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Ultraman Hawaii’
Sex differences in pacing during `Ultraman Hawaii' Beat Knechtle1,2 and Pantelis T. Nikolaidis3 1 Gesundheitszentrum St. Gallen, St. Gallen, Switzerland 2 Institute of Primary Care, University of Zurich, Zurich, Switzerland 3 Exercise Physiology Laboratory, Nikaia, Greece ABSTRACT Background. To date, little is known for pacing in ultra-endurance athletes competing in a non-stop event and in a multi-stage event, and especially, about pacing in a multi-stage event with different disciplines during the stages. Therefore, the aim of the present study was to examine the effect of age, sex and calendar year on triathlon performance and variation of performance by events (i.e., swimming, cycling 1, cycling 2 and running) in `Ultraman Hawaii' held between 1983 and 2015. Methods. Within each sex, participants were grouped in quartiles (i.e., Q1, Q2, Q3 and Q4) with Q1 being the fastest (i.e., lowest overall time) and Q4 the slowest (i.e., highest overall time). To compare performance among events (i.e., swimming, cycling 1, cycling 2 and running), race time in each event was converted in z score and this value was used for further analysis. Results. A between-within subjects ANOVA showed a large sex × event (p D 0:015, η2 D 0:014) and a medium performance group × event interaction (p D 0:001, η2 D 0:012). No main effect of event on performance was observed (p D 0:174, η2 D 0:007). With regard to the sex × event interaction, three female performance groups (i.e., Q2, Q3 and Q4) increased race time from swimming to cycling 1, whereas only one male performance group (Q4) revealed a similar trend. -
A Unified Platform for Big Trajectory Data Management and Analytics
UlTraMan: A Unified Platform for Big Trajectory Data Management and Analytics Xin Ding∗;y Lu Chenz Yunjun Gao∗;y Christian S. Jensenz Hujun Bao∗;y ∗State Key Laboratory of CAD&CG, Zhejiang University, Hangzhou, China yCollege of Computer Science, Zhejiang University, Hangzhou, China zDepartment of Computer Science, Aalborg University, Aalborg, Denmark fdingxin@, gaoyj@, [email protected] fluchen, [email protected] ABSTRACT also in real-world applications. As an example, DiDi, the Massive trajectory data is being generated by GPS-equipped largest ride-sharing company in China, utilizes trajectory devices, such as cars and mobile phones, which is used in- data to provide services such as travel time prediction, de- creasingly in transportation, location-based services, and mand forecasting, and carpool scheduling [6]. The explosive urban computing. As a result, a variety of methods have increase in data volumes and the rapid proliferation of new been proposed for trajectory data management and ana- data analysis methods expose three shortcomings of tradi- lytics. However, traditional systems and methods are usu- tional trajectory data management platforms. ally designed for very specific data management or analyt- First, in real-life applications, trajectory data is collected ics needs, which forces users to stitch together heteroge- at a rapid pace. For instance, the Daisy Lab at Aalborg neous systems to analyze trajectory data in an inefficient University currently receives some 100 million points per manner. Targeting the overall data pipeline of big trajec- day from about 40,000 vehicles in Denmark. Consequently, tory data management and analytics, we present a unified traditional centralized systems [13, 23, 35] are or will be platform, termed as UlTraMan. -
Customer Order Form
