Quarterly Earnings Supplementary Explanatory Materials for the Nine Month Ended December 31, 2016
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Ultraman Hawaii’
Sex differences in pacing during `Ultraman Hawaii' Beat Knechtle1,2 and Pantelis T. Nikolaidis3 1 Gesundheitszentrum St. Gallen, St. Gallen, Switzerland 2 Institute of Primary Care, University of Zurich, Zurich, Switzerland 3 Exercise Physiology Laboratory, Nikaia, Greece ABSTRACT Background. To date, little is known for pacing in ultra-endurance athletes competing in a non-stop event and in a multi-stage event, and especially, about pacing in a multi-stage event with different disciplines during the stages. Therefore, the aim of the present study was to examine the effect of age, sex and calendar year on triathlon performance and variation of performance by events (i.e., swimming, cycling 1, cycling 2 and running) in `Ultraman Hawaii' held between 1983 and 2015. Methods. Within each sex, participants were grouped in quartiles (i.e., Q1, Q2, Q3 and Q4) with Q1 being the fastest (i.e., lowest overall time) and Q4 the slowest (i.e., highest overall time). To compare performance among events (i.e., swimming, cycling 1, cycling 2 and running), race time in each event was converted in z score and this value was used for further analysis. Results. A between-within subjects ANOVA showed a large sex × event (p D 0:015, η2 D 0:014) and a medium performance group × event interaction (p D 0:001, η2 D 0:012). No main effect of event on performance was observed (p D 0:174, η2 D 0:007). With regard to the sex × event interaction, three female performance groups (i.e., Q2, Q3 and Q4) increased race time from swimming to cycling 1, whereas only one male performance group (Q4) revealed a similar trend. -
A Unified Platform for Big Trajectory Data Management and Analytics
UlTraMan: A Unified Platform for Big Trajectory Data Management and Analytics Xin Ding∗;y Lu Chenz Yunjun Gao∗;y Christian S. Jensenz Hujun Bao∗;y ∗State Key Laboratory of CAD&CG, Zhejiang University, Hangzhou, China yCollege of Computer Science, Zhejiang University, Hangzhou, China zDepartment of Computer Science, Aalborg University, Aalborg, Denmark fdingxin@, gaoyj@, [email protected] fluchen, [email protected] ABSTRACT also in real-world applications. As an example, DiDi, the Massive trajectory data is being generated by GPS-equipped largest ride-sharing company in China, utilizes trajectory devices, such as cars and mobile phones, which is used in- data to provide services such as travel time prediction, de- creasingly in transportation, location-based services, and mand forecasting, and carpool scheduling [6]. The explosive urban computing. As a result, a variety of methods have increase in data volumes and the rapid proliferation of new been proposed for trajectory data management and ana- data analysis methods expose three shortcomings of tradi- lytics. However, traditional systems and methods are usu- tional trajectory data management platforms. ally designed for very specific data management or analyt- First, in real-life applications, trajectory data is collected ics needs, which forces users to stitch together heteroge- at a rapid pace. For instance, the Daisy Lab at Aalborg neous systems to analyze trajectory data in an inefficient University currently receives some 100 million points per manner. Targeting the overall data pipeline of big trajec- day from about 40,000 vehicles in Denmark. Consequently, tory data management and analytics, we present a unified traditional centralized systems [13, 23, 35] are or will be platform, termed as UlTraMan. -
