand 16-10-2012
Heroclix Liste Infinity Challenge Infinity Gauntlet Figure Name Gelb Blau Rot Figure Name Gelb Blau Rot Silber und Bronze Adam Warlock 1 SHIELD Agent 1 2 3 Mr. Hyde 109 110 111 Vision 139 In-Betweener 2 SHIELD Medic 4 5 6 Klaw 112 113 114 Quasar 140 Champion 3 Hydra Operative 7 8 9 Controller 115 116 117 Thanos 141 Gardener 4 Hydra Medic 10 11 12 Hercules 118 119 120 Nightmare 142 Runner 5 Thug 13 14 15 Rogue 121 122 123 Wasp 143 Collector 6 Henchman 16 17 18 Dr. Strange 124 125 126 Elektra 144 Grandmaster 7 Skrull Agent 19 20 21 Magneto 127 128 129 Professor Xavier 145 Infinity Gauntlet 101 Skrull Warrior 22 23 24 Kang 130 131 132 Juggernaut 146 Soul Gem S101 Blade 25 26 27 Ultron 133 134 135 Cyclops 147 Power Gem S102 Wolfsbane 28 29 30 Firelord 136 137 138 Captain America 148 Time Gem S103 Elektra 31 32 33 Wolverine 149 Space Gem S104 Wasp 34 35 36 Spider-Man 150 Reality Gem S105 Constrictor 37 38 39 Marvel 2099 Gabriel Jones 151 Mind Gem S106 Boomerang 40 41 42 Tia Senyaka 152 Kingpin 43 44 45 Hulk 1 Operative 153 Vulture 46 47 48 Ravage 2 Medic 154 Jean Grey 49 50 51 Punisher 3 Knuckles 155 Hammer of Thor Hobgoblin 52 53 54 Ghost Rider 4 Joey the Snake 156 Fast Forces Sabretooth 55 56 57 Meanstreak 5 Nenora 157 Hulk 58 59 60 Junkpile 6 Raksor 158 Fandral 1 Puppet Master 61 62 63 Doom 7 Blade 159 Hogun 2 Annihilus 64 65 66 Rahne Sinclair 160 Volstagg 3 Captain America 67 68 69 Frank Schlichting 161 Asgardian Brawler 4 Spider-Man 70 71 72 Danger Room Fred Myers 162 Thor 5 Wolverine 73 74 75 Wilson Fisk 163 Loki 6 Professor Xavier 76 -
Ultraman Jumpchain in the Year 1966, Earth Is Plagued by Mysterious Phenomenon, Alien Invaders, Ancient Evils, and All Other Forms of Weirdness
Ultraman Jumpchain In the year 1966, Earth is plagued by mysterious phenomenon, alien invaders, ancient evils, and all other forms of weirdness. To combat this threat Humanity relies on the “Science Special Search Party”, also called the Science Patrol or SSSP. This special worldwide police force is equipped with high-tech weapons and vehicles, as well as extensive scientific and engineering facilities. The japanese branch, led by Captain “Cap” Toshio Muramatsu, have encountered a strange glowing orb. Shin Hayata, the Japanese SSSP branch’s most capable member, is sent out to investigate but crashes when he collides with a strange entity of light. This entity is revealed to be a member of the Space Garrison, a galactic-level military organization that seeks universal peace and justice, in search of a criminal who fled to Earth. The collision has left Shin Hayata nearly dead, and so the entity grants Shin his lifeforce. Now revitalized Shin has access to the Beta-Capsule, through which he can become the hero Ultraman! Far across the galaxy there exists a strange clear, green planet fueled by a artificial sun called the Plasma Spark within it’s core. This planet, called the Land of Light, is the home of the race from which the heroes Earth calls Ultramen come from and the base of the Space Garrison. Governed by a monarchy (The ruler is called the King of the Land of Light, not Ultraman King; that’s someone else) and a prime minister like position called the president, a position taken by Father Ultra, leader of the Space Garrison. -
Clubadd2page Apr08forjun08
H AST X-MEN V. 4 TPB collects #19-24 & GS, $20 H CAP AMERICA DEATH V. 1 TP collects #25-30, $17 H H KABUKI ALCHEMY HC IRON MAN HAUNTED TPB collects #1-9, $30 collects #21-28, $27 H H kirbyGaLactiCBouNTYHuNTeRS ULT F FOUR V. 10 TPB collects #1-6, $20 collects #47-53, $16 H H NEW AVENGERS V. 7 TPB MM ATLAS ERA TOS V.2 HC collects #11-20, $60 collects #32-37 & ANN, $20 H H MM SGT FURY V.2 HC ETERNALS BY NEIL! TPB collects #14-23, $55 collects #1-7, $25 H BPRD Ectoplasmic Man (one-shot) H ANITA BLAKE GP V.2 HC WOLVIE ENEMY STATE ULT Mike Mignola (W/Cover), John Arcudi (W), and Ben Stenbeck (A) This one-shot comic Collects dd,uf21-23,bp28-30, $30 collects #20-32, $30 H tells the origin of Johann Kraus—corresponding with Johann’s appearance in the 2008 H MARVEL ZOMBIES 2 HC ETERNALS BY KIRBY BK1 TP feature film Hellboy II: The Golden Army. The Ectoplasmic Man is the ideal introduction collects #1-5, $20 collects #1-11, $25 to one of the most peculiar members of the remarkable Bureau for Paranormal Re- H H ULT XMEN V. 8 HC HOM AVENGERS TPB search and Defense. collects #75-88, $40 collects #1-5, $14 H BPRD War on Frogs #1 (one shot) H MARVELS PREMIERE HC SSURFER IN THY NAME TPB collects #0-4, $25 collects #1-4, $11 Artist Herb Trimpe joins writers John Arcudi and Mike Mignola for the 1st of 4 one- H H MARVEL ATLAS TPB shots which pick up from the BPRD feature on MySpace/Dark Horse Presents.