Herodes Atticus and His Son
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Teachers' Pay in Ancient Greece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 5-1942 Teachers' Pay In Ancient Greece Clarence A. Forbes Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Teachers' Pay In Ancient Greece * * * * * CLARENCE A. FORBES UNIVERSITY OF NEBRASKA STUDIES Ma y 1942 STUDIES IN THE HUMANITIES NO.2 Note to Cataloger UNDER a new plan the volume number as well as the copy number of the University of Nebraska Studies was discontinued and only the numbering of the subseries carried on, distinguished by the month and the year of pu blica tion. Thus the present paper continues the subseries "Studies in the Humanities" begun with "University of Nebraska Studies, Volume 41, Number 2, August 1941." The other subseries of the University of Nebraska Studies, "Studies in Science and Technology," and "Studies in Social Science," are continued according to the above plan. Publications in all three subseries will be supplied to recipients of the "University Studies" series. Corre spondence and orders should be addressed to the Uni versity Editor, University of Nebraska, Lincoln. University of Nebraska Studies May 1942 TEACHERS' PAY IN ANCIENT GREECE * * * CLARENCE A. -
The Meditations of Marcus Aurelius Antoninus
The meditations of Marcus Aurelius Antoninus Originally translated by Meric Casaubon About this edition Marcus Aurelius Antoninus Augustus was Emperor of Rome from 161 to his death, the last of the “Five Good Emperors.” He was nephew, son-in-law, and adoptive son of Antonius Pius. Marcus Aurelius was one of the most important Stoic philosophers, cited by H.P. Blavatsky amongst famous classic sages and writers such as Plato, Eu- ripides, Socrates, Aristophanes, Pindar, Plutarch, Isocrates, Diodorus, Cicero, and Epictetus.1 This edition was originally translated out of the Greek by Meric Casaubon in 1634 as “The Golden Book of Marcus Aurelius,” with an Introduction by W.H.D. Rouse. It was subsequently edited by Ernest Rhys. London: J.M. Dent & Co; New York: E.P. Dutton & Co, 1906; Everyman’s Library. 1 Cf. Blavatsky Collected Writings, (THE ORIGIN OF THE MYSTERIES) XIV p. 257 Marcus Aurelius' Meditations - tr. Casaubon v. 8.16, uploaded to www.philaletheians.co.uk, 14 July 2013 Page 1 of 128 LIVING THE LIFE SERIES MEDITATIONS OF MARCUS AURELIUS Chief English translations of Marcus Aurelius Meric Casaubon, 1634; Jeremy Collier, 1701; James Thomson, 1747; R. Graves, 1792; H. McCormac, 1844; George Long, 1862; G.H. Rendall, 1898; and J. Jackson, 1906. Renan’s “Marc-Aurèle” — in his “History of the Origins of Christianity,” which ap- peared in 1882 — is the most vital and original book to be had relating to the time of Marcus Aurelius. Pater’s “Marius the Epicurean” forms another outside commentary, which is of service in the imaginative attempt to create again the period.2 Contents Introduction 3 THE FIRST BOOK 12 THE SECOND BOOK 19 THE THIRD BOOK 23 THE FOURTH BOOK 29 THE FIFTH BOOK 38 THE SIXTH BOOK 47 THE SEVENTH BOOK 57 THE EIGHTH BOOK 67 THE NINTH BOOK 77 THE TENTH BOOK 86 THE ELEVENTH BOOK 96 THE TWELFTH BOOK 104 Appendix 110 Notes 122 Glossary 123 A parting thought 128 2 [Brought forward from p. -
Platonist Philosopher Hypatia of Alexandria in Amenabar’S Film Agorá
A STUDY OF THE RECEPTION OF THE LIFE AND DEATH OF THE NEO- PLATONIST PHILOSOPHER HYPATIA OF ALEXANDRIA IN AMENABAR’S FILM AGORÁ GILLIAN van der HEIJDEN Submitted in partial fulfilment of the requirement for the degree of MASTER OF ARTS In the Faculty of Humanities School of Religion, Philosophy and Classics at the UNIVERSITY OF KWAZULU-NATAL, DURBAN SUPERVISOR: PROFESSOR J.L. HILTON MARCH 2016 DECLARATION I, Gillian van der Heijden, declare that: The research reported in this dissertation, except where otherwise indicated, is my original research; This dissertation has not been submitted for any degree or examination at any other university; This dissertation does not contain other persons’ data, pictures, graphs or other information, unless specifically acknowledged as being sourced from other persons; The dissertation does not contain other persons’ writing, unless specifically acknowledged as being sourced from other researchers. Where other written sources have been quoted, then: a) their words have been re-written but the general information attributed to them has been referenced; b) where their exact words have been used, their writing has been paragraphed and referenced; c) This dissertation/thesis does not contain text, graphics or tables copied and pasted from the Internet, unless specifically acknowledged, and the source being detailed in the dissertation/thesis and in the References sections. Signed: Gillian van der Heijden (Student Number 209541374) Professor J. L. Hilton ii ABSTRACT The film Agorá is better appreciated through a little knowledge of the rise of Christianity and its opposition to Paganism which professed ethical principles inherited from Greek mythology and acknowledged, seasonal rituals and wealth in land and livestock. -
A Sarc O P Hagu S F Rom T H E Family of Herodes Atticus
HESPERIA 70 (200I) ICONOG RAPHY Pages46z-492 AND THE DYNAMIGS O F PATRO NAG E A SARCO P HAGU S FROM T H E FAMILYOF HERODESATTICUS ABSTRACT A sarcophagusfiom the estateof HerodesAtticus in Kephisiacommemo- ratesthe intimate connections ofthe familywiththe cityof Sparta,the Battle of Marathon,and the cultstatue of Nemesisat Rhamnous.Theiconographic allusionsto Marathonalso reflect the prioritiesof the SecondSophistic, an intellectualmovement that appealed to the pastto establishcultural and po- liticalsuperiority. The unusualand meaningfill decorative program suggests thatthe family commissioned this sarcophagus. The earlierview that the more unusualAttic sarcophagiwere prefabricated, but that theirthemes simply provedunpopular, should be modifiedin lightof this study. INTRODUCTION In Septemberof 1866,during the construction of a housein the Kephisia suburbof Athens,workers discovered a marbleburial chamber, roughly squarein plan.1Robbers had long since plundered the chamber, removing thedeceased and most ofthe portable possessions. In 1866,the significant remainingartifacts included four carved marble sarcophagi and only a handfillof smallobjects.2 Otto Benndorf,who wrotethe firstcomplete descriptionof the chamberand its contents,was also the firstto suggest 1. I thankthe Universityof Mich- andNeel Smithfor discussing with me this study,still stand in the tomb iganfor support that allowed me to someof the ideaspresented here. Photo- today.Cramped space in the tomb undertakepreliminary research in graphswere kindly provided byJan San- makesit difficultto providea complete Athensfor this article;and the College ders;the BritishMuseum; the Deutsches photographicrecord. I thereforerefer of the Holy Crossboth for funds to ArchaologischesInstitut, Rome; the in manyinstances to the line drawings purchasephotographs and for a leaveof GreekArchaeological Service; and the of the Ledasarcophagus produced by absencethat allowed me to continue KunsthistorischesMuseum, Vienna. -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault. -
May 18-30, 2022 (13 Days | 16 Guests) with Archaeologist Gerry Schaus
THE LEGACY OF Ancient Greece May 18-30, 2022 (13 days | 16 guests) with archaeologist Gerry Schaus Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur xperience the glories of Greece, from the Bronze Age to the Classical era Archaeological Institute of America and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient Gerald Schaus (PhD, history and to witness how integral mythology, religion, drama, and literature are University of Pennsylvania) is to their understanding. This well-paced tour, from city to mountains to seaside, Professor Emeritus, spends a total of four nights in the modern yet historic capital, Athens; two nights Archaeology and in the charming port town of Nafplion; one night in Dimitsana, a medieval Heritage Studies, mountain village; two nights in Olympia, home of the original Olympic Games; Wilfrid Laurier and two nights in the mountain resort town of Arachova, near Delphi. University (Waterloo, Ontario) and Highlights include: former President of the Canadian • SIX UNESCO World Heritage Sites: Institute in Greece. He is a classical ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion archaeologist specializing in ceramics, art, temples, plus the nearby Acropolis Museum; and iconography of the Greek Archaic period. Gerry’s excavation experience ˚ the greatest ancient oracle, Delphi, located in a spectacular over the past 45 years includes sites in mountain setting; Greece (most recently Gournia, Crete), ˚ Olympia, where the Olympic Games were held for 1,000 years, Italy, Libya, and Romania, dating from starting in 776 B.C.; the Neolithic to Byzantine periods. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Philostratus, Perceptions of Foreign Ethnicity, and Severan Cultural Geography Permalink https://escholarship.org/uc/item/7j2862k0 Author Bingley, Christopher Stephen Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Philostratus, Perceptions of Foreign Ethnicity, and Severan Cultural Geography A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Christopher Stephen Bingley 2019 © Copyright by Christopher Stephen Bingley 2019 ABSTRACT OF DISSERTATION Philostratus, Perceptions of Foreign Ethnicity, And Severan Cultural Geography by Christopher Stephen Bingley Doctor of Philosophy in History University of CaliforniA, Los Angeles, 2019 Professor DAvid DAniel Phillips, Chair During the first two centuries C.E., provinciAl Greek elites reActed to their new stAtus as denizens of the RomAn Empire in part with the literature they produced, often grouped under the heAding of the Second Sophistic. The tAil end of this period, in which a new dynasty of emperors ruled And underwent a crisis of legitimAcy (193-235 C.E.), wAs mArkedly different in the identity of the imperiAl family and as a result the composition of Greek literature. This distinction, however, has not been part of the scholArly approach to the study of this period’s literature, which insteAd focuses on the traits that it shares with eArlier sophistic literature. During this lAter period, the debate over what constituted proper “RomAnness” acquired renewed cultural importAnce especiAlly becAuse of the Severan imperiAl family’s outsider stAtus, SyriAn and AfricAn background, and decree of universAl citizenship in 212 C.E. -
Herodes Atticus: World Citizen, AD 101-177
This dissertation has been microfilmed exectlv fl<; rp>rpivgcl Mic 60-4127 RUTLEDGE, Harry C arraci. HERODES ATTICUS: WORLD CITIZEN, A.D. 101-177. The Ohio State University, Ph. D., 1960 Language and Literature, classical University Microfilms, Inc., Ann Arbor, Michigan * • > . HERODES ATTICUS: WORLD CITIZEN A. D. 101 - 177 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By HARRY CARRACI RUTLEDGE, B .S c. in Edu., M.A. The Ohio State University I960 Approved by .ser Department of Classical Languages PREFACE Herodes Atticus has frequently been designated as the orator noblllsslmus of the Second Sophistic, the well- known rhetorical movement of the second century A.D. Although his prominence in the Second Sophistic is undoubted, Herodes is scarcely one of the major figures of antiquity; the Second Sophistic itself, because of its lack of recognized literary masterpieces, engages the interest of few but specialists. No literary works at all are extant from the hand of Herodes Atticus; but he has never suffered the artistic eclipse that time has imposed on men like Cornelius Gallus, for example, since Flavius Philostratus, fascinated by the extraordinary variety in Herodes' life, saw fit to give him the paramount position in his Vitae Sophlstarum. Furthermore, Herodes1 name, i f not h is 1 if e - s to r y , has ever been w ell known to archaeologists and historians of ancient art because of the survival of so many traces of his architectural philan thropies. Herodes was the most prominent millionaire of the second century; his lavish gift to Athens of the Odeum at the foot of the Acropolis has been a familiar landmark for c e n tu r ie s . -
The Discourse of Daemonic Sacrifice in Porphyry's De Abstinentia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Daemonic Trickery, Platonic Mimicry: the Discourse of Daemonic Sacrifice in Porphyry’s De Abstinentia Travis W. Proctor A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Religious Studies Chapel Hill 2013 Approved by: Bart D. Ehrman Zlatko P e e James B. Rives © 2013 Travis W. Proctor ALL RIGHTS RESERVED ii ABSTRACT TRAVIS W. PROCTOR: Daemonic Trickery, Platonic Mimicry: the Discourse of Daemonic Sacrifice in Porphyry’s De Abstinentia Porphyry of Tyre’s discussion of daemons and anima sacrifice in his De Abstinentia strays from traditional Graeco-Roman formulations of daemonic benevolence and physiology. As a result, past studies have struggled to identify the intellectual lineage for Porphyry’s daemonology. By contrast, I propose that Porphyry draws his daemonology from Christian Platonic sources, best represented in the writings of Origen of Alexandria. I provide an extensive survey of early Christian views on daemonic physiology and encroachment upon sacrificial ritual, with a special section devoted to a comparison with the daemonology of Origen. There are notable similarities between the daemonologies of Porphyry and early Christian writers, ike y occasioned by Porphyry’s fami iarity with Christian daemonological discourses. Porphyry attributes his daemono ogica discussion, moreover, to “certain P atonists,” a c aim which, when read in ight of Porphyry’s Vita Plotini, places Origen (and other Christians) squarely within the intellectual circles from which Porphyry was drawing his daemonological discourse. -
Roman Depiction of the Aethiops Type in Literature and Artwork Evin Demirel University of Arkansas, Fayetteville
Inquiry: The University of Arkansas Undergraduate Research Journal Volume 6 Article 16 Fall 2005 Roman Depiction of the Aethiops Type in Literature and Artwork Evin Demirel University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/inquiry Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Demirel, Evin (2005) "Roman Depiction of the Aethiops Type in Literature and Artwork," Inquiry: The University of Arkansas Undergraduate Research Journal: Vol. 6 , Article 16. Available at: http://scholarworks.uark.edu/inquiry/vol6/iss1/16 This Article is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Demirel: Roman Depiction of the Aethiops Type in Literature and Artwork INQUIRY Volume 6, 2005 Evin Demirel: Roman Depiction of the Aethiops Type 1 ROMAN DEPICTION OF THE AETHIOPS TYPE IN LITERATURE AND ARTWORK AN EXCERPT FROM THE HONORS THESIS “BLACK AND WHITE IN ANCIENT ROME: AN ANALYSIS OF FOUR INFLUENTIAL WORKS ON THE ISSUE OF RACISM IN ANTIQUITY.” By Evin Demirel Classical Studies Program Faculty Mentor: Dr. David Fredricks Classical Studies Program Acknowledgements I want to thank first of all my advisor, Dave Fredrick, for his loaning of materials, recommendations, insight, editing, and translation of the party scene from Dio. Certainly, thesis composition is one matter in which this il Papa is not infallible. I also want to thank Daniel Levine for his generous loaning of materials and help with editing, Mike Riha for his aid in editing, and Charles Robinson and Beth Juhl for their helpful assistance. -
A Numismatic Iconographical Study of Julian the Apostate
A Revolutionary or a Man of his Time? A Numismatic Iconographical Study of Julian the Apostate Master’s Thesis in Classical Archaeology and Ancient History, Spring 2018 Department of Archaeology and Ancient History Lund University Author: Nicolas Frendin Supervisor: Henrik Gerding 2 Abstract Julian the Apostate’s short rule has left in the historical records a clearly divisive picture. This thesis starts with that divisive nature of the reign of Rome’s last pagan emperor and aims to analyse some of the Apostate’s coinage iconography. Can the symbols used on the coins minted during his reign say something about his allegedly revolutionary rule? By choosing to focus on a set of ten symbols found of Julian’s coins, this thesis was subsequently divided in a three-phased analysis in order to approach the subject. Julian’s coin iconography was first analysed in comparison to the totality of the Roman Emperors, stretching back to Octavian/Augustus. The second step was to put Julian’s rule within its own context and compare his coinage iconography to that of his predecessors in his own family, the second Flavian dynasty. The last step was to observe the changes during Julian’s two periods of time in power: being first a Caesar – subordinate to his cousin Constantius II – and later on the sole ruler/Augustus. Julian’s iconography was also compared to Constantius’. The results tend to show that most of Julian’s coin iconography could be characterised as conventional. The true departures can be divided into either obvious or surprising ones. 3 Contents