Greek-Latin Code-Switching in Roman Literature. Language and Literature, 24 (3)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Teachers' Pay in Ancient Greece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 5-1942 Teachers' Pay In Ancient Greece Clarence A. Forbes Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Teachers' Pay In Ancient Greece * * * * * CLARENCE A. FORBES UNIVERSITY OF NEBRASKA STUDIES Ma y 1942 STUDIES IN THE HUMANITIES NO.2 Note to Cataloger UNDER a new plan the volume number as well as the copy number of the University of Nebraska Studies was discontinued and only the numbering of the subseries carried on, distinguished by the month and the year of pu blica tion. Thus the present paper continues the subseries "Studies in the Humanities" begun with "University of Nebraska Studies, Volume 41, Number 2, August 1941." The other subseries of the University of Nebraska Studies, "Studies in Science and Technology," and "Studies in Social Science," are continued according to the above plan. Publications in all three subseries will be supplied to recipients of the "University Studies" series. Corre spondence and orders should be addressed to the Uni versity Editor, University of Nebraska, Lincoln. University of Nebraska Studies May 1942 TEACHERS' PAY IN ANCIENT GREECE * * * CLARENCE A. -
Tertullian on the Paradox of the Roman Amphitheatre Games: De Spectaculis 22
VOX PATRUM 36 (2016) t. 65 Bogdan BURLIGA* TERTULLIAN ON THE PARADOX OF THE ROMAN AMPHITHEATRE GAMES: DE SPECTACULIS 22 As an co-author I recently worked upon the introduction and commentary on the Polish translation of Martial’s collection of epigrams, the famous Liber spectaculorum (On the Spectacles), written on the occasion of the inaugura- tion of the amphitheatrum Flavianum (later known as Colosseum) in the year 801, during the reign of the Emperor Titus2. The preparation of the commen- tary was for many reasons an exceptionally advantageous experience, and one of the most challenging problems that emerged at that time was the question: how was the Romans’ attitude towards cruelty?; how to understand their ap- parent fascination with it? Was it only a terrifying (for us) allure with mayhem, carnage and blood? Should one take it as a macabre grand-guignol entertain- ment, aimed at enjoying (by presenting the scenes of terror) the voracious populus Romanus and bloodthirsty plebs Romana, and consequently arranged by the magistrates, politicians or nobles as a tool by which the editores gained popularity and wielded power or control – both in the urbs aeterna as in other municipal cities? Or, could we ever hope to come nearer to the understanding of the cruel practices by expressing our moral judgment: disgust, detestation and rejection, as did openly Michael Grant in his Gladiators?3 How far should historians proceed in their investigations to avoid the risk of falling into an open moralizing? The more questions, the more doubts and uncertainties. Moral abhorrence, repulsion and condemnation are understandable enough to any sensitive man studying the phenomenon of the Roman ludi circenses now4: * Dr hab. -
Downloads/Wp988j82g]
[https://commons.warburg.sas.ac.uk/downloads/wp988j82g] Miglietti, Sara. The censor as reader : censorial responses to Bodin’s methodus in counter-Reformation Italy (1587-1607) / Sara Miglietti. 2016 Article To cite this version: Miglietti, S. (2016). The censor as reader : censorial responses to Bodin’s methodus in counter- Reformation Italy (1587-1607) / Sara Miglietti. History of European Ideas , 42(5), 707–721. https://doi.org/ https://doi.org/10.1080/01916599.2016.1153289 Available at: https://commons.warburg.sas.ac.uk/concern/journal_articles/d217qp48j DOI: https://doi.org/10.1080/01916599.2016.1153289 Date submitted: 2019-07-22 Copyright is retained by the author. Terms and conditions for use of this material are defined in the User Deposit Agreement. The Censor as Reader: Censorial Responses to Bodin’s Methodus in Counter- Reformation Italy (1587-1607) SARA MIGLIETTI Department of German and Romance Languages and Literatures, Johns Hopkins University Gilman Hall 481 3400 N Charles Street Baltimore, MD 21218 (USA) Phone: +1-202-848-6032 Email: [email protected] 1 The Censor as Reader: Censorial Responses to Bodin’s Methodus in Counter- Reformation Italy (1587-1607) * SARA MIGLIETTI Department of German and Romance Languages and Literatures Johns Hopkins University, Baltimore, MD Summary This essay investigates censorial responses to Jean Bodin’s Methodus (1566) in Counter-Reformation Italy, using evidence from Italian libraries and archives to shed new light on the process that led to the inclusion of the work in the Roman Expurgatory Index of 1607. By examining the diverse, and sometimes conflicting, opinions that Catholic censors expressed on Bodin’s text and the ‘errors’ it contained, the essay shows that even a relatively cohesive ‘reading community’ such as that of Counter-Reformation censors could nurture fundamental disagreement in evaluating the content and dangerousness of a book, as well as in devising appropriate countermeasures. -
A Sarc O P Hagu S F Rom T H E Family of Herodes Atticus
HESPERIA 70 (200I) ICONOG RAPHY Pages46z-492 AND THE DYNAMIGS O F PATRO NAG E A SARCO P HAGU S FROM T H E FAMILYOF HERODESATTICUS ABSTRACT A sarcophagusfiom the estateof HerodesAtticus in Kephisiacommemo- ratesthe intimate connections ofthe familywiththe cityof Sparta,the Battle of Marathon,and the cultstatue of Nemesisat Rhamnous.Theiconographic allusionsto Marathonalso reflect the prioritiesof the SecondSophistic, an intellectualmovement that appealed to the pastto establishcultural and po- liticalsuperiority. The unusualand meaningfill decorative program suggests thatthe family commissioned this sarcophagus. The earlierview that the more unusualAttic sarcophagiwere prefabricated, but that theirthemes simply provedunpopular, should be modifiedin lightof this study. INTRODUCTION In Septemberof 1866,during the construction of a housein the Kephisia suburbof Athens,workers discovered a marbleburial chamber, roughly squarein plan.1Robbers had long since plundered the chamber, removing thedeceased and most ofthe portable possessions. In 1866,the significant remainingartifacts included four carved marble sarcophagi and only a handfillof smallobjects.2 Otto Benndorf,who wrotethe firstcomplete descriptionof the chamberand its contents,was also the firstto suggest 1. I thankthe Universityof Mich- andNeel Smithfor discussing with me this study,still stand in the tomb iganfor support that allowed me to someof the ideaspresented here. Photo- today.Cramped space in the tomb undertakepreliminary research in graphswere kindly provided byJan San- makesit difficultto providea complete Athensfor this article;and the College ders;the BritishMuseum; the Deutsches photographicrecord. I thereforerefer of the Holy Crossboth for funds to ArchaologischesInstitut, Rome; the in manyinstances to the line drawings purchasephotographs and for a leaveof GreekArchaeological Service; and the of the Ledasarcophagus produced by absencethat allowed me to continue KunsthistorischesMuseum, Vienna. -
Plants & Natural History
Plants, Natural History, Animals & Medicinal Manuscripts Old Manuscripts & Incunabula - Specialists in Facsimile Editions Facsimile Editions PO Box 6019 FDR Station, New York NY 10150 Monday, March 2, 2020 tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] Manuscripts arranged by library location. Please inquire about availability of titles with no price. MANUSCRIPTS (by location) 1447 Etymachie-Traktat. Ein Todsündentraktat in der katechetisch-erbaulichen Sammelhandschrift Augsburg, Staats- und Stadtbibliothek, 2º Cod.160. Farbmikrofiche-Edition. Einführung zur 'Etymachia' von Nigel Harris. Einführung zu den katechetischen Texten und Beschreibung der Handschrift von Werner Williams-Krapp. [Augsburg, Staats- & Stadtbibl., 2º Cod.160] [3-89219-036-4] Codices Illuminati Medii Aevi, 36. Munich, 1995. 17 x 25 cm, 50 pp, 3 fiches. Paper MS of 104 fols., dated 1447, from Swabia. Miscellany of 18 catechetical tracts, written by the scribe Petrus Willen of Neuburg. Only the ”Etymachia”, i.e., the mental or spiritual battle, treating the 7 cardinal virtues and vices, is illustrated with 14 paintings (fol. 76-104): Armed chevaliers and ladies as their allegoric personifications are riding on animals (dromedary, panther, bear, unicorn, elephant, dragon, etc.), showing additional emblematic signs on helmets, shields, and suits of armour, according to the descriptions of the corresponding texts. Quotations of patristic authorities and biblical examples refer to the tradition of Latin sources. Linen. € 240 1542 Model Book of Giovannino de Grassi. [Bergamo, Civica Biblioteca ”Angelo Mai”, ms. VII. 14] Luzern, 1998. 17 x 22.7 cm, 62 pp + commentary. This work is the best known and most precious manuscript in the Angelo Mai Library in Bergamo; it is commonly regarded as the most important example of late Italian gothic art. -
Mountain Aesthetics in Early Modern Latin Literature 1St Edition Download Free