#355 | APR18 PREVIEWS world.com ORDERS DUE APR 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Apr18 Cover ROF and COF.indd 1 3/8/2018 3:51:03 PM You'll for PREVIEWS!PREVIEWS! STARTING THIS MONTH Toys & Merchandise sections start with the Back Cover! Page M-1 Dynamite Entertainment added to our Premier Comics! Page 251 BOOM! Studios added to our Premier Comics! Page 279 New Manga section! Page 471 Updated Look & Design! Apr18 Previews Flip Ad.indd 1 3/8/2018 9:55:59 AM BUFFY THE VAMPIRE SWORD SLAYER SEASON 12: DAUGHTER #1 THE RECKONING #1 DARK HORSE COMICS DARK HORSE COMICS THE MAN OF JUSTICE LEAGUE #1 THE LEAGUE OF STEEL #1 DC ENTERTAINMENT EXTRAORDINARY DC ENTERTAINMENT GENTLEMEN: THE TEMPEST #1 IDW ENTERTAINMENT THE MAGIC ORDER #1 IMAGE COMICS THE WEATHERMAN #1 IMAGE COMICS CHARLIE’S ANT-MAN & ANGELS #1 BY NIGHT #1 THE WASP #1 DYNAMITE BOOM! STUDIOS MARVEL COMICS ENTERTAINMENT Apr18 Gem Page ROF COF.indd 1 3/8/2018 3:39:16 PM FEATURED ITEMS COMIC BOOKS · GRAPHIC NOVELS · PRINT InSexts Year One HC l AFTERSHOCK COMICS Lost City Explorers #1 l AFTERSHOCK COMICS Carson of Venus: Fear on Four Worlds #1 l AMERICAN MYTHOLOGY PRODUCTIONS Archie’s Super Teens vs. Crusaders #1 l ARCHIE COMIC PUBLICATIONS Solo: A Star Wars Story: The Official Guide HC l DK PUBLISHING CO The Overstreet Comic Book Price Guide Volume 48 SC/HC l GEMSTONE PUBLISHING Mae Volume 1 TP l LION FORGE 1 A Tale of a Thousand and One Nights: Hasib & The Queen of Serpents HC l NBM Shadow Roads #1 l ONI PRESS INC. -
Microsoft Visual Basic
€ LIJST: FAX/MODEM/E-MAIL: 19 okt 2020 PREVIEWS DISK: 21 okt 2020 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 19 oktober 5706 ST HELMOND ONLINE: 19 oktober TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 december/januari #547 ********************************** __ 0081 [M] Southern Bastards H TPB Vol.03 19.34 b *** DIAMOND COMIC DISTR. ******* __ 0082 [M] Southern Bastards G TPB Vol.04 21.92 b ********************************** __ 0083 [M] Ascender TPB Vol.03 21.92 b __ 0084 [M] Ascender TPB Vol.01 12.89 b DCD SALES TOOLS page 026 __ 0085 [M] Ascender TPB Vol.02 21.92 b __ 0019 Previews December 2020 #387 3.69 i __ 0086 [M] Descender Tin Stars TPB Vol.01 12.89 b __ 0020 Marvel Previews De EXTRA Vol.05 #6 1.58 b __ 0087 [M] Descender TPB Vol.02 19.34 b __ 0021 Previews Dec 2020 Customer Or #387 0.79 i __ 0088 Descender Singularities TPB Vol.03 19.34 b __ 0022 Previews Dec 2020 Custo EXTRA #387 1.58 i __ 0089 [M] Descender Orbital M TPB Vol.04 21.92 b __ 0024 Previews Dec 2020 Retai EXTRA #387 2.62 b __ 0090 Descender Rise/Robots TPB Vol.05 21.92 b __ 0025 Game Trade Magazine #250 0.00 E __ 0091 Descender War Machine TPB Vol.06 21.92 b __ 0026 Game Trade Magazine EXTRA #250 0.58 E __ 0092 [M] Coffin Bound Dear G TPB Vol.02 21.92 b IMAGE COMICS page 032 __ 0093 [M] Coffin Bound TPB Vol.01 21.92 b __ 0030 [M] Reckless H/C 32.24 b __ 0094 [M] Die Great Game TPB Vol.03 21.92 b __ 0031 [M] Bad Weekend H/C 21.92 b __ 0095 [M] -
The Cardinal St
The Cardinal St. Paul’s Intermediate March 2020 The Cardinal Issue #1 Newspaper Contributors: Charlotte Bown Brayden Burden Joy Henein Jacob Mackey Brooklyn Payne 1 The Cardinal St. Paul’s Intermediate March 2020 is more difficult and has more opportunities, but I think that everything is going well. Interviews With Grade 7 Students 2. What are some of the differences you have found A few students from grade 7 were between your elementary years interviewed at the beginning of the school and junior high so far? year by different newspaper reporters. We were interested in seeing how they were Julianna: The school is a lot older. More managing with their move to a new school. freedom. Here are the questions asked and the answers of the students. Norah: I have found that there is a lot more freedom. NOTE: Remember this was in late September - early October. Some edits Ireland: There are not as many rules here have been made to the exact wording. than at the elementary. 1. How are you adjusting to your Caroline: Some differences are there is a move to St. Paul’s lot more freedom. In Gander Elementary Intermediate? garbage cans went on wheels, but now they don’t. Julianna: There's more freedom here Chloe: Some differences are that there are compared to Gander Elementary. You had to stay in one spot during recess. There was a lot more freedom, opportunities and no going to the gym. You were not allowed school extra curricular activities. to use your phone. 3. What activities are you Norah: I’m adjusting well. -