Lijst 556 Euro-DCD
€ DCD CODES!!!! LIJST: FAX/MODEM/E-MAIL: 25 jul 2021 PREVIEWS DISK: 27 jul 2021 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 25 juli 5706 ST HELMOND ONLINE: 25 juli TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 september/oktober #556 ********************************** DCD0060 [M] Image Firsts Monstress #1 2.57 b *** DIAMOND COMIC DISTR. ******* DCD0061 [M] Saga TPB Vol.01 12.89 b ********************************** DCD0062 [M] Saga TPB Vol.02 19.34 b DCD0063 [M] Saga TPB Vol.03 19.34 b DCD SALES TOOLS page 026 DCD0064 [M] Saga TPB Vol.04 19.34 b DCD0001 Previews September 2021 #396 5.45 i DCD0065 [M] Saga TPB Vol.05 19.34 b DCD0002 Marvel Previews S EXTRA Vol.05 #15 1.58 b DCD0066 [M] Saga TPB Vol.06 19.34 b DCD0003 Previews September 2021 Custo #396 0.86 i DCD0067 [M] Saga TPB Vol.07 19.34 b DCD0004 Previews Sept 2021 Cust EXTRA #396 1.72 i DCD0068 [M] Saga TPB Vol.08 19.34 b DCD0006 Previews Sep 2021 Retai EXTRA #396 2.62 b DCD0069 [M] Saga TPB Vol.09 19.34 b DCD0007 Game Trade Magazine #259 0.00 E DCD0070 [M] Mom Mother Of Madness (3) #3 6.44 b DCD0008 Game Trade Magazine EXTRA #259 0.58 E DCD0071 Blackbird TPB Vol.01 21.92 b IMAGE COMICS page 042 DCD0072 Skyward My Low G Life TPB Vol.01 12.89 b DCD0009 [M] Primordial A Sorrentino (6) #1 5.15 b DCD0073 Skyward Here There Be D TPB Vol.02 21.92 b DCD0010 [M] Primordial B Ward (6) #1 5.15 b DCD0074 Skyward Fix The World TPB Vol.03 21.92 b DCD0011 [M] Primordial C Nguyen -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
BANDAI NAMCO Holdings Inc
BANDAI NAMCO Holdings Inc. Notice of the Fifteenth Ordinary General Meeting of Shareholders to be held on June 22, 2020 An English translation of the original notice in Japanese DISCLAIMER The following is an English translation of the Japanese original “Notice of the Fifteenth Ordinary General Meeting of Shareholders of BANDAI NAMCO Holdings Inc.” which meeting is to be held on June 22, 2020. The Company provides this translation for your reference and convenience only and does not guarantee its accuracy or otherwise. In the event of any discrepancies, the Japanese original notice shall prevail. These documents have been prepared solely in accordance with Japanese law and are offered here for informational purposes only. In particular, please note that the financial statements included in the following translation have been prepared in accordance with Japanese GAAP. * The English version of this Notice of the Fifteenth Ordinary General Meeting of Shareholders reflects the revisions announced in “Notice Regarding Partial Revision to the Notice of the Fifteenth Ordinary General Meeting of Shareholders” (in Japanese only) released on June 1, 2020 and June 10, 2020. 1 Securities code: 7832 June 5, 2020 5-37-8 Shiba, Minato-ku, Tokyo BANDAI NAMCO Holdings Inc. Mitsuaki Taguchi President and Representative Director Dear Shareholders, NOTICE OF THE FIFTEENTH ORDINARY GENERAL MEETING OF SHAREHOLDERS We would like to inform you that the Fifteenth Ordinary General Meeting of Shareholders of BANDAI NAMCO Holdings Inc. (“the Company”) will be held as set forth below. Although we will hold the General Meeting of Shareholders while being as thorough as possible in taking measures to prevent infection, for this fiscal year, we encourage you to exercise your voting rights in writing or via the Internet in advance instead of attending the meeting in order to prevent the spread of COVID-19. -
PRESS DAILY SCHEDULE As of 2016/10/25