MOUNTAIN AESTHETICS IN EARLY MODERN LATIN LITERATURE 1ST EDITION DOWNLOAD FREE William M Barton | 9781315391731 | | | | | Bryn Mawr Classical Review Latin literature would flourish for the Mountain Aesthetics in Early Modern Latin Literature 1st edition six centuries. Help Learn to edit Community portal Recent changes Upload file. Ovid was a witty writer who excelled in creating lively and passionate characters. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. Latin was the language of the ancient Romans, but it was also the lingua franca of Western Europe throughout the Middle Agesso Latin literature includes not only Roman authors like CiceroVergilOvid and Horacebut also includes European writers after the fall of the Empire, from religious writers like Aquinas —to secular writers like Francis Bacon —Baruch Spinoza —and Isaac Newton — This novel concerns a young man who is accidentally changed into a donkey. Important works from the 2nd century include the Attic Nights of Aulus Gelliusa collection of anecdotes and reports of literary discussions among his friends; and the letters of the orator Marcus Cornelius Fronto to Marcus Aurelius. Views Read Edit View history. His nephew Lucan wrote the Pharsalia about 60an epic poem describing the civil war between Caesar and Pompey. SmithSan Francisco State University. In Mountain Aesthetics in Early Modern Latin Literature 1st edition Natural QuestionsSeneca analyzed earthquakes, floods, and storms. One of the most learned writers of the period was Marcus Terentius Varro. Its back cover is most succinct:. -
Socratic Themes in the Meditations of Marcus Aurelius
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal Holloway - Pure Socratic Themes in the Meditations of Marcus Aurelius JOHN SELLARS ABSTRACT: Although Marcus Aurelius refers to Socrates only a handful of times in the Meditations, and often only to name him as an example of an illustrious figure now long dead, this chapter argues that there is a distinctive Socratic character to the philosophical project that we see at work in Marcus’s notebook writings. In those few places where Marcus does invoke Socrates it is usually in connection with one of the central preoccupations of the Meditations, in particular the notion of taking care of oneself, the primacy of virtue, and the need for self- control. Moreover, Marcus’ practice of writing to himself may also be seen as a Socratic enterprise, when approached in the light of a suggestive passage from Epictetus. This chapter i) examines Marcus’s knowledge of Socrates and the sources he used, and ii) explores the Socratic themes in the Meditations noted above. Although Marcus does not explicitly say much about Socrates, I suggest that he probably considered the Meditations to embody a deeply Socratic project. 1. Introduction Marcus Aurelius mentions Socrates a dozen or so times in the Meditations.1 To these explicit references we can add a few quotations from the Socrates of Plato’s dialogues where he is not named.2 Of these few scattered references to Socrates, some merely name him in a list of illustrious people who are now dead: Heraclitus, after many speculations about fire which should consume the Universe, was waterlogged by dropsy, poulticed himself with cow-dung and died. -
May 18-30, 2022 (13 Days | 16 Guests) with Archaeologist Gerry Schaus
THE LEGACY OF Ancient Greece May 18-30, 2022 (13 days | 16 guests) with archaeologist Gerry Schaus Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur xperience the glories of Greece, from the Bronze Age to the Classical era Archaeological Institute of America and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient Gerald Schaus (PhD, history and to witness how integral mythology, religion, drama, and literature are University of Pennsylvania) is to their understanding. This well-paced tour, from city to mountains to seaside, Professor Emeritus, spends a total of four nights in the modern yet historic capital, Athens; two nights Archaeology and in the charming port town of Nafplion; one night in Dimitsana, a medieval Heritage Studies, mountain village; two nights in Olympia, home of the original Olympic Games; Wilfrid Laurier and two nights in the mountain resort town of Arachova, near Delphi. University (Waterloo, Ontario) and Highlights include: former President of the Canadian • SIX UNESCO World Heritage Sites: Institute in Greece. He is a classical ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion archaeologist specializing in ceramics, art, temples, plus the nearby Acropolis Museum; and iconography of the Greek Archaic period. Gerry’s excavation experience ˚ the greatest ancient oracle, Delphi, located in a spectacular over the past 45 years includes sites in mountain setting; Greece (most recently Gournia, Crete), ˚ Olympia, where the Olympic Games were held for 1,000 years, Italy, Libya, and Romania, dating from starting in 776 B.C.; the Neolithic to Byzantine periods. -
Herodes Atticus: World Citizen, AD 101-177
This dissertation has been microfilmed exectlv fl<; rp>rpivgcl Mic 60-4127 RUTLEDGE, Harry C arraci. HERODES ATTICUS: WORLD CITIZEN, A.D. 101-177. The Ohio State University, Ph. D., 1960 Language and Literature, classical University Microfilms, Inc., Ann Arbor, Michigan * • > . HERODES ATTICUS: WORLD CITIZEN A. D. 101 - 177 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By HARRY CARRACI RUTLEDGE, B .S c. in Edu., M.A. The Ohio State University I960 Approved by .ser Department of Classical Languages PREFACE Herodes Atticus has frequently been designated as the orator noblllsslmus of the Second Sophistic, the well- known rhetorical movement of the second century A.D. Although his prominence in the Second Sophistic is undoubted, Herodes is scarcely one of the major figures of antiquity; the Second Sophistic itself, because of its lack of recognized literary masterpieces, engages the interest of few but specialists. No literary works at all are extant from the hand of Herodes Atticus; but he has never suffered the artistic eclipse that time has imposed on men like Cornelius Gallus, for example, since Flavius Philostratus, fascinated by the extraordinary variety in Herodes' life, saw fit to give him the paramount position in his Vitae Sophlstarum. Furthermore, Herodes1 name, i f not h is 1 if e - s to r y , has ever been w ell known to archaeologists and historians of ancient art because of the survival of so many traces of his architectural philan thropies. Herodes was the most prominent millionaire of the second century; his lavish gift to Athens of the Odeum at the foot of the Acropolis has been a familiar landmark for c e n tu r ie s . -
Roman Depiction of the Aethiops Type in Literature and Artwork Evin Demirel University of Arkansas, Fayetteville
Inquiry: The University of Arkansas Undergraduate Research Journal Volume 6 Article 16 Fall 2005 Roman Depiction of the Aethiops Type in Literature and Artwork Evin Demirel University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/inquiry Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Demirel, Evin (2005) "Roman Depiction of the Aethiops Type in Literature and Artwork," Inquiry: The University of Arkansas Undergraduate Research Journal: Vol. 6 , Article 16. Available at: http://scholarworks.uark.edu/inquiry/vol6/iss1/16 This Article is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Demirel: Roman Depiction of the Aethiops Type in Literature and Artwork INQUIRY Volume 6, 2005 Evin Demirel: Roman Depiction of the Aethiops Type 1 ROMAN DEPICTION OF THE AETHIOPS TYPE IN LITERATURE AND ARTWORK AN EXCERPT FROM THE HONORS THESIS “BLACK AND WHITE IN ANCIENT ROME: AN ANALYSIS OF FOUR INFLUENTIAL WORKS ON THE ISSUE OF RACISM IN ANTIQUITY.” By Evin Demirel Classical Studies Program Faculty Mentor: Dr. David Fredricks Classical Studies Program Acknowledgements I want to thank first of all my advisor, Dave Fredrick, for his loaning of materials, recommendations, insight, editing, and translation of the party scene from Dio. Certainly, thesis composition is one matter in which this il Papa is not infallible. I also want to thank Daniel Levine for his generous loaning of materials and help with editing, Mike Riha for his aid in editing, and Charles Robinson and Beth Juhl for their helpful assistance. -
Herodes Atticus 100/1/2 – 177 AD
Carina Moschello Gabriel General 1/30/2014 Herodes Atticus 100/1/2 – 177 AD Full name: Lucius Vibullius Hipparchus Tiberius Claudius Atticus Herodes Father: Tiberius Claudius Atticus Herodes Mother: Vibullia Alcia Education: Combined Greek and Roman. Studied literature with Theagenes of Cnidus and Munatius of Tralles. Wife: Appia Annia Atilia Regilla Caucidia Tertulla Regilla (married in 140 AD) Famous Sophist peers: Scopelian, Polemo, and Favorinus. Career: - Agoranomos of Athens before AD 126/127 - Achon of Athens in AD 126/127 - Quinqvevir Litibus Iucdicandis - Quaestor Principis - Tribune - Praetor - Corrector the Province of Asia in 134/5 - Consul Ordinarius 143 - (Turned down a proconsulship or a second consulship) - Tutor to Marcus Aurelius and Lucius Verus Bust from his villa at Kephissia Second Sophistic nd Mid 2 C. A.D. The “most popular form of Greek-language artistic National Archaeological Museum, st Athens entertainment from the second half of the 1 century AD to the first half of the 3rd. In these performances a sophist was often expected to deliver a speech, usually on a topic of Classical Greek history proposed by the audience, with only a brief period of time allowed for preparation. Much was expected of these performers by their knowledgeable audiences. Their grasp of Greek history had to be accurate, and they were also required to be Atticisists, i.e. to use a Greek borrowed from Classical Greek writers, a Greek that in vocabulary, morphology, and syntax often departed from contemporary educated speech. Above all,