Lijst 556 Euro-DCD
€ DCD CODES!!!! LIJST: FAX/MODEM/E-MAIL: 25 jul 2021 PREVIEWS DISK: 27 jul 2021 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 25 juli 5706 ST HELMOND ONLINE: 25 juli TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 september/oktober #556 ********************************** DCD0060 [M] Image Firsts Monstress #1 2.57 b *** DIAMOND COMIC DISTR. ******* DCD0061 [M] Saga TPB Vol.01 12.89 b ********************************** DCD0062 [M] Saga TPB Vol.02 19.34 b DCD0063 [M] Saga TPB Vol.03 19.34 b DCD SALES TOOLS page 026 DCD0064 [M] Saga TPB Vol.04 19.34 b DCD0001 Previews September 2021 #396 5.45 i DCD0065 [M] Saga TPB Vol.05 19.34 b DCD0002 Marvel Previews S EXTRA Vol.05 #15 1.58 b DCD0066 [M] Saga TPB Vol.06 19.34 b DCD0003 Previews September 2021 Custo #396 0.86 i DCD0067 [M] Saga TPB Vol.07 19.34 b DCD0004 Previews Sept 2021 Cust EXTRA #396 1.72 i DCD0068 [M] Saga TPB Vol.08 19.34 b DCD0006 Previews Sep 2021 Retai EXTRA #396 2.62 b DCD0069 [M] Saga TPB Vol.09 19.34 b DCD0007 Game Trade Magazine #259 0.00 E DCD0070 [M] Mom Mother Of Madness (3) #3 6.44 b DCD0008 Game Trade Magazine EXTRA #259 0.58 E DCD0071 Blackbird TPB Vol.01 21.92 b IMAGE COMICS page 042 DCD0072 Skyward My Low G Life TPB Vol.01 12.89 b DCD0009 [M] Primordial A Sorrentino (6) #1 5.15 b DCD0073 Skyward Here There Be D TPB Vol.02 21.92 b DCD0010 [M] Primordial B Ward (6) #1 5.15 b DCD0074 Skyward Fix The World TPB Vol.03 21.92 b DCD0011 [M] Primordial C Nguyen -
Quarterly Earnings Supplementary Explanatory Materials for the Nine Month Ended December 31, 2016
February 2, 2017 FIELDS CORPORATION Quarterly Earnings Supplementary Explanatory Materials for the Nine Month Ended December 31, 2016 1. Main initiatives in IP [Ultraman Series] The Ultraman Series marks its 50th anniversary in 2016. To mark the milestone for the series that features a hero loved by three generations in Japan, cross-media action will be organized in collaboration with business partners in Japan and overseas. ■Domestic Jul. 2016 Vol. 8 of “ULTRAMAN,” the HERO’s comic book published (Comics) Dec. 2016 Vol. 9 of “ULTRAMAN,” the HERO’s comic book published (Comics) ‐Cumulative total of 2.4 million copies sold Jul. 2016 TV series “Ultraman Orb” started (Visuals) ‐Saturday at 9:00 am, on affiliated to TV Tokyo © 円谷プロ Dec. 2016 “ULTRAMAN ORB THE ORIGIN SAGA” distribution started (Visuals) ‐Amazon Prime Vide original Jul. 2016 “Ultraman Festival 2016” held (Live action event) Dec. 2016 “ULTRA HEROES EXPO 2017 ” held (Live action event) Sep. 2016 “ULTRA HEROES THE LIVE ACROBATTLE CHRONICLE” (Live action event) Osaka event Dec. 2016 “ULTRA HEROES THE LIVE ACROBATTLE CHRONICLE” (Live action event) Nagoya event Jan. 2017 “ULTRA HEROES THE LIVE ACROBATTLE CHRONICLE” (Live action event) Tokyo event Jun. 2016 “A MAN of ULTRA” participants: 65 companies (Licensing) ‐Japan Brand Licensing Grand Prix winner of “Licensing of the Year at the Character and Brand of the Year” Jul. 2016 “Ultraman×MONSTER STRIKE by mixi Inc.” collaboration organized (Licensing) Jun. 2016 “Pachislot ALIEN BALTAN” launched (PS) < Future plans > Mar. 2017 “Ultraman Orb” the movie scheduled to release (Visuals) ■Overseas Jul. 2016 “Ultraman Orb” series distribution started (Visuals) ‐Global (excluding Asia): Crunchyroll ‐China: iQIYI, LeTV, Tencent and Youku, Sohu Nov. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
Lightspeed Magazine, Issue 58
