What Could Marcus Aurelius Feel for Fronto?*
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Teachers' Pay in Ancient Greece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 5-1942 Teachers' Pay In Ancient Greece Clarence A. Forbes Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Teachers' Pay In Ancient Greece * * * * * CLARENCE A. FORBES UNIVERSITY OF NEBRASKA STUDIES Ma y 1942 STUDIES IN THE HUMANITIES NO.2 Note to Cataloger UNDER a new plan the volume number as well as the copy number of the University of Nebraska Studies was discontinued and only the numbering of the subseries carried on, distinguished by the month and the year of pu blica tion. Thus the present paper continues the subseries "Studies in the Humanities" begun with "University of Nebraska Studies, Volume 41, Number 2, August 1941." The other subseries of the University of Nebraska Studies, "Studies in Science and Technology," and "Studies in Social Science," are continued according to the above plan. Publications in all three subseries will be supplied to recipients of the "University Studies" series. Corre spondence and orders should be addressed to the Uni versity Editor, University of Nebraska, Lincoln. University of Nebraska Studies May 1942 TEACHERS' PAY IN ANCIENT GREECE * * * CLARENCE A. -
Tertullian on the Paradox of the Roman Amphitheatre Games: De Spectaculis 22
VOX PATRUM 36 (2016) t. 65 Bogdan BURLIGA* TERTULLIAN ON THE PARADOX OF THE ROMAN AMPHITHEATRE GAMES: DE SPECTACULIS 22 As an co-author I recently worked upon the introduction and commentary on the Polish translation of Martial’s collection of epigrams, the famous Liber spectaculorum (On the Spectacles), written on the occasion of the inaugura- tion of the amphitheatrum Flavianum (later known as Colosseum) in the year 801, during the reign of the Emperor Titus2. The preparation of the commen- tary was for many reasons an exceptionally advantageous experience, and one of the most challenging problems that emerged at that time was the question: how was the Romans’ attitude towards cruelty?; how to understand their ap- parent fascination with it? Was it only a terrifying (for us) allure with mayhem, carnage and blood? Should one take it as a macabre grand-guignol entertain- ment, aimed at enjoying (by presenting the scenes of terror) the voracious populus Romanus and bloodthirsty plebs Romana, and consequently arranged by the magistrates, politicians or nobles as a tool by which the editores gained popularity and wielded power or control – both in the urbs aeterna as in other municipal cities? Or, could we ever hope to come nearer to the understanding of the cruel practices by expressing our moral judgment: disgust, detestation and rejection, as did openly Michael Grant in his Gladiators?3 How far should historians proceed in their investigations to avoid the risk of falling into an open moralizing? The more questions, the more doubts and uncertainties. Moral abhorrence, repulsion and condemnation are understandable enough to any sensitive man studying the phenomenon of the Roman ludi circenses now4: * Dr hab. -
A Sarc O P Hagu S F Rom T H E Family of Herodes Atticus
HESPERIA 70 (200I) ICONOG RAPHY Pages46z-492 AND THE DYNAMIGS O F PATRO NAG E A SARCO P HAGU S FROM T H E FAMILYOF HERODESATTICUS ABSTRACT A sarcophagusfiom the estateof HerodesAtticus in Kephisiacommemo- ratesthe intimate connections ofthe familywiththe cityof Sparta,the Battle of Marathon,and the cultstatue of Nemesisat Rhamnous.Theiconographic allusionsto Marathonalso reflect the prioritiesof the SecondSophistic, an intellectualmovement that appealed to the pastto establishcultural and po- liticalsuperiority. The unusualand meaningfill decorative program suggests thatthe family commissioned this sarcophagus. The earlierview that the more unusualAttic sarcophagiwere prefabricated, but that theirthemes simply provedunpopular, should be modifiedin lightof this study. INTRODUCTION In Septemberof 1866,during the construction of a housein the Kephisia suburbof Athens,workers discovered a marbleburial chamber, roughly squarein plan.1Robbers had long since plundered the chamber, removing thedeceased and most ofthe portable possessions. In 1866,the significant remainingartifacts included four carved marble sarcophagi and only a handfillof smallobjects.2 Otto Benndorf,who wrotethe firstcomplete descriptionof the chamberand its contents,was also the firstto suggest 1. I thankthe Universityof Mich- andNeel Smithfor discussing with me this study,still stand in the tomb iganfor support that allowed me to someof the ideaspresented here. Photo- today.Cramped space in the tomb undertakepreliminary research in graphswere kindly provided byJan San- makesit difficultto providea complete Athensfor this article;and the College ders;the BritishMuseum; the Deutsches photographicrecord. I thereforerefer of the Holy Crossboth for funds to ArchaologischesInstitut, Rome; the in manyinstances to the line drawings purchasephotographs and for a leaveof GreekArchaeological Service; and the of the Ledasarcophagus produced by absencethat allowed me to continue KunsthistorischesMuseum, Vienna. -
The Political and Military Aspects of Accession of Constantine the Great
Graeco-Latina Brunensia 24 / 2019 / 2 https://doi.org/10.5817/GLB2019-2-2 The Political and Military Aspects of Accession of Constantine the Great Stanislav Doležal (University of South Bohemia in České Budějovice) Abstract The article argues that Constantine the Great, until he was recognized by Galerius, the senior ČLÁNKY / ARTICLES Emperor of the Tetrarchy, was an usurper with no right to the imperial power, nothwithstand- ing his claim that his father, the Emperor Constantius I, conferred upon him the imperial title before he died. Tetrarchic principles, envisaged by Diocletian, were specifically put in place to supersede and override blood kinship. Constantine’s accession to power started as a military coup in which a military unit composed of barbarian soldiers seems to have played an impor- tant role. Keywords Constantine the Great; Roman emperor; usurpation; tetrarchy 19 Stanislav Doležal The Political and Military Aspects of Accession of Constantine the Great On 25 July 306 at York, the Roman Emperor Constantius I died peacefully in his bed. On the same day, a new Emperor was made – his eldest son Constantine who had been present at his father’s deathbed. What exactly happened on that day? Britain, a remote province (actually several provinces)1 on the edge of the Roman Empire, had a tendency to defect from the central government. It produced several usurpers in the past.2 Was Constantine one of them? What gave him the right to be an Emperor in the first place? It can be argued that the political system that was still valid in 306, today known as the Tetrarchy, made any such seizure of power illegal. -
Magic and the Roman Emperors
1 MAGIC AND THE ROMAN EMPERORS (1 Volume) Submitted by Georgios Andrikopoulos, to the University of Exeter as a thesis/dissertation for the degree of Doctor of Philosophy in Classics, July 2009. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ..................................... (signature) 2 Abstract Roman emperors, the details of their lives and reigns, their triumphs and failures and their representation in our sources are all subjects which have never failed to attract scholarly attention. Therefore, in view of the resurgence of scholarly interest in ancient magic in the last few decades, it is curious that there is to date no comprehensive treatment of the subject of the frequent connection of many Roman emperors with magicians and magical practices in ancient literature. The aim of the present study is to explore the association of Roman emperors with magic and magicians, as presented in our sources. This study explores the twofold nature of this association, namely whether certain emperors are represented as magicians themselves and employers of magicians or whether they are represented as victims and persecutors of magic; furthermore, it attempts to explore the implications of such associations in respect of the nature and the motivations of our sources. The case studies of emperors are limited to the period from the establishment of the Principate up to the end of the Severan dynasty, culminating in the short reign of Elagabalus. -
Mountain Aesthetics in Early Modern Latin Literature 1St Edition Download Free
MOUNTAIN AESTHETICS IN EARLY MODERN LATIN LITERATURE 1ST EDITION DOWNLOAD FREE William M Barton | 9781315391731 | | | | | Bryn Mawr Classical Review Latin literature would flourish for the Mountain Aesthetics in Early Modern Latin Literature 1st edition six centuries. Help Learn to edit Community portal Recent changes Upload file. Ovid was a witty writer who excelled in creating lively and passionate characters. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. Latin was the language of the ancient Romans, but it was also the lingua franca of Western Europe throughout the Middle Agesso Latin literature includes not only Roman authors like CiceroVergilOvid and Horacebut also includes European writers after the fall of the Empire, from religious writers like Aquinas —to secular writers like Francis Bacon —Baruch Spinoza —and Isaac Newton — This novel concerns a young man who is accidentally changed into a donkey. Important works from the 2nd century include the Attic Nights of Aulus Gelliusa collection of anecdotes and reports of literary discussions among his friends; and the letters of the orator Marcus Cornelius Fronto to Marcus Aurelius. Views Read Edit View history. His nephew Lucan wrote the Pharsalia about 60an epic poem describing the civil war between Caesar and Pompey. SmithSan Francisco State University. In Mountain Aesthetics in Early Modern Latin Literature 1st edition Natural QuestionsSeneca analyzed earthquakes, floods, and storms. One of the most learned writers of the period was Marcus Terentius Varro. Its back cover is most succinct:. -
The Religious World of Quintus Aurelius Symmachus
The Religious World of Quintus Aurelius Symmachus ‘A thesis submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the degree of Doctor of Philosophy’ 2016 Jillian Mitchell For Michael – and in memory of my father Kenneth who started it all Abstract for PhD Thesis in Classics The Religious World of Quintus Aurelius Symmachus This thesis explores the last decades of legal paganism in the Roman Empire of the second half of the fourth century CE through the eyes of Symmachus, orator, senator and one of the most prominent of the pagans of this period living in Rome. It is a religious biography of Symmachus himself, but it also considers him as a representative of the group of aristocratic pagans who still adhered to the traditional cults of Rome at a time when the influence of Christianity was becoming ever stronger, the court was firmly Christian and the aristocracy was converting in increasingly greater numbers. Symmachus, though long known as a representative of this group, has only very recently been investigated thoroughly. Traditionally he was regarded as a follower of the ancient cults only for show rather than because of genuine religious beliefs. I challenge this view and attempt in the thesis to establish what were his religious feelings. Symmachus has left us a tremendous primary resource of over nine hundred of his personal and official letters, most of which have never been translated into English. These letters are the core material for my work. I have translated into English some of his letters for the first time. -
Socratic Themes in the Meditations of Marcus Aurelius
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal Holloway - Pure Socratic Themes in the Meditations of Marcus Aurelius JOHN SELLARS ABSTRACT: Although Marcus Aurelius refers to Socrates only a handful of times in the Meditations, and often only to name him as an example of an illustrious figure now long dead, this chapter argues that there is a distinctive Socratic character to the philosophical project that we see at work in Marcus’s notebook writings. In those few places where Marcus does invoke Socrates it is usually in connection with one of the central preoccupations of the Meditations, in particular the notion of taking care of oneself, the primacy of virtue, and the need for self- control. Moreover, Marcus’ practice of writing to himself may also be seen as a Socratic enterprise, when approached in the light of a suggestive passage from Epictetus. This chapter i) examines Marcus’s knowledge of Socrates and the sources he used, and ii) explores the Socratic themes in the Meditations noted above. Although Marcus does not explicitly say much about Socrates, I suggest that he probably considered the Meditations to embody a deeply Socratic project. 1. Introduction Marcus Aurelius mentions Socrates a dozen or so times in the Meditations.1 To these explicit references we can add a few quotations from the Socrates of Plato’s dialogues where he is not named.2 Of these few scattered references to Socrates, some merely name him in a list of illustrious people who are now dead: Heraclitus, after many speculations about fire which should consume the Universe, was waterlogged by dropsy, poulticed himself with cow-dung and died. -
May 18-30, 2022 (13 Days | 16 Guests) with Archaeologist Gerry Schaus
THE LEGACY OF Ancient Greece May 18-30, 2022 (13 days | 16 guests) with archaeologist Gerry Schaus Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur xperience the glories of Greece, from the Bronze Age to the Classical era Archaeological Institute of America and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient Gerald Schaus (PhD, history and to witness how integral mythology, religion, drama, and literature are University of Pennsylvania) is to their understanding. This well-paced tour, from city to mountains to seaside, Professor Emeritus, spends a total of four nights in the modern yet historic capital, Athens; two nights Archaeology and in the charming port town of Nafplion; one night in Dimitsana, a medieval Heritage Studies, mountain village; two nights in Olympia, home of the original Olympic Games; Wilfrid Laurier and two nights in the mountain resort town of Arachova, near Delphi. University (Waterloo, Ontario) and Highlights include: former President of the Canadian • SIX UNESCO World Heritage Sites: Institute in Greece. He is a classical ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion archaeologist specializing in ceramics, art, temples, plus the nearby Acropolis Museum; and iconography of the Greek Archaic period. Gerry’s excavation experience ˚ the greatest ancient oracle, Delphi, located in a spectacular over the past 45 years includes sites in mountain setting; Greece (most recently Gournia, Crete), ˚ Olympia, where the Olympic Games were held for 1,000 years, Italy, Libya, and Romania, dating from starting in 776 B.C.; the Neolithic to Byzantine periods. -
Herodes Atticus: World Citizen, AD 101-177
This dissertation has been microfilmed exectlv fl<; rp>rpivgcl Mic 60-4127 RUTLEDGE, Harry C arraci. HERODES ATTICUS: WORLD CITIZEN, A.D. 101-177. The Ohio State University, Ph. D., 1960 Language and Literature, classical University Microfilms, Inc., Ann Arbor, Michigan * • > . HERODES ATTICUS: WORLD CITIZEN A. D. 101 - 177 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By HARRY CARRACI RUTLEDGE, B .S c. in Edu., M.A. The Ohio State University I960 Approved by .ser Department of Classical Languages PREFACE Herodes Atticus has frequently been designated as the orator noblllsslmus of the Second Sophistic, the well- known rhetorical movement of the second century A.D. Although his prominence in the Second Sophistic is undoubted, Herodes is scarcely one of the major figures of antiquity; the Second Sophistic itself, because of its lack of recognized literary masterpieces, engages the interest of few but specialists. No literary works at all are extant from the hand of Herodes Atticus; but he has never suffered the artistic eclipse that time has imposed on men like Cornelius Gallus, for example, since Flavius Philostratus, fascinated by the extraordinary variety in Herodes' life, saw fit to give him the paramount position in his Vitae Sophlstarum. Furthermore, Herodes1 name, i f not h is 1 if e - s to r y , has ever been w ell known to archaeologists and historians of ancient art because of the survival of so many traces of his architectural philan thropies. Herodes was the most prominent millionaire of the second century; his lavish gift to Athens of the Odeum at the foot of the Acropolis has been a familiar landmark for c e n tu r ie s . -
Ammianus and Constantius: the Portrayal of a Tyrant in the Res Gestae
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2009 Ammianus and Constantius: The Portrayal of a Tyrant in the Res Gestae Sean Robert Williams University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the History Commons Recommended Citation Williams, Sean Robert, "Ammianus and Constantius: The Portrayal of a Tyrant in the Res Gestae. " Master's Thesis, University of Tennessee, 2009. https://trace.tennessee.edu/utk_gradthes/572 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Sean Robert Williams entitled "Ammianus and Constantius: The Portrayal of a Tyrant in the Res Gestae." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in History. Michael Kulikowski, Major Professor We have read this thesis and recommend its acceptance: Maura Lafferty, Christine Shepardson Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Sean Robert Williams entitled “Ammianus and Constantius: The Portrayal of a Tyrant in the Res Gestae .” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in History.