10/25[TUE] PRESS DAILY SCHEDULE As of 2016/10/25 TOHO Cinemas Roppongi/EX Theater/Academy Hills 49F Tower Hall Press Starting Ending NO. Section Title Venue Event Sign-in Guests (Tentative) Contact Info. Time Time Time SHOCHIKU Kiwamu Sato TOHO CINEMAS Yuzo Asahara(Director), YESUNG(SUPER JUNIOR/Actor), Nozomi 1 Special Screenings My Korean Teacher Stage Appearance 13:40 14:08 14:28 +81 3 5550 1623 ROPPONGI SC2 Sasaki(Actress) [email protected] TOHO CINEMAS Michele Placido(Director/Screenplay), Ottavia Piccolo(Actress), TIFF Public Relations Group 2 Competition 7 Minutes Q&A 15:30 16:01 16:31 ROPPONGI SC3 Ambra Angiolini(Actress) +81 3 6226 3012 Roppongi Academyhills 49 TIFF Public Relations Group 3 ― Press pass pick up ― ― 10:00 18:00 Please check our press release for details. Auditorium +81 3 6226 3012 Opening/Closing Event Press Starting Ending NO. Title Venue Event Sign-in Guests (Tentative) Contact Info. Time Time Time 1 Opening Red Capet Roppongi Hills Arena Red Carpet Please check our press release for details. 2 Opening Ceremony EX Theatre Roppongi Ceremony Please check our press release for details. TIFF Public Relations Group Roppongi Academyhills 49 3 Opening Ceremony on broadcast for press Live Event 13:00 15:00 19:00 Please check our press release for details. +81 3 6226 3012 Tower Hall AB Competition Jury TOHO Cinemas Roppongi 4 Press Conference 19:10 19:30 20:15 Please check our press release for details. Press Conference SC6 Japan Content Showcase Press Starting Ending NO. Title Event Sign-in Details Contact Info. -
& Ultraman Brothers
ULTRAMAN MEBIUS & ULTRAMAN BROTHERS The lunar surface, 20 years ago: An intense battle rages between When the aliens launch their combined attack, the gigantic multi-tentacled monster U-Killer Saurus and four of the even Ultraman Mebius cannot defeat them. Can Ultraman Brothers; Ultraman, Ultra Seven, Ultraman Ace and the Ultraman Brothers regain their powers to Ultraman Jack. Though the battle is four against one, this monster help Mebius fight the aliens? Will the aliens is so powerful it threatens to overwhelm even the combined might succeed in their plans to revive U-Killer Saurus, of the Ultraman Brothers! a monster so terrifying its power rivals even the united strength of the Ultraman Brothers? The creature escapes to Earth and the Ultraman Brothers follow. There is only one way to stop this monster. The four Ultraman Tsuburaya Productions celebrates the 40th Brothers must use the Final Cross Shield to trap the beast forever Anniversary of Ultraman with the return of the most below the waters of Japan’s Kobe Bay. Unfortunately, in using this popular characters from the show’s long history for weapon, the heroes lose their super powers and will spend the rest the ultimate Ultraman adventure! It’s non-stop of their lives as ordinary human beings. action as the series’ greatest heroes battle its most fearsome villains. The original actors who played the In the present day, the young rookie Ultraman Mebius now protects human forms of the Ultraman Brothers reunite in a the Earth. Unknown to Ultraman Mebius, a group of evil aliens have spectacular tribute to one of the world’s longest arrived in Kobe with plans to release the monster U-Killer Saurus running science fiction adventure series. -
1608529146136-2.Pdf
THE ANIME ECOLOGY This page intentionally left blank THE ANIME A GENEALOGY ECOLOGY OF TELEVISION, ANIMATION, THOMAS AND GAME MEDIA LAMARRE University of Minnesota Press Minneapolis | London Copyright 2018 by Thomas Lamarre All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 24 23 22 21 20 19 18 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: LaMarre, Thomas, author. Title: The anime ecology : a genealogy of television, animation, and game media / Thomas Lamarre. Description: Minneapolis : University of Minnesota Press, 2018. | Includes bibliographical references and index. Identifiers: LCCN 2017042800 | ISBN 978-1-5179-0450-0 (pb) | ISBN 978-1-5179-0449-4 (hc) Subjects: LCSH: Animated films—Japan—History and criticism. | Television programs— Social aspects. | Video games—Social aspects. | Cultural industries—Social aspects. | BISAC: PERFORMING ARTS / Animation. | SOCIAL SCIENCE / Popular Culture. Classification: LCC NC1766.J3 L34 2018 | DDC 791.43/340952–dc23 LC record available at https://lccn.loc.gov/2017042800 CONTENTS INTRODUCTION Television Animation and Infrastructure Ecology 1 PART I. THE SCREEN– BRAIN APPARATUS 1. Population Seizure 33 2. Neurosciences and Television 55 3. This Stuff Called Blink 77 4. -
Characters and Merchandising Rights
Characters and Merchandising Rights ©2010 Collaborator: Asuka GOMI Patent Attorney, SHIROKUMA PATENT Hiroyuki NAKAGAWA Patent Attorney, Nakagawa International Patent Office Junichiro TSUCHIYA Senior Manager, Licensing Department Rights Division, Kodansha Ltd. CONTENTS Page Introduction ............................................................. 1 Chapter 1 Rights Composing Merchandising Rights ......................... 3 (1) Overview ........................................................... 3 (a) No rights called merchandising rights in place ................ 3 (b) Power to attract customers (customer-attraction power) ......... 4 (c) Rights included within merchandising rights .................... 6 (2) Content of various rights .......................................... 7 (a) Copyrights ..................................................... 8 (b) Design Act .................................................... 14 (c) Trademark Act ................................................. 16 (d) Unfair Competition Prevention Act ............................. 18 Chapter 2 Character Goods and Merchandising Rights ..................... 20 (1) History of merchandising rights ................................... 20 (2) Economic significance of merchandising rights ..................... 21 (a) Merchandising rights in the content-business .................. 21 (b) Merchandising rights to the mascot logo related to goods ...... 22 (c) Merchandising rights to industrial products ................... 22 (3) Merchandising rights and the media-mix strategy................. -
Gakusen Toshi Asterisk 45
Herbstseason 2015 Lance N' Heavy Object Young Black Jack Kagewani One Punch Man Masques J.C. Staff Tezuka Productions Directions Studio Gokumi Madhouse --- --- Crunchyroll --- Kazé / Daisuki Rakudai Kishi no Shingeki! K yojin Gakusen Toshi Monster Strike Itoshi no Muuco Cavalry Chuugakkou Asterisk Production I.G. Studio Hibari, Silver Link Ultra Super Pictures DLE A-1 Pictures --- Kazé --- Crunchyroll Peppermint Anime Taimadou Gakuen Peeping Life TV: Tantei Team KZ: Subete ga F ni Naru: Valkyrie Drive: 35 Shiken Shoutai Season 1?? Jiken Note The Perfect Insider Mermaid Silver Link CoMix Wave Signal MD A-1 Pictures Arms --- --- Crunchyroll Crunchyroll --- Hacka Doll: The Garo: Guren no Comet Lucifer Osomatsu-san Kowabon Animation Tsuki 8bit Trigger Studio Pierrot ILCA MAPPA --- Crunchyroll / Daisuki Crunchyroll --- --- 2 Sakurako -san no Komori-san wa Brave Beats JK Meshi! Ashimoto ni wa Shitai Hidan no Aria AA ga Umatteiru Kotowarenai! BN-Pictures Kyoutoma Troyca Doga Kobo Artland --- Crunchyroll Kazé Crunchyroll Crunchyroll Dance with Fushigi na Ore ga Ojou-sama Gakkou Concrete Revolutio: Kidou Senshi Gundam: ni "Shomin Sample" Toshite Tekketsu no Orphans Devils Somera-chan Gets-sareta Ken Choujin Gensou Brain’s Base Dream Creation Silver Link Bones Sunrise --- Crunchyroll Kazé Daisuki Crunchyroll / Daisuki Utawarerumono: Onsen Yousei Kamisama Minarai: Anitore! EX Digimon Tri Himitsu no Cocotama Itsuwari no Kamen Hakone-chan OLM Rising Force Toei Animation White Fox Asahi Production / Production Reed --- --- Animax --- Crunchyroll High School Star Musical C-Station --- 3 TOP LISTE Top 10 # Titel Bewertung 1. One Punch Man 8,52222222 2. Osomatsu -san 6,44500000 3. Sakurako -san no Ashimoto ni wa Shitai ga Umatteiru 6,31666667 4. -
Wormwood Review, Vol
W R 5 6 The Wormwood Review, Vol. 14, No. 4 (Issue No. 56) US-ISSN:0043-9401; Editor: Marvin Malone; Art Editor: A. Sypher. Copyright (C) 1974, The Wormwood Review Press; P.O. Box 8840; Stockton, California 95204 USA THE DAM BUILDER There is a man who builds dams, an astounding old man whose job is to harness the flow. If it moves, I can stop it, he says. Then I can make it move for you. First he brings his tools to a likely spot, a flaw where the flow is weakest, and he begins to plug it up, throwing in whatever's handy or cheap, so that the flow becomes sluggish. It wonders where to go and starts to back up on itself. In the evening the old man surveys the progress of his dam. The flow has been made to sit and wait. It has tried to push the dam over with sheer force, but it can't get a foothold. It sees the old man watching it in the evening and the flow begins to hate. Cackling, the old man keeps working. He builds floodgates to divert the flow when its anger rises. Then he hops up and down, slapping his knee with his hat. Gottcha sonofa- bitch, he yells. The flow bubbles and broils with hate. 121 The old man comes to tell me he's finished. As he figures up my bill, wetting his pencil with his tongue, I admire my orderly flow, once so unruly and troublesome. Don't turn your back on it, warns the old man, folding my check. -
FY2020 Q1 Earnings Result Briefing Session Apr 1, 2019–Jun 30, 2019
FY2020 Q1 Earnings Result Briefing Session Apr 1, 2019–Jun 30, 2019 August 9, 2019 ©mixi, Inc. All rights reserved. Contents 1. Financial Status 2. Business Status ▪Entertainment Business ▪Lifestyle Business 3. Appendix ©mixi, Inc. All rights reserved. Contents 1. Financial Status 2. Business Status ▪Entertainment Business ▪Lifestyle Business 3. Appendix ©mixi, Inc. All rights reserved. 4 Quarterly Consolidated Income Unit: millions of yen FY2020／Q1 FY2019／Q1 Change (Apr 2019– Jun 2019) (Apr 2018– Jun 2018) (YoY) Net Sales 20,780 34,561 (39.9)％ Operating (85.2)％ Income 1,637 11,029 Ordinary Income 1,683 11,028 (84.7)％ Profit Attributable to Owners of Parent 1,134 7,294 (84.4)％ ©mixi, Inc. All rights reserved. 5 Quarterly Divisional Performance Unit: millions of yen Entertainment sales Lifestyle sales 60,000 Operating income 50,000 40,000 30,000 20,000 10,000 0 FY2018 FY2019 FY2020 Q1 Q2 Q3 Q4 Q1 Q2 Q3 Q4 Q1 Entertainment Sales 44,981 41,271 38,306 51,388 32,709 35,335 33,545 37,015 19,970 Lifestyle sales 3,247 3,755 3,872 2,269 1,851 1,148 1,393 1,033 810 Operating income 20,209 16,699 10,949 24,501 11,029 9,496 6,175 14,134 1,637 ©mixi, Inc. All rights reserved. 6 Quarterly Sales Costs Unit: millions of yen 7,000 6,000 5,000 4,000 3,000 2,000 1,000 0 FY2018 FY2019 FY2020 Q1 Q2 Q3 Q4 Q1 Q2 Q3 Q4 Q1 Outsourcing 5,226 4,010 3,961 4,660 3,128 3,643 4,276 3,744 3,299 Personnel expenses for development 543 690 596 753 582 688 581 694 583 Content procurement expenses 33 32 27 19 19 17 16 16 16 Depreciation 34 36 40 53 52 60 57 73 81 Rental charges 259 301 364 347 332 326 419 374 351 Purchases 145 253 183 189 204 227 182 218 131 Others 69 52 72 92 66 78 72 67 48 ©mixi, Inc.