TABLE OF CONTENTS Issue 58, March 2015 FROM THE EDITOR Editorial, March 2015 SCIENCE FICTION Surfacing Marissa Lingen The Brains of Rats Michael Blumlein Hot Rods Cat Sparks The New Atlantis Ursula K. Le Guin FANTASY The Way Home Linda Nagata A Face of Black Iron Matthew Hughes The Good Son Naomi Kritzer Documentary Vajra Chandrasekera NOVELLA The Weight of the Sunrise Vylar Kaftan NOVEL EXCERPTS Persona Genevieve Valentine Harrison Squared Daryl Gregory NONFICTION Interview: Patrick Rothfuss The Geek’s Guide to the Galaxy Book Reviews Amal El-Mohtar Artist Gallery Wylie Beckert Artist Spotlight: Wylie Beckert Henry Lien AUTHOR SPOTLIGHTS Marissa Lingen Michael Blumlein Cat Sparks Ursula K. Le Guin Linda Nagata Matthew Hughes Naomi Kritzer Vajra Chandrasekera Vylar Kaftan MISCELLANY Coming Attractions Stay Connected Subscriptions & Ebooks About the Editor © 2015 Lightspeed Magazine Wylie Beckert Ebook Design by John Joseph Adams www.lightspeedmagazine.com Editorial, March 2015 John Joseph Adams Welcome to issue fifty-eight of Lightspeed! Our Queers Destroy Science Fiction! Kickstarter campaign has now concluded, and we’re happy to report that it was extremely successful; we asked for $5,000 and got $54,523 in return, which was 1090% of our funding goal. As a result of all that success, we unlocked several stretch goals, including additional special issues Queers Destroy Horror!, which will be published in October as a special issue of Nightmare, and Queers Destroy Fantasy!, which will publish in December as a special issue of Fantasy Magazine. Thanks again so much to everyone who supported the campaign, and thanks of course to our regular readers and subscribers! And, next year, we’re planning to ask People of Color to destroy science fiction, so stay tuned for that! • • • • Awards season is officially upon us, with the first of the major awards announcing their lists of finalists for last year’s work, and we’re pleased to announce that “We Are the Cloud” by Sam J. -
Delivering Unforgettable Experiences
DELIVERING UNFORGETTABLE EXPERIENCES Over 154 million units in global package shipments and digital sales (as of the end of March 2020) © 1997, 2020 SQUARE ENIX CO., LTD. All Rights Reserved. CHARACTER DESIGN: TETSUYA NOMURA/ROBERTO FERRARI LOGO ILLUSTRATION: © 1997 YOSHITAKA AMANO “FINAL FANTASY” Series The “FINAL FANTASY” series celebrated its 30th anniversary in 2017. It has earned high praise from fans all over the world for its cutting-edge graphics, unique world view, and rich, in-depth storylines. Since its launch in 1987, the series has sold a total of over 154 million units worldwide. ©2015-2020 SQUARE ENIX CO., LTD. All Rights Reserved. Developed by Alim Co., Ltd. LOGO ILLUSTRATION:©2014 YOSHITAKA AMANO © 2019-2020 SQUARE ENIX CO., LTD. All Rights Reserved. Co-Developed by gumi Inc. LOGO ILLUSTRATION: © 2018 YOSHITAKA AMANO © 2010 - 2020 SQUARE ENIX CO., LTD. All Rights Reserved. © 2003, 2020 SQUARE ENIX CO., LTD. All Rights Reserved. LOGO ILLUSTRATION: CHARACTER DESIGN: Toshiyuki Itahana © 2018 YOSHITAKA AMANO Over 82 million units in global package shipments and digital sales (as of the end of March 2020) © 2017, 2017117 2019201 011 ARMORAARM M PROJECT/BIRD J STUDIO/SQUARE U / UA ENIX N X AAllll RRightsights RReserved.eserved. “DRAGON QUEST” Series In 2016, the “DRAGON QUEST” series celebrated its 30th anniversary. This series of popular roleplaying games has sold a total of over 82 million units worldwide since the launch of “DRAGON QUEST” for the Nintendo Entertainment System in 1986. The series keeps creating new gaming experiences by actively utilizing advanced technologies such as 3D maps, StreetPass wireless communication, and cloud gaming. -
UK@Kidscreen Delegation Organised By: Contents
© Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time. -
Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit.